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ClareR (5608 KP) rated How It Was in Books
Nov 18, 2019
How It Was looks at the complexity of a mother/ daughter relationship, and how a mothers own childhood can affect this. Or at least it does in the case of this family.
The 1970s were a time of change for some women, but not the women in this story. Marion is the mother of two children: Sarah, 14 and Eddie, 7. She is unhappy in her life, and has been for many years. We look at her life through a series of flashbacks (and flashbacks through her daughters eyes at the same time) as she sits at the hospital bedside of her dying husband. We learn of the affairs, the terrible relationship with her daughter, and the catastrophic accident that cost the family far more than just a child (although this was quite traumatic enough).
I found it very difficult to empathise with Marion, she’s not a likeable character. She seems self absorbed, I didn’t like how she felt about her daughter (it’s as though she feels repulsed by her), and how she speaks to everyone is simply rude. To me, it seemed to be a mixture of boredom, depression, selfishness and desperation that drove Marion’s actions. Michael, her husband, is endlessly patient, perhaps scared that she will leave him. He puts up with some terrible behaviour from Marion. I really wanted him to stand up for himself.
It doesn’t sound like it, I know, but I really liked this book. It’s a book with a thoroughly unpleasant main character (in fact she’s not on her own on that score - watch out for Adrian!) and they do make for interesting story lines!
This is the first book I’ve read by Janet Ellis, and I will be looking for more.
Many thanks to NetGalley and Two Roads for my copy of this book.
The 1970s were a time of change for some women, but not the women in this story. Marion is the mother of two children: Sarah, 14 and Eddie, 7. She is unhappy in her life, and has been for many years. We look at her life through a series of flashbacks (and flashbacks through her daughters eyes at the same time) as she sits at the hospital bedside of her dying husband. We learn of the affairs, the terrible relationship with her daughter, and the catastrophic accident that cost the family far more than just a child (although this was quite traumatic enough).
I found it very difficult to empathise with Marion, she’s not a likeable character. She seems self absorbed, I didn’t like how she felt about her daughter (it’s as though she feels repulsed by her), and how she speaks to everyone is simply rude. To me, it seemed to be a mixture of boredom, depression, selfishness and desperation that drove Marion’s actions. Michael, her husband, is endlessly patient, perhaps scared that she will leave him. He puts up with some terrible behaviour from Marion. I really wanted him to stand up for himself.
It doesn’t sound like it, I know, but I really liked this book. It’s a book with a thoroughly unpleasant main character (in fact she’s not on her own on that score - watch out for Adrian!) and they do make for interesting story lines!
This is the first book I’ve read by Janet Ellis, and I will be looking for more.
Many thanks to NetGalley and Two Roads for my copy of this book.
Milligan's Meaning of Life: An Autobiography of Sorts
Book
Milligan's Meaning of Life is a glorious celebration of the legendary Spike Milligan. Here you will...
Hip Hop Raised Me
D.J. Semtex and D. Chuck
Book
Hip Hop Raised Me[registered] is the definitive volume on the essence, experience and energy that is...
Adolf Hitler: My Part in His Downfall
7.7
Rate It
Book
Adolf Hitler: My Part on His Downfall is volume One of Spike Milligan's outrageous, hilarious,...
Kirk Bage (1775 KP) rated Alphaville (1965) in Movies
Jan 28, 2021
This is one of the best bad films I have ever seen. It looks cheap (at one point the camera-man is clearly entirely visible in a mirror), the story is preposterous, the dialogue is insane, the characters behave like no one in reality ever, and it is sci-fi in name only, as no attempt whatsoever has been made to stretch the budget to anything remotely futuristic – and yet, I loved it! Perhaps it reminded me of Blake’s 7 and Doctor Who, and therefore my happy childhood relationship with cheap sci-fi? Or it could have been that there are so many essential ideas and tropes that exist in my favourite big budget sci-fi films, such as Blade Runner (for which it is an obvious influence), that it felt familiar and friendly from the start. Part hard boiled detective story and part pulp fiction fantasy, as with most Godard, I am discovering, it is all about mood and chic, not remotely about the plot.
Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.
Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.
Matthew Krueger (10051 KP) rated Tower of London (1962) in Movies
Dec 20, 2020
Haunted Memories
Did you know that Vincent Price appeared in the 1939 version of "Tower of London" with Boris Karloff and Basil Rathbone. I thought that was intresting. Anyways this version adds the horror element to it mixed with historical drama and it does a good job. The drama added with the horror combines well.
