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Hazel (1853 KP) rated Not If I See You First in Books
Dec 14, 2018
3.5 Stars
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Eric Lindstrom’s ironically named <i>Not If I See You First</i> is a story narrated by a blind teenaged girl, Parker Grant. Parker has had to deal with a lot in her short life - the accident that killed her mother and left her blind; the recent death of her father; however she seems to be coping fine. But there is one incident she will never get over, one person she will never forgive.
Being blind, Parker has memorized voices, the number of steps to get from one place to another and the layout of the areas she frequents. So when her high school merges with another there is a lot of unfamiliarity to get used to. What she is not prepared for is the reappearance of Scott, a boy who broke her heart a couple of years ago.
Parker’s coping mechanisms, both with blindness and grief, result in a hardened personality, unfeeling and caring. She has become unintentionally selfish. Literally and figuratively blind to everyone else’s emotions. Realising this, Parker tries to turn things around, but can her friends forgive her? Can Scott?
It is interesting reading from the point of view of a blind person. For a start there is a lack of physical description. It is difficult to conjure up a complete image of the various settings, almost as if the reader is blind as well. It also challenges stereotypical ideals. Just because someone is blind does not mean they cannot look after themselves.
Despite her hostile demeanor, Parker is an admirable character. She does not let her disability hold her back and sticks with the things she is passionate about, for instance running.
The problem I had with this novel is that Parker seemed to care more about her history with Scott than she did with her father’s death a couple of months previously. I am aware there was a point to this, but even after Parker’s emotions begin to flow she is still more focused on romantic relationships than anything else.
Targeted at young adults, <i>Not If I See You First</i> will appeal to those that enjoy contemporary romance. Nevertheless, be aware that it has an ambivalent ending, rather than the happily-ever-after that you may be yearning for.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Eric Lindstrom’s ironically named <i>Not If I See You First</i> is a story narrated by a blind teenaged girl, Parker Grant. Parker has had to deal with a lot in her short life - the accident that killed her mother and left her blind; the recent death of her father; however she seems to be coping fine. But there is one incident she will never get over, one person she will never forgive.
Being blind, Parker has memorized voices, the number of steps to get from one place to another and the layout of the areas she frequents. So when her high school merges with another there is a lot of unfamiliarity to get used to. What she is not prepared for is the reappearance of Scott, a boy who broke her heart a couple of years ago.
Parker’s coping mechanisms, both with blindness and grief, result in a hardened personality, unfeeling and caring. She has become unintentionally selfish. Literally and figuratively blind to everyone else’s emotions. Realising this, Parker tries to turn things around, but can her friends forgive her? Can Scott?
It is interesting reading from the point of view of a blind person. For a start there is a lack of physical description. It is difficult to conjure up a complete image of the various settings, almost as if the reader is blind as well. It also challenges stereotypical ideals. Just because someone is blind does not mean they cannot look after themselves.
Despite her hostile demeanor, Parker is an admirable character. She does not let her disability hold her back and sticks with the things she is passionate about, for instance running.
The problem I had with this novel is that Parker seemed to care more about her history with Scott than she did with her father’s death a couple of months previously. I am aware there was a point to this, but even after Parker’s emotions begin to flow she is still more focused on romantic relationships than anything else.
Targeted at young adults, <i>Not If I See You First</i> will appeal to those that enjoy contemporary romance. Nevertheless, be aware that it has an ambivalent ending, rather than the happily-ever-after that you may be yearning for.
Hazel (1853 KP) rated A Grimm Curse (Grimm Tales #3) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Janna Jennings’ latest book, <i>A Grimm Curse</i>, is set long before the previous two novellas in <i>A Grimm Tales</i> series. Rather than focusing on Andi, a girl from the “real” world, this is a story about the characters in the fairytales – most importantly Cynthia or, whom readers may know her better as, Cinderella.
