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Goddess in the Stacks (553 KP) rated The Book of M in Books
Sep 7, 2018
What defines a person? Your experiences? Your personality? The emotional bonds you forge? What happens when you forget? Are you still you if you don't remember who that is? The Book of M tackles these questions and takes an intimate look at what happens when some people forget but others remember.
We enter on Max and Ory in an abandoned hotel, running out of food and supplies. Max has lost her shadow, which means she will soon start forgetting. Everything. (There are rumors that Shadowless have died because they forgot to breathe or eat.) We learn it's been a few years since the phenomenon started happening, and flashbacks tell us the story of those early months. Like any good dystopia, it is a world-altering process. Governments are gone because no one remembered to run them. Food and other supplies are dwindling because farmers, shippers, manufacturers forgot what they were doing and how to do it.
But with the forgetting comes - magic, of a sort. Ory comes across a deer in the forest that instead of antlers, has wings sprouting from its forehead. Because someone forgot that deer shouldn't have wings - and so it happened. Forgetting that something can be destroyed can make it indestructible. Forgetting that you left a place can take you back to that place. Forgetting a place exists can make that place no longer exist. It's not a very controllable kind of magic. And it's dangerous - you can never be quite sure what you'll forget, and you can affect other people with it.
And the forgetting starts with losing your shadow. Ory gives Max a tape recorder, so she can record things she might forget. He posts signs around their hideout to remind her of things, like "Let no one in. Ory has a key." and "Don't touch the guns or the knives." But Max knows she is a danger to Ory, and so while she can still remember enough to function, she runs away.
The book mostly concerns Ory and Max's journeys across the country; Max trying to find something she's forgotten, and Ory trying to find Max. The adventure is gripping, heartbreaking, and at times confusing. (Mostly on Max's end, as magic warps things around her.) There are a few side characters who also have viewpoint chapters. Naz Ahmadi is an Iranian girl training for the Olympics in the US - in archery, which comes in quite handy. We also have The One Who Gathers, a mysterious man in New Orleans who has gathered a flock of shadowless.
If you ever played the roleplaying game Mage: the Ascension, and remember the concept of Paradox, this book reminds me of that a lot. (Is it a surprise that I'm a tabletop RPG geek? It shouldn't be. I own almost all of the old World of Darkness books, and currently play in a D&D game, and hopefully soon a second D&D game!) Anyway. Paradox. Where doing magic too far outside the bounds of acceptable reality punishes you, so you have to weigh the potential consequences against the magic you want to do.
I really enjoyed this debut novel; it is a very original take on a dystopia, and raised a lot of questions about personality, memories, and what makes a person the person you remember.
You can find all my reviews at http://goddessinthestacks.com
We enter on Max and Ory in an abandoned hotel, running out of food and supplies. Max has lost her shadow, which means she will soon start forgetting. Everything. (There are rumors that Shadowless have died because they forgot to breathe or eat.) We learn it's been a few years since the phenomenon started happening, and flashbacks tell us the story of those early months. Like any good dystopia, it is a world-altering process. Governments are gone because no one remembered to run them. Food and other supplies are dwindling because farmers, shippers, manufacturers forgot what they were doing and how to do it.
But with the forgetting comes - magic, of a sort. Ory comes across a deer in the forest that instead of antlers, has wings sprouting from its forehead. Because someone forgot that deer shouldn't have wings - and so it happened. Forgetting that something can be destroyed can make it indestructible. Forgetting that you left a place can take you back to that place. Forgetting a place exists can make that place no longer exist. It's not a very controllable kind of magic. And it's dangerous - you can never be quite sure what you'll forget, and you can affect other people with it.
And the forgetting starts with losing your shadow. Ory gives Max a tape recorder, so she can record things she might forget. He posts signs around their hideout to remind her of things, like "Let no one in. Ory has a key." and "Don't touch the guns or the knives." But Max knows she is a danger to Ory, and so while she can still remember enough to function, she runs away.
