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The Locked-Room Mysteries
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The purest kind of detective story involves a crime solved by observation and deduction, rather than...
The Bipolar Addict
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The Bipolar Addict: Drinks, Drugs, Delirium & Why Sober Is the New Cool provides an insider’s look...
Matthew Krueger (10051 KP) rated The Tomb of Ligeia (1965) in Movies
Dec 13, 2020
Cat!!!!!
The Tomb of Ligeia- is anethor Roger Corman, Vincent Price and Edgar Allan Poe Collab.
The plot: Verden Fell (Vincent Price) is shattered after the death of his lovely wife. But, after an unexpected encounter with Lady Rowena Trevanion (Elizabeth Shepherd), Fell soon finds himself married again. Nevertheless, his late wife's spirit seems to hang over the dilapidated abbey that Fell shares with his new bride. Lady Rowena senses that something is amiss and, when she investigates, makes a horrifying discovery -- learning that Fell's dead wife is closer than she ever imagined possible.
Corman later gave Martin Scorsese permission to use a clip from the film in Mean Streets.
Roger Corman later said he thought the film was "one of the best Poe pictures and Vincent's performance in the film was very good. It was simply a matter of age."
Its a really good movie.
The plot: Verden Fell (Vincent Price) is shattered after the death of his lovely wife. But, after an unexpected encounter with Lady Rowena Trevanion (Elizabeth Shepherd), Fell soon finds himself married again. Nevertheless, his late wife's spirit seems to hang over the dilapidated abbey that Fell shares with his new bride. Lady Rowena senses that something is amiss and, when she investigates, makes a horrifying discovery -- learning that Fell's dead wife is closer than she ever imagined possible.
Corman later gave Martin Scorsese permission to use a clip from the film in Mean Streets.
Roger Corman later said he thought the film was "one of the best Poe pictures and Vincent's performance in the film was very good. It was simply a matter of age."
Its a really good movie.
Connor Sheffield (293 KP) rated Edgar Allan Poe Complete Tales and Poems in Books
May 15, 2017
A genius of the horror and macabre genre (2 more)
A true inspiration (personal opinion)
Tense and horrifying writing
Quoth the Raven, Nevermore
If you have read my reviews on the film 'The Raven' and the TV series 'The Following' the you have already read about how I adore Edgar Allan Poe and how he is my biggest inspiration in writing, especially of my Gothic Horror poems.
The poems he has written are chilling, enjoyable and indeed are works of a genius, that some at the time, maybe even still to this day, would call the writings of a mad man. The life of Poe is one filled with tragedy and bewilderment, and he has inspired so many writers across all mediums over the years, and is one of the most famous writers known to man. Almost everyone I have ever met knows, at the very least, the line of 'Quote the Raven, Nevermore' and this is just one of the staples that this man has left throughout history.
His short stories aren't all horror, same as his poems, but it has to be said that his Horror fiction is certainly his best. Though I have not yet read all of his short stories, or even half, the one's that I have read have given me a clear idea that whilst his work remains interesting to read, his horror is by far the most entertaining and thrilling.
Edgar Allan Poe will always remain my biggest inspiration for my writing, and I hope to one day have a collection of writings, that are just as loved as his.
The poems he has written are chilling, enjoyable and indeed are works of a genius, that some at the time, maybe even still to this day, would call the writings of a mad man. The life of Poe is one filled with tragedy and bewilderment, and he has inspired so many writers across all mediums over the years, and is one of the most famous writers known to man. Almost everyone I have ever met knows, at the very least, the line of 'Quote the Raven, Nevermore' and this is just one of the staples that this man has left throughout history.
His short stories aren't all horror, same as his poems, but it has to be said that his Horror fiction is certainly his best. Though I have not yet read all of his short stories, or even half, the one's that I have read have given me a clear idea that whilst his work remains interesting to read, his horror is by far the most entertaining and thrilling.
Edgar Allan Poe will always remain my biggest inspiration for my writing, and I hope to one day have a collection of writings, that are just as loved as his.
The Raven and Other Selected Poems
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HarperCollins is proud to present its incredible range of best-loved, essential classics. ' "...Take...
