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Ross (3284 KP) rated Good Omens in Books
Jun 12, 2019
Fun, charming romp towards the end of the world
Good Omens is a strange one. If you're a fan of Pratchett's Discworld, I can see you not being overly keen on this book (while his trademark humour is there and his funny Billy Connolly-esque tangents are in the footnotes, there is less of the fantastic about it). And likewise Gaiman fans might be missing his usual gothic flair and be somewhat alarmed at the amount of silliness in the book.
This is probably what put me off reading this until now. I seem to recall trying to read it about 20 years ago, but for some reason I gave up inside a couple of pages. That was 17 year old me as a Pratchett fan, and I must have opted for the 20+ Discworld books I still had yet to read instead, and had no idea who Neil Gaiman was.
Sadly, that makes me your common or garden bandwagon-jumper as I have only now read this for the first time with the TV series on my to-be-watched list.
I cannot say why I never returned to the book. I love Pratchett, had the honour of meeting him at signings a few times in the 90s, and he got me into Robert Rankin, Douglas Adams, Tom Holt and Tom Sharpe. This book is so in line with the flavour of the books I have enjoyed most in my life that it beggars belief I never gave it another thought.
I am so glad I eventually did, and did so before watching the TV series.
While there are epic expectations of the quality of the book, from the hype and cult status, I always read with an open mind.
The story underlying the book is a Fawlty Towers-esque attempt at the end of days, where one bumbling fool's error in the early stages completely changes the plans for the end of the human race.
I won't go into the plot in detail, and will only say that the read is a thoroughly enjoyable ride. It isn't laugh-out-loud funny, it is smirk-I-know-what-you-mean funny. This may not appeal to non-British readers as much as it is written with a very British sense of humour. It is very silly quite a lot of the time, but there is a good, deep story in there if you take a moment to think about it.
My only criticism would be that there was a little too much silliness and while enjoyable this may have distracted from the book at times. But you know you'll get that with Pratchett, he takes his little tangents and he adds in nonsense dialogues for sheer entertainment value - he very much sees that not every word has to be vital to the overall story, you can have a little fun along the way.
Now, to get into the TV series ....
This is probably what put me off reading this until now. I seem to recall trying to read it about 20 years ago, but for some reason I gave up inside a couple of pages. That was 17 year old me as a Pratchett fan, and I must have opted for the 20+ Discworld books I still had yet to read instead, and had no idea who Neil Gaiman was.
Sadly, that makes me your common or garden bandwagon-jumper as I have only now read this for the first time with the TV series on my to-be-watched list.
I cannot say why I never returned to the book. I love Pratchett, had the honour of meeting him at signings a few times in the 90s, and he got me into Robert Rankin, Douglas Adams, Tom Holt and Tom Sharpe. This book is so in line with the flavour of the books I have enjoyed most in my life that it beggars belief I never gave it another thought.
I am so glad I eventually did, and did so before watching the TV series.
While there are epic expectations of the quality of the book, from the hype and cult status, I always read with an open mind.
The story underlying the book is a Fawlty Towers-esque attempt at the end of days, where one bumbling fool's error in the early stages completely changes the plans for the end of the human race.
I won't go into the plot in detail, and will only say that the read is a thoroughly enjoyable ride. It isn't laugh-out-loud funny, it is smirk-I-know-what-you-mean funny. This may not appeal to non-British readers as much as it is written with a very British sense of humour. It is very silly quite a lot of the time, but there is a good, deep story in there if you take a moment to think about it.
My only criticism would be that there was a little too much silliness and while enjoyable this may have distracted from the book at times. But you know you'll get that with Pratchett, he takes his little tangents and he adds in nonsense dialogues for sheer entertainment value - he very much sees that not every word has to be vital to the overall story, you can have a little fun along the way.
Now, to get into the TV series ....
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Everyone is constantly reminded to never judge a book by its cover. The book jacket designer of Steven Camden’s contemporary novel <i>Tape</i> has done an excellent job using colour and hand-rendered images to capture people’s attention; the story, however, remained rather dull in comparison.
