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Sarah (7798 KP) rated Venom (2018) in Movies

Nov 1, 2018  
Venom (2018)
Venom (2018)
2018 | Action, Sci-Fi
Much better than expected
Considering some of the terrible critics reviews for this I was expecting it to be horrendous, but for the most part it was actually quite enjoyable.

Tom Hardy makes this film. He is fantastic as Eddie Brock and Venom, even if he does go a little ott cringey in parts. He really injects some much needed humour and likeability into this film, without him this really would have been terrible. Some of the CGI is patchy in parts and the final fight scene is overwhelming due to the sheer amount of CGI going on. There's some dodgy editing and an even dodgier script, and the ending feels rather rushed. Riz Ahmed is a great actor but vastly underused, and to echo every other reviews Michelle Williams is absolutely awful. She contributed nothing other than major irritation for the entire film.

I'm not a massive comic person but do recall Venom from comics and some of the earlier Spiderman cartoons, and I'm actually fairly impressed with this origin story and how Venom has been portrayed. Let's face it, they couldn't get much worse than what came out in Spiderman 3. Whilst this film has a lot of faults, it's still very entertaining.

I do wish they'd given this a proper Marvel film though. It already comes across as quite dark, and I think this could've been fantastic had they given it a Deadpool type makeover.
  
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Joe Elliott recommended Clash by The Clash in Music (curated)

 
Clash by The Clash
Clash by The Clash
1977 | Rock
8.6 (5 Ratings)
Album Favorite

"1977. I'm a sixteen-year-old kid and glam rock has died. Disco has come in but this saved my life. Lennon once said to Bowie that glam rock was just 'rock & roll with lipstck' and if that's the case then punk was glam without the musicianship. It certainly wasn't disco and it sure as fuck wasn't overblown proggy stuff. They blew Yes and Genesis and all that stuff out of the water. They took us back to the three minute pop song. Punk songs were short and sweet. That first Clash record was amazing. There was a huge amount of melody on that record that nobody ever takes any notice of. Mick Jones was a huge Mott the Hoople fan - he was a member of the Sea Divers [the Mott fan club] and used to follow them around the country. 'Janie Jones' is brilliant; their version of 'I Fought The Law' is just outstanding, the best ever recorded. They might have written better songs on London Calling but, as an album, this was a breath of fresh air amongst the 70s stuff. I was still playing Diamond Dogs and Ziggy but this was like a newer version. When punk started kicking off it was brilliant, because they all came to Sheffield - more so than the glam bands. I could actually go and see them. I saw the Clash, the Ramones, Slaughter and the Dogs, Eddie and the Hotrods, Dr Feelgood - that whole intersection with pub rock. It was a lifesaver."

Source
  
A Proclivity to Prurience by Cheryl Butler captures a world full of family drama and unexpected events surrounding the lives of Abbie, her son Eddie, and his friend, Joe. Yet, it is also very evocative; some may even class this as erotica, although, I’d say it’s actually much more than that, in both theme and the way it is written. I just knew I was going to get something different with a book titled “A Proclivity to Prurience.”

From a very early age, Joe has had a thing about his best friend’s mum Abbie. After the loss of his own mother and being removed from his abusive father, Joe goes to live with Eddie under Abbie’s watchful eye. However, as Joe grows older his obsession for Abbie (and not being able to have her) develops into a promiscuous lifestyle and a hatred for long term relationships. So much so, his love life is just a string of one night stands with anyone who will have him. And if they don’t want him? He’ll make damn sure they do… sometimes to the point where he almost forces them. He’s a game player and proud of it.

Years later, Abbie and Joe finally get it together one night, and Joe is seriously contemplating settling down with her, but it is not a happy beginning for them. That same night, there’s a fatality which turns both their lives around in a blink of an eye and to Joe’s horror, Abbie ups and leaves. For Joe, Abbie’s “mistreatment” of him is not something he can handle well. He’s always been the one to end relationships before they even start, not the other way around! Plus this is Abbie; the woman he’s been obsessing about all these years. How could she do this to him?

This book is full of characters living their lives as they think they know best, and of course, mistakes are made, and plenty of drama unfolds along the way. I felt sorry for Joe, and his inability to hold down relationships. There were even times I didn’t like his character much, but thanks to Cheryl Butler’s articulate writing style – the discoveries I found as her characters revealed their backstories through their thoughts and feelings – provided a deeper insight to better understand why some characters behaved how they did.

