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Entertainment Editor (1988 KP) created a video about Harrison’s Principles of Internal Medicine in Apps
Nov 11, 2017
Dean (6926 KP) rated Appaloosa (2008) in Movies
Feb 16, 2018
A very well assembled cast in a high quality produced western, which stars and is directed by Ed Harris. The only real problem I kept waiting for all hell to break loose and the pace to be upped a few gears and unfortunately it never really happens. If you don't mind a slower paced western you will enjoy it, if you are after more action I recommend the remake of 3:10 to Yuma.
Russ Troutt (291 KP) rated Kodachrome (2017) in Movies
Jul 6, 2019
In dying there was death, in more ways than one. And to fully develop that statement you'll need to watch what is one of my favorite movies of 2017, Kodachrome. It's as moving as it is funny, and Ed Harris, Jason Sudeikis, and Elizabeth Olsen all deliver amazing performances in what I feel for each is one of their best 'film roles'. If the movie looks out of focus by the end, it's not. That'll just be the tears in your eyes. Don't let this movie flash by, like life has a tendency to, without seeing it.
Daniel Boyd (1066 KP) rated Westworld - Season 1 in TV
Jul 28, 2017
Stellar cast (2 more)
Brilliant writing
Stunning visuals
Are We Really In Control?
This is another prime example of how we are currently living in the golden age of television. Everything about this show is great, the amazing performances, the plot twists, the incredible visuals, the pacing, the tone and the writing and direction. Hopkins is amazing, as is Thandie Newton and Ed Harris. The other performances are great as well and they all come together to make a fantastic ensemble of intriguing characters in an existential, insane world. If you are a fan of dark, morally ambiguous sci fi stories, then this is the best there is.
Matthew Krueger (10051 KP) rated Run All Night (2015) in Movies
Mar 27, 2021
Survive The Night
Run All Night- is really good film. The action, the suspense, the thrills, the drama and the drama.
The plot: Longtime hit man Jimmy Conlon (Liam Neeson), best friend of mob boss Shawn Maguire (Ed Harris), has seen better days. He's haunted both by the sins of his past and a police detective who's been breathing down his neck for 30 years, and the only comfort Jimmy has is whiskey. However, when his estranged son (Joel Kinnaman) becomes a mob target, Jimmy figures that the only way to atone for his past mistakes is to make sure that his son doesn't wind up at the wrong end of a gun.
I do recordmend watching this film.
The plot: Longtime hit man Jimmy Conlon (Liam Neeson), best friend of mob boss Shawn Maguire (Ed Harris), has seen better days. He's haunted both by the sins of his past and a police detective who's been breathing down his neck for 30 years, and the only comfort Jimmy has is whiskey. However, when his estranged son (Joel Kinnaman) becomes a mob target, Jimmy figures that the only way to atone for his past mistakes is to make sure that his son doesn't wind up at the wrong end of a gun.
I do recordmend watching this film.
Movie Metropolis (309 KP) rated Run All Night (2015) in Movies
Jun 11, 2019
Neeson at his gritty best
It’s fair to say Liam Neeson has picked some decidedly dodgy acting jobs since his rise to become an A-list Hollywood action hero. From a disappointing turn in the most recent A Team movie to the laughably bad Taken 3, he seems to have been turned from fan favourite to the butt of so many jokes.
After January’s poorly received Taken 3, Neeson returns to give the genre another go in Run All Night, but does Jaume Collet-Serra’s intriguing direction return him to the top of the food chain?
Run All Night follows the story of Neeson’s Jimmy Conlon as he does his best to keep his son Michael, played by Joel Kinnaman, away from the deadly clutches of Sean Maguire, a brutal underworld gangster portrayed by Ed Harris, after the murder of Sean’s son Danny over the course of 16 hours.
What ensues is a formulaic action thriller featuring by-the-numbers set pieces that are interspersed with some inspiring cinematography and all the actors at the top of their game.
