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Will Oldham on Bonnie 'Prince' Billy
Book
W - Sweeney called me and said that Johnny Cash just recorded "I See A Darkness". We had a Bowery...
Harrison Boyer (6 KP) rated Star Wars: Episode IV - A New Hope (1977) in Movies
May 17, 2019
A Film to Define a Generation
Contains spoilers, click to show
Back in 1977, a little movie came out. One that would define a generation and change the industry forever. That movie is Star Wars. Growing up in the 90s and 2000s, I had the Star Wars exposure to watch when I pleased. I've seen this movie countless times. Everytime I watch it, I get really happy. I feel like a kid again. This movie has grabbed the attentions of millions and has touched many. From its opening crawl and opening shot. To the cantinas scene that puts you in unfamiliar waters. To a beautiful score by John Williams. Special effects that hold well today. And a group of freedom fighters that many identify with. It's no surprise this movie is nothing short of great. The only complaint that really comes to mind without taking alterations into account, is the acting at times, especially from the newcomers can be a little bad in comparison to greats like James Earl Jones, Peter Cushing and of course, Sir Alec Guinness. If you haven't checked out this film, it's one that is highly recommended for anyone wishing to study film.
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King of the Queen City: The Story of King Records
Jon Hartley Fox and Dave Alvin
Book
King of the Queen City is the first comprehensive history of King Records, one of the most...
Charlie Cobra Reviews (1840 KP) rated The Lion King (2019) in Movies
Jul 7, 2020
Return of The King
The Lion King is a 2019 computer-animated musical movie directed and produced by Jon Favreau. It was written by Jeff Nathanson, and produced by Fairview Entertainment and Walt Disney Pictures and distributed by Walt Disney Studios Motion Pictures. The film stars Donald Glover, Seth Rogen, Chiwetel Ejiofor, Beyonce and James Earl Jones.
King Mufasa (James Earl Jones) and Queen Sarabi rule over the animal kingdom with their pride of lions from Pride Rock, in the African Pride Lands. Things change with the birth of their son, Simba, the new Prince. Mufasa's younger brother, and former heir to the throne, Scar, covets the throne and plots to eliminate Mufasa and Simba, so he may become king. The battle for Pride Rock is filled with betrayal, tragedy and drama and circumstances are forever changed after the events of the stampede.
This movie was really good, but of course it was. The original Lion King was one of Disney's best animated films to date. There was a lot of build up to the release of this movie, with fans every anticipating when they could finally see this story on the big screen again. Jon Favreau did not disappoint, but there was a lot of negativity and bad review scores when it first released. I think the big problem was that in all the previews/trailers leading up to the movie coming out showed how realistic the animals looked and how they were able to recreate iconic scenes in stunning state of the art CGI, but they never showed the animals talking or singing. This for me made it difficult to get fully immersed in the film when the very realistic animals began talking and singing, but eventually it went away or I got used to it a couple minutes into the movie. Also they changed very little in this remake and it was almost literally a shot for shot or scene for scene recreation of the original Lion King, which I think bothered the critics. I personally liked little changes they made that I felt made the movie just a little bit better, like the dialogue between Mufasa's and Scar implying Mufasa's gave him the scar, Zimbabwe catching up with Nala for the journey back to Pride Rock, and Nala leading the female lions in the fight against the hyenas. I also thought it was cool how they made it more clear that one of the hyenas was the leader and it was the female and the scene where Scar makes the deal with them. Overall though I feel like they could have shown more emotion in the animals if they had chosen a style that was so detailed to look so realistic. I give this movie a 7/10. It is worth watching for nostalgia and to see it in theaters is a treat, especially when getting children or younger family members to see it for the first time, but the original is still the better film.
King Mufasa (James Earl Jones) and Queen Sarabi rule over the animal kingdom with their pride of lions from Pride Rock, in the African Pride Lands. Things change with the birth of their son, Simba, the new Prince. Mufasa's younger brother, and former heir to the throne, Scar, covets the throne and plots to eliminate Mufasa and Simba, so he may become king. The battle for Pride Rock is filled with betrayal, tragedy and drama and circumstances are forever changed after the events of the stampede.
