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Eleanor Luhar (47 KP) rated The Boy Who Fell To Earth in Books
Jun 24, 2019
This is another book I was lent by my teacher, so I previously had no idea it even existed. I've never even heard of the author, Kathy Lette, but I'm glad I know of her now!
Okay, it's nearly midnight and I need to be up early so I'm going to have to keep this one rather short.
Lette writes from the point of view of Lucy, who's son has been involved in a serious car accident. She recaps her time with him, telling us her story of love, loss and difficulty.
This novel is written in an honest voice, with sarcasm and humour on every page. It tells the tale of parenting, divorce, finding and losing love, and even coping with the world's way of dealing with special needs. Like I said, it's brutally honest and does not exclude any of the less favourable thoughts or feelings.
It is quite clear that this is aimed at an older generation of readers, but I must say that I did really enjoy it, far more than I anticipated. It isn't a fantasy or an action novel, and it does have a slightly cheesy happy ending, but I do think a lot of people will be pleasantly surprised by how easy this is to read.
If I was a bit older I would probably adore this, but as it is I can't say it's quite a favourite of mine. But I'm definitely happy to have read it, so 4 stars.
Okay, it's nearly midnight and I need to be up early so I'm going to have to keep this one rather short.
Lette writes from the point of view of Lucy, who's son has been involved in a serious car accident. She recaps her time with him, telling us her story of love, loss and difficulty.
This novel is written in an honest voice, with sarcasm and humour on every page. It tells the tale of parenting, divorce, finding and losing love, and even coping with the world's way of dealing with special needs. Like I said, it's brutally honest and does not exclude any of the less favourable thoughts or feelings.
It is quite clear that this is aimed at an older generation of readers, but I must say that I did really enjoy it, far more than I anticipated. It isn't a fantasy or an action novel, and it does have a slightly cheesy happy ending, but I do think a lot of people will be pleasantly surprised by how easy this is to read.
If I was a bit older I would probably adore this, but as it is I can't say it's quite a favourite of mine. But I'm definitely happy to have read it, so 4 stars.
Mark @ Carstairs Considers (2103 KP) rated Around the World in 80 Days in Books
Apr 11, 2022
The Original Race Around the World
Phileas Fogg, a wealthy gentleman of the 1870’s, is a man of exacting routine until one day, when he makes a wager with some acquaintances at his club. With his bet that he can travel around the world in 80 days, he is off, shocking his new man servant, Passepartout, who was looking for a quiet job. Things get even trickier when they catch the attention of Detective Fix, who thinks Fogg might be the bank robber everyone is on the alert for. Will Fogg win his bet?
I’d heard about this book for years and was finally inspired to read it. I found it mixed, at least to what I am used to these days. The journey itself is uneven, with some areas more prominently featured than others, like the time spent in America. My biggest problem was the characters, who are paper thin. As a result, it took me a while to really get invested. Unfortunately, the thinnest of the lot is the sole woman in the book. There are a couple of complications that today’s readers will view as dated stereotypes, but they were real issues the world was dealing with at the time (or at least one of them was something that happened consistently, unfortunately). I did get caught up in the story at times, and I appreciated how the climax was set up early on. I’m glad I’ve finally read it, but the end result was only average.
I’d heard about this book for years and was finally inspired to read it. I found it mixed, at least to what I am used to these days. The journey itself is uneven, with some areas more prominently featured than others, like the time spent in America. My biggest problem was the characters, who are paper thin. As a result, it took me a while to really get invested. Unfortunately, the thinnest of the lot is the sole woman in the book. There are a couple of complications that today’s readers will view as dated stereotypes, but they were real issues the world was dealing with at the time (or at least one of them was something that happened consistently, unfortunately). I did get caught up in the story at times, and I appreciated how the climax was set up early on. I’m glad I’ve finally read it, but the end result was only average.
Hadley (567 KP) rated The Lost Causes of Bleak Creek in Books
Jan 21, 2020
Likable characters (1 more)
Great storyline
If your best friend was sent away to a reform school, what would you do? You'd either let them do their 'time,' or you would come up with a plan to help them escape, and with a pinch of the supernatural, this is what 'The Lost Causes of Bleak Creek' is all about.
When you read this novel by two of the most well-known YouTube personalities (Rhett and Link of Good Mythical Morning), be sure you have plenty of time to spare because this is a book you won't want to put down. The novel follows three best friends of a small town in North Carolina in the early 1990's, when one of them gets sent to a infamous reform school for an accident, they start to uncover mysterious deaths that have taken place there, and begin to fear that their friend is going to be a victim of one.