Matthew Krueger (10051 KP) rated The Haunted Palace (1963) in Movies
Dec 15, 2020
Something Wicked
The Haunted Palace- is anethor Poe, Price and Corrman film. But Although marketed as "Edgar Allan Poe's The Haunted Palace", the film actually derives its plot from The Case of Charles Dexter Ward, a novella by H. P. Lovecraft. The title The Haunted Palace is borrowed from the 6-stanza poem by Poe, published in 1839 (which was later incorporated into Poe's horror short story "The Fall of the House of Usher"), and the film uses eight lines from the poem within the framing of the story. So in reality its a H.P. Lovecraft story and a Poe title.
The plot: Condemned warlock Joseph Curwen (Vincent Price) curses a New England village just before being burned alive. More than a century later, Curwen's kindly great-great grandson Charles Ward (also Price) arrives in town and moves into Curwen's old mansion. Caretaker Simon Orne (Lon Chaney Jr.) helps Charles and his wife Ann (Debra Paget) adjust to their new home. The ancient curse, however, takes hold of Joseph, awakening inside him a long-dormant evil passed on through blood.
Its a decent film.
The plot: Condemned warlock Joseph Curwen (Vincent Price) curses a New England village just before being burned alive. More than a century later, Curwen's kindly great-great grandson Charles Ward (also Price) arrives in town and moves into Curwen's old mansion. Caretaker Simon Orne (Lon Chaney Jr.) helps Charles and his wife Ann (Debra Paget) adjust to their new home. The ancient curse, however, takes hold of Joseph, awakening inside him a long-dormant evil passed on through blood.
Its a decent film.
BankofMarquis (1832 KP) rated The Pale Blue Eye (2022) in Movies
Jan 15, 2023
Haunting and Intriguing
An eerie, gothic murder mystery pairing an ingenious Detective with a young Edgar Allan Poe is now streaming on Netflix and is the perfect way to shut out the January winds and hibernate on your couch and get involved in the mystery while sitting in front of a warm, roaring fire (or heat lamp) and your favorite warm (possibly adult) beverage).
Written for the screen (from book by Louis Bayard) and Directed by Scott Cooper (OUT OF THE FURNACE), THE PALE BLUE EYE stars the always good Christian Bale (probably my favorite actor working today) as Civilian Detective Augustus Landor who is summoned to 1830’s West Point Military Academy to solve a murder. He is aided by a young cadet played by Harry Melling (Dudley Dursley in the HARRY POTTER FILMS) who turns out to be none other than Edgar Allan Poe.
Cooper films this movie in shadow and dark brown and yellow tones, giving the 1830’s setting a certain dream-like, dreary quality that underscores the gruesome goings-on happening behind the scenes at the fledgling United States Military Academy. These types of films - and the mood that is permeated throughout - can often be slow slogs and often times bogs down under the weight of it’s own pretentiousness - but Cooper keeps the action moving forward (though at a deliberate pace) often-times mimicking the piecing together of the circumstances that Bale’s character is doing.
Thank goodness Cooper had the good sense to reunite with his OUT OF THE FURNACE star and cast Bale in the lead role. The character of Detective Augustus Landor is dark and brooding - himself still working through the emotions of a tragedy from his past. But he is also thoughtful and deliberate in his detective work and Bale handles these moods…and the pacing of the film…like the pro that he is. If for no other reason, check out THE PALE BLUE EYE (a reference to Poe’s TELL TALE HEART) for Bale’s performance at the center of things.
Fortunately, Bale is aided in this film by a strong ensemble of (mostly) British actors from Toby Jones to Gillian Anderson to Simon McBurney and Timothy Spall - they all bring their considerable talents to lesser roles as suspects and/or witnesses in this “whodunnit”. Cooper also trots out good ol’ (and I do mean old) Robert Duvall for a “blink or you’ll miss it” cameo. The casting works well for this gothic murder mystery.
And then there is Melling as Edgar Allan Poe. He plays Poe as you might expect one to play a young Edgar Allan Poe - as an “odd duck” who is fascinated by macabre scenarios (which would be later found in his storytelling), but Melling gives him an intelligence and gentleness of soul that really works in this case.
