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Acanthea Grimscythe (300 KP) rated Creature in Books
Jan 18, 2019
Creature by Hunter Shea may begin slowly, but it quickly coalesces into a heartrending, terrifying bid for survival against a monster far deadlier than those I’ve read in other books. Shea weaves a masterful tale that is nothing short of stark reality: and for that, I am grateful in the saddest of ways. For some readers, Creature will hit close to home, and for others it will be an eye-opening experience.
Kate Woodson suffers from several auto-immune diseases that leave her crippled and unable to take care of herself. Fortunately, she has a supportive and loving husband, Andrew, that takes care of her, and a loving pup named Buttons. In a desperate attempt to make her feel better, Andrew takes her on a trip to a secluded cottage in Maine, but that is where things quickly turn horrifying for something lurks in the shadows.
Creature is not action-packed. At least, not early on. The first chunk of the novel focuses on Kate and Andrew’s relationship, and while that might sound dull and boring, in this instance it’s anything but that. In fact, I found it heartwarming and entirely necessary. It allows readers to truly get a grasp on the disastrous effects of auto-immune diseases–not only on the afflicted, but on their loved ones as well. The time Shea spends on these two also allows for an astronomical amount of character development: I became attached to Kate and Andrew, to their love for one another, to their hardships.
I also found myself relating to Kate more than I expected, which is where Shea really hooked me in as a reader–those that have followed The Ghastly Grimoire for any amount of time know that I suffer from two auto-immune diseases myself. This is actually the first book where I read the afterword, and there I learned that his accurate portrayal has a source: his wife.
When the book does pick up, it’s fast-paced and edge-of your seat action. As in, I read the final 110 pages in one sitting because I couldn’t put the book down. I’d love to go into detail about the symbolism threaded throughout the latter half of the book, but that, unfortunately, would also be a major spoiler. I can say this, however: Shea managed to make me gag in revulsion and cry.
That said, Creature is a wonderful, enlightening read. It’s rare that a book draws deep emotions from me, and even more so that a horror book truly gets under my skin. Shea did both of these things, and I definitely look forward to reading more of his work.
This book was given to me by the publisher in exchange for an honest review.
Kate Woodson suffers from several auto-immune diseases that leave her crippled and unable to take care of herself. Fortunately, she has a supportive and loving husband, Andrew, that takes care of her, and a loving pup named Buttons. In a desperate attempt to make her feel better, Andrew takes her on a trip to a secluded cottage in Maine, but that is where things quickly turn horrifying for something lurks in the shadows.
Creature is not action-packed. At least, not early on. The first chunk of the novel focuses on Kate and Andrew’s relationship, and while that might sound dull and boring, in this instance it’s anything but that. In fact, I found it heartwarming and entirely necessary. It allows readers to truly get a grasp on the disastrous effects of auto-immune diseases–not only on the afflicted, but on their loved ones as well. The time Shea spends on these two also allows for an astronomical amount of character development: I became attached to Kate and Andrew, to their love for one another, to their hardships.
I also found myself relating to Kate more than I expected, which is where Shea really hooked me in as a reader–those that have followed The Ghastly Grimoire for any amount of time know that I suffer from two auto-immune diseases myself. This is actually the first book where I read the afterword, and there I learned that his accurate portrayal has a source: his wife.
When the book does pick up, it’s fast-paced and edge-of your seat action. As in, I read the final 110 pages in one sitting because I couldn’t put the book down. I’d love to go into detail about the symbolism threaded throughout the latter half of the book, but that, unfortunately, would also be a major spoiler. I can say this, however: Shea managed to make me gag in revulsion and cry.
That said, Creature is a wonderful, enlightening read. It’s rare that a book draws deep emotions from me, and even more so that a horror book truly gets under my skin. Shea did both of these things, and I definitely look forward to reading more of his work.
This book was given to me by the publisher in exchange for an honest review.
Night Reader Reviews (683 KP) rated Endangered Species Superheroes in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Endangered Species Superheroes by Dakota Duncan is a graphic novel that was not quite what I was expecting. Going off of the title I was expecting the story to be about a group of people that used abilities of endangered animals to be superheroes. That is not quite what this book actually is about. The actual concept of the book is much more interesting than the classic superhero book.
Lindsay lives with her grandfather who owns The Smiling Sloth Wildlife Sanctuary. Lindsey loves helping out at the sanctuary and has a very close relationship with many of the animals that live there. At the sanctuary she assists in taking care of some of the animals by drawing their blood for tests, feeding them, and checking their vitals. Many of these animals at the sanctuary bave been hurt in some way by human carelessness. Lindsay and the animals at the sanctuary have a secret that doesn't come out until Lindsay is attacked by a thug hired by Mace Zogan.
Mace at one point was working with Lindsay's grandfather at the sanctuary. He was arrested at some point for poisoning a bunch of sloths on purpose. Mace breaks out of jail and decides to get his revenge on Lindsay's grandfather by going after Lindsay herself. Mace kidnaps Lindsay and takes her back to his Lab on an island. Mace admits that her was trying to chemically alter animals at his lab to make them more useful to humans. With some help from a few unlikely sources Lindsay gets rescued and Mace is arrested once again.
This book teaches readers about animals and the problems that humans are causing because of all the pollution and trash that we leave laying. At one point it talks about a beach clean-up and the importance of trying to get more people involved. While the book dose have the classic chemicals
creating superheros and bad guys pretending to be police officers it even offers helpful information during a kidnapping. Lindsay calls her grandfather and keeps her phone safely hidden in her backpack when Mace grabs her so that she is able to tell details about what is going on to her grandfather by talking to Mace.