In 'The Lost Causes of Bleak Creek,' the main characters, Rex, Leif and Alicia, make their debut at a pig roasting to raise funds for a church, whose copper organ pipes had been stolen days before. It's here we learn that the three are making a film called PolterDog, which leads to Alicia getting sent away after a near-deadly accident with the owner and headmaster of the local Whitewood Reform School.
Soon after, Rex and Leif run into an escapee from the school (Ben), who tells them that their friend's life is in danger while she's at Whitewood. While the three come up with a plan to rescue Alicia, a woman who's visiting the town of Bleak Creek, who is trying to film a documentary about kidney stones, becomes a valuable part of their rescue mission.
Not only do we get to see from Rex and Leif's point of view, but we also get to see from inside the Whitewood Reform School from Alicia's view. This view point is much needed to help readers experience the abuse that goes on inside the school (and to realize that Ben was telling the truth) and also to help readers root for the main characters' success in their rescue mission. Even though the majority of the story is the main characters getting everything together for this mission, the writing was done so well that all of it makes sense leading up to the end.
To not give too much away about this book, I have to cut my review short of it. The writing is really good, with the pace continuously keeping the reader going and wanting more.This story also encompasses everything that makes a great novel: best friends trying to save another, small town mysteries, well-placed humor and murder. I found all of the characters likable, and the situations they found themselves in made complete sense in the story. This will be one that readers can pick up more than once and enjoy it each time they read it. As a horror book, this story is high on my scale with scenarios happening that I couldn't see coming.
When you read this novel by two of the most well-known YouTube personalities (Rhett and Link of Good Mythical Morning), be sure you have plenty of time to spare because this is a book you won't want to put down. The novel follows three best friends of a small town in North Carolina in the early 1990's, when one of them gets sent to a infamous reform school for an accident, they start to uncover mysterious deaths that have taken place there, and begin to fear that their friend is going to be a victim of one.
In 'The Lost Causes of Bleak Creek,' the main characters, Rex, Leif and Alicia, make their debut at a pig roasting to raise funds for a church, whose copper organ pipes had been stolen days before. It's here we learn that the three are making a film called PolterDog, which leads to Alicia getting sent away after a near-deadly accident with the owner and headmaster of the local Whitewood Reform School.
Soon after, Rex and Leif run into an escapee from the school (Ben), who tells them that their friend's life is in danger while she's at Whitewood. While the three come up with a plan to rescue Alicia, a woman who's visiting the town of Bleak Creek, who is trying to film a documentary about kidney stones, becomes a valuable part of their rescue mission.
Not only do we get to see from Rex and Leif's point of view, but we also get to see from inside the Whitewood Reform School from Alicia's view. This view point is much needed to help readers experience the abuse that goes on inside the school (and to realize that Ben was telling the truth) and also to help readers root for the main characters' success in their rescue mission. Even though the majority of the story is the main characters getting everything together for this mission, the writing was done so well that all of it makes sense leading up to the end.
To not give too much away about this book, I have to cut my review short of it. The writing is really good, with the pace continuously keeping the reader going and wanting more.This story also encompasses everything that makes a great novel: best friends trying to save another, small town mysteries, well-placed humor and murder. I found all of the characters likable, and the situations they found themselves in made complete sense in the story. This will be one that readers can pick up more than once and enjoy it each time they read it. As a horror book, this story is high on my scale with scenarios happening that I couldn't see coming.
Hazel (1853 KP) rated God: A Human History in Books
Nov 5, 2017
An Ambiguous History
I received this book for free through Goodreads First Reads.
Where did religion come from? This is the question Reza Aslan, a scholar of religions, attempts to answer in his latest publication, God: A Human History. To date, Aslan has tackled subjects such as the life of Jesus of Nazareth, and the origins, evolution and future of Islam. In this book, the author journeys back to the earliest evidence of human existence and, using a mix of resources, theories and investigations, tries to determine how our ancestors conceived the idea of gods and souls. Maintaining the idea that the majority of humans think of God as a divine version of ourselves, Aslan also looks at the way our perception of life after death has altered due to the changes in our governments and cultures.
Reza Aslan claims that he, a Muslim-devout-Christian-convert-turned-Sufi, is neither trying to prove or disprove the existence of God or gods. Instead, he is providing readers with a thorough history of religion with a strong suggestion that we, as believers, have fashioned God in our image, and not the other way around.
Insisting that belief systems are inherited from each previous generation, Aslan takes a look at ancient cave drawings where he, and many other theorists, surmise that a form of religion was already well underway. Lack of written word results in a lot of speculation and hypothesis as to what these, usually animal-like, drawings represent, however, many have come to the conclusion that early humans had some form of animistic belief system.