The novel is split into two time periods, twenty years apart. In 2013, Ameliah is struggling to cope with the sudden loss of her mother, and shortly after her father, whilst she moves in with her Nan. In the spare bedroom lies a mammoth job of boxes to sort out containing all of her parents’ belongings. Ameliah first discovers an ancient boom box along with a large collection of music tapes. Amongst these is an unlabeled one, and when she plays it she can hear a young boy talking to her – he also says her mother’s name, “Eve”.
Twenty years earlier it is 1993 and thirteen-year-old Ryan is keeping a verbal diary as he records himself talking to his mother who has unfortunately passed away. His father has remarried and Ryan also has to struggle to live with stepbrother Nathan who seems to be determined to create a scene at every given opportunity. On a day out with his best friend Liam, he meets an Irish girl named Eve who he instantly falls in love with, but is devastated to learn that she will be returning home to Ireland soon.
It is clear from the beginning that Ryan and the voice on Ameliah’s tape are one and the same person; but the question is how are they connected? The connection is emphasized by the similarities in the lives of these two youngsters. Ryan meets a girl… Ameliah meets a boy… They both have to learn to deal with certain people being in their lives. For Ryan that is Nathan but for Ameliah that is a stranger who turns up one day claiming that he was a friend of her father.
After a while the storyline becomes predictable, and despite suspecting a plot twist, there is not one. The characters come across as a bit childish and annoying, which makes them difficult to relate to - although that may not be an issue with younger readers. Twelve and thirteen are far too young to be thinking about romantic relationships, especially for a boy in the early nineties: a flaw in the storyline.
Camden has done well to reduce the potential confusion of changing from one character and decade to another by using two different typefaces, so there is no issue there. But, overall it was rather disappointing. It was a great idea for a narrative with so much potential, however it fell flat and dreary through the writing.
Everyone is constantly reminded to never judge a book by its cover. The book jacket designer of Steven Camden’s contemporary novel <i>Tape</i> has done an excellent job using colour and hand-rendered images to capture people’s attention; the story, however, remained rather dull in comparison.
The novel is split into two time periods, twenty years apart. In 2013, Ameliah is struggling to cope with the sudden loss of her mother, and shortly after her father, whilst she moves in with her Nan. In the spare bedroom lies a mammoth job of boxes to sort out containing all of her parents’ belongings. Ameliah first discovers an ancient boom box along with a large collection of music tapes. Amongst these is an unlabeled one, and when she plays it she can hear a young boy talking to her – he also says her mother’s name, “Eve”.
Twenty years earlier it is 1993 and thirteen-year-old Ryan is keeping a verbal diary as he records himself talking to his mother who has unfortunately passed away. His father has remarried and Ryan also has to struggle to live with stepbrother Nathan who seems to be determined to create a scene at every given opportunity. On a day out with his best friend Liam, he meets an Irish girl named Eve who he instantly falls in love with, but is devastated to learn that she will be returning home to Ireland soon.
It is clear from the beginning that Ryan and the voice on Ameliah’s tape are one and the same person; but the question is how are they connected? The connection is emphasized by the similarities in the lives of these two youngsters. Ryan meets a girl… Ameliah meets a boy… They both have to learn to deal with certain people being in their lives. For Ryan that is Nathan but for Ameliah that is a stranger who turns up one day claiming that he was a friend of her father.
After a while the storyline becomes predictable, and despite suspecting a plot twist, there is not one. The characters come across as a bit childish and annoying, which makes them difficult to relate to - although that may not be an issue with younger readers. Twelve and thirteen are far too young to be thinking about romantic relationships, especially for a boy in the early nineties: a flaw in the storyline.
Camden has done well to reduce the potential confusion of changing from one character and decade to another by using two different typefaces, so there is no issue there. But, overall it was rather disappointing. It was a great idea for a narrative with so much potential, however it fell flat and dreary through the writing.
Sophia (Bookwyrming Thoughts) (530 KP) rated All Is Fair in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><em><strong>All is Fair</strong></em><strong> by Dee Garretson promises an adventure.</strong></h2>
The beginning of <em>All is Fair</em> promises a fun, action-packed adventure, set in World War I with badass females being involved in espionage. After Mina receives a telegram from her father at her boarding school and decrypts the message, she heads home to find her friend Andrew with an American named Lucas.
