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Captain Clive's Dreamworld
7.5
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After becoming the suspect in the murder of a young prostitute, Deputy Sam Hardy is “vanished”...
dark fiction dystopia dystopian
David McK (3425 KP) rated The Running Man in Books
Jan 28, 2019
First and foremost, if you think this is anything like the Arnie movie, think again! That movie only shares the title, a few names, and the idea of a game show with the book.
Written by Richard Bachman (aka Stephen King), this is set in a future dystopia where the gulf between the rich and the poor has widened even further, to the extent that, while the rich have access to new gadgets, medicine and groceries, life is a daily struggle to survive for the poor (who are now treated as vermin by the rich).
The top TV shows are all game shows (OK: like the movie); in all the poor are more-or-less tortured (the shows have names like 'Swimming with Crocidiles' or 'Treadmill to Fortune') to earn money. Of these, the most popular by far is 'The Running Man', which is - basically - a televised manhunt.
This is a pretty quick read - only took me about one day - with the Ben Richards of the novel far more sickly and wasted than the muscular Arnie of the film (Steve Buscemi, perhaps?), with the novel also covering a wider area of land than the Running Man set of that movie (which, remember, is only set in four zones - here, it's more-or-less right across America). The ending is also far more downbeat!
Written by Richard Bachman (aka Stephen King), this is set in a future dystopia where the gulf between the rich and the poor has widened even further, to the extent that, while the rich have access to new gadgets, medicine and groceries, life is a daily struggle to survive for the poor (who are now treated as vermin by the rich).
The top TV shows are all game shows (OK: like the movie); in all the poor are more-or-less tortured (the shows have names like 'Swimming with Crocidiles' or 'Treadmill to Fortune') to earn money. Of these, the most popular by far is 'The Running Man', which is - basically - a televised manhunt.
This is a pretty quick read - only took me about one day - with the Ben Richards of the novel far more sickly and wasted than the muscular Arnie of the film (Steve Buscemi, perhaps?), with the novel also covering a wider area of land than the Running Man set of that movie (which, remember, is only set in four zones - here, it's more-or-less right across America). The ending is also far more downbeat!
Lee KM Pallatina (951 KP) rated ONI in Video Games
Aug 30, 2019
An overlooked bungie Gem that was too ahead of its time.
Contains spoilers, click to show
Oni is a third person action videogame developed by Bungie (west).
Released in 2001 it was Bungie wests ONLY game!?
The game focuses on shooting and hand to hand combat as you take on a reasonable amount of enemies, the gun controls are rather terrible and the combat controls are great providing you actually manage to land a strike.
ONI was originally planned to be released just for Mac, OS and Windows but was later ported to ps2 through Rockstar Canada.
The game was heavily inspired by Anime classics 'Ghost in a Shell' and 'Akira' which is very noticeable from the cover and beginning of the game (and also being set in a cyberpunk world).
Story:
Taking place in the year 2032, the world has become a dystopia due to pollution leaving very little of the planet habitable.
In order to solve the Global economic crisis, all nations formed under one banner....the world coalition government.
You play as agent Konoko (voiced by Amanda winn-Lee) a member of the TCTF (Technological Crimes Task Force), working against a crime organisation known as The Syndicate. Whilst blasting through enemies konoko begins to unravel secrets promoting more questions than answers.
Released in 2001 it was Bungie wests ONLY game!?
The game focuses on shooting and hand to hand combat as you take on a reasonable amount of enemies, the gun controls are rather terrible and the combat controls are great providing you actually manage to land a strike.
ONI was originally planned to be released just for Mac, OS and Windows but was later ported to ps2 through Rockstar Canada.
The game was heavily inspired by Anime classics 'Ghost in a Shell' and 'Akira' which is very noticeable from the cover and beginning of the game (and also being set in a cyberpunk world).
Story:
Taking place in the year 2032, the world has become a dystopia due to pollution leaving very little of the planet habitable.
In order to solve the Global economic crisis, all nations formed under one banner....the world coalition government.
You play as agent Konoko (voiced by Amanda winn-Lee) a member of the TCTF (Technological Crimes Task Force), working against a crime organisation known as The Syndicate. Whilst blasting through enemies konoko begins to unravel secrets promoting more questions than answers.
End of Faith
10.0
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Ninety-five percent of the world’s population perishes in the worst pandemic since the Black...
thriller dystopian fiction dystopia Rena Willemin End of Faith
Jamie (131 KP) rated 1984 Nineteen Eighty-Four in Books
Jun 4, 2017
Overwhelmingly bleak (1 more)
Stars slow and a little bit didactic
A true nightmare world, a dystopian classic
Winston is our everyman, a middle aged average male living under the heel of a totalitarian regime. His work is bland, his food is bland, his every day routine is bland. Winston is losing it, he wonders about the world that was before the party and resists in small ways. He ponders about the subtle ways that the party exerts it’s control, by perpetual war, by rewriting history, by lying so blatantly that the members of the party have to accept the lies as truth. Winston dreams of revolution and finds himself seeking out others likes him.