Although not a dig at religion, after all, the author is religious himself, the following chapters bring in to question the authenticity of past and present beliefs. With reference to various psychologists, Aslan poses the theory that ancient humans may have misinterpreted dreams as evidence of a spirit realm. With no one qualified to clarify the things they did not understand, anything without a clear explanation may have been attributed to a god or gods.
As the author describes how religious ideas may have developed from these primitive beliefs to the fully detailed faiths of today, he labels the human race as anthropocentric creatures that have based their religions on human traits and emotions. By reporting in this way, it comes across that the past ideas of the soul, spiritual realms, gods and so forth could not possibly be true, yet, as the final chapters suggest, Aslan is still adamant about the existence of God.
Aslan’s narrative speeds up, finally reaching the recognizable religions of today. Beginning with the Israelites, enslaved by the Egyptians, the author explains, using biblical references, how the first successful monotheistic religion came about. However, researchers have studied the early Bible texts and are inconclusive as to whether the God worshipped by the Jews was the only divine being or whether there were others of a similar standing.
Next, Aslan explores Christianity, posing more questions than he solves, for example, is God one or is God three (i.e. the Holy Trinity)? He defines and compares the definitions of monotheism and pantheism, eventually bringing in Islam and the development of Sufism, which he is not afraid of admitting he agrees with.
God: A Human History is disappointingly short, ending with the feeble conclusion that humans are born with the ability to be convinced of the existence of a divine being and the soul, but it is our own choice to decide whether or not to believe in them. The remaining third of the book is an abundance of notes on the texts, bibliographical references, and Reza Aslan’s personal opinions about the ideas and theories mentioned in his history of religion.
Although an extensive history on the origins of religion, God: A Human History leaves readers none the wiser as to whether their belief is founded in truth or whether it is something that has evolved over time due to lack of understanding about the world. Granted, it was not the aim of the book to prove or disprove the existence of God, however, it may unintentionally sow seeds of doubt or, potentially, anger devout believers. However, there is no attempt at persuading readers to believe one thing or another, thus making it suitable for people of all religion and none.
Where did religion come from? This is the question Reza Aslan, a scholar of religions, attempts to answer in his latest publication, God: A Human History. To date, Aslan has tackled subjects such as the life of Jesus of Nazareth, and the origins, evolution and future of Islam. In this book, the author journeys back to the earliest evidence of human existence and, using a mix of resources, theories and investigations, tries to determine how our ancestors conceived the idea of gods and souls. Maintaining the idea that the majority of humans think of God as a divine version of ourselves, Aslan also looks at the way our perception of life after death has altered due to the changes in our governments and cultures.
Reza Aslan claims that he, a Muslim-devout-Christian-convert-turned-Sufi, is neither trying to prove or disprove the existence of God or gods. Instead, he is providing readers with a thorough history of religion with a strong suggestion that we, as believers, have fashioned God in our image, and not the other way around.
Insisting that belief systems are inherited from each previous generation, Aslan takes a look at ancient cave drawings where he, and many other theorists, surmise that a form of religion was already well underway. Lack of written word results in a lot of speculation and hypothesis as to what these, usually animal-like, drawings represent, however, many have come to the conclusion that early humans had some form of animistic belief system.
Although not a dig at religion, after all, the author is religious himself, the following chapters bring in to question the authenticity of past and present beliefs. With reference to various psychologists, Aslan poses the theory that ancient humans may have misinterpreted dreams as evidence of a spirit realm. With no one qualified to clarify the things they did not understand, anything without a clear explanation may have been attributed to a god or gods.
As the author describes how religious ideas may have developed from these primitive beliefs to the fully detailed faiths of today, he labels the human race as anthropocentric creatures that have based their religions on human traits and emotions. By reporting in this way, it comes across that the past ideas of the soul, spiritual realms, gods and so forth could not possibly be true, yet, as the final chapters suggest, Aslan is still adamant about the existence of God.
Aslan’s narrative speeds up, finally reaching the recognizable religions of today. Beginning with the Israelites, enslaved by the Egyptians, the author explains, using biblical references, how the first successful monotheistic religion came about. However, researchers have studied the early Bible texts and are inconclusive as to whether the God worshipped by the Jews was the only divine being or whether there were others of a similar standing.
Next, Aslan explores Christianity, posing more questions than he solves, for example, is God one or is God three (i.e. the Holy Trinity)? He defines and compares the definitions of monotheism and pantheism, eventually bringing in Islam and the development of Sufism, which he is not afraid of admitting he agrees with.