Neeson’s Jimmy is an alcoholic former hit man, previously employed by Maguire, who has decided to move away from his shady past and become a more rounded individual. His interactions with Ed Harris’ brilliant Sean are excellent and the pair have genuine chemistry – it’s just a shame that their backstory isn’t built on a little more.
As the audience follows Jimmy and Michael evading the police, mobsters and professional hired killers, the film traces their backstory, almost using the action-packed set pieces as checkpoints for a bit more history and from a genre that rarely utilises character development, this is a welcome addition.
The cinematography is truly stunning. The sweeping shots of New York City are inspired and the use of tracking and aerial panning instead of simply fading between scenes stylises the film like no other action movie from the last few years.
There is an air of The Taking of Pelham 123 in Serra’s direction, and of course the similarities to Neeson’s Taken and Serra’s very own Non-Stop that also starred the Irish actor are obvious.
Unfortunately, all these comparisons mean that Run All Night isn’t particularly original in premise despite its unique direction. We’ve seen it all before, we saw Neeson running about and shooting bad guys in Taken, Taken 2 and Taken 3. We saw him try to get the bottom of a serious problem in Non-Stop and we saw him take on the role of a troubled alcoholic in The Grey.
Yes, after Taken 3, Run All Night showcases Neeson at his gritty best, but it’s in Ed Harris that we find the most intriguing
character and he puts everything into Sean Maguire – despite his more than familiar name.
Thankfully, Serra and the production crew steered away from creating a film that would please the masses and opted for an often brutal, yet strangely warming action thriller – along the way avoiding the pitfalls of some of Neeson’s previous efforts.
Overall, Run All Night isn’t the disaster it could have been and shows what everyone’s favourite Irish actor is capable of when given the right material to work with. Ed Harris is also on point and Jaume Collet-Serra’s direction goes above and beyond what the genre asks for.
Only an underwhelming final act and a highly unoriginal story stop it from becoming the film it so deeply wanted to be.
https://moviemetropolis.net/2015/03/15/neeson-at-his-gritty-best-run-all-night-review/
After January’s poorly received Taken 3, Neeson returns to give the genre another go in Run All Night, but does Jaume Collet-Serra’s intriguing direction return him to the top of the food chain?
Run All Night follows the story of Neeson’s Jimmy Conlon as he does his best to keep his son Michael, played by Joel Kinnaman, away from the deadly clutches of Sean Maguire, a brutal underworld gangster portrayed by Ed Harris, after the murder of Sean’s son Danny over the course of 16 hours.
What ensues is a formulaic action thriller featuring by-the-numbers set pieces that are interspersed with some inspiring cinematography and all the actors at the top of their game.
Neeson’s Jimmy is an alcoholic former hit man, previously employed by Maguire, who has decided to move away from his shady past and become a more rounded individual. His interactions with Ed Harris’ brilliant Sean are excellent and the pair have genuine chemistry – it’s just a shame that their backstory isn’t built on a little more.
As the audience follows Jimmy and Michael evading the police, mobsters and professional hired killers, the film traces their backstory, almost using the action-packed set pieces as checkpoints for a bit more history and from a genre that rarely utilises character development, this is a welcome addition.
The cinematography is truly stunning. The sweeping shots of New York City are inspired and the use of tracking and aerial panning instead of simply fading between scenes stylises the film like no other action movie from the last few years.
There is an air of The Taking of Pelham 123 in Serra’s direction, and of course the similarities to Neeson’s Taken and Serra’s very own Non-Stop that also starred the Irish actor are obvious.
Unfortunately, all these comparisons mean that Run All Night isn’t particularly original in premise despite its unique direction. We’ve seen it all before, we saw Neeson running about and shooting bad guys in Taken, Taken 2 and Taken 3. We saw him try to get the bottom of a serious problem in Non-Stop and we saw him take on the role of a troubled alcoholic in The Grey.
Yes, after Taken 3, Run All Night showcases Neeson at his gritty best, but it’s in Ed Harris that we find the most intriguing
character and he puts everything into Sean Maguire – despite his more than familiar name.
Thankfully, Serra and the production crew steered away from creating a film that would please the masses and opted for an often brutal, yet strangely warming action thriller – along the way avoiding the pitfalls of some of Neeson’s previous efforts.