That said, it was a compelling, and passionate story with intriguing characters and an ending that was left open for more to come. I cannot wait to see what happens next because it’s clearly not finished yet. An intelligent and provocative read.
  
SE
Sinister Entity
8
8.0 (1 Ratings)
Book Rating
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).


I had been craving a good ghost story, so when Sarah from Fae Books recommended Sinister Entity by Hunter Shea, I bought it on Amazon right afterwards. I'm glad I did because it was a fantastic read!

(Now I've read that most readers of review blogs don't like when a blog basically says again what a book is about, so I'm just going to give you a little bit more about what the book is about since it's not just about a doppelganger.) Jessica and Eddie are ghost hunters both with unique abilities. When they get a call from the Leigh family saying that they are seeing their daughter's double, Eddie and Jessica jump at the chance to help. However, the doppelganger is the least of the Leigh's problem. A more sinister force has set its sight on their 16 year old daughter. She is in more danger than anyone could have imagined.

Anything that has the word "entity" in it, I'm loving. I'm a sucker for ghost stories so the title definitely got my attention.

The cover conveys that it's going to be a scary story, but I think the cover could've been a little bit better. I would've liked to see a picture of Selena (the Leigh's daughter) and her doppelganger in a scary setting or something similar.

The world building was done rather well. I've been a part of a ghost hunting team, so I was more critical one it came to that aspect. However, Shea didn't disappoint. Not once did it feel as if the whole scary entity thing was over the top. I can't fault the world building at all. The whole normal family in suburbia thing feels natural and not pushed upon the reader.

The pacing at the beginning was a little slow. I felt that, at the beginning, it was too much info dumping. The book starts off with Jessica investigating another house. I felt like we didn't really need to read about that. The fact that she was a ghost hunter which we are told in the beginning was good enough. Also, we are also introduced to Eddie's special abilities in a university research type setting. I felt like this was a bit overkill. Just let Eddie explain his special abilities throughout the story instead of dumping them on us in the beginning. Saying that, the pacing picked up after the info dump at the beginning. I couldn't put the book down after that. The story continues to flow smoothly throughout the rest of the book.

Even though the plot in this type of story has been done before, I still enjoyed it. I love the doppelganger spin on this type of classic ghost story. I also must mention the plot reminded me of the stories of the late great Richard Laymon. (If you don't know who he is, look him up, and then read some of his novels). I also enjoyed the fact that the plot didn't really have any romance in it which was refreshing.

I enjoyed each of the characters even the sinister entity and Selena's doppelganger. I felt that each character was written exceptionally well. I especially enjoyed how strong of a character Jessica was. I never felt like she was inferior to Eddie just because she is a female. Both characters were just as strong as each other. As for Selena, I could actually feel her fear. I love how the author actually made her come across as a teenage girl. The way Selena acted and spoke were exactly what I imagined someone of her age doing/saying. I felt sorry for Selena throughout most of the book due to what was happening to her. I enjoyed the scenes with her doppelganger immensely, and I never expected the twist to happen. I even enjoyed how evilly the sinister entity was written.

The dialogue was really fun to read as it left me feeling a little bit afraid for everyone in the book. Not once did the dialogue between the characters feel forced. Like the pacing, the dialogue was smooth. As for the language, there are a few bad words when it comes to female and male anatomy, so just be warned if you're not big on that.

Overall, Sinister Entity by Hunter Shea is a very good and spooky ghost story. It has a classic ghost story feel which I enjoyed thoroughly.

I'd recommend this book to all fans of horror aged 17+ due to language used and themes throughout.
  
The Ice Age Adventures of Buck Wild (2022)
The Ice Age Adventures of Buck Wild (2022)
2022 | Adventure, Animation, Comedy
The mimicking raptor (1 more)
The, "power of our spleens," line of dialogue.
Horrendously ugly animation. (2 more)
A terribly boring screenplay.
Humor that is so painfully unfunny.
The Ice Age Adventures of Buck Wild is the first Disney produced film of the franchise and the first Ice Age film to go directly to streaming. None of the original cast members return other than Simon Pegg as Buck Wild. Scrat is nowhere to be found and the animation is a noticeable downgrade. This project began with the intention of being a new Ice Age TV series, but was then repurposed into an 81-minute feature-length film.