As in the traditional tale, Cynthia works as a slave for her horrible stepmother and stepsisters – a fate she succumbed to after the death of her father. There is also an upcoming ball at the palace for the prince who is seeking a bride. This, however, is where the similarities end. As well as <i>Cinderella</i>, other fairytales make their appearance, particularly <i>The Frog Prince </i>and <i>Rapunzel</i>. But something is unsettling the characters; they are experiencing bad dreams. Or are they memories?
Cynthia is a much more admirable character than the original Cinderella. She is clever, determined and independent – she does not need a fairy godmother for a start! Neither has she any interest in the prince. If she is going to escape from servitude it will be by her own dexterity, rather than her reliance on someone else to save her.
<i>A Grimm Curse</i> can work as a prequel to the first in the series as it sets the scene that Andi will come across. It can also survive as a stand alone as there is no reference to the events of the other books, however knowledge of these will help the ending make more sense.
Personally I preferred <i>A Grimm Curse</i> to the stories that Jennings’ previously wrote. I had misgivings about the author’s use of fairytales that were not one of those collected by the <i>Brothers Grimm</i>. The tales in this book were, however, so therefore fit better with the title.
I strongly recommend this story to readers – adult and adolescent – who are still in love with fairytales or retellings. It is as though it is written with feminism in mind as the heroine does not need a man to rescue her, thus is in keeping with modern times rather than the time period of the originals.
Janna Jennings’ latest book, <i>A Grimm Curse</i>, is set long before the previous two novellas in <i>A Grimm Tales</i> series. Rather than focusing on Andi, a girl from the “real” world, this is a story about the characters in the fairytales – most importantly Cynthia or, whom readers may know her better as, Cinderella.
As in the traditional tale, Cynthia works as a slave for her horrible stepmother and stepsisters – a fate she succumbed to after the death of her father. There is also an upcoming ball at the palace for the prince who is seeking a bride. This, however, is where the similarities end. As well as <i>Cinderella</i>, other fairytales make their appearance, particularly <i>The Frog Prince </i>and <i>Rapunzel</i>. But something is unsettling the characters; they are experiencing bad dreams. Or are they memories?
Cynthia is a much more admirable character than the original Cinderella. She is clever, determined and independent – she does not need a fairy godmother for a start! Neither has she any interest in the prince. If she is going to escape from servitude it will be by her own dexterity, rather than her reliance on someone else to save her.
<i>A Grimm Curse</i> can work as a prequel to the first in the series as it sets the scene that Andi will come across. It can also survive as a stand alone as there is no reference to the events of the other books, however knowledge of these will help the ending make more sense.
Personally I preferred <i>A Grimm Curse</i> to the stories that Jennings’ previously wrote. I had misgivings about the author’s use of fairytales that were not one of those collected by the <i>Brothers Grimm</i>. The tales in this book were, however, so therefore fit better with the title.
I strongly recommend this story to readers – adult and adolescent – who are still in love with fairytales or retellings. It is as though it is written with feminism in mind as the heroine does not need a man to rescue her, thus is in keeping with modern times rather than the time period of the originals.
Hazel (1853 KP) rated These Shallow Graves in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Known for her young adult series about mermaids, Jennifer Donnelly also proves she is an excellent writer of historical murder mysteries. <i>These Shallow Graves</i> is set in the USA during the late 1800s where Josephine Montfort, a headstrong seventeen-year-old from a respectable family, is expected to marry well and produce a male heir. However, Jo’s innocent lifestyle is disrupted after her father’s mysterious death. With her passion for writing at the forefront of her mind, Jo rejects social etiquette and begins searching for answers.
Jo meets Eddie, a young, ambitious newspaper reporter who agrees to assist with her enquiries. However it is not as straightforward as Jo expects it to be. As the pair begin to uncover dangerous secrets, Jo is also witness to the injustices in the world. Life for the rich was a whole different world from that of the poor, but as Jo learns, that does not make anyone less worthy of being treated as a person.
