Search
The Comfort Food Diaries: My Quest for the Perfect Dish to Mend a Broken Heart
Book
In the tradition of Elizabeth Gilbert and Ruth Reichl, former New Yorker editor Emily Nunn...
Biography food
Gareth von Kallenbach (980 KP) rated Licorice Pizza (2021) in Movies
Dec 20, 2021
Set in the San Fernando Valley of 1973; Writer/Director Paul Thomas Anderson has created a loving and nostalgia-filled look at that era with his new film “Licorice Pizza”. The film focuses on a teenaged Gary (Cooper Hoffman) who becomes intrigued by an older photographer assistant named Alana (Alana Haim); during his school photo sessions.
Despite their age difference; the two become friends and Gary attempts to impress her with his hustle as he works in the fringes of Hollywood and has become a regular on the audition circuit and various events thanks to his agent.
When he is able to get Alana to act as his chaperone on a promotional trip to New York; reality sets in when Alana catches the eye of an older actor and starts dating him; Gary moves his hustle into high gear and begins a successful Waterbed business and even convinces his agent to represent Alana.
What follows is a long-winding story as the two move into Hollywood circles and face various challenges associated with their times, confused feelings, and goals.
While the film has some great moments and really great performance; especially that of Haim and Bradley Cooper; the two hours and forty-five minute run time seemed overly long and self-indulgent and could easily have lost forty-five minutes or so and not lost much as the film is loaded with scenes that are overly long or do not advance the story or characters in any meaningful way.
In many ways, the film plays out like a teenaged boy’s fantasy as there is the alluring older woman and his repeated ways to impress her; some of which stretch credibility.
What makes the film work so well is the nostalgic and loving look at the era and the winning performances from the cast. Much like he did with “Boogie Nights”; Anderson is not afraid to take broken or dysfunctional characters and make them sympathetic and relatable.
Expect the movie to do well with the Award voters and it will be interesting to see what the cast will do next.
Despite their age difference; the two become friends and Gary attempts to impress her with his hustle as he works in the fringes of Hollywood and has become a regular on the audition circuit and various events thanks to his agent.
When he is able to get Alana to act as his chaperone on a promotional trip to New York; reality sets in when Alana catches the eye of an older actor and starts dating him; Gary moves his hustle into high gear and begins a successful Waterbed business and even convinces his agent to represent Alana.
What follows is a long-winding story as the two move into Hollywood circles and face various challenges associated with their times, confused feelings, and goals.
While the film has some great moments and really great performance; especially that of Haim and Bradley Cooper; the two hours and forty-five minute run time seemed overly long and self-indulgent and could easily have lost forty-five minutes or so and not lost much as the film is loaded with scenes that are overly long or do not advance the story or characters in any meaningful way.
In many ways, the film plays out like a teenaged boy’s fantasy as there is the alluring older woman and his repeated ways to impress her; some of which stretch credibility.
What makes the film work so well is the nostalgic and loving look at the era and the winning performances from the cast. Much like he did with “Boogie Nights”; Anderson is not afraid to take broken or dysfunctional characters and make them sympathetic and relatable.
Expect the movie to do well with the Award voters and it will be interesting to see what the cast will do next.
RəX Regent (349 KP) rated Night of the Living Dead (1968) in Movies
Feb 19, 2019
Iconic, influential and ground-breaking. All words to describe George A. Romero’s inaugural zombie horror, but what sets this apart from its contemporaries and the endless variations in the genre in which this Indie movie helped spawn?
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Gail (4 KP) rated Chasing Ever After in Books
Jun 4, 2018
I was so excited to get to read more about this dysfunctional family. In this book we see hope of something new and beautiful. Ace and Sadie have been dancing around the possibilities of an “us” for two years now. Jax and Ky are getting married in Hawaii and it seems like the perfect time for Ace to make a move. Sadie doesn’t trust Ace and she is an ice queen every time he is near. One word from his mouth and she is disgusted. Is that really how she feels or is it a cover for her true feelings?