Crash and Eddie (now voiced by Vincent Tong and Aaron Harris) have gotten the itch to branch out on their own. Being a part of the herd with Manny, Diego, Sid, and Ellie has finally reached a boiling point. After ruining a summer getaway with an ice-alanche, Manny encourages Crash and Eddie to go off on their own adventure. He never thought the death portraying duo would take his words to heart.

The possums venture back deep below the ice and back to The Lost World where they are reunited with Buck Wild (Pegg). However, their reunion is bittersweet as a big-headed and big-brained Protoceratops named Orson (Utkarsh Ambudkar, Free Guy) has just returned from exile where he intends to use his raptor henchmen to rule over every living mammal.

This new Ice Age film is animated by Canadian animation company Bardel Entertainment. Other CGI related works Bardel has had a hand in producing include Angry Birds Blues, Teenage Mutant Ninja Turtles (2012), All Hail King Julien, The Adventures of Puss in Boots, and the Monsters vs. Aliens TV series. The animation in Adventures of Buck Wild is incredibly ugly. Scenery and background characters are minimally detailed and look like poorly colored blobs with a limited color palette.

The film has a very direct-to-video ambiance to it. It’s kind of like watching Reboot or Beast Wars: Transformers today, but what those series lack in animation they make up for with exceptional writing. The Adventures of Buck Wild mostly feels like Disney’s quick attempt at a cash grab after dissolving Blue Sky Studios in 2021. The animation is a bit better when it comes to close-ups of characters as strands of hair have more detail. It still doesn’t help the horrendous character design. Orson is basically the dinosaur version of Yosemite Sam while his raptors look like Wheelie from Transformers: Revenge of the Fallen.

Directed by John C. Donkin (producer of the first three Ice Age films, Rio and Rio 2, and Robots) and written by Ray DeLaurentis (Fairly Oddparents), Jim Hecht (Ice Age: The Meltdown), and William Schifrin (Quest for Camelot), Adventures of Buck Wild has stale writing that has a few noteworthy moments. Most of the attempts at humor are met with eyerolling, severe facepalms, or shaking your head with disgust. The raptor that copies everything Orson does may be the best comedic relief the films has and the, “Power of spleens,” bit is easily the best line of dialogue.

Buck Wild is a seriously bizarre character though. He formed his own team and inadvertently destroyed it since he last met Crash and Eddie. Being alone has obviously taken its toll on him. He now talks to his left hand in a silly voice and has a pumpkin daughter that is babysat by a cucumber. Zee, a former team member and ex-best friend of Buck, is a zorilla/striped polecat. She looks like a raccoon, but is super agile and can spray like a skunk. Her and Buck are incredibly similar other than the fact that Buck likes to rush into battle without any sort of preparation whereas Zee likes to train and plan before facing an enemy.

It would have been so incredibly satisfying if Disney had debuted an Ice Age film with solid animation, laugh out loud humor, a well-written story, and likeable or even downright despicable characters. Having those elements would have at least given fans of the franchise thus far that Disney had a vision of where to take Ice Age in the foreseeable future. Instead we get this lackluster dud of a film that is boring to look at and is mostly massively unfunny while making most of the characters – old and new – forgettable. When Zee first meets Crash and Eddie, Buck says something along the lines of, “What they lack in courage they make up for with bumbling ineptitude.” That is all The Adventures of Buck Wild is; an unnecessary animated excursion into bumbling ineptitude.
  
American Pie 2 (2001)
American Pie 2 (2001)
2001 | Comedy
9
6.8 (10 Ratings)
Movie Rating
Story: With the boys back together after their first year at college, they spend the summer in a Lake house partying every night. Showing the next step each character has or in some cases has not taken. The story reflects real life, which I think adds something to make this the best in the series. (9/10)

Cast: Jason Biggs as Jim –The loveable loser is back getting himself into trouble again. Starting when his parents walk in on him again, there is also an unfortunate event with some glue. Hasn’t really grown up as much as he would have liked to and is still waiting for a chance with Nadia (Elizabeth). (9/10)

Thomas Ian Nicholas as Kevin – Again comes up with the plan that involves everyone going to the lake for the summer. Only problem is he is still waiting for Vicki (Reid) and hasn’t taken the next step, which he thought he would have done. Sort of the more serious character of the group makes him less interesting on the comedy side of the story. (8/10)

 