<h2><strong>It's a little predictable, but also fun.</strong></h2>
<em>All is Fair</em> starts off great and I loved seeing Mina decrypting her father's message at school. I also loved seeing this play a role later on when Mina has to join Lucas on his mission so he could succeed.
But Garretson's novel is relatively predictable as I called some of the twists before they happened. While this may suck out of the fun for some people, I found myself letting the easy predictions slide as I enjoyed other aspects of the story.
<h2><strong>Slow at the beginning.</strong></h2>
After the promising intro and beginning when we are introduced to Mina and learn a little about her, the story dies down. <em>All is Fair</em> becomes slow and we focus a lot on the aristocratic life in the early 20th century before we get to the action-packed part of the story. I found myself stepping away frequently until then because I was just <em>bored</em> despite the character interactions.
<h2><strong>Characters and interactions are great, romance unnecessary</strong></h2>
I'm a huge character person - if there's a character or two that I enjoy reading, I'll likely let other problems (if any) I have slide. And I adored Mina. From the beginning, she's wanted to go on an adventure but rarely gets the opportunity until something happens and she takes the chance. Her interactions with Lucas are amusing and there is <em>quite</em> the shade being thrown between the two (I love me some good shade).
But the romance wasn't necessary to the story. It felt suddenly thrown in near the end just to have a romantic aspect of sorts. <em>All is Fair</em> would have been perfectly fine with the friendship and occasional shade being thrown about.
<h2><strong>We have an open ending.</strong></h2>
<em>All is Fair</em> leaves an open ending that promises of a possible sequel that could potentially happen. Even if there is no sequel, though, the story wrapped up nicely. My only issue aside from the unnecessary romantic aspect is the boring beginning readers will have to drag themselves through to get to the action-packed adventure.
<a href="http://bookwyrmingthoughts.com/all-is-fair-by-dee-garretson/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><em><strong>All is Fair</strong></em><strong> by Dee Garretson promises an adventure.</strong></h2>
The beginning of <em>All is Fair</em> promises a fun, action-packed adventure, set in World War I with badass females being involved in espionage. After Mina receives a telegram from her father at her boarding school and decrypts the message, she heads home to find her friend Andrew with an American named Lucas.
<h2><strong>It's a little predictable, but also fun.</strong></h2>
<em>All is Fair</em> starts off great and I loved seeing Mina decrypting her father's message at school. I also loved seeing this play a role later on when Mina has to join Lucas on his mission so he could succeed.
But Garretson's novel is relatively predictable as I called some of the twists before they happened. While this may suck out of the fun for some people, I found myself letting the easy predictions slide as I enjoyed other aspects of the story.
<h2><strong>Slow at the beginning.</strong></h2>
After the promising intro and beginning when we are introduced to Mina and learn a little about her, the story dies down. <em>All is Fair</em> becomes slow and we focus a lot on the aristocratic life in the early 20th century before we get to the action-packed part of the story. I found myself stepping away frequently until then because I was just <em>bored</em> despite the character interactions.
<h2><strong>Characters and interactions are great, romance unnecessary</strong></h2>
I'm a huge character person - if there's a character or two that I enjoy reading, I'll likely let other problems (if any) I have slide. And I adored Mina. From the beginning, she's wanted to go on an adventure but rarely gets the opportunity until something happens and she takes the chance. Her interactions with Lucas are amusing and there is <em>quite</em> the shade being thrown between the two (I love me some good shade).
But the romance wasn't necessary to the story. It felt suddenly thrown in near the end just to have a romantic aspect of sorts. <em>All is Fair</em> would have been perfectly fine with the friendship and occasional shade being thrown about.
<h2><strong>We have an open ending.</strong></h2>
<em>All is Fair</em> leaves an open ending that promises of a possible sequel that could potentially happen. Even if there is no sequel, though, the story wrapped up nicely. My only issue aside from the unnecessary romantic aspect is the boring beginning readers will have to drag themselves through to get to the action-packed adventure.
