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6
6.0 (1 Ratings)
Book Rating
Not totally romance, not exactly chick-lit, not altogether a mystery, so what is it? A bit of all of the above really. ALL ABOUT EVIE is a fluffy read that's fairly quick and utterly harmless. Evie, at 41, is a nice change from the 23-year-olds that run rampant in lighter fiction. Yes, her age does come into play since she's an old geezer in the world of show business, but it never became overbearing or unnecessary and added another dimension to her character. Evie narrates in first person, while when it cuts to another character it is written in third person, a bit jarring at first, but I didn't have any problems with it. The plot was fine, as was the pace, there's not much to rave or quibble about, the book was just nice. I think the most irritating thing about the book was the excessive mentioning of Evie's TMJ (temporomandibular joint, which should actually really be called TMD - temporomandibular joint disorder/dysfunction), I really got sick of her bringing it up and then confusing it with lockjaw. We got it, you have a problem with your jaw, move on. But on the whole, I wouldn't say there was anything earth-shattering about the book but it's a perfectly good beach read. One thing, this is the first of three books (not sure if they'll be more), so it's not a standalone, which was unfortunate for me. At this time I'm not sure if I'll be on the look-out for the other two.
  
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Dave Navarro recommended Ordinary People (1980) in Movies (curated)

 
Ordinary People (1980)
Ordinary People (1980)
1980 | Drama

"This one’s going to make you — well, I don’t know what you’re going to say to this, but Ordinary People, the Robert Redford film with Timothy Hutton, and Mary Tyler Moore, Donald Sutherland, [has] got to be one of the most emotional films for me, just seeing the middle upper class being stripped of the veneer and seeing the dysfunction within. That film really captures that more than any other, I think, and certainly of that time, it was such a dangerous statement for Robert Redford to be making in a film like that. Every time I watch that film — and I must have seen it over 100 times — I weep. And Mary Tyler Moore’s performance in that film, I’m telling you, man, growing up in LA, I knew women like her… That was my friends’ mothers, without a doubt. It’s so simple and it’s just beautiful story telling. Judd Hirsch as the therapist and the relationship he creates with Timothy Hutton in that film is pretty special. I feel that if that film doesn’t touch you on some level, that you’re not human. Looking back at it now, it may seem like a very after-school-special choice, but if you really visit that film again, it holds up, man. It’s pretty compelling. You got to see that, man, on a Sunday when it’s a little rainy out there. I don’t know if you have a boyfriend, or a girlfriend, but whoever that is, sit with them, put that on. I’m telling you, dude. It’s like… How do I put it? It’s like The Notebook for our generation, or my generation, you know?"

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