The book mostly concerns Ory and Max's journeys across the country; Max trying to find something she's forgotten, and Ory trying to find Max. The adventure is gripping, heartbreaking, and at times confusing. (Mostly on Max's end, as magic warps things around her.) There are a few side characters who also have viewpoint chapters. Naz Ahmadi is an Iranian girl training for the Olympics in the US - in archery, which comes in quite handy. We also have The One Who Gathers, a mysterious man in New Orleans who has gathered a flock of shadowless.
If you ever played the roleplaying game Mage: the Ascension, and remember the concept of Paradox, this book reminds me of that a lot. (Is it a surprise that I'm a tabletop RPG geek? It shouldn't be. I own almost all of the old World of Darkness books, and currently play in a D&D game, and hopefully soon a second D&D game!) Anyway. Paradox. Where doing magic too far outside the bounds of acceptable reality punishes you, so you have to weigh the potential consequences against the magic you want to do.
I really enjoyed this debut novel; it is a very original take on a dystopia, and raised a lot of questions about personality, memories, and what makes a person the person you remember.
You can find all my reviews at http://goddessinthestacks.com
Femlandia was an enjoyable, if rather frustrating read. The end of civilisation doesn’t come from a killer virus, zombies or climate disaster, but instead is caused by a total economic collapse. The world (particularly the USA) goes broke. Food becomes prohibitively expensive, services are shut off, people are made homeless: it’s every man/ woman for themselves. Except, as is often the case in these circumstances, it’s the women and children who suffer the most.
Miranda Reynolds is left to fend for herself and her teenage daughter when her husband literally drives himself off a cliff. She realises her only safe space is with the mother she hasn’t spoken to in a very long time, and the community that she has set up: Femlandia. It’s her last resort.
Now, if I were Miranda, I wouldn’t have prevaricated for so long - I would have turned up on Femlandia’s doorstep pretty fast. This is regardless of the fact that it’s nothing like the safe haven it has always sold itself as.
As I’ve said, this frustrated and gripped me in equal measure. There are plenty of things in this, that as a feminist, made my toes curl. But let’s face it: who wants to read a dystopian novel where everything is lovely, there are no problems, and everyone lives happily ever after? That’s like NO dystopia I’ve ever read about!
This looks at human nature in all it’s glory and ignominy. It looks at some uncomfortable subjects: abuse, control and prejudice (especially misandry and anti-trans). But do you know what? I raced through this, it gave me a lot to think about, and I think it’s well worth a read.
Miranda Reynolds is left to fend for herself and her teenage daughter when her husband literally drives himself off a cliff. She realises her only safe space is with the mother she hasn’t spoken to in a very long time, and the community that she has set up: Femlandia. It’s her last resort.
Now, if I were Miranda, I wouldn’t have prevaricated for so long - I would have turned up on Femlandia’s doorstep pretty fast. This is regardless of the fact that it’s nothing like the safe haven it has always sold itself as.
As I’ve said, this frustrated and gripped me in equal measure. There are plenty of things in this, that as a feminist, made my toes curl. But let’s face it: who wants to read a dystopian novel where everything is lovely, there are no problems, and everyone lives happily ever after? That’s like NO dystopia I’ve ever read about!
This looks at human nature in all it’s glory and ignominy. It looks at some uncomfortable subjects: abuse, control and prejudice (especially misandry and anti-trans). But do you know what? I raced through this, it gave me a lot to think about, and I think it’s well worth a read.
ClareR (5589 KP) rated The Mother Fault in Books
Aug 1, 2023
Dystopia is my catnip. I can’t resist it. But as I’ve said before, I have to be careful how much of it I read (overactive imagination alert!). And even more so with these dystopian novels that seem plausible and could actually happen sooner than you think!
The Mother Fault is one of these books. It’s set in the not too distant future in Australia - but a very different Australia. The country seems to be under the control of an organisation called BestLife. They even make sure that babies are implanted with a chip. The adults all have them, and life is made more difficult for those who opt out.