<a href="http://bookwyrmingthoughts.com/all-is-fair-by-dee-garretson/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Smoke and Key in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><b>Kelsey Sutton sucked me right into <em>Smoke and Key</em>.</b></h2>
I thought <em>Smoke and Key</em> would be a fascinating murder mystery set underground with the dead. But as I got in the story, I discovered I was so <em>so</em> wrong. From early in the novel, Sutton sucks me into the world of Under. Key wakes up dead with no memories other than a key around her neck. Others who live in Under are the same as well, and like Key each of them has an item they came with they identify themselves with.
<h2><strong>Mysterious and creepy.</strong></h2>
<em>Smoke and Key</em> is everything I thought a world of dead people would be - mysterious and creepy. When Key awakens in Under, she has a feeling everyone around her is in the world for a reason - she just can't remember why. As she sets out to discover who she is, some of the residents are murdered brutally with no return. Key hopes that as she discovers the reason why everyone is there, she'll solve the cause as well before she is murdered.
Sutton creates an atmospheric world while building a mystery that kept me turning the pages. There were moments where I thought I would know how the story will play out in the end, but I would turn out to be entirely wrong. Sutton continues to do this until near the end when everything circles together.
<h2><strong>A little romance underneath.</strong></h2>
Sutton includes a good amount of romance in her latest novel developing throughout that I enjoyed. Despite the romance being a trope I normally have a dislike for, Sutton turns the tables and handles it nicely. There is also a good balance between the romance and everything else in the story, so it doesn't overshadow the plot despite ultimately being a love story.
<h2><strong>Superb character development.</strong></h2>
I adored all of the characters who made up the world of Under. Each of them has individual contributions to the society that is developed. What's neat about <em>Smoke and Key</em> is the story is in two timelines that come together in the end. One timeline is in the present in Under while the other as Key discovers her past that led them all to this world. Having the two timelines allows readers to see how the relationships have developed.
<h2><em><strong>Smoke and Key</strong></em><strong> is a beautifully written novel with magic and romance built with mysterious and creepy vibes.</strong></h2>
<a href="https://bookwyrmingthoughts.com/smoke-and-key-by-kelsey-sutton/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><b>Kelsey Sutton sucked me right into <em>Smoke and Key</em>.</b></h2>
I thought <em>Smoke and Key</em> would be a fascinating murder mystery set underground with the dead. But as I got in the story, I discovered I was so <em>so</em> wrong. From early in the novel, Sutton sucks me into the world of Under. Key wakes up dead with no memories other than a key around her neck. Others who live in Under are the same as well, and like Key each of them has an item they came with they identify themselves with.
<h2><strong>Mysterious and creepy.</strong></h2>
<em>Smoke and Key</em> is everything I thought a world of dead people would be - mysterious and creepy. When Key awakens in Under, she has a feeling everyone around her is in the world for a reason - she just can't remember why. As she sets out to discover who she is, some of the residents are murdered brutally with no return. Key hopes that as she discovers the reason why everyone is there, she'll solve the cause as well before she is murdered.
Sutton creates an atmospheric world while building a mystery that kept me turning the pages. There were moments where I thought I would know how the story will play out in the end, but I would turn out to be entirely wrong. Sutton continues to do this until near the end when everything circles together.
<h2><strong>A little romance underneath.</strong></h2>
Sutton includes a good amount of romance in her latest novel developing throughout that I enjoyed. Despite the romance being a trope I normally have a dislike for, Sutton turns the tables and handles it nicely. There is also a good balance between the romance and everything else in the story, so it doesn't overshadow the plot despite ultimately being a love story.
<h2><strong>Superb character development.</strong></h2>
I adored all of the characters who made up the world of Under. Each of them has individual contributions to the society that is developed. What's neat about <em>Smoke and Key</em> is the story is in two timelines that come together in the end. One timeline is in the present in Under while the other as Key discovers her past that led them all to this world. Having the two timelines allows readers to see how the relationships have developed.
<h2><em><strong>Smoke and Key</strong></em><strong> is a beautifully written novel with magic and romance built with mysterious and creepy vibes.</strong></h2>
<a href="https://bookwyrmingthoughts.com/smoke-and-key-by-kelsey-sutton/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Hazel (1853 KP) rated In a Kingdom by the Sea in Books
Jul 31, 2019
I received an ARC from the publisher via Netgalley in exchange for an honest review.