<i>These Shallow Graves</i> is an exciting story that is gripping from beginning to end. Not only is there a crime to solve, Jo also ends up in a forbidden relationship that crosses the boundaries of her social status. From an historical point of view it is refreshing to read of a female challenging her position in society rather than being the naïve protagonist that many novels written during this time period contain. In some ways she is comparable to Jo March in <i>Little Women</i>, and not only because of their shared name.
Having read the first two books in the <i>Waterfire</i> saga, and been slightly disappointed with the writing style, I was a little apprehensive when beginning to read <i>These Shallow Graves</i>. I presumed I would get bored part way through, or find the narrative dreary, however I was pleasantly surprised. Donnelly is significantly better at historical fiction. The book was greatly researched thus the setting and dialogue were perfectly in keeping with the time period.
As with most murder mysteries the murderer is only revealed at the very end of the story. I guessed who it was fairly early on, however that is all it was, a guess. Most readers will be left hanging until the final chapters – will you work out who it was before then?
Known for her young adult series about mermaids, Jennifer Donnelly also proves she is an excellent writer of historical murder mysteries. <i>These Shallow Graves</i> is set in the USA during the late 1800s where Josephine Montfort, a headstrong seventeen-year-old from a respectable family, is expected to marry well and produce a male heir. However, Jo’s innocent lifestyle is disrupted after her father’s mysterious death. With her passion for writing at the forefront of her mind, Jo rejects social etiquette and begins searching for answers.
Jo meets Eddie, a young, ambitious newspaper reporter who agrees to assist with her enquiries. However it is not as straightforward as Jo expects it to be. As the pair begin to uncover dangerous secrets, Jo is also witness to the injustices in the world. Life for the rich was a whole different world from that of the poor, but as Jo learns, that does not make anyone less worthy of being treated as a person.
<i>These Shallow Graves</i> is an exciting story that is gripping from beginning to end. Not only is there a crime to solve, Jo also ends up in a forbidden relationship that crosses the boundaries of her social status. From an historical point of view it is refreshing to read of a female challenging her position in society rather than being the naïve protagonist that many novels written during this time period contain. In some ways she is comparable to Jo March in <i>Little Women</i>, and not only because of their shared name.
Having read the first two books in the <i>Waterfire</i> saga, and been slightly disappointed with the writing style, I was a little apprehensive when beginning to read <i>These Shallow Graves</i>. I presumed I would get bored part way through, or find the narrative dreary, however I was pleasantly surprised. Donnelly is significantly better at historical fiction. The book was greatly researched thus the setting and dialogue were perfectly in keeping with the time period.
As with most murder mysteries the murderer is only revealed at the very end of the story. I guessed who it was fairly early on, however that is all it was, a guess. Most readers will be left hanging until the final chapters – will you work out who it was before then?
Hazel (1853 KP) rated 13 Days of Midnight in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Thirteen Days of Midnight</i> is the slightly lighthearted, young adult novel by Leo Hunt set in contemporary Northeast England. Luke Manchett is an average sixteen-year-old boy who mostly cares about his reputation as a member of the school rugby team, and attracting the attention of his crush, Holiday Simmon. However, his life drastically changes on discovering that his absent, psychic exorcist, of a father has died.
Luke is not affected by the actual death, as he barely knew his father; it is the things he inherits as the only named beneficiary of his father’s will that twist his life upside down. It turns out that Horatio Manchett was not a television phony but actually a powerful necromancer. The biggest shock of all is that Luke is now the owner of a collection of eight sinister ghosts who want him dead. With Halloween fast approaching, when the souls’ powers will be at their strongest, Luke with the help of mysterious school friend, Elza Moss, and an ancient book they cannot read, must find a way to release the ghosts without causing harm to anyone else.
<i>Thirteen Days of Midnight </i>is not scary in the way some readers may expect paranormal novels to be. Although it contains ghosts and death threats it is not written in a way meant to terrify, rather to entertain. Luke and Elza’s lack of knowledge and experience with a large number of spirits helps the reader relate to the story, as it is with great doubt that any other teenager would have known exactly what to do. Luke’s dog, Ham, also adds a bit of humour to the book.