Mim’s husband goes missing whilst working in a mine in Indonesia. But instead of care and support, BestLife respond by asking for Mim’s and her children’s passports, offering to ‘take care’ of the children. It’s a barely veiled threat.
Mim responds by trying to drive away as far and as fast as she can. Everywhere she goes, she’s surveilled, and everyone she sees or visits is in danger.
The descriptions of an Australia ravaged by climate change are haunting. The decisions Mim makes can be questionable, but that just makes it more interesting!
It’s a really tense read, I continually felt that they would be caught, even when they were at sea (especially so really, because who would be there to witness whatever BestLife would do?!).
The part of the book that took place in the boat was so frustrating at times, and really helped to put the reader in Mim’s shoes.
This was a great read, and I’ve added another writer to my watch list!!
The Mother Fault is one of these books. It’s set in the not too distant future in Australia - but a very different Australia. The country seems to be under the control of an organisation called BestLife. They even make sure that babies are implanted with a chip. The adults all have them, and life is made more difficult for those who opt out.
Mim’s husband goes missing whilst working in a mine in Indonesia. But instead of care and support, BestLife respond by asking for Mim’s and her children’s passports, offering to ‘take care’ of the children. It’s a barely veiled threat.
Mim responds by trying to drive away as far and as fast as she can. Everywhere she goes, she’s surveilled, and everyone she sees or visits is in danger.
The descriptions of an Australia ravaged by climate change are haunting. The decisions Mim makes can be questionable, but that just makes it more interesting!
It’s a really tense read, I continually felt that they would be caught, even when they were at sea (especially so really, because who would be there to witness whatever BestLife would do?!).
The part of the book that took place in the boat was so frustrating at times, and really helped to put the reader in Mim’s shoes.
This was a great read, and I’ve added another writer to my watch list!!
Mothergamer (1517 KP) rated The Hunger Games in Books
Apr 3, 2019
Contains spoilers, click to show
I gave The Hunger Games trilogy a chance, I really did, but I found myself so frustrated with these books. I know all about the comparison to Battle Royale and here and there I do see where Suzanne Collins was influenced by it, but the books are different. For one thing Koushun Takami's book is better.
The problem for me, mainly was with the heroine Katniss. I wanted to like her, but I found I could not care about her at all, even after she did the noble sacrifice of taking her sister's place in The Hunger Games. She seems very cold, apathetic, and just drifting along. For a main character there isn't any depth to her and that's sorely disappointing considering the theme of these books. Then we have this pointless love story that is completely unnecessary to the book and it just seems awkward and forced. The only character who seems real to me at all is Peeta while the other characters seem one dimensional. I also found myself frustrated with Katniss because at so many intervals in the story she just gives up so easily like it's as simple as changing her hair color. Are you kidding me with this nonsense?
I had to keep reminding myself that these were books for young adults and while the writing wasn't bad, the story was not great. If the writing is so poor that you find you can not even care about the characters especially the main one, that's a serious problem. This didn't feel like a dystopian novel at all, sure it was dark and depressing, but that's pretty much it. I need more from something claiming to be a dystopian story. This was more like Dystopia with training wheels. Now if you'll excuse me, I'm going to go read Fahrenheit 451 and Battle Royale again.
The problem for me, mainly was with the heroine Katniss. I wanted to like her, but I found I could not care about her at all, even after she did the noble sacrifice of taking her sister's place in The Hunger Games. She seems very cold, apathetic, and just drifting along. For a main character there isn't any depth to her and that's sorely disappointing considering the theme of these books. Then we have this pointless love story that is completely unnecessary to the book and it just seems awkward and forced. The only character who seems real to me at all is Peeta while the other characters seem one dimensional. I also found myself frustrated with Katniss because at so many intervals in the story she just gives up so easily like it's as simple as changing her hair color. Are you kidding me with this nonsense?