Imagine how it must feel to live in a country that is nearly always depicted negatively? How does it feel to have your country's natural beauty and landscape usurped by the violence of a small percentage of people? This is what Gabriella discovers the majority of the population of Pakistan face when she accompanies her husband Mike to Karachi where he works for Pakistan Atlantic Airways.
Gabriella and her sons have been used to Mike disappearing for months at a time on various jobs abroad, however, she is beginning to feel she and her husband are drifting apart. When Mike suggests she come and stay with him in Pakistan, she jumps at the chance, however, instead of strengthing the relationship, Gabriella feels further away than ever. Constantly left behind in a hotel while Mike attends numerous conferences, Gabriella is virtually housebound; it being too dangerous to venture outside. Not only that, she suspects Mike is having an affair and to top it all off, her half-sister Dominique reveals a devastating secret about their childhood in Cornwall.
In a Kingdom by the Sea by Sara MacDonald is essentially a contemporary love story, exploring the woes of a nearly fifty-year-old coming to the end of a long relationship. With underlying elements of mystery, for instance, what happened to Dominique in the early 1970s and what exactly is Mike up to, the novel also explores the hidden truths of a country stereotyped by violence and terrorism.
Gabriella meets dozens of kind and caring people in Pakistan who have her best interests at heart. These people are not dangerous or violent as the media often leads the western world to believe. Whilst some groups of people are content to cause death and destruction, leaving the cities a minefield to navigate, there are plenty more who wish to live peaceful lives. Gabriella is captivated by the beautiful, enchanting landscapes, unlike anything back home in England.
As the story progresses, Gabriella learns more about the lives of women in Pakistan. They are unable to live as they please, having to bow to the commands of their husbands, parents and brothers instead. The more Gabriella speaks to these women, the more she realises that cooped up in the hotel most of the day, she is in a similar situation, under the thumb of her own husband. So, she stops. Thinks. Is this the life she wants?
In a Kingdom by the Sea is a slightly long-winded but eye-opening story. Not everyone will be able to relate to the lives of Pakistani women, however, their plight will resonate with those who relish freedom. Whilst it is difficult to compare Gabriella's life with the women she meets in Karachi, readers will also be rooting for Gabriella's happy-ever-after.
Imagine how it must feel to live in a country that is nearly always depicted negatively? How does it feel to have your country's natural beauty and landscape usurped by the violence of a small percentage of people? This is what Gabriella discovers the majority of the population of Pakistan face when she accompanies her husband Mike to Karachi where he works for Pakistan Atlantic Airways.
Gabriella and her sons have been used to Mike disappearing for months at a time on various jobs abroad, however, she is beginning to feel she and her husband are drifting apart. When Mike suggests she come and stay with him in Pakistan, she jumps at the chance, however, instead of strengthing the relationship, Gabriella feels further away than ever. Constantly left behind in a hotel while Mike attends numerous conferences, Gabriella is virtually housebound; it being too dangerous to venture outside. Not only that, she suspects Mike is having an affair and to top it all off, her half-sister Dominique reveals a devastating secret about their childhood in Cornwall.
In a Kingdom by the Sea by Sara MacDonald is essentially a contemporary love story, exploring the woes of a nearly fifty-year-old coming to the end of a long relationship. With underlying elements of mystery, for instance, what happened to Dominique in the early 1970s and what exactly is Mike up to, the novel also explores the hidden truths of a country stereotyped by violence and terrorism.
Gabriella meets dozens of kind and caring people in Pakistan who have her best interests at heart. These people are not dangerous or violent as the media often leads the western world to believe. Whilst some groups of people are content to cause death and destruction, leaving the cities a minefield to navigate, there are plenty more who wish to live peaceful lives. Gabriella is captivated by the beautiful, enchanting landscapes, unlike anything back home in England.
As the story progresses, Gabriella learns more about the lives of women in Pakistan. They are unable to live as they please, having to bow to the commands of their husbands, parents and brothers instead. The more Gabriella speaks to these women, the more she realises that cooped up in the hotel most of the day, she is in a similar situation, under the thumb of her own husband. So, she stops. Thinks. Is this the life she wants?