Seann William Scott as Stifler – Loud, Rude, Outrageous but we love him, Hasn’t grown up at all Still putting everyone down with one liners and has a new grudge with Finch after the Prom the year before. Stifler has become one of the funniest characters ever created. Star Performance (9/10)

 

Eddie Kaye Thomas as Finch – More cultured more grown up and wiser still waiting for his goddess Stifler’s Mum. Doing Tantra all the way through adds some very comical moments for him. (8/10)

 

Chris Klein as Oz – With his girlfriend Heather (Suvari) going away to Europe for the summer Oz joins the guys. The most grown up of the guys now. (8/10)

 

Eugene Levy as Jim’s Dad –Only because of his speeches are the funniest thing in the whole film because they are always in the most awkward moments. Favourite Character (9/10)

 

Comedy: Another great instalment of comedy though I think the story is better than the original I feel the overall comedy isn’t as funny but still very funny as the scenarios created are way funnier. (9/10)

 

Music: Even better soundtrack than the original (10/10)

 

Suggestion: Out of all the American Pie films this is the one I would suggest to anyone to watch as I feel it is the best. (10/10)

 

Best Part: The lesbian radio scene

 

Favourite Quote: Jim’s Dad ‘I think I bring a new meaning to the word cool’

 

Similar Too: Old School, Road Trip

 

Overall: With the better story moments and some very funny moments, this is another must watch comedy that will leave you in stitches once it’s all over. With the best moments of life after college before you start going into the big world.

https://moviesreview101.com/2012/04/04/american-pie-2-2001/
  
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Kurt Vile recommended Good Old Boys by Randy Newman in Music (curated)

 
Good Old Boys by Randy Newman
Good Old Boys by Randy Newman
1974 | Singer-Songwriter
7.0 (1 Ratings)
Album Favorite

"And then after that I got into Good Old Boys, which is a more refined thing, and at first I was like, no, I like Sail Away better, but Good Old Boys: he'll be singing like a love song, like a song like 'Marie', best love song ever, but then if you listen close, he's like, ""I love you the first time I saw you, and I will always love you Marie"". And then you realise, y'know, ""I don't listen to a word you say, when you're in trouble I just turn away"". You realise it's a love song from an asshole, a Southern asshole basically! There's another song on there, called 'Guilty', and that killed me. You've got to listen to the lyrics on that song. He starts out: ""Yes, baby, I been drinking, and I shouldn't come by I know, but I found myself in trouble, and I had nowhere else to go"", but then the production's amazing, it just kicks in with the drums and he's like: ""Got some whisky from the barman, got some cocaine from a friend"", and then it builds up and builds up, he's talking to his girlfriend. He's obviously a shit and he's shown up drunk at her doorway, and the punchline at the end is: ""You know I just can't stand myself and it takes a whole lot of medicine for me to pretend that I'm somebody else."" It's incredible! He always mocked the singer-songwriter thing, even though he was inspired by it. I say that in his moments like 'Guilty' and 'Marie', he says it better than Bob Dylan or anybody, or even Neil Young; obviously they're still talented at being real, they're both clever, they can put you on psychedelically any time they want and say [their lyrics] mean something or not and give a very cool response - not too cool, they can just answer any way they want, just be immortal. But Randy Newman has the concise moment that hits you in the gut; sometimes, I think, he's nailed it better than Bob Dylan. I totally think it's important to have humour in records. That's my personality anyway, but that's the best thing you can do, really. Because I was sometimes sad or melancholy, but I think the people that just ran that home, like in the grunge era, fucking like Smashing Pumpkins - I liked them when I was a kid - or even Eddie Vedder - no offence on them really, but at the same time they're victims of thinking there was this movement, like in the '70s, that there was this utopian dream that they'd change the world, like Crosby or something. But it's too one-sided after a while. Like fucking darkness in grunge - I don't know, no relief whatsoever? It's bullshit, it's too one-sided, it's not the way life is: life isn't that fucked, but it is. I just think that people, when they get too dramatic, it comes off like a bummer."

Source
  
Tower Heist (2011)
Tower Heist (2011)
2011 | Action, Comedy, Drama
9
6.7 (11 Ratings)
Movie Rating
In the movie Tower Heist, the employees of The Tower, a ritzy high-rise condominium in New York City, fall victim to a Ponzi scheme and lose their 401(k). Now normally there wouldn’t be anything they could do about it but Arthur Shaw (Alan Alda), the one behind the Ponzi scheme, is one of the residents at The Tower.