There were a few typical aspects to the story, which made it less original. A paranormal novel based at Halloween seems a fairly obvious choice of setting, and popular boy developing a friendship (and possibly more) with an unpopular girl seems rather mainstream in regards to current young adult books.
Some paranormal/horror novels can be a bit over the top and occasionally confusing, therefore it was a surprise to discover how good Thirteen Days of Midnight is. The main characters are likable, the narrative flows well and it is overall entertaining to read. It is definitely a recommendable book.
Thirteen Days of Midnight</i> is the slightly lighthearted, young adult novel by Leo Hunt set in contemporary Northeast England. Luke Manchett is an average sixteen-year-old boy who mostly cares about his reputation as a member of the school rugby team, and attracting the attention of his crush, Holiday Simmon. However, his life drastically changes on discovering that his absent, psychic exorcist, of a father has died.
Luke is not affected by the actual death, as he barely knew his father; it is the things he inherits as the only named beneficiary of his father’s will that twist his life upside down. It turns out that Horatio Manchett was not a television phony but actually a powerful necromancer. The biggest shock of all is that Luke is now the owner of a collection of eight sinister ghosts who want him dead. With Halloween fast approaching, when the souls’ powers will be at their strongest, Luke with the help of mysterious school friend, Elza Moss, and an ancient book they cannot read, must find a way to release the ghosts without causing harm to anyone else.
<i>Thirteen Days of Midnight </i>is not scary in the way some readers may expect paranormal novels to be. Although it contains ghosts and death threats it is not written in a way meant to terrify, rather to entertain. Luke and Elza’s lack of knowledge and experience with a large number of spirits helps the reader relate to the story, as it is with great doubt that any other teenager would have known exactly what to do. Luke’s dog, Ham, also adds a bit of humour to the book.
There were a few typical aspects to the story, which made it less original. A paranormal novel based at Halloween seems a fairly obvious choice of setting, and popular boy developing a friendship (and possibly more) with an unpopular girl seems rather mainstream in regards to current young adult books.
Some paranormal/horror novels can be a bit over the top and occasionally confusing, therefore it was a surprise to discover how good Thirteen Days of Midnight is. The main characters are likable, the narrative flows well and it is overall entertaining to read. It is definitely a recommendable book.
Hazel (1853 KP) rated It's About Love in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
It’s About Love</i> is not a typical love story. The author of Tape, Steven Camden, has written a story from the point of view of a sixteen-year-old boy named Luke. In his first week of college he meets a girl in his film studies class. Her name is Leia and, ignoring the Star Wars connection, their passion for film makes them the perfect partners.
Luke, however, comes from a very troubling background. He has purposefully chosen a college two bus journeys away in order to escape his past. He can try to hide his relation to his brother due to be released from prison, but he cannot cover up the scar on his face. Initially Luke wants as little attention as possible, although once he starts developing feelings for Leia he enjoys being around her and her friends.
Yet everything changes when Luke’s past life and friends collide with the new. Believing he has ruined everything with Leia, Luke needs all the encouragement he can get from his film studies tutor, Noah, to keep on going.
Camden writes the story through first person narrative, film directions and ideas in Luke’s notebooks. This is an interesting method and helps to create a clearer picture of Luke’s personality. He is a teenager with potential and the ability to think for himself. It is his past history that makes him feel like he does not deserve happiness or success.
Although I liked the concept I did not care for any of the characters. Many could be described as thuggish and a lot of violence was involved. I understand that Luke needed to be involved with these types of people for the storyline to work, but it was not for me.
Despite the title, <i>It’s About Love</i> is more suitable for young adult males than it is females due to the nature of the story and the main character. Whether a boy would happily be caught reading a book with ‘love’ written on the cover is another matter. Steven Camden clearly has the young adult audience in mind as he writes and, even though I did not think it anything special, I am sure there will be many readers who will love this book.