In a Kingdom by the Sea is a slightly long-winded but eye-opening story. Not everyone will be able to relate to the lives of Pakistani women, however, their plight will resonate with those who relish freedom. Whilst it is difficult to compare Gabriella's life with the women she meets in Karachi, readers will also be rooting for Gabriella's happy-ever-after.
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Ross (3284 KP) rated A Time of Dread in Books
Jan 16, 2018
Twists were quite obvious from very early on (1 more)
Less action on much smaller scale than previous
A new series following on from the events of The Faithful and the Fallen
*** Disclosure: I received an advance copy of this book from NetGalley in return for an honest review. Typos and formatting issues (of which there were many) have not been reflected in this review ***
The first book in John Gwynne's new series (Of Blood and Bone) comes a little over 100 years after the conclusion of Wrath.
In some senses, and I have seen a number of reviews opining this, this marks the start of a different series, and no prior knowledge of the Banished Lands is needed. I would agree to an extent, though I would imagine a lot of things are taken for granted (the creatures and races of people for one, if not the actual storyline). However, if someone then wants to read the previous series I think a lot of the events of those books has been spoilt, not the overall conclusion but certain little details would be annoying to have spoilt. I would strongly encourage readers to read Malice et all first (though beware of the epic scope and cast of characters from the off).
The story follows three main paths which at times become two. Riv (a trainee warrior) and Bleda (a young ward, stolen from his family at a young age) are living with the "angels" that have broken through to the real world and are training to fight the "demons". Their story serves to chronicle the events of the first series quite neatly, and shows how the angels are not perfect in their role as mankind's guardians. Drem is a trapper living in the wilderness with his father and begins to uncover some unusual signs of dark work afoot. Finally, Sig the giant (a minor character in the first series) also works to eliminate the demons from the world, but does so independently of the angels.
The scope of the story and cast of characters is so much smaller more focused than Gwynne's previous books, which took some getting used to. While I felt the scope of the first series was so epic it was hard work, here it seems like a very different, simpler work. Almost, but not quite, like a step backwards.
As usual, there are twists and turns along the way, not all of which were particularly surprising (sometimes you just know that unless someone's head was cut off, they're going to come back again later!) and I felt they could have been dealt with better.
I felt there was maybe another chunk of the story that could have been added as the final 50 pages rattled along all of a sudden and ended abruptly with more still to tell.
I very much enjoyed the book and am looking forward to the next instalment to see where the story goes from here, though I expect it will be a smaller series than TFAF, looking to tie up loose ends.
The first book in John Gwynne's new series (Of Blood and Bone) comes a little over 100 years after the conclusion of Wrath.
In some senses, and I have seen a number of reviews opining this, this marks the start of a different series, and no prior knowledge of the Banished Lands is needed. I would agree to an extent, though I would imagine a lot of things are taken for granted (the creatures and races of people for one, if not the actual storyline). However, if someone then wants to read the previous series I think a lot of the events of those books has been spoilt, not the overall conclusion but certain little details would be annoying to have spoilt. I would strongly encourage readers to read Malice et all first (though beware of the epic scope and cast of characters from the off).
The story follows three main paths which at times become two. Riv (a trainee warrior) and Bleda (a young ward, stolen from his family at a young age) are living with the "angels" that have broken through to the real world and are training to fight the "demons". Their story serves to chronicle the events of the first series quite neatly, and shows how the angels are not perfect in their role as mankind's guardians. Drem is a trapper living in the wilderness with his father and begins to uncover some unusual signs of dark work afoot. Finally, Sig the giant (a minor character in the first series) also works to eliminate the demons from the world, but does so independently of the angels.
The scope of the story and cast of characters is so much smaller more focused than Gwynne's previous books, which took some getting used to. While I felt the scope of the first series was so epic it was hard work, here it seems like a very different, simpler work. Almost, but not quite, like a step backwards.
As usual, there are twists and turns along the way, not all of which were particularly surprising (sometimes you just know that unless someone's head was cut off, they're going to come back again later!) and I felt they could have been dealt with better.