I have to confess that I was disappointed in how the guys past was held against them. Sure they should’ve been less willing to poke anything but it shouldn’t be used as a tool to make them feel less about themselves. We all have a past and that past shouldn’t be a weapon to hold back our future. Why should I wish to change my past just to win your love and affection? You should accept me for me and if I am showing you how I have changed and continue to change, you shouldn’t be upset about something that happened before I met you and wanted a relationship.
From Sadie's view I didn’t agree with how she handled any of their time together. She was always cold and pushing him away. Yet he stayed and kept trying. I don’t think she appreciated that. Yes she was hurting and man it flipping sucked what happened to her. (Gosh how can you write about so much loss?) But there was nothing in her past that gave me the impression that she couldn’t trust Ace. Yes his past was yuck but for two years the guy was practically your shadow.
I loved his loyalty and his willingness to just keep trying no matter how she tried to shake him off. Sadie had redeeming qualities also they just got overshadowed by her attitude. I haven’t lost a child but I have lost someone I loved. So I feel her pain but it didn’t stop me from loving again. Ace had issues but not enough for me to understand Sadie's side. I’m glad it ended well. If she would’ve dragged him along anymore I would’ve had to slap her. Maybe I missed the point but the whole waiting for sex isn't for everyone.
I have to confess that I was disappointed in how the guys past was held against them. Sure they should’ve been less willing to poke anything but it shouldn’t be used as a tool to make them feel less about themselves. We all have a past and that past shouldn’t be a weapon to hold back our future. Why should I wish to change my past just to win your love and affection? You should accept me for me and if I am showing you how I have changed and continue to change, you shouldn’t be upset about something that happened before I met you and wanted a relationship.
From Sadie's view I didn’t agree with how she handled any of their time together. She was always cold and pushing him away. Yet he stayed and kept trying. I don’t think she appreciated that. Yes she was hurting and man it flipping sucked what happened to her. (Gosh how can you write about so much loss?) But there was nothing in her past that gave me the impression that she couldn’t trust Ace. Yes his past was yuck but for two years the guy was practically your shadow.
I loved his loyalty and his willingness to just keep trying no matter how she tried to shake him off. Sadie had redeeming qualities also they just got overshadowed by her attitude. I haven’t lost a child but I have lost someone I loved. So I feel her pain but it didn’t stop me from loving again. Ace had issues but not enough for me to understand Sadie's side. I’m glad it ended well. If she would’ve dragged him along anymore I would’ve had to slap her. Maybe I missed the point but the whole waiting for sex isn't for everyone.
Gareth von Kallenbach (980 KP) rated Unfinished Business (2015) in Movies
Jun 19, 2019
Dan Trunk man (Vince Vaughn), is a man barely holding on. After leaving his job due to being asked to take a pay cut for the second straight year, he ventures off to form his own company and compete directly with his former employer.
After a year on his own, Dan is about to conclude a long-term negotiation and complete a much needed business deal which is essential to the survival of his company and being able to keep his two employees Tim (Tom Wilkinson), and Mike (Dave Franco), employed.
All he needs to do is fly with his team to meet the client in Portland Maine to shake hands and close the deal which will pave the way for financial security and personal redemption for Dan and his team. Sadly he learns that his former boss Chuck (Sienna Miller), is also competing for the same deal. Dan slowly realizes that he may have been used as leverage to allow his rival to up their offer and as was never been seriously considered for the deal.
If this was not enough pressure for Dan, his son and daughter are having issues are school and his wife is persistently suggestion that they send their kids to a private school which forces Dan and his team to fly to Germany to make a master pitch to the head of the company he is trying to do business with,
Their meeting gets bumped and with several events in town, the team is forced to take some serious and hilarious actions in order to find lodging during their stay.
With his well-meaning and yet dysfunctional team in tow, Dan must find a way to beat the odds and save the day for everyone in his life by landing the deal no matter the cost.
The film has some very funny moments and the crude humor is cringe worthy at times but also very effective. What really makes the film stand out is that Vaughn is more restrained than usual and almost plays the straight man.
“Unfinished Business” also has a nice undertone of sentimentality to it that makes the film have a heart and purpose that resonates which is rare for R-rated comedies.
