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The Forgetting
8
8.0 (1 Ratings)
Book Rating
Here's a terrible way to approach a review: have almost nothing to say but few words (and here I thought I finally got over that little reviewing brain freeze I got early last year. This is going to become a bad habit, yes?). Nothing really negative, as I enjoyed reading The Forgetting, but saying, "I enjoyed the book" and leaving it at that just doesn't qualify. Someone would then most likely ask, "But why did you enjoy the book?"

I am, by no means, a fan of books that involve sex trafficking. It's a terrible thing and I really don't want to bother reading about the subject (if book club chooses a certain book from the Gateway Readers Award Nominees that's related to trafficking, I'm tucking my tail between my legs and running away).

Then again, I figured Nicole Maggi's The Forgetting would be something pretty different from other thrillers, seeing as a girl goes through a heart transplant and then suddenly starts losing some of her memories while gaining some memories of the heart's original owner. In order for Georgie to actually return back to her normal life from what she calls the "Catch" though, Georgie has to unravel how her new heart's owner really died before she loses all of her memories.
<blockquote>How could I have memories that didn’t belong to me? But they were there, as crystal clear as other memories I knew were mine.</blockquote>
The Forgetting faintly reminds me of a mystery show I once watched every Sunday on CBS (to which I forgot the name of, but it was always before the 10pm news), only this is just a one time thing and everything is back to normal completely (plus, I don't think that detective actually went through a transplant. More like a gut feeling. Either that, or he's a genius). It also reminded me a little of If I Stay and Where She Went, as Georgie spends a good part of the book panicking about not making into Julliard because its been her dream to go Julliard since she was a kid.
<blockquote>Would I graduate on time? Ace my Juilliard audition and start there in the fall?</blockquote>
But while Georgie seems to emphasize stressing and eventually questioning her decision to play the oboe for a lifetime after going (IF) to Julliard, it's very evenly balanced out and doesn't overshadow the overall plot of the book. (Though suddenly doing all the good stuff and whatnot is really odd unless Georgie does this on a daily basis... before the transplant.)

It is, however, pretty obvious that "Jane Doe" has unfinished business from early on in the book with the way the story plays out and how it was written (not that I mind). Some of the characters' actions do seem a little questionable – how does one not go after a person that's taking a file... and not leaving a print out? Or at least go on the hunt for the file? I mean, it's a government building! Seems a little odd they would actually let a file out and don't even try to get it back, unless it's in the future and therefore not part of the book (because what happens to Georgie after doesn't matter too much after she solves the mystery of Jane Doe's death).

Though The Forgetting is a little on the paranormal side (I haven't actually heard anything similar to Georgie's situation in real life), Maggi does convey the realities and horrors of trafficking through her latest book.
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Advanced copy provided by the publisher for review
Original Rating: 4.5 out of 5
Review originally posted at <a href="http://bookwyrming-thoughts.blogspot.com/2015/01/arc-review-the-forgetting-by-nicole-maggi.html">http://bookwyrming-thoughts.blogspot.com/2015/01/arc-review-the-forgetting-by-nicole-maggi.html</a>;
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100 Fathoms Below
100 Fathoms Below
6
6.0 (1 Ratings)
Book Rating
Contains spoilers, click to show
I love books that take place under the sea–particularly horror books. If you’ve read my review on Something’s Alive on the Titanic, you probably already know that. (It’s a great book by the way, and its author is Robert Serling–brother to Rod Serling.) It’s only natural that I selected 100 Fathoms Below when I read its nautical, and eerie, description.

And here’s where my spoiler comes in, because I’m about to go on a mini-rant. The synopsis hints at a mysterious, evil monster hunting the crew of the ship, but it does not say what that creature is. Therefore, I feel that revealing this is a book about vampires is, in fact, a spoiler–contrary to popular belief of other reviewers. It’s pretty obvious early on, with the first hint coming in at 8%, however if I’d known this was a vampire book before I chose it, I wouldn’t have taken the time to read it. The key word there is BEFORE. Because I had it spoiled by a straight up summary of the prologue on Goodreads, coupled with a pretty hearty description about the… well, vampires. So, now that you know that overly used trope is here, let’s take a moment to discuss what Kent and Kaufmann do right, shall we?

The vampires in 100 Fathoms Below are good ol’ classic boys, in the sense that they’re bloodthirsty and want nothing more than to maim and breed more of their kind. They aren’t romanticized, either–and that’s a great thing. In fact, they’re written well enough that, despite having been spoiled by a fellow reviewer, I enjoyed the book enough to finish it. Mostly because I wanted to see how things ended.

Something else Kent and Kaufmann excel at is creating a connection between the readers and characters. I found myself sharing the hopes and dreams of many of the figures we meet. That made some of the deaths a lot more difficult on me.

The plot is quick, making it an easy read; however, the sense of intrigue isn’t really there. The whole discovering a prototype Soviet submarine takes the back burner with an occasional mention and even when it does come back into play toward the end of the book, there’s not exactly any excitement or fear of them being caught. I found that to be a bit disappointing.

Overall, it’s an entertaining read, but I probably wouldn’t take the time to re-read it. I’d like to thank NetGalley and Blackstone Publishing for providing me with a free copy of this book in exchange for an honest review.
  
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Eleanor Luhar (47 KP) rated Ghost Boy in Books

Jun 24, 2019  
Ghost Boy
Ghost Boy
6
6.0 (1 Ratings)
Book Rating
Another young adult novel, following an 11-year-old boy. His name is Ben, and he sees ghosts. Well, spirits, and only a few. Mainly, he sees Abby, a girl of his own age. His mother views his ability as a 'gift', but his father thinks he's crazy. He gets angry when Ben talks about Abby as if she's real, and tries several methods to rid Ben of his spirits.

Ben goes through a lot in this novel, from his cousin losing his foot, his father sending him to a shrink, being caught graffiti-ing, and being beaten up for standing up to a bully. And more! These things are mostly nothing to do with Abby or Ben's ability to see the dead, but there are some connections. In one case, Ben actually exorcises a 'dybbuk' from a stranger on a beach.

It is clear that Ben is desperate for his father's approval. He attempts daring and foolish stunts designed to impress him, and he ends up lying about taking anti-psychotic medication just to please him. His mother often stands up for Ben, but this causes h er to fight with his father. Ben's sister is rarely mentioned, and does not seem to make any comments on Ben's ability - if she even knows about it.

A lot of this book felt like it was completely disconnected to the main plot; it felt a bit like a generic YA fiction novel at times. The plot revolving around Abby seemed to disappear for a while, before being re-introduced.

The plot with Abby was actually very interesting. I had my hunches from relatively early on, but it wasn't overly obvious or predictable. I did find it a bit strange how Ben believed he had a romantic interest in her at one point, and the 'solution' she suggests is also a bit strange... But it was unique and innovative, that's for sure. I'm intrigued to know where Abby got her name from, as it is later revealed that her mother referred to her as Eliza.

Ben's exorcising ability was not explained or developed upon at all, and there was no other mention of/reference to dybbuks or similar demons. This was a bit of a shame, as that was an interesting aspect.

As Ben was quite a young protagonist, I do believe I am a bit too old to actually really appreciate this. The writing definitely seemed more suited to a slightly younger audience, but wasn't overly immature. I'd definitely recommend this for slightly younger readers. I noticed a few mistakes, but only generic typos. 3.5 stars.