It’s About Love</i> is not a typical love story. The author of Tape, Steven Camden, has written a story from the point of view of a sixteen-year-old boy named Luke. In his first week of college he meets a girl in his film studies class. Her name is Leia and, ignoring the Star Wars connection, their passion for film makes them the perfect partners.
Luke, however, comes from a very troubling background. He has purposefully chosen a college two bus journeys away in order to escape his past. He can try to hide his relation to his brother due to be released from prison, but he cannot cover up the scar on his face. Initially Luke wants as little attention as possible, although once he starts developing feelings for Leia he enjoys being around her and her friends.
Yet everything changes when Luke’s past life and friends collide with the new. Believing he has ruined everything with Leia, Luke needs all the encouragement he can get from his film studies tutor, Noah, to keep on going.
Camden writes the story through first person narrative, film directions and ideas in Luke’s notebooks. This is an interesting method and helps to create a clearer picture of Luke’s personality. He is a teenager with potential and the ability to think for himself. It is his past history that makes him feel like he does not deserve happiness or success.
Although I liked the concept I did not care for any of the characters. Many could be described as thuggish and a lot of violence was involved. I understand that Luke needed to be involved with these types of people for the storyline to work, but it was not for me.
Despite the title, <i>It’s About Love</i> is more suitable for young adult males than it is females due to the nature of the story and the main character. Whether a boy would happily be caught reading a book with ‘love’ written on the cover is another matter. Steven Camden clearly has the young adult audience in mind as he writes and, even though I did not think it anything special, I am sure there will be many readers who will love this book.
David McK (3547 KP) rated Lost Stars (Star Wars) in Books
Jan 28, 2019
Earlier this year, I read the first of the 'new' Star Wars books leading up the The Force Awakens, following Disney's abolition of the old Expanded Universe (said book was [a:Chuck Wendig|17152|Chuck Wendig|https://d.gr-assets.com/authors/1294919586p2/17152.jpg] 's [b:Aftermath|25131600|Aftermath (Star Wars Aftermath, #1)|Chuck Wendig|https://d.gr-assets.com/books/1426620007s/25131600.jpg|44828548] ).
While th ebook was all right, it didn't (I felt) live up the 'original' (now no longer canon) continuation of [a:Timothy Zahn|12479|Timothy Zahn|https://d.gr-assets.com/authors/1215545810p2/12479.jpg]'s 'Heir to the Empire' trilogy, or of some of the books that came after.
I only discovered recently, when I read an article released just before the second of Wendig's Star Wars books, that he is actually a screen-writer rather than a novelist, which goes some way (I felt) towards explaining the choppy structure of the novel.
In the comments on that article, a couple of the contributors had mentioned other 'new' Star Wars books they had read, with most stating this was one of the best, so I decided to give it a go :)
Starting roughly 8 years after 'Revenge of the Sith', this novel follows the exploits of 2 childhood friends (who grow up to be more than friends) from a backwater planet, who end up fighting on different sides of the Galactic Civil War. As such, this takes in all the key events of the original trilogy - The Tantive IV chase, destruction of Alderaan, blowing up of the first Death Star, attack on Hoth, Asteroid chase, Bespin, the space battle above Endor/second Death Star - and goes slightly beyond into explaining why there is a crashed Star Destroyer on the planet Jakku (from the start of The Force Awakens).
Remember in the movies, the lines 'There goes another one / hold your fire' right at the start of the original, with the jettison of an escape pod that holds R2-D2 and C3PO? The character who utters those (NOT either of the two main character here) is given a background, as is that who has 'analysed their attack, and has found a danger'.
Of the two leading-into-The Force Awakens novels I've read so far this year, this is the better
While th ebook was all right, it didn't (I felt) live up the 'original' (now no longer canon) continuation of [a:Timothy Zahn|12479|Timothy Zahn|https://d.gr-assets.com/authors/1215545810p2/12479.jpg]'s 'Heir to the Empire' trilogy, or of some of the books that came after.