God: A Human History is disappointingly short, ending with the feeble conclusion that humans are born with the ability to be convinced of the existence of a divine being and the soul, but it is our own choice to decide whether or not to believe in them. The remaining third of the book is an abundance of notes on the texts, bibliographical references, and Reza Aslan’s personal opinions about the ideas and theories mentioned in his history of religion.
Although an extensive history on the origins of religion, God: A Human History leaves readers none the wiser as to whether their belief is founded in truth or whether it is something that has evolved over time due to lack of understanding about the world. Granted, it was not the aim of the book to prove or disprove the existence of God, however, it may unintentionally sow seeds of doubt or, potentially, anger devout believers. However, there is no attempt at persuading readers to believe one thing or another, thus making it suitable for people of all religion and none.
Hazel (1853 KP) rated God: A Human History in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.
</i>
Where did religion come from? This is the question Reza Aslan, a scholar of religions, attempts to answer in his latest publication, <i>God: A Human History.</i> To date, Aslan has tackled subjects such as the life of Jesus of Nazareth, and the origins, evolution and future of Islam. In this book, the author journeys back to the earliest evidence of human existence and, using a mix of resources, theories and investigations, tries to determine how our ancestors conceived the idea of gods and souls. Maintaining the idea that the majority of humans think of God as a divine version of ourselves, Aslan also looks at the way our perception of life after death has altered due to the changes in our governments and cultures.
Reza Aslan claims that he, a Muslim-devout-Christian-convert-turned-Sufi, is neither trying to prove or disprove the existence of God or gods. Instead, he is providing readers with a thorough history of religion with a strong suggestion that we, as believers, have fashioned God in our image, and not the other way around.
Insisting that belief systems are inherited from each previous generation, Aslan takes a look at ancient cave drawings where he, and many other theorists, surmise that a form of religion was already well underway. Lack of written word results in a lot of speculation and hypothesis as to what these, usually animal-like, drawings represent, however, many have come to the conclusion that early humans had some form of animistic belief system.
Although not a dig at religion, after all, the author is religious himself, the following chapters bring in to question the authenticity of past and present beliefs. With reference to various psychologists, Aslan poses the theory that ancient humans may have misinterpreted dreams as evidence of a spirit realm. With no one qualified to clarify the things they did not understand, anything without a clear explanation may have been attributed to a god or gods.
As the author describes how religious ideas may have developed from these primitive beliefs to the fully detailed faiths of today, he labels the human race as anthropocentric creatures that have based their religions on human traits and emotions. By reporting in this way, it comes across that the past ideas of the soul, spiritual realms, gods and so forth could not possibly be true, yet, as the final chapters suggest, Aslan is still adamant about the existence of God.
Aslan’s narrative speeds up, finally reaching the recognizable religions of today. Beginning with the Israelites, enslaved by the Egyptians, the author explains, using biblical references, how the first successful monotheistic religion came about. However, researchers have studied the early Bible texts and are inconclusive as to whether the God worshipped by the Jews was the only divine being or whether there were others of a similar standing.
Next, Aslan explores Christianity, posing more questions than he solves, for example, is God one or is God three (i.e. the Holy Trinity)? He defines and compares the definitions of monotheism and pantheism, eventually bringing in Islam and the development of Sufism, which he is not afraid of admitting he agrees with.
<i>God: A Human History </i>is disappointingly short, ending with the feeble conclusion that humans are born with the ability to be convinced of the existence of a divine being and the soul, but it is our own choice to decide whether or not to believe in them. The remaining third of the book is an abundance of notes on the texts, bibliographical references, and Reza Aslan’s personal opinions about the ideas and theories mentioned in his history of religion.
Although an extensive history on the origins of religion, <i>God: A Human History </i>leaves readers none the wiser as to whether their belief is founded in truth or whether it is something that has evolved over time due to lack of understanding about the world. Granted, it was not the aim of the book to prove or disprove the existence of God, however, it may unintentionally sow seeds of doubt or, potentially, anger devout believers. However, there is no attempt at persuading readers to believe one thing or another, thus making it suitable for people of all religion and none.
</i>
Where did religion come from? This is the question Reza Aslan, a scholar of religions, attempts to answer in his latest publication, <i>God: A Human History.</i> To date, Aslan has tackled subjects such as the life of Jesus of Nazareth, and the origins, evolution and future of Islam. In this book, the author journeys back to the earliest evidence of human existence and, using a mix of resources, theories and investigations, tries to determine how our ancestors conceived the idea of gods and souls. Maintaining the idea that the majority of humans think of God as a divine version of ourselves, Aslan also looks at the way our perception of life after death has altered due to the changes in our governments and cultures.