What I liked best about this is that I was surprised to find that it was not Lindsay who had superpowers. The artwork is also bright amd simple enough that I do not think it would distract from the story yet would still be interesting to young readers. The information packed in this book was both a posititve and a negative for me. I didn't really like how the entire thing was so informative that the dialogue felt forced at times. There were multiple times when the flow of the story was disrupted by the addition of extra facts.
The target readers for this book are school aged children, mainly those in early middle school. Elementary students might enjoy this book as well but I feel like it might actually be a bit too long to hold the attention of younger elementary students. I rate this book 2 out of 4 because it felt a little too boring for a children's book with how informative the story was. At the same time some children tend to be very interested in anything that has to so with animals so it might be more interesting than I give it credit for.
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Lindsay lives with her grandfather who owns The Smiling Sloth Wildlife Sanctuary. Lindsey loves helping out at the sanctuary and has a very close relationship with many of the animals that live there. At the sanctuary she assists in taking care of some of the animals by drawing their blood for tests, feeding them, and checking their vitals. Many of these animals at the sanctuary bave been hurt in some way by human carelessness. Lindsay and the animals at the sanctuary have a secret that doesn't come out until Lindsay is attacked by a thug hired by Mace Zogan.
Mace at one point was working with Lindsay's grandfather at the sanctuary. He was arrested at some point for poisoning a bunch of sloths on purpose. Mace breaks out of jail and decides to get his revenge on Lindsay's grandfather by going after Lindsay herself. Mace kidnaps Lindsay and takes her back to his Lab on an island. Mace admits that her was trying to chemically alter animals at his lab to make them more useful to humans. With some help from a few unlikely sources Lindsay gets rescued and Mace is arrested once again.
This book teaches readers about animals and the problems that humans are causing because of all the pollution and trash that we leave laying. At one point it talks about a beach clean-up and the importance of trying to get more people involved. While the book dose have the classic chemicals
creating superheros and bad guys pretending to be police officers it even offers helpful information during a kidnapping. Lindsay calls her grandfather and keeps her phone safely hidden in her backpack when Mace grabs her so that she is able to tell details about what is going on to her grandfather by talking to Mace.
What I liked best about this is that I was surprised to find that it was not Lindsay who had superpowers. The artwork is also bright amd simple enough that I do not think it would distract from the story yet would still be interesting to young readers. The information packed in this book was both a posititve and a negative for me. I didn't really like how the entire thing was so informative that the dialogue felt forced at times. There were multiple times when the flow of the story was disrupted by the addition of extra facts.
The target readers for this book are school aged children, mainly those in early middle school. Elementary students might enjoy this book as well but I feel like it might actually be a bit too long to hold the attention of younger elementary students. I rate this book 2 out of 4 because it felt a little too boring for a children's book with how informative the story was. At the same time some children tend to be very interested in anything that has to so with animals so it might be more interesting than I give it credit for.
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Night Reader Reviews (683 KP) rated Grandma's Garden in Books
Jan 9, 2020
Grandmas Garden by Sudeep Bhuller is a very cute book and I could see it being given as a gift to a grandma who likes reading to her grandchildren. The book states that it is a great visual treat for babies discovering shapes and colors. While it is very colorful the images have soft edges and the shapes are not very well defined.
In this book, children are walked through Grandmas Garden. The bright flowers and fruit trees are pointed out early on. Everything from cats and birds to tiny snails and millipedes are shown. Children also get to see ladybugs, bees, and even butterflies that may be harder to see up close in nature.
I really liked how bright and colorful the book is. It offers many opportunities for parents to have children point out what is being talked about on each page. Reading this book offers opportunities to find the cat or snail and count the ants or birds. Reading this right before taking a child out to plant a seed might be a fun activity. What I didnt like was that at times while reading it out loud it felt as if there should be rhymes when none were present. The flow of the book is disrupted if you try to read it as a story. If you read each page as an individual and not part of a whole it is not as bad.
For target readers for this book, the author was correct in saying that infants and toddlers will enjoy having this book read to them. I know my two years old seemed to enjoy it. I rate this book 3 out of 4. While the book is beautifully illustrated and walks children thought the things they may find in a garden, I can not give it a perfect score. The problem with how the book doesn't flow very well did cause it to lose points with me.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/grandmas-garden
In this book, children are walked through Grandmas Garden. The bright flowers and fruit trees are pointed out early on. Everything from cats and birds to tiny snails and millipedes are shown. Children also get to see ladybugs, bees, and even butterflies that may be harder to see up close in nature.
I really liked how bright and colorful the book is. It offers many opportunities for parents to have children point out what is being talked about on each page. Reading this book offers opportunities to find the cat or snail and count the ants or birds. Reading this right before taking a child out to plant a seed might be a fun activity. What I didnt like was that at times while reading it out loud it felt as if there should be rhymes when none were present. The flow of the book is disrupted if you try to read it as a story. If you read each page as an individual and not part of a whole it is not as bad.
For target readers for this book, the author was correct in saying that infants and toddlers will enjoy having this book read to them. I know my two years old seemed to enjoy it. I rate this book 3 out of 4. While the book is beautifully illustrated and walks children thought the things they may find in a garden, I can not give it a perfect score. The problem with how the book doesn't flow very well did cause it to lose points with me.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/grandmas-garden
Hadley (567 KP) rated The Haunted in Books
Jun 23, 2019
A lot of inconsistencies (1 more)
Stereo-typical characters
A murder begins the story of 'The Haunted,' where Vega starts with every parent's nightmare:
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Casquette Girls in Books
Jan 23, 2020
What an interesting read! The Casquette Girls is centered shortly after Hurricane Katrina, and of course, New Orleans, where the unexplainable happens.