The film is an unexpected surprise with enough laughs and heart to give the enjoyable cast a pleasant if albeit predictable story.
http://sknr.net/2015/03/06/unfinished-business/
After a year on his own, Dan is about to conclude a long-term negotiation and complete a much needed business deal which is essential to the survival of his company and being able to keep his two employees Tim (Tom Wilkinson), and Mike (Dave Franco), employed.
All he needs to do is fly with his team to meet the client in Portland Maine to shake hands and close the deal which will pave the way for financial security and personal redemption for Dan and his team. Sadly he learns that his former boss Chuck (Sienna Miller), is also competing for the same deal. Dan slowly realizes that he may have been used as leverage to allow his rival to up their offer and as was never been seriously considered for the deal.
If this was not enough pressure for Dan, his son and daughter are having issues are school and his wife is persistently suggestion that they send their kids to a private school which forces Dan and his team to fly to Germany to make a master pitch to the head of the company he is trying to do business with,
Their meeting gets bumped and with several events in town, the team is forced to take some serious and hilarious actions in order to find lodging during their stay.
With his well-meaning and yet dysfunctional team in tow, Dan must find a way to beat the odds and save the day for everyone in his life by landing the deal no matter the cost.
The film has some very funny moments and the crude humor is cringe worthy at times but also very effective. What really makes the film stand out is that Vaughn is more restrained than usual and almost plays the straight man.
“Unfinished Business” also has a nice undertone of sentimentality to it that makes the film have a heart and purpose that resonates which is rare for R-rated comedies.
The film is an unexpected surprise with enough laughs and heart to give the enjoyable cast a pleasant if albeit predictable story.
http://sknr.net/2015/03/06/unfinished-business/
Gaspar Noe recommended The Mother and the Whore (1973) in Movies (curated)
Broken Horses
8.0
Rate It
Book
The critically acclaimed singer-songwriter, producer, and five-time Grammy winner opens up about a...
This is my first Anne Cassidy book that I have read and to say I enjoyed it would be the incorrect terminology to use for this book due to the subject matter.I would have to say I appreciated it. I appreciated the sensitivity in which this book was written and how well the characters feelings were depicted.
Stacey Woods is seventeen and has been raped – this is her account of what happens and how she tries to come to terms with it. Her best friend Patrice has encouraged her to write everything down on paper with no holding back and then to decide how she wants to deal with it.
This book is quite short at only 195 pages but Cassidy definitely gets her message across and will definitely be an impactful read for teenagers.
Stacey as a character was really well done, she is 17 doesn’t have too many friends, her family life is very dysfunctional, she is naive and also has her sights set on her chosen career, all of this made her feel very realistic and relatable.
However, she did make some stupid decisions and put herself into some vunerable situations due to her naivety.
Patrice, Stacey’s best friend was a really good character,she urged her friend to talk about the incident at least write it down and then decide what to do. She also researched helplines for her. She was just reliable and everything you would want in a friend.
Harry (I just thought of Harry Styles the whole way through idky) but he was just a little too creepy. He has the gift of the gab and has obviously picked girls up before and knows how to manipulate them.
There are rape and sex scenes in the book but it’s not gratuitous as needed for her full account and were not too graphic but still difficult to read.
The way Stacey was manipulated by her attacker was very cleverly done, she was made to feel like it was her fault and that no-one would believe her as she put herself in the situation and also in terms of the aftermath of the incident
As I said previously Cassidy did a great job in depicting Stacey’s emotions such as blame,shame and guilt.
I definitely recommend reading this to put yourself in Stacey’s shoes and to not make the same mistakes as she did.
I rated this 3.5 out of 5 stars
Stacey Woods is seventeen and has been raped – this is her account of what happens and how she tries to come to terms with it. Her best friend Patrice has encouraged her to write everything down on paper with no holding back and then to decide how she wants to deal with it.
This book is quite short at only 195 pages but Cassidy definitely gets her message across and will definitely be an impactful read for teenagers.
Stacey as a character was really well done, she is 17 doesn’t have too many friends, her family life is very dysfunctional, she is naive and also has her sights set on her chosen career, all of this made her feel very realistic and relatable.
However, she did make some stupid decisions and put herself into some vunerable situations due to her naivety.