I had to keep reminding myself that these were books for young adults and while the writing wasn't bad, the story was not great. If the writing is so poor that you find you can not even care about the characters especially the main one, that's a serious problem. This didn't feel like a dystopian novel at all, sure it was dark and depressing, but that's pretty much it. I need more from something claiming to be a dystopian story. This was more like Dystopia with training wheels. Now if you'll excuse me, I'm going to go read Fahrenheit 451 and Battle Royale again.
This was so original - dystopia where the women take control. This isn't an angle that we see very often, and in the current climate of #MeToo, it's nice to read something where the women have the upper hand (or is it?! Because that's what you're left thinking).
Women develop a 'skein' that grows across their collar bone, and gives them the ability to control/ kill/ maim men and each other. Absolute power corrupts absolutely (who said that anyway?) after all.
This is the story of the genesis of the power, how it was triggered throughout a generation, who were then able to awaken it in older women. How women realised that they didn't have to be victims anymore, and began to take on many/ all of the attributes of their male counterparts (and not always the good ones). Men are viewed as the weaker sex, women as protectors and leaders.
I was fascinated by this whole idea. The characters showed us the different sides to the power - religion, organised crime, politics - and how it utterly changed the dynamic in society.
The museum pieces were very interesting, and the idea that this book was being written thousands of years in the future was very clever. And being written by a man. I liked how his editor (a woman) thought he would be taken more seriously if he were to write under a female pseudonym! Oh how times had changed!
I listened to this on audiobook, and read along to parts of it. The narration and voice actors were spot on - I couldn't stop listening until I had to, of course. Real life has a habit of interrupting reading and listening time!
Highly recommended.
Women develop a 'skein' that grows across their collar bone, and gives them the ability to control/ kill/ maim men and each other. Absolute power corrupts absolutely (who said that anyway?) after all.
This is the story of the genesis of the power, how it was triggered throughout a generation, who were then able to awaken it in older women. How women realised that they didn't have to be victims anymore, and began to take on many/ all of the attributes of their male counterparts (and not always the good ones). Men are viewed as the weaker sex, women as protectors and leaders.
I was fascinated by this whole idea. The characters showed us the different sides to the power - religion, organised crime, politics - and how it utterly changed the dynamic in society.
The museum pieces were very interesting, and the idea that this book was being written thousands of years in the future was very clever. And being written by a man. I liked how his editor (a woman) thought he would be taken more seriously if he were to write under a female pseudonym! Oh how times had changed!
I listened to this on audiobook, and read along to parts of it. The narration and voice actors were spot on - I couldn't stop listening until I had to, of course. Real life has a habit of interrupting reading and listening time!
Highly recommended.
This is no Handmaids Tale!!
This was so original - dystopia where the women take control. This isn't an angle that we see very often, and in the current climate of #MeToo, it's nice to read something where the women have the upper hand (or is it?! Because that's what you're left thinking).
Women develop a 'skein' that grows across their collar bone, and gives them the ability to control/ kill/ maim men and each other. Absolute power corrupts absolutely (who said that anyway?) after all.
This is the story of the genesis of the power, how it was triggered throughout a generation, who were then able to awaken it in older women. How women realised that they didn't have to be victims anymore, and began to take on many/ all of the attributes of their male counterparts (and not always the good ones). Men are viewed as the weaker sex, women as protectors and leaders.
I was fascinated by this whole idea. The characters showed us the different sides to the power - religion, organised crime, politics - and how it utterly changed the dynamic in society.
The museum pieces were very interesting, and the idea that this book was being written thousands of years in the future was very clever. And being written by a man. I liked how his editor (a woman) thought he would be taken more seriously if he were to write under a female pseudonym! Oh how times had changed!
I listened to this on audiobook, and read along to parts of it. The narration and voice actors were spot on - I couldn't stop listening until I had to, of course. Real life has a habit of interrupting reading and listening time!
Highly recommended.
Women develop a 'skein' that grows across their collar bone, and gives them the ability to control/ kill/ maim men and each other. Absolute power corrupts absolutely (who said that anyway?) after all.