I felt there was maybe another chunk of the story that could have been added as the final 50 pages rattled along all of a sudden and ended abruptly with more still to tell.
I very much enjoyed the book and am looking forward to the next instalment to see where the story goes from here, though I expect it will be a smaller series than TFAF, looking to tie up loose ends.
Kyera (8 KP) rated Morning Star in Books
Feb 1, 2018
As with the two previous books in the series, Morning Star is brutally violent and honest in its portrayal of the darkness of humanity. It's a strange series that I don't quite know how I feel. While overall the plot and storytelling are good and I enjoy reading the series, for the most part, I am also frequently horrified by events and actions. As a result, I would recommend again that younger teen readers do not pick this up. Wait until you are older to read the series.
Sevro is such a strange character, but I love him. Some of the things he said, although unintentionally funny, had me laughing aloud (and probably sounding like a crazy person because I was by myself). Sadly, the course of the war and things that he has experienced seem to change him - as the war alters all of the characters. In the third book, he is just as funny and strangely likable as he was in the previous two books despite the horrors that he has endured.
I love the honest wonder of Ragnar, despite his fierce size and fighting skills he was not born to the same world as Darrow. He is genuinely pleased or fascinated by things most would take for granted in that world. Despite the fact that Ragnar is a terrifying killing machine - you can't help but like him.
Although there is a lot of death and destruction in these books, it is not until halfway through the third book that the pain of a character affected me. I got a little teary-eyed because it was one of the characters that I had grown to care about. I don't feel a very strong connection to them in general, which I feel is probably the main weakness of this series for me.
The second book fell prey to the typical slow nature of a middle book in a trilogy. In general, I feel that these books take some time to get into but become very engaging eventually. The third book was a little slower to start than even the others, although there were some enjoyable moments early on it wasn't until a little over halfway through the book that I really thought 'wow this is where things start happening.'
Once I was in the second half of the book, I felt like this was my favorite of the books in the series. I think Pierce Brown does his best work when he's talking about a battle. So the fighting you see in this part of the book really shines.
While it is very authentic to a war scenario, I don't personally like that so many characters die. I know people would complain if no one died because then the stakes wouldn't be as high for the characters but it makes me so sad when a character I like doesn't make it.
Despite the slow start of the third book, by the end, I had completely forgotten about it and felt that this was my favorite book in the series. The action, the schemes, everything just pulled me in and I was riveted, guessing, gasping and cheering until the very last page.
Sevro is such a strange character, but I love him. Some of the things he said, although unintentionally funny, had me laughing aloud (and probably sounding like a crazy person because I was by myself). Sadly, the course of the war and things that he has experienced seem to change him - as the war alters all of the characters. In the third book, he is just as funny and strangely likable as he was in the previous two books despite the horrors that he has endured.
I love the honest wonder of Ragnar, despite his fierce size and fighting skills he was not born to the same world as Darrow. He is genuinely pleased or fascinated by things most would take for granted in that world. Despite the fact that Ragnar is a terrifying killing machine - you can't help but like him.
Although there is a lot of death and destruction in these books, it is not until halfway through the third book that the pain of a character affected me. I got a little teary-eyed because it was one of the characters that I had grown to care about. I don't feel a very strong connection to them in general, which I feel is probably the main weakness of this series for me.
The second book fell prey to the typical slow nature of a middle book in a trilogy. In general, I feel that these books take some time to get into but become very engaging eventually. The third book was a little slower to start than even the others, although there were some enjoyable moments early on it wasn't until a little over halfway through the book that I really thought 'wow this is where things start happening.'
Once I was in the second half of the book, I felt like this was my favorite of the books in the series. I think Pierce Brown does his best work when he's talking about a battle. So the fighting you see in this part of the book really shines.
While it is very authentic to a war scenario, I don't personally like that so many characters die. I know people would complain if no one died because then the stakes wouldn't be as high for the characters but it makes me so sad when a character I like doesn't make it.
Despite the slow start of the third book, by the end, I had completely forgotten about it and felt that this was my favorite book in the series. The action, the schemes, everything just pulled me in and I was riveted, guessing, gasping and cheering until the very last page.