This movie was really good, but of course it was. The original Lion King was one of Disney's best animated films to date. There was a lot of build up to the release of this movie, with fans every anticipating when they could finally see this story on the big screen again. Jon Favreau did not disappoint, but there was a lot of negativity and bad review scores when it first released. I think the big problem was that in all the previews/trailers leading up to the movie coming out showed how realistic the animals looked and how they were able to recreate iconic scenes in stunning state of the art CGI, but they never showed the animals talking or singing. This for me made it difficult to get fully immersed in the film when the very realistic animals began talking and singing, but eventually it went away or I got used to it a couple minutes into the movie. Also they changed very little in this remake and it was almost literally a shot for shot or scene for scene recreation of the original Lion King, which I think bothered the critics. I personally liked little changes they made that I felt made the movie just a little bit better, like the dialogue between Mufasa's and Scar implying Mufasa's gave him the scar, Zimbabwe catching up with Nala for the journey back to Pride Rock, and Nala leading the female lions in the fight against the hyenas. I also thought it was cool how they made it more clear that one of the hyenas was the leader and it was the female and the scene where Scar makes the deal with them. Overall though I feel like they could have shown more emotion in the animals if they had chosen a style that was so detailed to look so realistic. I give this movie a 7/10. It is worth watching for nostalgia and to see it in theaters is a treat, especially when getting children or younger family members to see it for the first time, but the original is still the better film.
Oliver Messel: In the Theatre of Design
Book
A vibrant study of one of the iconic figures of twentieth-century design, whose Romantic, whimsical,...
BankofMarquis (1832 KP) rated The Sting (1973) in Movies
Mar 29, 2020
On my list of All Time Favorite Films
I'll come right out and say it - the 1973 Academy Award winning film for Best Picture, THE STING, is one of the greatest films of all time. It's well written, well acted, well directed with a memorable musical score and characters, situations, costumes and set design that become richer over time and through repeated viewings.
Set in Chicago in the gangster-ridden, depression era mid-1930's, THE STING tells the tale of two con man who join forces for the ultimate con of a vile N.Y. Gangster who is responsible for killing a friend of theirs.
From everything I have read about it, the script by David S. Ward (who won an Oscar for his work) arrived pretty much finished. He shaped the story of the con men - and the myriad pieces of misdirection - fully before shopping it around to the studios. Universal jumped all over it and tabbed veteran Director George Roy Hill (BUTCH CASSIDY AND THE SUNDANCE KID) to helm the picture. Hill - being no dummy - saw this as a vehicle to re-team Newman and Redford (stars of Butch Cassidy) and the rest...as they say...is history.
Newman and Redford are perfectly cast as veteran grifter Henry Gondorff (Newman) and up and coming grifter Johnny Hooker (Redford). They have an ease of playing off of each other - each one complimenting the other one - both giving in their scenes with the other one which makes the scenes more rich and alive. They are joined by a veritable "who's who" of late '60's/early '70's character actors - Harold Gould, Eileen Brennan, Charles Durning, Ray Walston and Dana Elcar - all of them bring their "A" game and they are fun to watch. Special notice should be made to Robert Earl Jones (father of James Earl Jones) as Luther, the character who's fate propels the plot forward.
But...none of this would work if you didn't have a "bad guy" that was interesting to watch - and to root against - and bad guys don't get much better...and badder...than Robert Shaw's Doyle Lonnegan. Shaw plays Lonnegan as a physically tough boss who doesn't suffer failure, but is smart enough to avoid obvious traps. He is a worthy adversary of Gondorff and Hooker's and it is fun to watch Newman, Redford and Shaw play off each other. One other note - it was with this performance that Universal recommended Shaw to young Director Stephen Spielberg for his "shark flick" JAWS.
Edith Head won her 8th (and last) Oscar for the magnificent period costumes in this film and Marvin Hamlisch won for the Music - a surprising hit on the pop charts of re-channeled Scott Joplin tunes. The set design won an Oscar - as did the Director, George Roy Hill. All in all, the film won 7 out of the 11 Oscars it was nominated for (Redford was nominated for Best Actor, but did not win).
THE STING is a well crafted film. One that tells a timeless story and that stands the test of time as a testament of how great of an achievement in film this is. It is one of my All Time favorites.
Letter Grade: the rare A+
5 stars (out of 5) and you can take that to the Bank(ofMarquis)
Set in Chicago in the gangster-ridden, depression era mid-1930's, THE STING tells the tale of two con man who join forces for the ultimate con of a vile N.Y. Gangster who is responsible for killing a friend of theirs.