Part One is a bit slow, with Adele coming back from Paris, reconstruction in the city after the hurricane, and the occasional unexplainable situation happening (aka dead people on the rise, and I don't mean zombies) but Part Two is when things really pick up.
Part Two and a bit of Part Three actually goes back to the past as Adele is reading her ancestor's diary, trying to figure out what happened in the early 1700s after being lead to a completely shut and by completely shut, I mean nailed in attic of the local convent. Of course, she's not lead to the diary until she accidentally "breaks" open a shutter of said convent and unleashes a threat to her entire town.
(I was sort of disappointed when the end of the diary was reached. *sigh*)
What's really neat is said threat is confined within a specific part of the city based on a curse from centuries ago it's usually either vampires or witches. If they are together, chances are there's a pack of werewolves running around or they're with others. Plus, everyone hates vampires by then, not that it isn't the case here.
The Casquette Girls was a neat read based on a hurricane, centering around vampires and witchcraft, although Alys really could have added in a translation of the many French words used (Italian was no problem for me). I wouldn't have felt as though I'm reading fragments by then, and I'm sure the translation guide would help other non-French speaking readers too!
<img border="0" src="http://1.bp.blogspot.com/-mvEgVOM_JGs/U3FfeZceS7I/AAAAAAAADQc/Omh5mPoZ6Gc/s1600/Translation_Please_.jpg"; height="320" width="301">
----------------------
Review copy provided by the author via Xpresso Book Tours
Original Rating: 4.5
This review and more can be found over at <a href="http://bookwyrming-thoughts.blogspot.com/2014/06/review-the-casquette-girls-by-alys-arden.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Part One is a bit slow, with Adele coming back from Paris, reconstruction in the city after the hurricane, and the occasional unexplainable situation happening (aka dead people on the rise, and I don't mean zombies) but Part Two is when things really pick up.
Part Two and a bit of Part Three actually goes back to the past as Adele is reading her ancestor's diary, trying to figure out what happened in the early 1700s after being lead to a completely shut and by completely shut, I mean nailed in attic of the local convent. Of course, she's not lead to the diary until she accidentally "breaks" open a shutter of said convent and unleashes a threat to her entire town.
(I was sort of disappointed when the end of the diary was reached. *sigh*)
What's really neat is said threat is confined within a specific part of the city based on a curse from centuries ago it's usually either vampires or witches. If they are together, chances are there's a pack of werewolves running around or they're with others. Plus, everyone hates vampires by then, not that it isn't the case here.
The Casquette Girls was a neat read based on a hurricane, centering around vampires and witchcraft, although Alys really could have added in a translation of the many French words used (Italian was no problem for me). I wouldn't have felt as though I'm reading fragments by then, and I'm sure the translation guide would help other non-French speaking readers too!
<img border="0" src="http://1.bp.blogspot.com/-mvEgVOM_JGs/U3FfeZceS7I/AAAAAAAADQc/Omh5mPoZ6Gc/s1600/Translation_Please_.jpg"; height="320" width="301">
----------------------
Review copy provided by the author via Xpresso Book Tours
Original Rating: 4.5
This review and more can be found over at <a href="http://bookwyrming-thoughts.blogspot.com/2014/06/review-the-casquette-girls-by-alys-arden.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Hadley (567 KP) rated Frankenstein in Books
Apr 30, 2019
Great main character (1 more)
Beautiful writing
Over usage of some words (1 more)
Secondary characters have hardly a back story
In the horror genre, I have very few favorite female writers, but Mary Shelley is one of them. The way she weaves environments with character defining scenes is beautifully done in 'Frankenstein.' At the tender age of 18, Shelley was able to convey grief and loss through a single story. She created a relatable 'creature' that many readers will have pity for, but also an obsessive young man that can hardly be hated. Some people may be intimidated by the more diverse English language from the early 1800's, but, in my opinion, the story would not have had the same impact if it had been written today.
Not just horror readers will enjoy 'Frankenstein,' but also those who like to read philosophy. Shelley brings up life discerning questions that even society meddles with today. It's amazing to think that a two century old book discusses problems we still deal with.
The book begins with a sea captain that picks up a stranger that was stranded on a raft of ice, and this man has a fascinating story to tell. The entire book is a letter written by the sea captain to his sister, which he details every bit of Victor Frankenstein's several year tale. Readers get to follow Frankenstein's life from the moment his 'creature' is made to the end of his days, which traverses the globe. When Shelley begins to lull over her love of environments, she quickly picks up with character or story development that keeps our attention from wandering.
'Frankenstein' focuses on the need to be loved and accepted to live a happy existence,as well as reaching our dreams, but Shelley shows how achieving such things can cause a crushing defeat in the latter pursuit: "Night was far advanced when I came to the halfway resting-place, and seated myself beside the fountain. The stars shone at intervals, as the clouds passed from over them; the dark pines rose before me, and every here and there a broken tree lay on the ground: it was a scene of wonderful solemnity, and stirred strange thoughts within me. I wept bitterly; and clasping my hands in agony, I exclaimed, 'Oh! stars, and clouds, and winds, ye are all about to mock me: if ye really pity me, crush sensation and memory; let me become as nought; but if not, depart, depart, and leave me in darkness.' "
There are other characters we read of, including Frankenstein's best friend, Henry, and his long time love interest, Elizabeth (both of who grew up with Frankenstein). Henry comes from a well-to-do merchant family, while Elizabeth was orphaned from a wealthy family, then adopted by the Frankensteins as a future wife for Victor. Unfortunately, we learn little about them or Victor's family, that when any of them do die, it's not felt personally by the reader. There are other characters that had major events in the story, but as with the friends, they weren't developed enough to bring up any emotion at their passing.