The Cinematography of this movie is bleak and dark - as befits a gothic murder mystery - and the pacing is not fast in any sense of the word, but if you click into this world, you’ll be rewarding by an interesting murder mystery that resolves itself in a surprising - and satisfactory - way.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written for the screen (from book by Louis Bayard) and Directed by Scott Cooper (OUT OF THE FURNACE), THE PALE BLUE EYE stars the always good Christian Bale (probably my favorite actor working today) as Civilian Detective Augustus Landor who is summoned to 1830’s West Point Military Academy to solve a murder. He is aided by a young cadet played by Harry Melling (Dudley Dursley in the HARRY POTTER FILMS) who turns out to be none other than Edgar Allan Poe.
Cooper films this movie in shadow and dark brown and yellow tones, giving the 1830’s setting a certain dream-like, dreary quality that underscores the gruesome goings-on happening behind the scenes at the fledgling United States Military Academy. These types of films - and the mood that is permeated throughout - can often be slow slogs and often times bogs down under the weight of it’s own pretentiousness - but Cooper keeps the action moving forward (though at a deliberate pace) often-times mimicking the piecing together of the circumstances that Bale’s character is doing.
Thank goodness Cooper had the good sense to reunite with his OUT OF THE FURNACE star and cast Bale in the lead role. The character of Detective Augustus Landor is dark and brooding - himself still working through the emotions of a tragedy from his past. But he is also thoughtful and deliberate in his detective work and Bale handles these moods…and the pacing of the film…like the pro that he is. If for no other reason, check out THE PALE BLUE EYE (a reference to Poe’s TELL TALE HEART) for Bale’s performance at the center of things.
Fortunately, Bale is aided in this film by a strong ensemble of (mostly) British actors from Toby Jones to Gillian Anderson to Simon McBurney and Timothy Spall - they all bring their considerable talents to lesser roles as suspects and/or witnesses in this “whodunnit”. Cooper also trots out good ol’ (and I do mean old) Robert Duvall for a “blink or you’ll miss it” cameo. The casting works well for this gothic murder mystery.
And then there is Melling as Edgar Allan Poe. He plays Poe as you might expect one to play a young Edgar Allan Poe - as an “odd duck” who is fascinated by macabre scenarios (which would be later found in his storytelling), but Melling gives him an intelligence and gentleness of soul that really works in this case.
The Cinematography of this movie is bleak and dark - as befits a gothic murder mystery - and the pacing is not fast in any sense of the word, but if you click into this world, you’ll be rewarding by an interesting murder mystery that resolves itself in a surprising - and satisfactory - way.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
JT (287 KP) rated The Raven (2012) in Movies
Mar 10, 2020
I've never really been a massive fan of John Cusack, I find him a bit tenuous and someone who slightly over acts. The Raven gives him the chance to over act to his heart’s content, as he plays poet Edgar Allan Poe who is drawn into the world and mind of a serial killer.
The film is set in 18th century Maryland where the flamboyant Edgar Allan Poe is busy churning out poems and gruesome stories that he desperately tries to get published in the local paper, although frustratingly as he experiences no one really knows or cares who he is?
This leads to large quantities of booze and lots of shouting and aggression at anyone who stands in his way. When a series of killings alert the local police, Detective Fields (Luke Evans) is called in to investigate, and when it’s discovered that the killings are in some way a copy of Poe’s illustrious work the man himself is tasked with assisting.
Visually the film is very good and is in keeping with the traditions of the 18th century, dark and slightly gothic it certainly gives the sense of a disturbed horror film. The killer is masked for the majority until the reveal, but clues are dropped as to the identity giving the viewer the chance to play detective. Although you probably don’t need to be Inspector Morse to figure it out.
When Poe’s beloved fiancé Emily Hamilton (Alice Eve) is kidnapped and buried alive it adds a whole new twist to the plot. The killer is making this a personal vendetta against Poe who seems at a loss to who could be targeting him in such a horrific way, it then becomes a race against time as the killer leaves clues on his victims for Poe to follow that will lead him to a theatrical conclusion.
The film echos Se7en, in that both Fields and Poe are being taunted by a sadistic killer who is clearly making a bold statement with his work, that involve a huge swinging blade, being buried into a wall and having your tongue cut out. Also a young beautiful woman is at the killers mercy, can Poe race against time to save her?