Patrice, Stacey’s best friend was a really good character,she urged her friend to talk about the incident at least write it down and then decide what to do. She also researched helplines for her. She was just reliable and everything you would want in a friend.
Harry (I just thought of Harry Styles the whole way through idky) but he was just a little too creepy. He has the gift of the gab and has obviously picked girls up before and knows how to manipulate them.
There are rape and sex scenes in the book but it’s not gratuitous as needed for her full account and were not too graphic but still difficult to read.
The way Stacey was manipulated by her attacker was very cleverly done, she was made to feel like it was her fault and that no-one would believe her as she put herself in the situation and also in terms of the aftermath of the incident
As I said previously Cassidy did a great job in depicting Stacey’s emotions such as blame,shame and guilt.
I definitely recommend reading this to put yourself in Stacey’s shoes and to not make the same mistakes as she did.
I rated this 3.5 out of 5 stars
Goddess in the Stacks (553 KP) rated Catwoman: Soulstealer - DC Icons Book 3 in Books
Oct 25, 2018
So I needed a "book about a heist" for the PopSugar 2018 Reading Challenge, and naturally, Catwoman fits the bill. It wouldn't be a Catwoman novel/cartoon/graphic novel without a heist! Several, in fact, in this instance. And she teams up with Poison Ivy and Harley Quinn to pull them off, even though she doesn't seem to actually need the girls in this book. I love that Maas chose to include them, because Ivy/Harley/Catwoman is one of my all-time favorite team-ups. The book also delves into the relationship between Ivy and Harley, and Harley's dysfunctional dependence on the Joker (who's in Arkham for this book). I loved seeing that.
Interestingly, Batman doesn't show, other than a few phone calls with Luke Fox, Lucius Fox's son. Luke takes the traditional role of Batman-as-Catwoman's-love-interest, but as Batwing, a sort-of Robin. (Maybe I read too many comics? Nah.) The switch was surprising; it's always Catwoman and Batman, Selina and Bruce. Except when it's Talia and Bruce, I suppose.
I do wonder if they're going to do an ensemble cast novel after these first four books. (Wonder Woman: Warbringer, Batman: Nightwalker, and Superman: Dawnbreaker being the other three.) Superman doesn't come out until January, but the first three have been very disconnected from one another. Wonder Woman wasn't even mentioned in Batman or Catwoman. It seems odd to have them as a series, but never mention one another in each book? That, or the Superman book is going to tie the other three together, which seems like a disservice to Superman.
Anyway. I really liked Luke Fox as Batwing - the book touched, just a little bit, on racial issues, and how even as an obscenely rich black man he's not entirely exempt from those. In one scene he worries about the color of his skin being seen through damage to his batsuit, and cops realizing he's black. It's a sober reminder that even in a city beset by evil clowns, it's still set in the United States and we still have those racist systems in place.
The banter between Luke and Selina, and Selina and Harley and Ivy, is fantastic. I haven't actually read any of Sarah J. Maas' books - I know, I know - but if they're like Catwoman, I should probably give in and do so. So far, Wonder Woman is still my favorite of the DC Icons series (which is no surprise, as I love Leigh Bardugo) but Catwoman is really good.
You can find all my reviews at http://goddessinthestacks.com
Interestingly, Batman doesn't show, other than a few phone calls with Luke Fox, Lucius Fox's son. Luke takes the traditional role of Batman-as-Catwoman's-love-interest, but as Batwing, a sort-of Robin. (Maybe I read too many comics? Nah.) The switch was surprising; it's always Catwoman and Batman, Selina and Bruce. Except when it's Talia and Bruce, I suppose.
I do wonder if they're going to do an ensemble cast novel after these first four books. (Wonder Woman: Warbringer, Batman: Nightwalker, and Superman: Dawnbreaker being the other three.) Superman doesn't come out until January, but the first three have been very disconnected from one another. Wonder Woman wasn't even mentioned in Batman or Catwoman. It seems odd to have them as a series, but never mention one another in each book? That, or the Superman book is going to tie the other three together, which seems like a disservice to Superman.