After Frankenstein sets out after his creation,we meet the 'creature' at the top of a mountain. He is devastated that his creator hates him, and that the other humans he has met also hated him. "I expected this reception,' said the demon. 'All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us. You purpose to kill me. How dare you sport thus with life? Do your duty towards me, and I will do mine towards you and the rest of mankind. If you will comply with my conditions, I will leave them and you at peace; but if you refuse, I will glut the maw of death, until it be satiated with the blood of your remaining friends.' "
The 'creature' gives Frankenstein an ultimatum: he either makes him a female companion or he will kill everyone Frankenstein loves and adores." 'What I ask of you is reasonable and moderate; I demand a creature of another sex, but as hideous as myself; the gratification is small, but it is all that I can receive,and it shall content me.' " Although, by this time, the 'creature' has already murdered Frankenstein's youngest brother, Victor agrees to make him a companion, but with serious regret soon after.
The majority of the story concerns Frankenstein trying fool-hardly to protect all those he loves while the 'creature' murders them one by one. The most surprising of the murders is Henry's. After Frankenstein changes his mind on making another creation, the 'creature' quickly finds Henry and kills him, but Frankenstein is accused of the murder and spends quite some time in prison for it. "But I was doomed to live; and, in two months, found myself as awaking from a dream, in a prison, stretched on a wretched bed, surrounded by gaolers, turnkeys, bolts, and all the miserable apparatus of a dungeon. "
Frankenstein is eventually released from prison when the evidence doesn't add up, and witnesses come forward, claiming to have seen Victor elsewhere at the time of the murder. Frankenstein is, at this time, in a drowning melancholy and madness, but this doesn't stop him from marrying Elizabeth. The 'creature' foretold Frankenstein that he would be with him on his wedding night, and Victor uses this to his advantage - arming himself with pistols and knives on the honeymoon. Yet, to no avail, Frankenstein is unable to outlive or outsmart the 'creature' at any turn.
'Frankenstein' is a must-read for all readers. Although many horror stories today pertain to a creature killing it's master, none of them can reach the grief stricken peaks as Shelley has. Every passage in this book reads like poetry. Every interaction between Frankenstein and his 'creature' is fascinating to the reader. And, before Frankenstein dies, he leaves the sea captain with words of wisdom that even readers could benefit from: "Seek happiness in tranquillity and avoid ambition, even if it be only the apparently innocent one of distinguishing yourself in science and discoveries."
Highly recommend!
Not just horror readers will enjoy 'Frankenstein,' but also those who like to read philosophy. Shelley brings up life discerning questions that even society meddles with today. It's amazing to think that a two century old book discusses problems we still deal with.
The book begins with a sea captain that picks up a stranger that was stranded on a raft of ice, and this man has a fascinating story to tell. The entire book is a letter written by the sea captain to his sister, which he details every bit of Victor Frankenstein's several year tale. Readers get to follow Frankenstein's life from the moment his 'creature' is made to the end of his days, which traverses the globe. When Shelley begins to lull over her love of environments, she quickly picks up with character or story development that keeps our attention from wandering.
'Frankenstein' focuses on the need to be loved and accepted to live a happy existence,as well as reaching our dreams, but Shelley shows how achieving such things can cause a crushing defeat in the latter pursuit: "Night was far advanced when I came to the halfway resting-place, and seated myself beside the fountain. The stars shone at intervals, as the clouds passed from over them; the dark pines rose before me, and every here and there a broken tree lay on the ground: it was a scene of wonderful solemnity, and stirred strange thoughts within me. I wept bitterly; and clasping my hands in agony, I exclaimed, 'Oh! stars, and clouds, and winds, ye are all about to mock me: if ye really pity me, crush sensation and memory; let me become as nought; but if not, depart, depart, and leave me in darkness.' "
There are other characters we read of, including Frankenstein's best friend, Henry, and his long time love interest, Elizabeth (both of who grew up with Frankenstein). Henry comes from a well-to-do merchant family, while Elizabeth was orphaned from a wealthy family, then adopted by the Frankensteins as a future wife for Victor. Unfortunately, we learn little about them or Victor's family, that when any of them do die, it's not felt personally by the reader. There are other characters that had major events in the story, but as with the friends, they weren't developed enough to bring up any emotion at their passing.
After Frankenstein sets out after his creation,we meet the 'creature' at the top of a mountain. He is devastated that his creator hates him, and that the other humans he has met also hated him. "I expected this reception,' said the demon. 'All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us. You purpose to kill me. How dare you sport thus with life? Do your duty towards me, and I will do mine towards you and the rest of mankind. If you will comply with my conditions, I will leave them and you at peace; but if you refuse, I will glut the maw of death, until it be satiated with the blood of your remaining friends.' "
The 'creature' gives Frankenstein an ultimatum: he either makes him a female companion or he will kill everyone Frankenstein loves and adores." 'What I ask of you is reasonable and moderate; I demand a creature of another sex, but as hideous as myself; the gratification is small, but it is all that I can receive,and it shall content me.' " Although, by this time, the 'creature' has already murdered Frankenstein's youngest brother, Victor agrees to make him a companion, but with serious regret soon after.
The majority of the story concerns Frankenstein trying fool-hardly to protect all those he loves while the 'creature' murders them one by one. The most surprising of the murders is Henry's. After Frankenstein changes his mind on making another creation, the 'creature' quickly finds Henry and kills him, but Frankenstein is accused of the murder and spends quite some time in prison for it. "But I was doomed to live; and, in two months, found myself as awaking from a dream, in a prison, stretched on a wretched bed, surrounded by gaolers, turnkeys, bolts, and all the miserable apparatus of a dungeon. "
Frankenstein is eventually released from prison when the evidence doesn't add up, and witnesses come forward, claiming to have seen Victor elsewhere at the time of the murder. Frankenstein is, at this time, in a drowning melancholy and madness, but this doesn't stop him from marrying Elizabeth. The 'creature' foretold Frankenstein that he would be with him on his wedding night, and Victor uses this to his advantage - arming himself with pistols and knives on the honeymoon. Yet, to no avail, Frankenstein is unable to outlive or outsmart the 'creature' at any turn.