Reza Aslan claims that he, a Muslim-devout-Christian-convert-turned-Sufi, is neither trying to prove or disprove the existence of God or gods. Instead, he is providing readers with a thorough history of religion with a strong suggestion that we, as believers, have fashioned God in our image, and not the other way around.
Insisting that belief systems are inherited from each previous generation, Aslan takes a look at ancient cave drawings where he, and many other theorists, surmise that a form of religion was already well underway. Lack of written word results in a lot of speculation and hypothesis as to what these, usually animal-like, drawings represent, however, many have come to the conclusion that early humans had some form of animistic belief system.
Although not a dig at religion, after all, the author is religious himself, the following chapters bring in to question the authenticity of past and present beliefs. With reference to various psychologists, Aslan poses the theory that ancient humans may have misinterpreted dreams as evidence of a spirit realm. With no one qualified to clarify the things they did not understand, anything without a clear explanation may have been attributed to a god or gods.
As the author describes how religious ideas may have developed from these primitive beliefs to the fully detailed faiths of today, he labels the human race as anthropocentric creatures that have based their religions on human traits and emotions. By reporting in this way, it comes across that the past ideas of the soul, spiritual realms, gods and so forth could not possibly be true, yet, as the final chapters suggest, Aslan is still adamant about the existence of God.
Aslan’s narrative speeds up, finally reaching the recognizable religions of today. Beginning with the Israelites, enslaved by the Egyptians, the author explains, using biblical references, how the first successful monotheistic religion came about. However, researchers have studied the early Bible texts and are inconclusive as to whether the God worshipped by the Jews was the only divine being or whether there were others of a similar standing.
Next, Aslan explores Christianity, posing more questions than he solves, for example, is God one or is God three (i.e. the Holy Trinity)? He defines and compares the definitions of monotheism and pantheism, eventually bringing in Islam and the development of Sufism, which he is not afraid of admitting he agrees with.
<i>God: A Human History </i>is disappointingly short, ending with the feeble conclusion that humans are born with the ability to be convinced of the existence of a divine being and the soul, but it is our own choice to decide whether or not to believe in them. The remaining third of the book is an abundance of notes on the texts, bibliographical references, and Reza Aslan’s personal opinions about the ideas and theories mentioned in his history of religion.
Although an extensive history on the origins of religion, <i>God: A Human History </i>leaves readers none the wiser as to whether their belief is founded in truth or whether it is something that has evolved over time due to lack of understanding about the world. Granted, it was not the aim of the book to prove or disprove the existence of God, however, it may unintentionally sow seeds of doubt or, potentially, anger devout believers. However, there is no attempt at persuading readers to believe one thing or another, thus making it suitable for people of all religion and none.
Hazel (1853 KP) rated The Forgotten Summer in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Is the truth something you really want to know? Jane Cambon has the perfect husband and spends her life travelling from their flat in London to Luc’s family estate in the south of France. Despite the hostility from Luc’s mother, Clarisse Cambon, Jane loves spending time amongst the workers in the vineyard and the olive groves. However, a tragic event causes Jane to question how well she really new her husband.
<i>The Forgotten Summer </i>by Carol Drinkwater captures the southern France climate in such a way that readers will wish to go there themselves. But for Jane it becomes a place of grief and tension as Clarisse’s aggression only increases, bringing back memories of the summer when Jane was fourteen. Not only that, there is the enigma of Jane’s husband, a filmmaker. What was he filming? Why did her keep it secret? What happened during his early years in Algeria? And, most importantly, who is Annabelle?
Not knowing the answers to many questions keeps the reader engaged in the narrative. Slowly, issues are resolved, but some answers are not uncovered until the closing of the novel. After about two thirds of the book it is possible to guess the truth about Luc’s close kept secret, and it is almost annoying that Jane is blind to it.
Drinkwater has put a lot of time and effort into <i>The Forgotten Summer</i>. The amount of research she went through to keep it as factual as possible must have been phenomenal. From reading this book we learn a little about the Algerian War of Independence – something that is glossed over in French history – and the art of winemaking: both equally interesting, particularly the former, which most readers will not have heard of.
An issue that I had with this story was the way Jane was portrayed. I kept imagining her as a younger woman even though it had been explained that she was in her late forties. There was nothing in her description or personality that fitted a middle aged character. This may also be due to the way Clarisse treated Jane: as if she were incompetent and untrustworthy.
<i>The Forgotten Summer </i>is an ideal book for fans of Victoria Hislop, particularly if you also enjoy reading about southern European countries. It is engaging and exciting with a handful of lovely characters for you to admire. With its air of mystery, this book will be hard for you to put down.