Josh Kovacs (Ben Stiller), former general anager of The Tower, has an idea to steal the defrauded employees’ money back, but he needs help with his grand scheme. Josh brings in his brother-in-law Cole Howard (Casey Affleck) and Rick Malloy (Michael Pena). Both are former employees and as such have a score to settle. Josh also enlists the help of Odessa Montero (Gabourey Sidibe) who is currently a maid at the Tower and Chase Fitzhugh (Matthew Broderick), a former resident.

While eager to do what they believe is right, the group does not have a background in crime, so Josh brings in Slide (Eddie Murphy), a thief from his neighborhood that he has known since childhood. Will this band of merry men and woman be successful and save the day Robin Hood-style or will they run afoul of FBI Agent Claire Denham (Tea Leoni)?

The film has a very entertaining story that unfolds beautifully and a better cast would be impossible to find. Now with that said, there were some parts in the movie that were distracting to me because I could not suspend my disbelief that far, however, I can’t say what they are due to the fact that I do not want to spoil any scenes for you.

Eddie Murphy did an amazing job of keeping his character realistic and at the same time unbelievably funny. Without a doubt every scene Murphy is in is golden. Not only did Alan Alda’s character get arrested for stealing people’s money but he almost stole the show. And even though every fiber of my being wanted to dislike his character, who is an arrogant, self-righteous, demeaning jerk; Alda portrayed him in such a way that I was actually sort of hoping that the character would get away with it. Now I know all you Benheads out there are asking “What about Ben Stiller?” You all will be happy to know that he was great, he was definitely the humorous glue that held the movie together. Matthew Broderick, Michael Pena and Casey Affleck were all very entertaining though at times Casey gets drowned out by the others. Last but certainly not least Gabourey Sidibe and Tea Leoni were both great and incredibly funny however they did not get anywhere near as much screen time as I would have liked.
  
Venom (2018)
Venom (2018)
2018 | Action, Sci-Fi
I went into the screen with wildly low expectations for Venom, nothing in the trailer had me on the edge of my seat. In the run up to me going there were more and more reviews appearing saying that it was bad, not that I read any of them. So many people just felt the need to put it right in the title... yes, yes, but much more obvious than mine!!

But you know what? It wasn't bad. That's not to say it was good, but it wasn't bad. I didn't laugh anywhere near as much as everyone else did, but it did have some funny bits in it. I'm sorry though, "blowing like a turd in the wind"? Not funny. Wasn't funny in the trailer, not funny in the film.

Full disclosure, I've booked to see this again. Not because I enjoyed it so much but because the people who were watching it in the screen with me were the noisiest people on the planet.

I understand that they couldn't accurately do Venom's origin story as it invilves Spider-man but I'm not sure how I felt about this version of events. Also, if a super nerd out there could help me out... I thought that Venom was the name for the combined host and symbiote, but in the film the symbiote is called Venom... which way is correct?

There are some great bits between Eddie and Venom. Venom obviously thinks Eddie is a bit of a wimp and doesn't mind pointing it out. He's embarrassed by him putting his hands up in surrender and by him being unwilling to jump out of an upper floor window. Both bring amusing exchanges.

When we see the duo fighting and evading the tac team in the early part of the film all I could think was how reminiscent of Upgrade it was when he was being controlled by Venom. I also got flashes of other Marvel offerings, specifically Hulk. Venom tossing people around by their feet, then witnessing him fight Riot gave me flashbacks of Hulk and The Abomination. The latter was a lot easier to watch than the fight between this new pair though. It was way too chaotic, and almost impossible to figure out exactly what was happening.

In general I'm not a fan of the CGI symbiotes, they look a lot more cartoony and feel slightly unfinished, like there's a layer missing to make them more realistic. I also wasn't overly keen on much of the acting, I found Tom Hardy to be lacking and didn't find Eddie Brock to be very dynamic for an investigative journalist.

The first of the credit scenes lines us up with a potential sequel with a quick appearence by Woody Harrelson as Cletus Kasady who historically was the original host for Carnage. Harrelson has grown on me immensely in recent years with his acting and it would be a shame not to see him given this serial killers' role in the Universe... but with a film that feels like it fits more in the Maguire era of Spider-man movies I personally can't see a sequel from Venom doing him justice.