'Frankenstein' is a must-read for all readers. Although many horror stories today pertain to a creature killing it's master, none of them can reach the grief stricken peaks as Shelley has. Every passage in this book reads like poetry. Every interaction between Frankenstein and his 'creature' is fascinating to the reader. And, before Frankenstein dies, he leaves the sea captain with words of wisdom that even readers could benefit from: "Seek happiness in tranquillity and avoid ambition, even if it be only the apparently innocent one of distinguishing yourself in science and discoveries."
Highly recommend!
Bob Mann (459 KP) rated They Shall Not Grow Old (2018) in Movies
Sep 28, 2021
We DO remember them.
“Trapped in a Charlie Chaplin World”. So says director Peter Jackson in a post-screening discussion with Mark Kermode, describing early black and white documentary footage. Whereas modern film runs at 24 fps, most of the old footage is hand cranked, with speeds as low as 12 fps which leads to its jerky nature. Jackson in this project with the Imperial War Museum took their WW1 footage and put it through a ‘pipeline process. This cleaned-up and restored the original footage; used clever computer interpolation to add in the missing 6 to 12 frames per second; and then colourised it.
The results are outstanding. Jackson wisely focuses the film on the specific slice of WW1 action from the trenches. And those anonymous figures become real, live, breathing humans on screen. It is obviously tragic that some (and as commented by Jackson, many in one scene) are not to be breathing humans for much longer.
These effects take a while to kick in. The early scenes in the documentary are in the original black and white, describing the recruitment process, and how many of the recruits were under-age. (To explain the varied comments in the film, they should have been 18, although officially shouldn’t have been sent overseas until 19).
It is when the troops arrive in France that we suddenly go from black-and-white to the fully restored and colourised footage, and it is a gasp-inducing moment.
Audio magic
All of the audio commentary is from original BBC recordings of war veterans recounting their actual experiences in the trench. Some sound like heroes; some sound like rogues; all came out changed men. Supporting music of WW1 ditties, including the incredibly rude “Mademoiselle from Armentières” over the end credits, is provided by Plan 9.
But equally impressive is the dubbing of the characters onscreen. Jackson employed forensic lip-readers to determine what the soldiers on-screen were saying, and reproduced the speech using appropriate regional accents for the regiments concerned. Jackson also recounts how the words associated with a “pep-talk” speech to troops by an officer he found on an original slip of paper within the regimental records: outstanding. Added sound effects include real-life shelling by the New Zealand army. It all adds to the overall atmosphere of the film.
3D = less
The film itself is a masterpiece of technical innovation that will change in the future the way in which we should be able to see this sort of early film footage forever. As a documentary it’s near-perfection. But if I have a criticism of the cinema showing I attended it is that the 3D tended to detract rather than add to the film. Perhaps this is just my eyesight, but 3D always tends to make images slightly more blurry. Where (like “Gravity”) there are great 3D effects to showcase, it’s worth the slight negative to get the massive positive. But here, there was no such benefit: 2D would have been better. For those in the UK (and possibly through other broadcasters worldwide) the film is being shown on BBC2 tonight (11/11/18) at 9:30: I will be watching it again to compare and contrast.
Final Thoughts
Jackson dedicated the film to his grandfather. And almost all of us Brits will have relatives affected by this “war to end all wars”. In my case, my grandfather was shot and severely wounded at Leuze Wood on the Somme, lying in the mud for four days and four nights before being recovered… by the Germans! Fortunately he was well-treated and, although dying young, recovered enough to father my father – else I wouldn’t be here today writing this. On this Rememberance Sunday, 100 years on, it is a time for us to truly remember the sacrifice these men and boys gave to what, all in the film agree, was a pretty obstinate and pointless conflict.
I’ll finish the review by reproducing one of the war poems of my wife’s Uncle Ivor (available in a collection here), written on 11/11/18 a hundred years ago:
Peace
At last O Lord the Day has come,
And hushed is now the noise of guns.
Peace is proclaimed over land and sea,
Our heartfelt thanks we give to Thee.
I thank thee Father for Thy care,
That thou hasn’t answered all my prayers.
This day I see in manhood’s strength,
The Peace we longed for, come at length.
O may my future actions be,
Worthy of all Thy care to me.
Let me forget not Thy Great Love,
Remembering chums who live Above.
I.G.H. 11/11/1918, France.
The results are outstanding. Jackson wisely focuses the film on the specific slice of WW1 action from the trenches. And those anonymous figures become real, live, breathing humans on screen. It is obviously tragic that some (and as commented by Jackson, many in one scene) are not to be breathing humans for much longer.
These effects take a while to kick in. The early scenes in the documentary are in the original black and white, describing the recruitment process, and how many of the recruits were under-age. (To explain the varied comments in the film, they should have been 18, although officially shouldn’t have been sent overseas until 19).
It is when the troops arrive in France that we suddenly go from black-and-white to the fully restored and colourised footage, and it is a gasp-inducing moment.
Audio magic
All of the audio commentary is from original BBC recordings of war veterans recounting their actual experiences in the trench. Some sound like heroes; some sound like rogues; all came out changed men. Supporting music of WW1 ditties, including the incredibly rude “Mademoiselle from Armentières” over the end credits, is provided by Plan 9.