This is the story of the genesis of the power, how it was triggered throughout a generation, who were then able to awaken it in older women. How women realised that they didn't have to be victims anymore, and began to take on many/ all of the attributes of their male counterparts (and not always the good ones). Men are viewed as the weaker sex, women as protectors and leaders.
I was fascinated by this whole idea. The characters showed us the different sides to the power - religion, organised crime, politics - and how it utterly changed the dynamic in society.
The museum pieces were very interesting, and the idea that this book was being written thousands of years in the future was very clever. And being written by a man. I liked how his editor (a woman) thought he would be taken more seriously if he were to write under a female pseudonym! Oh how times had changed!
I listened to this on audiobook, and read along to parts of it. The narration and voice actors were spot on - I couldn't stop listening until I had to, of course. Real life has a habit of interrupting reading and listening time!
Highly recommended.
Goddess in the Stacks (553 KP) rated Heart of Thorns (Heart of Thorns #1) in Books
Oct 19, 2018
I almost bailed on this book. It's not bad, exactly, it's just - mediocre. Mia discovers that she is the thing she's been taught to hate, discovers that maybe they're not all bad, that what she's been taught is probably wrong, but, y'know, maybe not entirely wrong - it's just one trope after another. It was rather predictable.
And there's this problem with the world. If every woman is suspected of being a witch, (sorry, Gwyrach) and they work their magic through touch - how is anyone having kids? Sure, women are required to wear gloves in public, but - the touch-magic doesn't keep men from abusing women. Not like in The Power, where men start getting actually scared to touch women for fear of what could happen.
The only character in this book that I actually LIKED was Prince Quin. And maybe Dom, the flirtatious gay boy. Mia was rather thoroughly unlikable. First she blindly accepts that she should hate and kill Gwyrach, then is appalled to find out she (and her mother) are/were Gwyrach, and refuses to accept that because of course she can't possibly be one of those reviled women. She refuses to take Quin into her confidence, despite him showing blind trust in her for most of the book. What does he have to do to prove himself to you, woman?
I've read much better feminist dystopias. This is oppressed-women-finding-their-hidden-powers-and-fighting-back clothed in a fantasy instead of a dystopia, and it's not nearly as good as it could be. Despite ending on a cliffhanger, I don't care enough about these characters to read the next book.
You can find all my reviews at http://goddessinthestacks.com
And there's this problem with the world. If every woman is suspected of being a witch, (sorry, Gwyrach) and they work their magic through touch - how is anyone having kids? Sure, women are required to wear gloves in public, but - the touch-magic doesn't keep men from abusing women. Not like in The Power, where men start getting actually scared to touch women for fear of what could happen.
The only character in this book that I actually LIKED was Prince Quin. And maybe Dom, the flirtatious gay boy. Mia was rather thoroughly unlikable. First she blindly accepts that she should hate and kill Gwyrach, then is appalled to find out she (and her mother) are/were Gwyrach, and refuses to accept that because of course she can't possibly be one of those reviled women. She refuses to take Quin into her confidence, despite him showing blind trust in her for most of the book. What does he have to do to prove himself to you, woman?
I've read much better feminist dystopias. This is oppressed-women-finding-their-hidden-powers-and-fighting-back clothed in a fantasy instead of a dystopia, and it's not nearly as good as it could be. Despite ending on a cliffhanger, I don't care enough about these characters to read the next book.
You can find all my reviews at http://goddessinthestacks.com
Micky Barnard (542 KP) rated Gilded Cage in Books
Jan 26, 2019 (Updated Jan 26, 2019)
Disappointing
This was a book with big aspirations but patchy execution. I thought I was getting into some kind of dystopia with 'special skilled people'. On the one hand, that's what I got, on the other it was much more than this, almost too much of many other things. This is a hugely political read, which I am not adverse to but it was inherently confusing due to an overly large cast of characters, many of similar importance; I didn't know where to place my focus.