The second credit scene felt a little like a cheat to me as it wasn't anything to do with the film. It was entertaining despite that though. A little lighthearted humour but it felt completely out of place, it was much more like a short you would watch before the main event. Perhaps it would have been better as a "feature length" trailer than a credit scene.

What should you do?

You should probably see it. In my opinion it doesn't compare to any of the other "super" movies, and he isn't going to become my favourite anti-hero, but it is a reasonable diversion and the humour that's there isn't that bad.

Movie thing you wish you could take home

If I could have a symbiote that won't kill be and wouldn't look so crazy then I think I'd probably see where it took me.
  
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Bob Mann (459 KP) rated Venom (2018) in Movies

Sep 28, 2021  
Venom (2018)
Venom (2018)
2018 | Action, Sci-Fi
A film that leaves you in two minds.
After all the terrible reviews of this movie (“The Times” reviewer described it as “excreble” which is harsh indeed) I was steeling myself to reach for my 1* rating. I was happy to find that it wasn’t quite as bad as I was expecting it to be. Indeed parts of it were positively good fun.

The plot
Tom Hardy plays Eddie Brock, a San Franciscan investigative reporter who is engaged to hot-shot lawyer Anne Weying (Michelle WIlliams). Brock is a bit of a maverick and always tends to push things a bit far, both at work and at home. Brock targets for his latest investigation Carlton Drake (Riz Ahmed): a billionaire space pioneer (I hope the producers got WELL lawyered up!) Drake is a Bond-style megalomaniac who is intend on saving mankind by merging humans with aliens to create a symbiotic organism. Not wishing to go through all the nampy-pamby clinical trials stuff, he is doing live research on vagrants and others who “won’t be missed”… with generally negative results. Infected accidently with the symbiont called Venom Brock’s future hangs in the balance: the meld will either kill him or else a new superhero will be born. (No guessing which!)

Review
For anyone with one foot already in the Spiderverse, Eddie Brock and his alter-ego Venom have appeared before, in the convoluted and pretty poor Tobey Maguire sequel “Spider-Man 3”. In that film Eddie (played by Topher Grace) was the boyfriend of Gwen Stacey (then played by Bryce Dallas-Howard) who was similarly infected by an alien symbiote and was transformed into Venom.

This new Venom incarnation is a Sony Pictures production “with” Marvel Studios, and although featuring a Stan Lee cameo it never quite feels like a Marvel picture. Posher critics have described it as “tonally inconsistent”…. which is posh-critic language for “it’s fecking all over the place”! And they are right. It veers suddenly from high drama and sci-fi action to plodding dialogue and Deadpool-style wisecracks with clutch-smoking rapidity. As such, the film never feels like it’s decided whether it wants to be at the po-faced Captain America end of the Marvel specturn or at the wise-cracking Deadpool/GotG end.

The Turns
Tom Hardy actually gets to spend a lot of this film without a mask over his face, which is certainly a novelty! And he gives it his all acting wise which will please his army of fans. But his pairing with the Oscar-winning Michelle Williams never feels comfortable: there seems little chemistry between the pair given that they are an “item”. None of this is helped by the grindingly turgid script which gives the pair, plus Reid Scott (“Dan” from “Veep”) as the third corner in the love triangle, some truly dire dialogue to spout at each other.

An act I did like in the film was Riz Ahmed as the “really bad guy” Drake. I found Ahmed extremely annoying in “Rogue One”, but here he slides into the smarmy evil role perfectly. A better script, like a future Bond film, would have benefitted from the turn!

Woody Harrelson also turns up in a mid-credit “monkey” as the supervillain Cletus Kasady, which meant nothing to me but certainly does to comic-book fans. (By the way, there is no “monkey” at the end of the film, but there is a 6 minute clip from the upcoming “Into the Spider Verse” cartoon feature tacked onto the end – at least of this Cineworld showing – which may or may not interest you).

A technical shout-out should go to Swedish composer Ludwig Göransson (who’s previously done “Black Panther” and “Creed”): an unusual soundtrack with odd electronica, eerie electric-guitar riffs for Eddie’s theme interspersed with exciting fast-paced action beats.

Final Thoughts
I must admit that from starting with a cynical “don’t want to know” approach to the Marvel Universe, the damn thing is slowly wearing me down into being kind of intrigued with what they are going to do next. This is not a classic Marvel flick, but for me it wasn’t nearly as bad as some of the critical reviews have made it out to be. I saw this alone: and we were quite entertained.