Is the truth something you really want to know? Jane Cambon has the perfect husband and spends her life travelling from their flat in London to Luc’s family estate in the south of France. Despite the hostility from Luc’s mother, Clarisse Cambon, Jane loves spending time amongst the workers in the vineyard and the olive groves. However, a tragic event causes Jane to question how well she really new her husband.
<i>The Forgotten Summer </i>by Carol Drinkwater captures the southern France climate in such a way that readers will wish to go there themselves. But for Jane it becomes a place of grief and tension as Clarisse’s aggression only increases, bringing back memories of the summer when Jane was fourteen. Not only that, there is the enigma of Jane’s husband, a filmmaker. What was he filming? Why did her keep it secret? What happened during his early years in Algeria? And, most importantly, who is Annabelle?
Not knowing the answers to many questions keeps the reader engaged in the narrative. Slowly, issues are resolved, but some answers are not uncovered until the closing of the novel. After about two thirds of the book it is possible to guess the truth about Luc’s close kept secret, and it is almost annoying that Jane is blind to it.
Drinkwater has put a lot of time and effort into <i>The Forgotten Summer</i>. The amount of research she went through to keep it as factual as possible must have been phenomenal. From reading this book we learn a little about the Algerian War of Independence – something that is glossed over in French history – and the art of winemaking: both equally interesting, particularly the former, which most readers will not have heard of.
An issue that I had with this story was the way Jane was portrayed. I kept imagining her as a younger woman even though it had been explained that she was in her late forties. There was nothing in her description or personality that fitted a middle aged character. This may also be due to the way Clarisse treated Jane: as if she were incompetent and untrustworthy.
<i>The Forgotten Summer </i>is an ideal book for fans of Victoria Hislop, particularly if you also enjoy reading about southern European countries. It is engaging and exciting with a handful of lovely characters for you to admire. With its air of mystery, this book will be hard for you to put down.
Dalton (3 KP) rated Brotherly Love in Books
Sep 24, 2017
The US Review of Books
Contains spoilers, click to show
Brotherly Love
by Dalton Giesick
Trafford Publishing
reviewed by Omar Figueras
"When Dayton was hammering the staples into the wood, Grandpa cut a window on each end. Then he made a door for us... Our clubhouse was fin."
Dalton Giesick's short memoir Brotherly Love depicts the author's e'rly childhood years, being the all too brief moment in time that he was able to spend with his little brother, Dayton. The book describes those early years in a fleeting but endearing way. At the center of the story is the family's relocation to Colorado, the boys' moving in with their grandparents during that short duration, and the heart-wrenching changes the family endures once they have moved out West.
Part coming of age story and part eulogy, Giesick's treatment of his subject is heart-felt and gentle. His book is a sweet and tender read and the author's presentation of his memories of Dayton is much in tune with how an adult would treat a young child. A quick, yet powerful read, Giesick's writing is strong and tight. There are foreboding moments embedded throughout the story alluding to Dayton's disappearance; however, this tragedy occurs at the end of the story where the author's dreadful imaginings become his harsh reality. Although anticipated, the last revelation is both unexpected to the narrator and reader.
A tribute to a little boy with a large heart and an even bigger soul, Brotherly Love is a big brother's beautiful telling of the precious and too brief an instant he spent in the company of his little brother. Although short, the time that the author spent with Dayton was deeply transformative for himself, and by telling his story the author was able to provide this transformation for his readers.
by Dalton Giesick
Trafford Publishing
reviewed by Omar Figueras
"When Dayton was hammering the staples into the wood, Grandpa cut a window on each end. Then he made a door for us... Our clubhouse was fin."
Dalton Giesick's short memoir Brotherly Love depicts the author's e'rly childhood years, being the all too brief moment in time that he was able to spend with his little brother, Dayton. The book describes those early years in a fleeting but endearing way. At the center of the story is the family's relocation to Colorado, the boys' moving in with their grandparents during that short duration, and the heart-wrenching changes the family endures once they have moved out West.
Part coming of age story and part eulogy, Giesick's treatment of his subject is heart-felt and gentle. His book is a sweet and tender read and the author's presentation of his memories of Dayton is much in tune with how an adult would treat a young child. A quick, yet powerful read, Giesick's writing is strong and tight. There are foreboding moments embedded throughout the story alluding to Dayton's disappearance; however, this tragedy occurs at the end of the story where the author's dreadful imaginings become his harsh reality. Although anticipated, the last revelation is both unexpected to the narrator and reader.
A tribute to a little boy with a large heart and an even bigger soul, Brotherly Love is a big brother's beautiful telling of the precious and too brief an instant he spent in the company of his little brother. Although short, the time that the author spent with Dayton was deeply transformative for himself, and by telling his story the author was able to provide this transformation for his readers.