The start to the book is gentle (post-prologue), introducing a family who are about to do their ten years time in subservience. Hierarchy is the name of the game in GILDED CAGE and if you're not skilled then you have to forfeit your rights as a person and serve the skilled for ten years in slavedays. This family were from Manchester and as a Mancunian myself, I was piqued at this facet to the book. Manchester had a slaveday town called Millsmoor and this was described as a dark, pre-industrial revolution kind of inhuman place; definitely a contrast to life outside.
Lots about this book interested me, the Equals (skilled) and their way of life. What I found was that almost all of the Equals in this book were obnoxious in one way or another. There was no upstairs/downstairs feel to the story, despite some suggestion of kind dispositions. Do not get me started on the sadomasochistic keeping of a man-dog.
Whilst this is the first book in a trilogy and there is much more to come, the story did not weave together for me at all. I don't feel invested enough to continue with the rest of the series.
I voluntarily read an early copy of this book.
The start to the book is gentle (post-prologue), introducing a family who are about to do their ten years time in subservience. Hierarchy is the name of the game in GILDED CAGE and if you're not skilled then you have to forfeit your rights as a person and serve the skilled for ten years in slavedays. This family were from Manchester and as a Mancunian myself, I was piqued at this facet to the book. Manchester had a slaveday town called Millsmoor and this was described as a dark, pre-industrial revolution kind of inhuman place; definitely a contrast to life outside.
Lots about this book interested me, the Equals (skilled) and their way of life. What I found was that almost all of the Equals in this book were obnoxious in one way or another. There was no upstairs/downstairs feel to the story, despite some suggestion of kind dispositions. Do not get me started on the sadomasochistic keeping of a man-dog.
Whilst this is the first book in a trilogy and there is much more to come, the story did not weave together for me at all. I don't feel invested enough to continue with the rest of the series.
I voluntarily read an early copy of this book.
Phil Leader (619 KP) rated 2084 in Books
Nov 8, 2019
Set in an a future that in many ways is all too plausible, David Churchill is about to take the test that determines his future life like everyone else his age. Everybody's present and future is controlled by the all powerful Ministries to the betterment of all mankind. Or so everyone is told.
Following his selection for work in one of the Ministries David very soon finds out the truth. The wider populace are controlled by fear, propaganda and lies. The workers in the Ministry are controlled by greed, power and lust. He soon learns that the whole system is corrupt, rotten to the core, despite the all-powerful and dispassionate AIs that are supposed to only benefit mankind. But as one man there is little he can do, and certainly nobody he can trust. But there are plenty who want to use him as a weapon is their political infighting and power battles.
Clearly a more technological update on 1984, Hogan tackles this grim subject matter from the human perspectives of David and his childhood friend Juli, who is also pulled into the dark world of the power and corruption. Like peeling a rotten onion, layer after layer is removed, finally revealing the rotten heart. Along the way there are some huge plot twists, shocking events and reveals that completely change how the reader understands this future vision. The ending, which it comes, is certainly cataclysmic.
As with the best science fiction, this casts a light on the world we live in with certain current events clearly used as a basis for how Hogan constructed his dystopia. Sometimes the subtext isn't as subtle as it could be, but there is no denying the chilling warning it delivers.
Note: This book contains multiple scenes and themes of a sexual nature
Following his selection for work in one of the Ministries David very soon finds out the truth. The wider populace are controlled by fear, propaganda and lies. The workers in the Ministry are controlled by greed, power and lust. He soon learns that the whole system is corrupt, rotten to the core, despite the all-powerful and dispassionate AIs that are supposed to only benefit mankind. But as one man there is little he can do, and certainly nobody he can trust. But there are plenty who want to use him as a weapon is their political infighting and power battles.
Clearly a more technological update on 1984, Hogan tackles this grim subject matter from the human perspectives of David and his childhood friend Juli, who is also pulled into the dark world of the power and corruption. Like peeling a rotten onion, layer after layer is removed, finally revealing the rotten heart. Along the way there are some huge plot twists, shocking events and reveals that completely change how the reader understands this future vision. The ending, which it comes, is certainly cataclysmic.
