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Perfect Trouble
Perfect Trouble
Barbara Elsborg | 2019 | Contemporary, Paranormal, Romance
8
8.0 (1 Ratings)
Book Rating
an enjoyable 90 minute read
I was gifted my copy of this book, direct from the author and I thank Ms Elsborg for that. This is the first I have read of her work, and I hope it will not be the last.
Jonah has a knack for getting into trouble, and he is paying for it for the next 7 years. Getting Jinx off pack lands shouldn’t have been too difficult but Jonah had history with said pack, and they would kill him for sure. Jinx knows Jonah is Trouble with a capital T but she also knows, deep down, he may be the only one to keep her alive.
For the most part, I did enjoy this tale of a faery and a wolf, but for a minor niggle or two, I really did.
Jonah’s mind, even at rest, is going a million miles an hour and I really did struggle at points to keep up with his internal ramblings! I mean, me and my sister can flip a conversation on a penny, and continue as if we had been talking all the time about that subject, but Jonah’s mind? Lord I really did struggle to keep up with him!
Also, I usually like plot twists, but towards the end, they were coming fast and furious. Good plot twists, that I really did NOT see coming at me, but there were just too many in a short space of time.
Some darker themes touched on, mostly how the younger females are treated within the pack, not in great detail, but enough to warrant a warning. It’s not overly explicit, I thought, but it does give enough heat off to make it interesting. A bit violent in places, but needed I think, since Jonah stole gold off the pack and they want it back!
Are there more books with these people? Some interesting characters in the place where Jonah is working!
Overall, a very enjoyable 90 minute read.
4 solid stars
**same worded review will appear elsewhere**
  
Inglourious Basterds (2009)
Inglourious Basterds (2009)
2009 | War
Should we be allowed to laugh at brutality? Is there room for comedy in a film about the Second World War? These are just some of the questions Quentin Tarantino’s latest film “Inglorious Bastards” is sure to bring to mind.

“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.

Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.

While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.

The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.

“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.

Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.
  
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