I only discovered recently, when I read an article released just before the second of Wendig's Star Wars books, that he is actually a screen-writer rather than a novelist, which goes some way (I felt) towards explaining the choppy structure of the novel.
In the comments on that article, a couple of the contributors had mentioned other 'new' Star Wars books they had read, with most stating this was one of the best, so I decided to give it a go :)
Starting roughly 8 years after 'Revenge of the Sith', this novel follows the exploits of 2 childhood friends (who grow up to be more than friends) from a backwater planet, who end up fighting on different sides of the Galactic Civil War. As such, this takes in all the key events of the original trilogy - The Tantive IV chase, destruction of Alderaan, blowing up of the first Death Star, attack on Hoth, Asteroid chase, Bespin, the space battle above Endor/second Death Star - and goes slightly beyond into explaining why there is a crashed Star Destroyer on the planet Jakku (from the start of The Force Awakens).
Remember in the movies, the lines 'There goes another one / hold your fire' right at the start of the original, with the jettison of an escape pod that holds R2-D2 and C3PO? The character who utters those (NOT either of the two main character here) is given a background, as is that who has 'analysed their attack, and has found a danger'.
Of the two leading-into-The Force Awakens novels I've read so far this year, this is the better
Eleanor (1463 KP) rated The Priory of the Orange Tree in Books
Jan 14, 2020
Strong female characters (2 more)
No filler
Deep history and lore
Compelling Fantasy
Wanting to try and branch out from just reading mainly thrillers this year I decided to get back on the fantasy track and picked this up at the library. I’m really glad I did it’s a great fantasy adventure set in a lore and history-rich world. I did have to get the ebook as well, as my wrists couldn’t cope with long reading sessions of the hardback copy and I didn’t want to put it down…..
It’s not an overly complicated fantasy tale and despite its 800+ pages, I found I was breezing through it at pace. It easily kept my interest and didn’t get too bogged down at any point. We have a tale of ancient evil rising, and a divided world will need to find a way to work together to defeat it.
Brimmed full of strong female characters we meet Ead hiding in the royal household of Inys under the guise of a maid-in-waiting but really is a kick-ass slayer/mage type, trying to protect the Queen. Meanwhile, on the other side of the great Abyss (big continent dividing ocean), we have Tane who has spent most of her life training to be a fearless dragon-riding warrior. The story is told from 4 different POVs but those two are the most engaging.
We have some romance (sigh lovey-dovey stuff - gross) but we don’t get bogged down in it and it feels entirely part of the story (not just tits and arse for the sake of it).
None of this book felt like unnecessary filler, despite epic journey's, we didn't have to read about every breakfast and lunch eaten (cough...). If anything some of the coincidences in characters meeting felt like it could of had more embellishment but I’m not really complaining it kept the story moving at a good clip. I felt the world that was built deserved a bit more of a complicated/nuanced tale but appreciate not having to slog through many years of sequels to get a conclusion. I didn’t feel the battles lived up to the overall size of the story but that may just be me watching too much TV...
Overall just what I needed to get me to want to keep branching out and reading a more diverse selection of genres - Go libraries!!!.
It’s not an overly complicated fantasy tale and despite its 800+ pages, I found I was breezing through it at pace. It easily kept my interest and didn’t get too bogged down at any point. We have a tale of ancient evil rising, and a divided world will need to find a way to work together to defeat it.
Brimmed full of strong female characters we meet Ead hiding in the royal household of Inys under the guise of a maid-in-waiting but really is a kick-ass slayer/mage type, trying to protect the Queen. Meanwhile, on the other side of the great Abyss (big continent dividing ocean), we have Tane who has spent most of her life training to be a fearless dragon-riding warrior. The story is told from 4 different POVs but those two are the most engaging.
We have some romance (sigh lovey-dovey stuff - gross) but we don’t get bogged down in it and it feels entirely part of the story (not just tits and arse for the sake of it).