As with the best science fiction, this casts a light on the world we live in with certain current events clearly used as a basis for how Hogan constructed his dystopia. Sometimes the subtext isn't as subtle as it could be, but there is no denying the chilling warning it delivers.
Note: This book contains multiple scenes and themes of a sexual nature
Bong Mines Entertainment (15 KP) rated Underground - Single by Lindsey Stirling in Music
Jun 25, 2019
Lindsey Stirling is an electronic violinist based in Los Angeles, California. Not too long ago, she released a music video for her “Underground” single.
The Tom Teller-directed music video finds Lindsey Stirling inside a futuristic dystopia which features neon lights and acrobatic dancers.
Her “Underground” single contains adventurous instrumentation centered around her immaculate violin performance.
Also, the four-and-half-minute tune is a somber and enticing introduction to her upcoming studio album, entitled, “Artemis”.
“There have been times of my life where I have felt completely overcome by the ‘shadow’ of grief or depression. I felt like I’d never feel full happiness again. But the moon has taught me a powerful lesson. Just because she gets covered in shadow doesn’t mean she isn’t still there, and that she won’t fight back to reclaim her full light. Also, Artemis is the goddess of the moon. This album tells her story. It tells my story. I think it tells everyone’s story.” – Lindsey Stirling
‘Artemis’ will be available on September 6, 2019, via BMG. The anticipated project will tackle themes of overcoming obstacles and fighting through life’s downfalls to reclaim one’s happiness and strength.
Also, it recounts the story of Artemis, Goddess of the Moon, whose life uniquely draws parallels to Stirling’s personal experiences.
Lindsey Stirling is internationally recognized for her performances on America’s Got Talent and Dancing With The Stars.
As a solo artist, she has amassed well over 11M YouTube subscribers and 2 billion-plus YouTube streams. Also, she has won multiple Billboard Music Awards since releasing her self-titled debut album in 2012.
According to Billboard, in 2016, Stirling was the highest grossing Electronic Artist. Ahead of headlining acts like The Chainsmokers, Flume, and Kygo. Also, she’s a New York Times Bestselling author, and she was featured in Forbes ’30 Under 30’ list.
The Tom Teller-directed music video finds Lindsey Stirling inside a futuristic dystopia which features neon lights and acrobatic dancers.
Her “Underground” single contains adventurous instrumentation centered around her immaculate violin performance.
Also, the four-and-half-minute tune is a somber and enticing introduction to her upcoming studio album, entitled, “Artemis”.
“There have been times of my life where I have felt completely overcome by the ‘shadow’ of grief or depression. I felt like I’d never feel full happiness again. But the moon has taught me a powerful lesson. Just because she gets covered in shadow doesn’t mean she isn’t still there, and that she won’t fight back to reclaim her full light. Also, Artemis is the goddess of the moon. This album tells her story. It tells my story. I think it tells everyone’s story.” – Lindsey Stirling
‘Artemis’ will be available on September 6, 2019, via BMG. The anticipated project will tackle themes of overcoming obstacles and fighting through life’s downfalls to reclaim one’s happiness and strength.
Also, it recounts the story of Artemis, Goddess of the Moon, whose life uniquely draws parallels to Stirling’s personal experiences.
Lindsey Stirling is internationally recognized for her performances on America’s Got Talent and Dancing With The Stars.
As a solo artist, she has amassed well over 11M YouTube subscribers and 2 billion-plus YouTube streams. Also, she has won multiple Billboard Music Awards since releasing her self-titled debut album in 2012.
According to Billboard, in 2016, Stirling was the highest grossing Electronic Artist. Ahead of headlining acts like The Chainsmokers, Flume, and Kygo. Also, she’s a New York Times Bestselling author, and she was featured in Forbes ’30 Under 30’ list.