Nineteen Eighty-Four was not an easy ready by any means, it’s startlingly brutal. The beginning starts off rather slow as the readers gets to know Winston, the way he thinks and learns about his every day routine and are introduced to key characters. The middle of the book picks up, but it breaks up the pacing of the novel due to the fact that it essentially turns into an essay that outlines the structure of the party and the moral implications of it’s actions. While info dumps can be a bit disjointing to read, I could bear with it for this novel. The third half of the novel caught me off guard and it spun wildly out of control. I loved it, even when I found it difficult to digest. This is what made the book so brilliant, it doesn’t just tell you about right and wrong and then wrap things up nicely, the horrible reality of the book comes crashing down on both Winston and the reader’s head in full force.
The power structure of the party is just downright diabolical. I could think of any other way to describe it; the method of control, the reasons for maintaining such a strict social order, the sheer scale of the party’s reach – all of it was terrifying when taken as a whole. There were points in the second half of the novel where I had to put the book down because it was stressing me out too much, and this was a first for me. I now understand fully what folks mean when they label something as “Orwellian,” and why this novel is hailed as one of the very best of the dystopia genre. Hell, there are others that I read that I thought were bleak, but none quite to this degree. Nineteen Eighty-Four makes other books in the dystopia genre seem like lighthearted adventures novels.
The novel is extremely effective in the delivery of it’s core message about government control and humanity by creating a potential future that is harrowing, particularly because of it’s plausibility, as a warning to all. This is the type of book that will stick with me for a long time and I’m glad I finally sat down to read it.
Nineteen Eighty-Four was not an easy ready by any means, it’s startlingly brutal. The beginning starts off rather slow as the readers gets to know Winston, the way he thinks and learns about his every day routine and are introduced to key characters. The middle of the book picks up, but it breaks up the pacing of the novel due to the fact that it essentially turns into an essay that outlines the structure of the party and the moral implications of it’s actions. While info dumps can be a bit disjointing to read, I could bear with it for this novel. The third half of the novel caught me off guard and it spun wildly out of control. I loved it, even when I found it difficult to digest. This is what made the book so brilliant, it doesn’t just tell you about right and wrong and then wrap things up nicely, the horrible reality of the book comes crashing down on both Winston and the reader’s head in full force.
The power structure of the party is just downright diabolical. I could think of any other way to describe it; the method of control, the reasons for maintaining such a strict social order, the sheer scale of the party’s reach – all of it was terrifying when taken as a whole. There were points in the second half of the novel where I had to put the book down because it was stressing me out too much, and this was a first for me. I now understand fully what folks mean when they label something as “Orwellian,” and why this novel is hailed as one of the very best of the dystopia genre. Hell, there are others that I read that I thought were bleak, but none quite to this degree. Nineteen Eighty-Four makes other books in the dystopia genre seem like lighthearted adventures novels.
The novel is extremely effective in the delivery of it’s core message about government control and humanity by creating a potential future that is harrowing, particularly because of it’s plausibility, as a warning to all. This is the type of book that will stick with me for a long time and I’m glad I finally sat down to read it.
Mekkin B. (122 KP) rated High-Rise (2016) in Movies
Sep 15, 2017
This movie wants to be a dystopian drama, but fails to really add any dystopia. It wants to be a satire, but it is largely unclear what it is satirizing, other than a generic "all people are really just animals" theme and some under-explored "the rich live at the top and the poor at the bottom" stuff that doesn't really seem to pan out. It has very little in the way of narrative structure, what the characters are doing and why is never explained. I had a difficult time getting behind the idea of this "state of the art" high rise being some gleaming and beautiful example when it was such a ugly, Brutalist concrete mess to begin with. I'm sure there's some sort of "but the High-Rise looks like a prison because it metaphorically is one!" explanation, but it's just not a good one.
This movie was a slog to get through. It's far too long and feels even longer. Very few of the thematic elements amount to much. It's like it wants to say something about *society*, but isn't very clear on what that is.
The acting is pretty great. The visuals are gripping enough in some sections to keep you hooked and hopeful that the movie will amount to something greater than the sum of its parts, but it simply doesn't.
Also Tom Hiddleston is naked for a couple minutes.
This movie was a slog to get through. It's far too long and feels even longer. Very few of the thematic elements amount to much. It's like it wants to say something about *society*, but isn't very clear on what that is.
The acting is pretty great. The visuals are gripping enough in some sections to keep you hooked and hopeful that the movie will amount to something greater than the sum of its parts, but it simply doesn't.
Also Tom Hiddleston is naked for a couple minutes.
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The E-Connected World: Risks and Opportunities
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Contrary to writings that herald the internet as a great liberator or see the information age as a...
The Year of the Flood (MaddAddam #2)
8.5
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The times and species have been changing at a rapid rate, and the social compact is wearing as thin...
Sci-fi Dystopia Genetic engineering
Genus
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In the Britain of a few tomorrows time, physical perfection is commonplace and self improvement has...