None of this book felt like unnecessary filler, despite epic journey's, we didn't have to read about every breakfast and lunch eaten (cough...). If anything some of the coincidences in characters meeting felt like it could of had more embellishment but I’m not really complaining it kept the story moving at a good clip. I felt the world that was built deserved a bit more of a complicated/nuanced tale but appreciate not having to slog through many years of sequels to get a conclusion. I didn’t feel the battles lived up to the overall size of the story but that may just be me watching too much TV...
Overall just what I needed to get me to want to keep branching out and reading a more diverse selection of genres - Go libraries!!!.
Heather Cranmer (2721 KP) rated The Return in Books
Feb 19, 2020 (Updated Feb 21, 2020)
I had been looking forward to reading The Return by Rachel Harrison for awhile, so when I got the opportunity to review it, I jumped at the chance. Unfortunately, I was left feeling very disappointed.
The plot for The Return sounds promising. Elise's best friend Julie disappeared 2 years ago. No one had heard or seen her. Then one day, Julie showed up again claiming to have no memory of what happened. No one ever pressed her for answers. However, Julie isn't like she was before. She's acting much different, and the smell she gives off is terrible! What really happened to Julie during those two years she was missing?
The Return started out extremely slow. I kept reading thinking the pacing would pick up. However, it never did except for a tiny bit during the end where all the action happens, but even then, the pacing is still slow. This book really lacks any kind of action, in my opinion, and is instead more like watching three snobby and boring women on a vacation where they just stay in their hotel. I skimmed through a lot of this book waiting for something interesting to happen.
I couldn't connect to any of the characters. There is some backstory for each of the characters, but it feels forced and jagged and like it doesn't fit in very well with the book. The only semi-decent character is Elise. She's a tad bit relatable, but even she doesn't feel that realistic. She's too dependent on others especially when it comes to Julie. Putting her life in danger after finding out what really happened to Julie was just insane and didn't feel like something a real person would do. Mae and Molly were snobby rich women how seemed to not want to do much. Mae liked complaining all the time, and I don't really know what the point of Molly was.
Trigger warnings include profanity, drinking, violence, death, and murder.
Overall, The Return felt short of my expectations. The pacing was too slow, and the characters just felt too wooden. Unfortunately, I would not recommend The Return.
--
A special thank you to the publisher for providing me with an eBook of The Return by Rachel Harrison in exchange for an honest and unbiased review.)
The plot for The Return sounds promising. Elise's best friend Julie disappeared 2 years ago. No one had heard or seen her. Then one day, Julie showed up again claiming to have no memory of what happened. No one ever pressed her for answers. However, Julie isn't like she was before. She's acting much different, and the smell she gives off is terrible! What really happened to Julie during those two years she was missing?
The Return started out extremely slow. I kept reading thinking the pacing would pick up. However, it never did except for a tiny bit during the end where all the action happens, but even then, the pacing is still slow. This book really lacks any kind of action, in my opinion, and is instead more like watching three snobby and boring women on a vacation where they just stay in their hotel. I skimmed through a lot of this book waiting for something interesting to happen.
I couldn't connect to any of the characters. There is some backstory for each of the characters, but it feels forced and jagged and like it doesn't fit in very well with the book. The only semi-decent character is Elise. She's a tad bit relatable, but even she doesn't feel that realistic. She's too dependent on others especially when it comes to Julie. Putting her life in danger after finding out what really happened to Julie was just insane and didn't feel like something a real person would do. Mae and Molly were snobby rich women how seemed to not want to do much. Mae liked complaining all the time, and I don't really know what the point of Molly was.
Trigger warnings include profanity, drinking, violence, death, and murder.
Overall, The Return felt short of my expectations. The pacing was too slow, and the characters just felt too wooden. Unfortunately, I would not recommend The Return.
--
A special thank you to the publisher for providing me with an eBook of The Return by Rachel Harrison in exchange for an honest and unbiased review.)
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