Book Title: Blessed are the Peacemakers
Author: Mike Berenstain
Publisher: Zonderkidz
Pub Date: 9/2/14
Series: The Berenstain Bears
Discliamer: I recieved this book from BookLook Blogger for an honesty review.
Discribe: A new addition to the bestselling Berenstain Bears' Living Lights series that teaches simple Christian truths to children.
In the newest Berenstain Bears Living Lights book, The Berenstain Bears Blessed are the Peacemakers, Brother and Sister have a wide circle of friends at school and get along with pretty much everyone. But not all their friends get along with each other! As their friends clash during the school play, Brother and Sister have to decide whether they should "mind their own business" or get involved as peacemakers to try and calm the troubled waters.
The bestselling Berenstain Bears brand and Living Lights series continue its proven tradition of teaching children valuable lessons in a fun and creative way. Perfect for early readers and parents looking for engaging picture books that promote positive values, the Berenstain Bear family has become dear to the hearts of countless children and adults.
My Thoughts: This book is great for childern. They can learn about bullying an becoming peacemakers. Children learn how to deal with fighting. Though I hope they would go to a teacher or adult for help. Though they can try and be friends and make peace with them.
This book goes on about helping to pull two groups together rather then fight. Though you made see how it still is hard to do it. When adult start to fight it time to see if you can calm them down by saying from the bible.
This is a good book for children learning to read as well. Though that are just started learning to read.
Author: Mike Berenstain
Publisher: Zonderkidz
Pub Date: 9/2/14
Series: The Berenstain Bears
Discliamer: I recieved this book from BookLook Blogger for an honesty review.
Discribe: A new addition to the bestselling Berenstain Bears' Living Lights series that teaches simple Christian truths to children.
In the newest Berenstain Bears Living Lights book, The Berenstain Bears Blessed are the Peacemakers, Brother and Sister have a wide circle of friends at school and get along with pretty much everyone. But not all their friends get along with each other! As their friends clash during the school play, Brother and Sister have to decide whether they should "mind their own business" or get involved as peacemakers to try and calm the troubled waters.
The bestselling Berenstain Bears brand and Living Lights series continue its proven tradition of teaching children valuable lessons in a fun and creative way. Perfect for early readers and parents looking for engaging picture books that promote positive values, the Berenstain Bear family has become dear to the hearts of countless children and adults.
My Thoughts: This book is great for childern. They can learn about bullying an becoming peacemakers. Children learn how to deal with fighting. Though I hope they would go to a teacher or adult for help. Though they can try and be friends and make peace with them.
This book goes on about helping to pull two groups together rather then fight. Though you made see how it still is hard to do it. When adult start to fight it time to see if you can calm them down by saying from the bible.
This is a good book for children learning to read as well. Though that are just started learning to read.
Micky Barnard (542 KP) rated Artemis in Books
Oct 6, 2018
Lunar escapades
The opportunity for an early read of ARTEMIS was an easy decision considering my love for The Martian. The similarities in context are there in terms of genre and setting. ARTEMIS is set on the moon and the moon of the future is a large city, corrupt and problematic, but home for many.
Jasmine (Jazz) Bashara is the protagonist for ARTEMIS and I can now say that Andy Weir writes a female lead with ease and natural ability. I liked her, her little criminal heart and all her dealings. She was the epitome of a strong female. I championed her ambitions and loved finding out about her culture and upbringing. Moon culture was something of a diverse melting pot of people, with guilds that separated the cultures and trades. It was just fascinating reading, that painted colour and interest in my imagination.
The moon was an interesting read but at about 30%, the story just went BAM! The plot was gripping but complex, you need to concentrate and like The Martian, ARTEMIS requires some patience with the technical speak but I didn’t get lost on the whole. Whilst Jazz was front and centre of this story, I enjoyed other characters, her father, Rudy, also Trond and Svoboda (he’s still waiting for her to test that condom).
I’m really thrilled that Andy Weir was able to follow up The Martian with something solid, different but still with the same thrills, tension and characterisation. I now know that I’m going to jump on any release he has. I recommend to Sci-fi fans and open minded readers alike because I don’t think you need to be a staunch sci-fi fan to appreciate ARTEMIS.
Jasmine (Jazz) Bashara is the protagonist for ARTEMIS and I can now say that Andy Weir writes a female lead with ease and natural ability. I liked her, her little criminal heart and all her dealings. She was the epitome of a strong female. I championed her ambitions and loved finding out about her culture and upbringing. Moon culture was something of a diverse melting pot of people, with guilds that separated the cultures and trades. It was just fascinating reading, that painted colour and interest in my imagination.