Overall, Run All Night isn’t the disaster it could have been and shows what everyone’s favourite Irish actor is capable of when given the right material to work with. Ed Harris is also on point and Jaume Collet-Serra’s direction goes above and beyond what the genre asks for.
Only an underwhelming final act and a highly unoriginal story stop it from becoming the film it so deeply wanted to be.
https://moviemetropolis.net/2015/03/15/neeson-at-his-gritty-best-run-all-night-review/
Movie Metropolis (309 KP) rated The Abyss (1989) in Movies
Jun 10, 2019
James Cameron makes his second appearance on this list with 1989’s The Abyss. This terrifying film that gave countless children nightmares for months follows a civilian diving team as they are enlisted to search for a lost nuclear submarine. Unbeknownst to them, danger lurks in the deep when they encounter an alien aquatic species.
The special effects may look dated by today’s standards, but The Abyss is over 25 years old and still looks pretty darn good, even in 2019 when CGI has come on so far. Ed Harris puts in a fantastic performance and the eerie depths of the ocean are only matched by the blankness of space in modern-day sci-fi movies. Truly horrifying.
https://moviemetropolis.net/2019/06/08/films-set-at-sea-top-5/
The special effects may look dated by today’s standards, but The Abyss is over 25 years old and still looks pretty darn good, even in 2019 when CGI has come on so far. Ed Harris puts in a fantastic performance and the eerie depths of the ocean are only matched by the blankness of space in modern-day sci-fi movies. Truly horrifying.
https://moviemetropolis.net/2019/06/08/films-set-at-sea-top-5/
David McK (3422 KP) rated The Rock (1996) in Movies
Jul 12, 2023
There was a period during the late 90s, early 90s, where Nice Cage was in full action hero mode.
We're talking the likes of National Treasure, Con-Air, Face/Off. And this, his first entry in that mold from 1996.
Also starring Sean Connery in a Bind-in-all-but-name role, this sees Cage playing the part of an FBI chemical expert who has to accompany Connery and US Marines on a mission to infiltrate Alcatraz (Connery's role being as the only man to ever escape from said prison) after a group of disillusioned Marines - led by Ed Harris - seize control of the island and have chemical weapons pointing at San Francisco.
I think this may be the first Michael Bay film I ever saw; looking back on it now I can see that, even back then, it has all the hallmarks of one of his films!
We're talking the likes of National Treasure, Con-Air, Face/Off. And this, his first entry in that mold from 1996.
Also starring Sean Connery in a Bind-in-all-but-name role, this sees Cage playing the part of an FBI chemical expert who has to accompany Connery and US Marines on a mission to infiltrate Alcatraz (Connery's role being as the only man to ever escape from said prison) after a group of disillusioned Marines - led by Ed Harris - seize control of the island and have chemical weapons pointing at San Francisco.
I think this may be the first Michael Bay film I ever saw; looking back on it now I can see that, even back then, it has all the hallmarks of one of his films!
Gareth von Kallenbach (980 KP) rated Run All Night (2015) in Movies
Aug 6, 2019
Run All Night” is directed by Jaume Collet-Serra. The film stars Liam
Neeson, Joel Kinnaman and Ed Harris.
Liam Neeson plays Jimmy Conlon, an aging hit man who seems to be trying
to come to terms (and failing) with the bad things that he has done in
his life for Irish Mob boss Shawn Maguire(Ed Harris). Jimmy and his son
Mike (Joel Kinnamen) have no relationship, and Jimmy is alone in the
world except for Shawn.
In a convoluted story line, Shawns son Danny (Boyd Holbrook) tries to
“prove himself” to his father by arranging a deal with some drug running
Albanians, but since Shawn has taken his business away from dealing with
anything to do with drugs because of the people he has lost over that
sort of business, Shawn refuses the deal.
Things quickly head south, and in an even more convoluted story line,
Danny ends up dead, by Jimmys’ hand.