The plot: In 15th-century England, Richard III (Vincent Price) desperately wants the throne, but his ailing brother, King Edward IV (Justice Watson), instead bestows it upon his other sibling, Clarence (Richard McCauly). This sends Richard into a homicidal rage, resulting in Clarence's murder and the deaths and torture of many others who could keep the crown from the crazed man. But as the mayhem continues, Richard's sanity slips, and the ghosts of the murdered men begin to haunt the beleaguered royal.
Aside from the historical setting, the movie is not connected to the 1939 film of the same name, starring Price, Basil Rathbone and Boris Karloff.
The movie was meant to be the first of a three-picture contract between Corman and Small. Corman later called the movie:
"The most foolish thing I’ve ever filmed. Every night he [Small] would come to see me or call me. The script was changed, reworked without my consent. Lots of strange things were happening all the time, and finally I asked him to tear up our contract. He realized he wouldn’t get anything worthwhile out of me and tore it up. I have nothing against Eddie Small. He’s an old man who had lots of success during the thirties, and who doesn’t know that times have changed".
I thought it was a really good film.
The plot: In 15th-century England, Richard III (Vincent Price) desperately wants the throne, but his ailing brother, King Edward IV (Justice Watson), instead bestows it upon his other sibling, Clarence (Richard McCauly). This sends Richard into a homicidal rage, resulting in Clarence's murder and the deaths and torture of many others who could keep the crown from the crazed man. But as the mayhem continues, Richard's sanity slips, and the ghosts of the murdered men begin to haunt the beleaguered royal.
Aside from the historical setting, the movie is not connected to the 1939 film of the same name, starring Price, Basil Rathbone and Boris Karloff.
The movie was meant to be the first of a three-picture contract between Corman and Small. Corman later called the movie:
"The most foolish thing I’ve ever filmed. Every night he [Small] would come to see me or call me. The script was changed, reworked without my consent. Lots of strange things were happening all the time, and finally I asked him to tear up our contract. He realized he wouldn’t get anything worthwhile out of me and tore it up. I have nothing against Eddie Small. He’s an old man who had lots of success during the thirties, and who doesn’t know that times have changed".
I thought it was a really good film.
Emma @ The Movies (1786 KP) rated White Boy Rick (2018) in Movies
Sep 25, 2019
I'm in that bizarre situation again where I've just seen a film that I couldn't actually find a flaw in but it's getting a low rating because it really wasn't my sort of thing.
The cast did a great job, I couldn't fault any of them, even Eddie Marsan who I've become increasingly wary about since he's started popping up all over the place. Richie Merritt as Ricky gave such a great performance. Just the right amount of teenage attitude. His interactions with the police and agents really hit the right spot.
The film has such amazing accuracy on all the "period" items, and the general feel over the whole film really nails that era. Nothing felt out of place at all, every camera angle worked, every bit of scenery. It isn't often I think that about a film.
It baffles my mind a little to think that this isn't a made up story. It really is a shame that this isn't my sort of film. While it definitely had some interesting moments and a fairly strong, if rocky, family theme running through it, if you aren't engaging with it then it does feel a little drawn out. As I said, it's a well made film and brought to the screen incredibly well but it's definitely not made for me.
What you should do
If you're into true stories then this one might appeal to you. My score says don't watch it, but my brain is saying do. It is a good film, and if the subject matter appeals then I think you'll appreciate it a lot more than I was able to.
Movie thing you wish you could take home
I've got a shoe box under my bed, if it could be full of money the next time I check that would be great.
The cast did a great job, I couldn't fault any of them, even Eddie Marsan who I've become increasingly wary about since he's started popping up all over the place. Richie Merritt as Ricky gave such a great performance. Just the right amount of teenage attitude. His interactions with the police and agents really hit the right spot.
The film has such amazing accuracy on all the "period" items, and the general feel over the whole film really nails that era. Nothing felt out of place at all, every camera angle worked, every bit of scenery. It isn't often I think that about a film.
It baffles my mind a little to think that this isn't a made up story. It really is a shame that this isn't my sort of film. While it definitely had some interesting moments and a fairly strong, if rocky, family theme running through it, if you aren't engaging with it then it does feel a little drawn out. As I said, it's a well made film and brought to the screen incredibly well but it's definitely not made for me.
What you should do
If you're into true stories then this one might appeal to you. My score says don't watch it, but my brain is saying do. It is a good film, and if the subject matter appeals then I think you'll appreciate it a lot more than I was able to.
Movie thing you wish you could take home
I've got a shoe box under my bed, if it could be full of money the next time I check that would be great.
The Index of Self-Destructive Acts
Book
On the day Sam Waxworth arrives in New York to write for the Interviewer, a street-corner preacher...
These Shallow Graves
8.0
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Book
From Jennifer Donnelly, the critically acclaimed New York Times bestselling author of A Northern...