But equally impressive is the dubbing of the characters onscreen. Jackson employed forensic lip-readers to determine what the soldiers on-screen were saying, and reproduced the speech using appropriate regional accents for the regiments concerned. Jackson also recounts how the words associated with a “pep-talk” speech to troops by an officer he found on an original slip of paper within the regimental records: outstanding. Added sound effects include real-life shelling by the New Zealand army. It all adds to the overall atmosphere of the film.
3D = less
The film itself is a masterpiece of technical innovation that will change in the future the way in which we should be able to see this sort of early film footage forever. As a documentary it’s near-perfection. But if I have a criticism of the cinema showing I attended it is that the 3D tended to detract rather than add to the film. Perhaps this is just my eyesight, but 3D always tends to make images slightly more blurry. Where (like “Gravity”) there are great 3D effects to showcase, it’s worth the slight negative to get the massive positive. But here, there was no such benefit: 2D would have been better. For those in the UK (and possibly through other broadcasters worldwide) the film is being shown on BBC2 tonight (11/11/18) at 9:30: I will be watching it again to compare and contrast.
Final Thoughts
Jackson dedicated the film to his grandfather. And almost all of us Brits will have relatives affected by this “war to end all wars”. In my case, my grandfather was shot and severely wounded at Leuze Wood on the Somme, lying in the mud for four days and four nights before being recovered… by the Germans! Fortunately he was well-treated and, although dying young, recovered enough to father my father – else I wouldn’t be here today writing this. On this Rememberance Sunday, 100 years on, it is a time for us to truly remember the sacrifice these men and boys gave to what, all in the film agree, was a pretty obstinate and pointless conflict.
I’ll finish the review by reproducing one of the war poems of my wife’s Uncle Ivor (available in a collection here), written on 11/11/18 a hundred years ago:
Peace
At last O Lord the Day has come,
And hushed is now the noise of guns.
Peace is proclaimed over land and sea,
Our heartfelt thanks we give to Thee.
I thank thee Father for Thy care,
That thou hasn’t answered all my prayers.
This day I see in manhood’s strength,
The Peace we longed for, come at length.
O may my future actions be,
Worthy of all Thy care to me.
Let me forget not Thy Great Love,
Remembering chums who live Above.
I.G.H. 11/11/1918, France.
Night Reader Reviews (683 KP) rated Outland Exile: Book 1 of Old Men and Infidels in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Contains spoilers, click to show
Outland Exile Book 1: Old Men and Infidels by W. Clark Boutwell was very enjoyable to read after I got into it a bit. The book was somewhat confusing to start out but the author unfolds the story layer by layer to slowly explain the world that the main character lives in. The vocabulary in this book made me consult a dictionary a few different times to check words that were strange to me, an unusual occurrence for someone who reads frequently.
The main reason that it was hard for me to initially enjoy the book was because of the authors use of short phrases. These phrases made the reading feel choppy and prevented a nice even flow. I believe this was mainly a problem because it frequently took the immersion away from the story, and jarringly forced me back into the real world as I re-read a section to see if it made more sense. I feel that many readers enjoy the immersion in a fictional world when reading a good book, so this may be a bit of an issue for some.
W. Clark Boutwell also appears to have a very good education, possibly with a large focus on the English language. The reason that I think this might be the case is because of the vocabulary found in the book, some of which seemed unnecessary. Words such as “metaphoric” “adroitly” and “remonstrations” were used, much to my initial confusion. Then there was also “pantomimed”, “sere”, and “realpolitik” that had me searching for a dictionary. On top of the strange wording at times the author also used terms such as “snakelike” and “warlike” with frequency. The amount these words were used make them almost feel overused or like errors.
The amazing plot-line of the story also offers a few different lessons that many people will have to learn in their lives. The first of these lessons is the fact that not everyone, including the government, is not always operating in your best interest. It shows that often the people who are considered to be higher-ups are more worried about themselves and their advancement than the ‘little people’ that they hurt along the way. The book also shows that a simple life is often happier than a technology-filled one, proving that the technology that is supposed to be bringing us together is also causing us to lose touch with other people at the same time. Finally, it brings to light an idea that some might find difficult to accept. That fact would be that not everything you grow up believing is necessarily the truth and that history is almost always written by the winners and the loser’s voice gets lost.
During the course of the story Malila, a Lieutenant for the Unity is sent out to Sunprairie Station with a group of bodyguards in order to repair the station. She then finds herself in the hands of Jesse Johnstone and making her way to Kentucky and stopping at a village across the Ohio River. It is here that she starts to learn just how lacking her life in the Unity was. She also learns just how much of a captive she was in her “free” Unity and how much of her supposed life there was all just an illusion.
What I liked best was watching Malila expand and grow as an individual. The author’s writing made me feel like I actually knew the characters. When tragedy struck I felt real worry and concern for them and did not want to stop reading until I knew what happened to them. On the other side, I least liked the fact that I almost gave up on reading the book early because of how slow and choppy the writing felt. The use of the obscure words made me believe there were multiple misspellings only to find that the words were just typically unused.
The target readers for this story would be young adults, starting at about high school aged and older. Concepts of pleasure sex and a few mentions of rape make this book unsuitable for most younger readers. With all of this being said I would give this book the rating 3 out of 4 because even with it being hard to get into the story was very enjoyable. The plot-line is strong and the life lessons the Malila learns are things that most people should probably learn at some point in their lives. I look forward to reading the rest of the series as it comes out.
The main reason that it was hard for me to initially enjoy the book was because of the authors use of short phrases. These phrases made the reading feel choppy and prevented a nice even flow. I believe this was mainly a problem because it frequently took the immersion away from the story, and jarringly forced me back into the real world as I re-read a section to see if it made more sense. I feel that many readers enjoy the immersion in a fictional world when reading a good book, so this may be a bit of an issue for some.