Shawn vows to get even, and the remainder of the movie is spent in car
chases, shoot outs, burning buildings, near escapes, and deaths.
I was pulled into the movie, and found myself caring what happened to
the main characters.
It was rather predictable, in the way that all “Mob” movies are
predictable, with the shooting and car chases etc.
What wasn’t so predictable was the amount of “caring” that Neeson was
able to project and portray and how invested he was able to make me as
an audience member. He played the part of an aging, emotionally and
physically beat down guy, with regrets about his relationship with his
son, trying against all odds to “make it right” this one last time, to
protect his family, at any cost to himself. I was pulling for him to be
able to get it done.
The one part of the movie that i didn’t like was the “swooping” with the
camera angles, when jumping (literally) from one scene or location to
the next in the movie. I found it to be dizzying and I had to close my
eyes until those parts were done.
Neeson, Joel Kinnaman and Ed Harris.
Liam Neeson plays Jimmy Conlon, an aging hit man who seems to be trying
to come to terms (and failing) with the bad things that he has done in
his life for Irish Mob boss Shawn Maguire(Ed Harris). Jimmy and his son
Mike (Joel Kinnamen) have no relationship, and Jimmy is alone in the
world except for Shawn.
In a convoluted story line, Shawns son Danny (Boyd Holbrook) tries to
“prove himself” to his father by arranging a deal with some drug running
Albanians, but since Shawn has taken his business away from dealing with
anything to do with drugs because of the people he has lost over that
sort of business, Shawn refuses the deal.
Things quickly head south, and in an even more convoluted story line,
Danny ends up dead, by Jimmys’ hand.
Shawn vows to get even, and the remainder of the movie is spent in car
chases, shoot outs, burning buildings, near escapes, and deaths.
I was pulled into the movie, and found myself caring what happened to
the main characters.
It was rather predictable, in the way that all “Mob” movies are
predictable, with the shooting and car chases etc.
What wasn’t so predictable was the amount of “caring” that Neeson was
able to project and portray and how invested he was able to make me as
an audience member. He played the part of an aging, emotionally and
physically beat down guy, with regrets about his relationship with his
son, trying against all odds to “make it right” this one last time, to
protect his family, at any cost to himself. I was pulling for him to be
able to get it done.
The one part of the movie that i didn’t like was the “swooping” with the
camera angles, when jumping (literally) from one scene or location to
the next in the movie. I found it to be dizzying and I had to close my
eyes until those parts were done.
Andy K (10821 KP) rated Glengarry Glen Ross (1992) in Movies
Jan 3, 2018
The cast (2 more)
The screenplay
The location
On paper, a film about a bunch of real estate salesman sitting around an office insulting each other and going to any length to get the customer to buy what they are selling may sound boring and uninteresting.
Let m tell you, this film is far from that and is one of my favorite films of all time. If you even put aside the stellar cast of Al Pacino, Jack Lemmon, Kevin Spacey, Ed Harris, Alan Arkin and Alec Baldwin (best role of his career), the screenplay by David Mamet (based on his play) is so full of rich, entertaining words, you can't believe what you are hearing.
Some of the battles between the salesman trying to get their sale or insulting each other after something goes awry have to be heard to be believed. The Alec Baldwin speech is really great; however, the one I always remember is the lashing Al Pacino gives Kevin Spacey when Spacey says the wrong thing.
Unbelievable!
I highly recommend as I have seen many times and enjoy even more every time.
Let m tell you, this film is far from that and is one of my favorite films of all time. If you even put aside the stellar cast of Al Pacino, Jack Lemmon, Kevin Spacey, Ed Harris, Alan Arkin and Alec Baldwin (best role of his career), the screenplay by David Mamet (based on his play) is so full of rich, entertaining words, you can't believe what you are hearing.
Some of the battles between the salesman trying to get their sale or insulting each other after something goes awry have to be heard to be believed. The Alec Baldwin speech is really great; however, the one I always remember is the lashing Al Pacino gives Kevin Spacey when Spacey says the wrong thing.
Unbelievable!
I highly recommend as I have seen many times and enjoy even more every time.