From everything I have read about it, the script by David S. Ward (who won an Oscar for his work) arrived pretty much finished. He shaped the story of the con men - and the myriad pieces of misdirection - fully before shopping it around to the studios. Universal jumped all over it and tabbed veteran Director George Roy Hill (BUTCH CASSIDY AND THE SUNDANCE KID) to helm the picture. Hill - being no dummy - saw this as a vehicle to re-team Newman and Redford (stars of Butch Cassidy) and the rest...as they say...is history.
Newman and Redford are perfectly cast as veteran grifter Henry Gondorff (Newman) and up and coming grifter Johnny Hooker (Redford). They have an ease of playing off of each other - each one complimenting the other one - both giving in their scenes with the other one which makes the scenes more rich and alive. They are joined by a veritable "who's who" of late '60's/early '70's character actors - Harold Gould, Eileen Brennan, Charles Durning, Ray Walston and Dana Elcar - all of them bring their "A" game and they are fun to watch. Special notice should be made to Robert Earl Jones (father of James Earl Jones) as Luther, the character who's fate propels the plot forward.
But...none of this would work if you didn't have a "bad guy" that was interesting to watch - and to root against - and bad guys don't get much better...and badder...than Robert Shaw's Doyle Lonnegan. Shaw plays Lonnegan as a physically tough boss who doesn't suffer failure, but is smart enough to avoid obvious traps. He is a worthy adversary of Gondorff and Hooker's and it is fun to watch Newman, Redford and Shaw play off each other. One other note - it was with this performance that Universal recommended Shaw to young Director Stephen Spielberg for his "shark flick" JAWS.
Edith Head won her 8th (and last) Oscar for the magnificent period costumes in this film and Marvin Hamlisch won for the Music - a surprising hit on the pop charts of re-channeled Scott Joplin tunes. The set design won an Oscar - as did the Director, George Roy Hill. All in all, the film won 7 out of the 11 Oscars it was nominated for (Redford was nominated for Best Actor, but did not win).
THE STING is a well crafted film. One that tells a timeless story and that stands the test of time as a testament of how great of an achievement in film this is. It is one of my All Time favorites.
Letter Grade: the rare A+
5 stars (out of 5) and you can take that to the Bank(ofMarquis)
Sarah (7800 KP) rated The Lion King (2019) in Movies
Jul 31, 2019
Lacking in heart
The Lion King is one of my all time favourite Disney films, so I approached this 'live action' remake with a lot of trepidation, and I'm afraid to say I was right to be worried.
Visually it looks stunning, which shouldn't really be a surprise as it has been brought to us by the same guys that did The Jungle Book. However I'm afraid the visuals are pretty much all this film has going for it. This film is virtually a carbon copy of the original animation but with all of the heart, soul and humour taken out of it. The problem with these Disney live action remakes is they're unnecessary and stuck in a difficult position - differ too much from the original and people hate it, but sticking too close to the original and it begs the question as to why not just watch the original? It's more difficult for The Lion King as it's gone from being cartoon animation to CGI animation and apart from looking more natural, that's the only real difference.
They've lost virtually all of the magic that made the original great in the first place. The humour either falls flat due to the poor execution, or has been removed and replaced with something much less witty and funny. I mean, where was dress in drag & do the hula?! I dont think the voice cast helps. Other than Chiwetel Ejiofor and of course James Earl Jones, the rest of the voice cast just seemed ridiculously out of place and ill fitting with the film. I cringed every time I heard Zazu as Jon Oliver is definitely no Rowan Atkinson! And dont even get me started on Beyonce. We really didnt need her horrific versions of songs thrown in too. Although the rest of the songs did at least make the rest of the film more bearable.
Altogether despite the stunning CGI, this is a very poor copy of the original and definitely one I wont be watching again - just stick to the original.
Visually it looks stunning, which shouldn't really be a surprise as it has been brought to us by the same guys that did The Jungle Book. However I'm afraid the visuals are pretty much all this film has going for it. This film is virtually a carbon copy of the original animation but with all of the heart, soul and humour taken out of it. The problem with these Disney live action remakes is they're unnecessary and stuck in a difficult position - differ too much from the original and people hate it, but sticking too close to the original and it begs the question as to why not just watch the original? It's more difficult for The Lion King as it's gone from being cartoon animation to CGI animation and apart from looking more natural, that's the only real difference.
They've lost virtually all of the magic that made the original great in the first place. The humour either falls flat due to the poor execution, or has been removed and replaced with something much less witty and funny. I mean, where was dress in drag & do the hula?! I dont think the voice cast helps. Other than Chiwetel Ejiofor and of course James Earl Jones, the rest of the voice cast just seemed ridiculously out of place and ill fitting with the film. I cringed every time I heard Zazu as Jon Oliver is definitely no Rowan Atkinson! And dont even get me started on Beyonce. We really didnt need her horrific versions of songs thrown in too. Although the rest of the songs did at least make the rest of the film more bearable.