The moon was an interesting read but at about 30%, the story just went BAM! The plot was gripping but complex, you need to concentrate and like The Martian, ARTEMIS requires some patience with the technical speak but I didn’t get lost on the whole. Whilst Jazz was front and centre of this story, I enjoyed other characters, her father, Rudy, also Trond and Svoboda (he’s still waiting for her to test that condom).
I’m really thrilled that Andy Weir was able to follow up The Martian with something solid, different but still with the same thrills, tension and characterisation. I now know that I’m going to jump on any release he has. I recommend to Sci-fi fans and open minded readers alike because I don’t think you need to be a staunch sci-fi fan to appreciate ARTEMIS.
Joe Goodhart (27 KP) rated Saga of the Swamp Thing Vol. 1 (Swamp Thing, #1) in Books
Nov 30, 2020
Early last year, I made the conversion to digital, selling off all my physical issues. There were a number of them that I had not read since the day that first came out, selling them in a mylar sleeve with a backing board. Alan Moore's SAGA OF THE SWAMP THING run was one of those series, and it was also one of the ones that I missed dearly. When Comixology announced that Vertigo sale juust before 2017 ended, i was on it, buying all 5 volumes!
I could have "gobbled" this first volume up in a NY minute; however, like a fine wine, I opted to savor each issue, pacing myself, allowing it all to sink in. I recall reading through this issues fast when they came out (this was when you could still buy comics at 7-11), running through them like a chainsaw through butter. Thankfully, I have learned to appreciate the benefits of savoring.
So, was it as good as I remembered? Nope, BETTER! The early 1980s (the first issue of his run, #20, came out in 1984) was probably some of Moore's best writing! There were no preconceived expectations when you saw his name. Sure, you had an inkling that it would likely be good, but nowhere near the level of expectations that the current comic readers have come to expect.
Prior to his assuming the writer's chair for the series, the main character was thought to still be Alec Holland. However (and this is not a spoiler at this point), as we would learn, Dr. Holland did indeed perish when his lab in the swamp was the victim of sabotage. What was left was as far from human as a chair. Swamp Thing, for all intents and purposes, was vegetable, not mammal as previously thought.
That's learned within the first issue. From there, the ride gets wild with suspense and fear, with some decidely creepy art and concepts thrown in. Essentially, a recipe for WIN!
Oh, before I close this review, I would also like to give some love to the artwork inside. Steve Bissette, followed by John Tottleben, turned in some of the most amazing art. Their attention to detail, left the series feeling creepy yet movie-like, almost as if Sam Raimi were in the director's chair! The artwork was further jazzed up by the always-exceptional coloring of Tatjiana Wood, wife of the artist Wally Wood.
Sure, there's probably other horror-related tpbs you could be reading/considering reading, but you won't find another like this one! Even Marvel's Man-Thing (which I still love; call it my "guilty pleasure") wasn't THIS good! So, enough jibber-jabbering, go pick it up already!
I could have "gobbled" this first volume up in a NY minute; however, like a fine wine, I opted to savor each issue, pacing myself, allowing it all to sink in. I recall reading through this issues fast when they came out (this was when you could still buy comics at 7-11), running through them like a chainsaw through butter. Thankfully, I have learned to appreciate the benefits of savoring.
So, was it as good as I remembered? Nope, BETTER! The early 1980s (the first issue of his run, #20, came out in 1984) was probably some of Moore's best writing! There were no preconceived expectations when you saw his name. Sure, you had an inkling that it would likely be good, but nowhere near the level of expectations that the current comic readers have come to expect.
Prior to his assuming the writer's chair for the series, the main character was thought to still be Alec Holland. However (and this is not a spoiler at this point), as we would learn, Dr. Holland did indeed perish when his lab in the swamp was the victim of sabotage. What was left was as far from human as a chair. Swamp Thing, for all intents and purposes, was vegetable, not mammal as previously thought.
That's learned within the first issue. From there, the ride gets wild with suspense and fear, with some decidely creepy art and concepts thrown in. Essentially, a recipe for WIN!
Oh, before I close this review, I would also like to give some love to the artwork inside. Steve Bissette, followed by John Tottleben, turned in some of the most amazing art. Their attention to detail, left the series feeling creepy yet movie-like, almost as if Sam Raimi were in the director's chair! The artwork was further jazzed up by the always-exceptional coloring of Tatjiana Wood, wife of the artist Wally Wood.
Sure, there's probably other horror-related tpbs you could be reading/considering reading, but you won't find another like this one! Even Marvel's Man-Thing (which I still love; call it my "guilty pleasure") wasn't THIS good! So, enough jibber-jabbering, go pick it up already!