Anyway. I really liked Luke Fox as Batwing - the book touched, just a little bit, on racial issues, and how even as an obscenely rich black man he's not entirely exempt from those. In one scene he worries about the color of his skin being seen through damage to his batsuit, and cops realizing he's black. It's a sober reminder that even in a city beset by evil clowns, it's still set in the United States and we still have those racist systems in place.
The banter between Luke and Selina, and Selina and Harley and Ivy, is fantastic. I haven't actually read any of Sarah J. Maas' books - I know, I know - but if they're like Catwoman, I should probably give in and do so. So far, Wonder Woman is still my favorite of the DC Icons series (which is no surprise, as I love Leigh Bardugo) but Catwoman is really good.
You can find all my reviews at http://goddessinthestacks.com
Gareth von Kallenbach (980 KP) rated Killing Gunther (2017) in Movies
Jun 19, 2019
Action Superstar Arnold Schwarzenegger returns to action in the new film “Killing Gunther”. The film is a documentary style fusion of comedy and action and involves a collection of assassins gathering to kill an elite assassin named Gunther (Arnold Schwarzenegger). The group’s motives are varied but many simply want to make a name for themselves by taking out the top name in their profession.
The leader of the team is Blake (Taran Killam), and he has a range of reasons for wanting Gunther dead and has hired a documentary film crew to capture every moment of his mission.
Unfortunately Blake and his crew are highly dysfunctional and they have to supplement their crew with some unstable and unproven recruits as the more established members of their profession know better than to cross Gunther.
The team learns quickly that there plans are already known to Gunther and he starts toying with them in a series of well-timed hit and run missions. Every time the team thinks they have the drop on Gunther, he seems to turn the tables on them and slip away, reducing their ranks in the process.
Blake soon finds his life falling apart as his actions have drawn the attention of the authorities and he finds himself unable to return to his home and forced to take up residence with his tech guy.
As Blake goes all in on his mission life and other complications arise for the team which makes for an all-out finale to accomplish his goal.
While the premise of the film is entertaining it does tend to drag on at many points and labors to get to Schwarzenegger. Part of this is due to Taran Killam being the Writer and Director for the film as well. He has a background that includes Saturday Night Live and short sitcoms and sketch comedies. He has crafted a very interesting premise but one that would have been better in a series of short sketches or in a shorter film.
Schwarzenegger seems to be enjoying himself and the campy nature of his role and he at times parodies himself with some lines lifted from “Predator”, yet seems to do so with a wink and a smile to the audience.
Schwarzenegger fans may find the film interesting enough to watch in the theaters but my advice would be to watch this on demand or wait to rent or stream it.
http://sknr.net/2017/10/18/killing-gunther/
The leader of the team is Blake (Taran Killam), and he has a range of reasons for wanting Gunther dead and has hired a documentary film crew to capture every moment of his mission.
Unfortunately Blake and his crew are highly dysfunctional and they have to supplement their crew with some unstable and unproven recruits as the more established members of their profession know better than to cross Gunther.
The team learns quickly that there plans are already known to Gunther and he starts toying with them in a series of well-timed hit and run missions. Every time the team thinks they have the drop on Gunther, he seems to turn the tables on them and slip away, reducing their ranks in the process.
Blake soon finds his life falling apart as his actions have drawn the attention of the authorities and he finds himself unable to return to his home and forced to take up residence with his tech guy.
As Blake goes all in on his mission life and other complications arise for the team which makes for an all-out finale to accomplish his goal.
While the premise of the film is entertaining it does tend to drag on at many points and labors to get to Schwarzenegger. Part of this is due to Taran Killam being the Writer and Director for the film as well. He has a background that includes Saturday Night Live and short sitcoms and sketch comedies. He has crafted a very interesting premise but one that would have been better in a series of short sketches or in a shorter film.
Schwarzenegger seems to be enjoying himself and the campy nature of his role and he at times parodies himself with some lines lifted from “Predator”, yet seems to do so with a wink and a smile to the audience.
Schwarzenegger fans may find the film interesting enough to watch in the theaters but my advice would be to watch this on demand or wait to rent or stream it.
http://sknr.net/2017/10/18/killing-gunther/