Cusack does an admirable job in fairness to him and his portrayal of Poe is an accurate reincarnation. Brendan Gleeson who despite limited screen time still manages to command a presence that has to be respected, and here as Emily’s father he gives off a burning sense of desperation.
The rest of the cast amble a long and certainly don’t set any fires alight It’s an OK film and it does have the thrills but nothing that is going to set pulses racing. When you turn it off you just let out one big long “Meh!”
The film is set in 18th century Maryland where the flamboyant Edgar Allan Poe is busy churning out poems and gruesome stories that he desperately tries to get published in the local paper, although frustratingly as he experiences no one really knows or cares who he is?
This leads to large quantities of booze and lots of shouting and aggression at anyone who stands in his way. When a series of killings alert the local police, Detective Fields (Luke Evans) is called in to investigate, and when it’s discovered that the killings are in some way a copy of Poe’s illustrious work the man himself is tasked with assisting.
Visually the film is very good and is in keeping with the traditions of the 18th century, dark and slightly gothic it certainly gives the sense of a disturbed horror film. The killer is masked for the majority until the reveal, but clues are dropped as to the identity giving the viewer the chance to play detective. Although you probably don’t need to be Inspector Morse to figure it out.
When Poe’s beloved fiancé Emily Hamilton (Alice Eve) is kidnapped and buried alive it adds a whole new twist to the plot. The killer is making this a personal vendetta against Poe who seems at a loss to who could be targeting him in such a horrific way, it then becomes a race against time as the killer leaves clues on his victims for Poe to follow that will lead him to a theatrical conclusion.
The film echos Se7en, in that both Fields and Poe are being taunted by a sadistic killer who is clearly making a bold statement with his work, that involve a huge swinging blade, being buried into a wall and having your tongue cut out. Also a young beautiful woman is at the killers mercy, can Poe race against time to save her?
Cusack does an admirable job in fairness to him and his portrayal of Poe is an accurate reincarnation. Brendan Gleeson who despite limited screen time still manages to command a presence that has to be respected, and here as Emily’s father he gives off a burning sense of desperation.
The rest of the cast amble a long and certainly don’t set any fires alight It’s an OK film and it does have the thrills but nothing that is going to set pulses racing. When you turn it off you just let out one big long “Meh!”
Mark @ Carstairs Considers (2071 KP) rated The Tell-Tale Tarte in Books
Apr 9, 2021 (Updated Apr 9, 2021)
Impersonating Danger
A new year has started, and Val Deniston’s grandfather appears to be making some changes in his life. He’s updated his look, including a new haircut and new outfit. He claims it is for a new job he’s landed for his investigations business. Then Val is on the scene when a man dies at a nearby shopping center – a man who looks just like Grandfather does now thanks to his new look. The case soon points to Rick Usher, a local author who has made a career writing tales inspired by Edgar Allan Poe. Is Grandfather the next target of the killer? How does Rick play into the mystery?
I must confess, I know little about Poe (I feel like I should know more considering how much I love mysteries), but that wasn’t a hamper to enjoying this book. Poe lore is certainly a big part of the inspiration of the story, and bits and pieces of his life weave their way into the book. Even without that, we get a strong mystery with plenty of intrigue. I did feel the ending was a little weak, but it did wrap everything up. The characters are fun and continue to grow here. I’m especially interested to see where some of those relationships go in the future. We get six more five-ingredient recipes at the end. Whether you are a fan of Poe or not, this book will keep you guessing until the end.
I must confess, I know little about Poe (I feel like I should know more considering how much I love mysteries), but that wasn’t a hamper to enjoying this book. Poe lore is certainly a big part of the inspiration of the story, and bits and pieces of his life weave their way into the book. Even without that, we get a strong mystery with plenty of intrigue. I did feel the ending was a little weak, but it did wrap everything up. The characters are fun and continue to grow here. I’m especially interested to see where some of those relationships go in the future. We get six more five-ingredient recipes at the end. Whether you are a fan of Poe or not, this book will keep you guessing until the end.
Classic Locked Room Mysteries
Book
Classic Locked-Room Mysteries is a fascinating collection of ingenious mysteries which all pose the...