W. Clark Boutwell also appears to have a very good education, possibly with a large focus on the English language. The reason that I think this might be the case is because of the vocabulary found in the book, some of which seemed unnecessary. Words such as “metaphoric” “adroitly” and “remonstrations” were used, much to my initial confusion. Then there was also “pantomimed”, “sere”, and “realpolitik” that had me searching for a dictionary. On top of the strange wording at times the author also used terms such as “snakelike” and “warlike” with frequency. The amount these words were used make them almost feel overused or like errors.
The amazing plot-line of the story also offers a few different lessons that many people will have to learn in their lives. The first of these lessons is the fact that not everyone, including the government, is not always operating in your best interest. It shows that often the people who are considered to be higher-ups are more worried about themselves and their advancement than the ‘little people’ that they hurt along the way. The book also shows that a simple life is often happier than a technology-filled one, proving that the technology that is supposed to be bringing us together is also causing us to lose touch with other people at the same time. Finally, it brings to light an idea that some might find difficult to accept. That fact would be that not everything you grow up believing is necessarily the truth and that history is almost always written by the winners and the loser’s voice gets lost.
During the course of the story Malila, a Lieutenant for the Unity is sent out to Sunprairie Station with a group of bodyguards in order to repair the station. She then finds herself in the hands of Jesse Johnstone and making her way to Kentucky and stopping at a village across the Ohio River. It is here that she starts to learn just how lacking her life in the Unity was. She also learns just how much of a captive she was in her “free” Unity and how much of her supposed life there was all just an illusion.
What I liked best was watching Malila expand and grow as an individual. The author’s writing made me feel like I actually knew the characters. When tragedy struck I felt real worry and concern for them and did not want to stop reading until I knew what happened to them. On the other side, I least liked the fact that I almost gave up on reading the book early because of how slow and choppy the writing felt. The use of the obscure words made me believe there were multiple misspellings only to find that the words were just typically unused.
The target readers for this story would be young adults, starting at about high school aged and older. Concepts of pleasure sex and a few mentions of rape make this book unsuitable for most younger readers. With all of this being said I would give this book the rating 3 out of 4 because even with it being hard to get into the story was very enjoyable. The plot-line is strong and the life lessons the Malila learns are things that most people should probably learn at some point in their lives. I look forward to reading the rest of the series as it comes out.
Night Reader Reviews (683 KP) rated Cave Man in Books
Jan 10, 2020
Honest Review for Free Copy of Book
Cave Man by Aedon Sayla is classified as an Erotic Christian Fiction. That being said this is not for anyone under 18 years old. Erotica and Christian Fiction are two genres that are not generally mixed. Readers should be aware that the events in this book are from biblical times and modern rules do not apply.
Alon is a captive of the King of Babel, Nimrod. He is set to be killed on the very next night when an angel shows up. The angel has come to save Alon before God comes down and destroys Babel. Alon escapes and goes to start a new civilization that honors God. Early on in his journey Alon comes across Ayangla who speaks a different language from him. Frustrated at not being able to speak to her the voice of God tells Alon that once his seed is deep in Ayangla she will begin to understand his language. He immediately takes her there on the ground and makes her travel with him as his wife. Over time Ayangla notices that Alon cares for her and comes to love him in return as he takes the time to pleasure her unlike those who had her while she was a slave under Nimrod’s rule.
During their journey, they meet up with Enais and his wife who had the same message about making a new civilization. The two couples decide to be a tribe and call themselves Alonai. The Alonai tribe ultimately end up in a land of plenty and set up a well-guarded home there for themselves and all of their children (there is a lot). The two men end up saving two women from a shipwreck one day while out fishing and bring them back to their home. Each man takes one of the two to become their second wives to share with the first and expand their families while making the new women a part of their struggle for survival. Through it all Alon constantly thanks The Creator for all of his blessings and all the things The Creator has worked for him and within him.
What I liked best was that the time and location of the story is well thought out. Taking place right after the fall of the tower of Babel was a great idea as many people are at least somewhat familiar with that story. The need for the main character to create a new civilization explained all the sex besides just plane lust. Being a modern woman there were multiple things that I did not like about the story. The first of which being Alon attacking and raping Ayangla, made all the worse by God indirectly suggesting it. Ayangla appears to have Stockholm syndrome as she falls in love with Alon who she calls master and husband interchangeably through the book. She seems to stay with him because she learns to enjoy the sex and because being with him helps ensure her survival. I also had a major problem with Alon purposely triggering Ayangla’s milk production for his enjoyment. This may be because I approve of public breastfeeding of children and seeing the production of breast-milk as a sexual act and a grown man breastfeeding from a woman as an orgasmic experience goes against the movement to normalize breastfeeding as a non-sexual act.
Target readers for this book are adults ages 18 and older. As this is considered erotic Christian fiction Christians may have more appreciation for this book than others. Readers should be ready for and expecting heavy sexual content. I ended up giving this book a rating of 2 out of 4. While trying to stay in the mindset of the target audience I still can not put aside my personal feelings about this book completely. It is not the rough sex scenes that was a problem as much as it was how they came about. If it wasn’t for taking the period the book was written in into consideration and how things would have been done then I would have failed this book completely. Content aside it was well written so an even half score of two is appropriate in my eyes.
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Alon is a captive of the King of Babel, Nimrod. He is set to be killed on the very next night when an angel shows up. The angel has come to save Alon before God comes down and destroys Babel. Alon escapes and goes to start a new civilization that honors God. Early on in his journey Alon comes across Ayangla who speaks a different language from him. Frustrated at not being able to speak to her the voice of God tells Alon that once his seed is deep in Ayangla she will begin to understand his language. He immediately takes her there on the ground and makes her travel with him as his wife. Over time Ayangla notices that Alon cares for her and comes to love him in return as he takes the time to pleasure her unlike those who had her while she was a slave under Nimrod’s rule.