Altogether despite the stunning CGI, this is a very poor copy of the original and definitely one I wont be watching again - just stick to the original.
Chevening: A Seat of Diplomacy
Book
Chevening stands in a magnifi cent park below the wooded escarpment of the North Downs in Kent. It...
Movie Metropolis (309 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jun 10, 2019
The 2nd best star wars film
The Star Wars universe just got a whole lot bigger. When Rogue One: A Star Wars Story was announced by Disney a couple of years ago, diehard fans of the sci-fi saga met the news with a huge dose of scepticism.
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/
Ronyell (38 KP) rated Pinocchio and the Emperor of the Night (1987) in Movies
Jul 24, 2020
That Creepy Version of Pinocchio
This movie is basically a sequel to the original “Pinocchio” and the movie starts off with Gepetto giving Pinocchio a jewel box to take to the Mayor. As Pinocchio goes to town to deliver the jewel box, he meets up with Igor and Scalawag, two con artists who eventually convince Pinocchio to give them the jewel box, which ends up getting Pinocchio into trouble with Gepetto. Pinocchio was so upset about disappointing his father that he decided to run away and get the jewel box back. It was then that Pinocchio ended up getting into all kinds of strange and frightening situations such as meeting the frightening Puppetino at the circus and eventually meeting up with the Emperor of the Night!
Now, when I heard that Filmation was making a sequel to the famous Italian classic "Pinocchio," I was quite surprised and satisfied with the results! I loved the fact that there was a sequel to "Pinocchio" to begin with since I did wonder what Pinocchio's adventures would be like after he was transformed into a real boy and we managed to get one in this movie! I honestly like the dark and edgy feel of this film as it really grabbed my interest and some scenes (like the infamous puppet transformation scene) had really stayed with me ever since I was little! The voice acting was fantastic in this film as all the voice actors really gave everything they got for this film. Probably my favorite voice acting was from James Earl Jones as the Emperor of the Night as he made the character extremely scary and mysterious and I was really interested in the character! The animation is surprisingly better than what we usually get with Filmation as the characters move much fluidly and the action sequences were quite well done!
The only problem with this film was that it seemed like the plot was a rehash of the original Pinocchio story as we still get a storyline about Pinocchio trying to figure out what is right and wrong, having a conscience who would guide him and having two con artists scam him and get him into more trouble. The only thing that was actually different in this story was the Emperor of the Night as he proved to be scarier than the previous villains in "Pinocchio."
Overall, "Pinocchio and the Emperor of the Night" is a great film for anyone who is a huge fan of Filmation's works and who wants to see how the story of "Pinocchio" would continue.
Originally posted on: http://surrealmoviesandtvblog.blogspot.com/2014/07/movie-review-pinocchio-and-emperor-of.html
Now, when I heard that Filmation was making a sequel to the famous Italian classic "Pinocchio," I was quite surprised and satisfied with the results! I loved the fact that there was a sequel to "Pinocchio" to begin with since I did wonder what Pinocchio's adventures would be like after he was transformed into a real boy and we managed to get one in this movie! I honestly like the dark and edgy feel of this film as it really grabbed my interest and some scenes (like the infamous puppet transformation scene) had really stayed with me ever since I was little! The voice acting was fantastic in this film as all the voice actors really gave everything they got for this film. Probably my favorite voice acting was from James Earl Jones as the Emperor of the Night as he made the character extremely scary and mysterious and I was really interested in the character! The animation is surprisingly better than what we usually get with Filmation as the characters move much fluidly and the action sequences were quite well done!
The only problem with this film was that it seemed like the plot was a rehash of the original Pinocchio story as we still get a storyline about Pinocchio trying to figure out what is right and wrong, having a conscience who would guide him and having two con artists scam him and get him into more trouble. The only thing that was actually different in this story was the Emperor of the Night as he proved to be scarier than the previous villains in "Pinocchio."
Overall, "Pinocchio and the Emperor of the Night" is a great film for anyone who is a huge fan of Filmation's works and who wants to see how the story of "Pinocchio" would continue.
Originally posted on: http://surrealmoviesandtvblog.blogspot.com/2014/07/movie-review-pinocchio-and-emperor-of.html