During their journey, they meet up with Enais and his wife who had the same message about making a new civilization. The two couples decide to be a tribe and call themselves Alonai. The Alonai tribe ultimately end up in a land of plenty and set up a well-guarded home there for themselves and all of their children (there is a lot). The two men end up saving two women from a shipwreck one day while out fishing and bring them back to their home. Each man takes one of the two to become their second wives to share with the first and expand their families while making the new women a part of their struggle for survival. Through it all Alon constantly thanks The Creator for all of his blessings and all the things The Creator has worked for him and within him.
What I liked best was that the time and location of the story is well thought out. Taking place right after the fall of the tower of Babel was a great idea as many people are at least somewhat familiar with that story. The need for the main character to create a new civilization explained all the sex besides just plane lust. Being a modern woman there were multiple things that I did not like about the story. The first of which being Alon attacking and raping Ayangla, made all the worse by God indirectly suggesting it. Ayangla appears to have Stockholm syndrome as she falls in love with Alon who she calls master and husband interchangeably through the book. She seems to stay with him because she learns to enjoy the sex and because being with him helps ensure her survival. I also had a major problem with Alon purposely triggering Ayangla’s milk production for his enjoyment. This may be because I approve of public breastfeeding of children and seeing the production of breast-milk as a sexual act and a grown man breastfeeding from a woman as an orgasmic experience goes against the movement to normalize breastfeeding as a non-sexual act.
Target readers for this book are adults ages 18 and older. As this is considered erotic Christian fiction Christians may have more appreciation for this book than others. Readers should be ready for and expecting heavy sexual content. I ended up giving this book a rating of 2 out of 4. While trying to stay in the mindset of the target audience I still can not put aside my personal feelings about this book completely. It is not the rough sex scenes that was a problem as much as it was how they came about. If it wasn’t for taking the period the book was written in into consideration and how things would have been done then I would have failed this book completely. Content aside it was well written so an even half score of two is appropriate in my eyes.
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Hazel (1853 KP) rated These Shallow Graves in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Known for her young adult series about mermaids, Jennifer Donnelly also proves she is an excellent writer of historical murder mysteries. <i>These Shallow Graves</i> is set in the USA during the late 1800s where Josephine Montfort, a headstrong seventeen-year-old from a respectable family, is expected to marry well and produce a male heir. However, Jo’s innocent lifestyle is disrupted after her father’s mysterious death. With her passion for writing at the forefront of her mind, Jo rejects social etiquette and begins searching for answers.
Jo meets Eddie, a young, ambitious newspaper reporter who agrees to assist with her enquiries. However it is not as straightforward as Jo expects it to be. As the pair begin to uncover dangerous secrets, Jo is also witness to the injustices in the world. Life for the rich was a whole different world from that of the poor, but as Jo learns, that does not make anyone less worthy of being treated as a person.
<i>These Shallow Graves</i> is an exciting story that is gripping from beginning to end. Not only is there a crime to solve, Jo also ends up in a forbidden relationship that crosses the boundaries of her social status. From an historical point of view it is refreshing to read of a female challenging her position in society rather than being the naïve protagonist that many novels written during this time period contain. In some ways she is comparable to Jo March in <i>Little Women</i>, and not only because of their shared name.
Having read the first two books in the <i>Waterfire</i> saga, and been slightly disappointed with the writing style, I was a little apprehensive when beginning to read <i>These Shallow Graves</i>. I presumed I would get bored part way through, or find the narrative dreary, however I was pleasantly surprised. Donnelly is significantly better at historical fiction. The book was greatly researched thus the setting and dialogue were perfectly in keeping with the time period.
As with most murder mysteries the murderer is only revealed at the very end of the story. I guessed who it was fairly early on, however that is all it was, a guess. Most readers will be left hanging until the final chapters – will you work out who it was before then?
Known for her young adult series about mermaids, Jennifer Donnelly also proves she is an excellent writer of historical murder mysteries. <i>These Shallow Graves</i> is set in the USA during the late 1800s where Josephine Montfort, a headstrong seventeen-year-old from a respectable family, is expected to marry well and produce a male heir. However, Jo’s innocent lifestyle is disrupted after her father’s mysterious death. With her passion for writing at the forefront of her mind, Jo rejects social etiquette and begins searching for answers.
Jo meets Eddie, a young, ambitious newspaper reporter who agrees to assist with her enquiries. However it is not as straightforward as Jo expects it to be. As the pair begin to uncover dangerous secrets, Jo is also witness to the injustices in the world. Life for the rich was a whole different world from that of the poor, but as Jo learns, that does not make anyone less worthy of being treated as a person.
<i>These Shallow Graves</i> is an exciting story that is gripping from beginning to end. Not only is there a crime to solve, Jo also ends up in a forbidden relationship that crosses the boundaries of her social status. From an historical point of view it is refreshing to read of a female challenging her position in society rather than being the naïve protagonist that many novels written during this time period contain. In some ways she is comparable to Jo March in <i>Little Women</i>, and not only because of their shared name.
Having read the first two books in the <i>Waterfire</i> saga, and been slightly disappointed with the writing style, I was a little apprehensive when beginning to read <i>These Shallow Graves</i>. I presumed I would get bored part way through, or find the narrative dreary, however I was pleasantly surprised. Donnelly is significantly better at historical fiction. The book was greatly researched thus the setting and dialogue were perfectly in keeping with the time period.
As with most murder mysteries the murderer is only revealed at the very end of the story. I guessed who it was fairly early on, however that is all it was, a guess. Most readers will be left hanging until the final chapters – will you work out who it was before then?