Search
Search results
Ross (3284 KP) rated The Following - Season 1 in TV
Sep 5, 2017
Excellent, edge-of-the-seat thriller. The closest we'll come to 24 since the end of 24 (this includes the new 24).
Kevin Bacon is an excellent, flawed detective investigating the rise of cults. His nemesis is obsessed with Edgar Allan Poe and his followers wear creepy Poe-masks in their attacks, which are some of the creepier scenes in a non-horror TV show.
Kevin Bacon is an excellent, flawed detective investigating the rise of cults. His nemesis is obsessed with Edgar Allan Poe and his followers wear creepy Poe-masks in their attacks, which are some of the creepier scenes in a non-horror TV show.
Fruit Bat (42 KP) rated Manga Classics: The Stories of Edgar Allen Poe in Books
Mar 1, 2018
Jonathan Kellerman recommended Potboiler in Books (curated)
Suzi (55 KP) rated Stonehearst Asylum (2015) in Movies
Jun 22, 2019
Gives a good portrayal based on the writings of Edgar Allan Poe. Some pretty big cast names. The plot is predictable yet not predictable at the same time. The cast give great performances but the whole thing goes a bit slow for my taste... Mildly reminiscent of shutter Island imo.
Overall it was good but needs a bit of effort to keep full attention.
Overall it was good but needs a bit of effort to keep full attention.
Connor Sheffield (293 KP) rated The Raven (2012) in Movies
Apr 27, 2017
A brilliant crime thriller (4 more)
Gory
Connections to the work of Edgar Allan Poe
Great Cast
Watchable over and over again
Would love to know what happens in the end (1 more)
Not as exhilirating after the first watch
Quote the Raven, Nevermore.
First of all let me say this;
I am a poet and a writer, and my biggest inspiration as a writer has always been Edgar Allan Poe. I love the gothic horror, the tragedy, the macabre, and everything that makes Edgar Allan Poe the legend he is today.
With that said, let me tell you why I love this movie. It involves connections to some of Poe's greatest work, and not his poetry necessarily, it's actually more about his stories. Telltale Heart, Pit and the Pendulum and others that are all combined into the twisted mind of our antagonist who uses these stories to commit his crimes and leave evidence behind that only Poe himself would be able to figure out.
It's a brilliant crime thriller that delves into the mind of someone who is essentially Poe's biggest fan, but in a very dark and twisted way that gives us a fictional story about what happened during Poe's last days before he was found dead on a park bench. It's a known fact that Poe's last days remain a mystery and so this film had the opportunity to really play with some great ideas and they were executed brilliantly.
Speaking of execution this film is very grim and gory. One scene involving the story of The Pit and the Pendulum has us watch as a Pendulum drops lower and lower before slicing through a man's stomach like a warm knife through butter. It doesn't leave a lot to the imagination which gives this film some charm and makes it stand out from the rest of the Poe Film adaptations.
John Cusack plays the lengend himself, Edgar Allan Poe and brings a very interesting performance, that seems to suggest Poe thought himself as a higher intelligence to those around him, and he isn't shy to announce it.
Sharing the screen with Cusack, includes names such as Luke Evans who portrays Detective Fields, the detective I mentioned earlier that seeks Poe's assistance in the murder case. Brendan Gleeson portrays a very protective father named Charles Hamilton, who despises Poe being anywhere near his daughter Emily Hamilton, portrayed by Alice Eve. However there differences are put aside as the hunt for the missing Emily continues.
The story transitions well from scene to scene and story to story as each clue leads to the next, and eventually we discover the culprit who I shall not name here because I wish to leave the tension and suspense for you as you watch this film.
I am a poet and a writer, and my biggest inspiration as a writer has always been Edgar Allan Poe. I love the gothic horror, the tragedy, the macabre, and everything that makes Edgar Allan Poe the legend he is today.
With that said, let me tell you why I love this movie. It involves connections to some of Poe's greatest work, and not his poetry necessarily, it's actually more about his stories. Telltale Heart, Pit and the Pendulum and others that are all combined into the twisted mind of our antagonist who uses these stories to commit his crimes and leave evidence behind that only Poe himself would be able to figure out.
It's a brilliant crime thriller that delves into the mind of someone who is essentially Poe's biggest fan, but in a very dark and twisted way that gives us a fictional story about what happened during Poe's last days before he was found dead on a park bench. It's a known fact that Poe's last days remain a mystery and so this film had the opportunity to really play with some great ideas and they were executed brilliantly.
Speaking of execution this film is very grim and gory. One scene involving the story of The Pit and the Pendulum has us watch as a Pendulum drops lower and lower before slicing through a man's stomach like a warm knife through butter. It doesn't leave a lot to the imagination which gives this film some charm and makes it stand out from the rest of the Poe Film adaptations.
John Cusack plays the lengend himself, Edgar Allan Poe and brings a very interesting performance, that seems to suggest Poe thought himself as a higher intelligence to those around him, and he isn't shy to announce it.
Sharing the screen with Cusack, includes names such as Luke Evans who portrays Detective Fields, the detective I mentioned earlier that seeks Poe's assistance in the murder case. Brendan Gleeson portrays a very protective father named Charles Hamilton, who despises Poe being anywhere near his daughter Emily Hamilton, portrayed by Alice Eve. However there differences are put aside as the hunt for the missing Emily continues.
The story transitions well from scene to scene and story to story as each clue leads to the next, and eventually we discover the culprit who I shall not name here because I wish to leave the tension and suspense for you as you watch this film.
Gareth von Kallenbach (980 KP) rated The Raven (2012) in Movies
Aug 7, 2019
In this dark thriller, Edgar Allan Poe (John Cusack) is forced to assist a young detective to track down a mad serial killer when it becomes obvious that the inspiration for the murders are Poe’s own literary works.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
Connor Sheffield (293 KP) rated Edgar Allan Poe Complete Tales and Poems in Books
May 15, 2017
A genius of the horror and macabre genre (2 more)
A true inspiration (personal opinion)
Tense and horrifying writing
Quoth the Raven, Nevermore
If you have read my reviews on the film 'The Raven' and the TV series 'The Following' the you have already read about how I adore Edgar Allan Poe and how he is my biggest inspiration in writing, especially of my Gothic Horror poems.
The poems he has written are chilling, enjoyable and indeed are works of a genius, that some at the time, maybe even still to this day, would call the writings of a mad man. The life of Poe is one filled with tragedy and bewilderment, and he has inspired so many writers across all mediums over the years, and is one of the most famous writers known to man. Almost everyone I have ever met knows, at the very least, the line of 'Quote the Raven, Nevermore' and this is just one of the staples that this man has left throughout history.
His short stories aren't all horror, same as his poems, but it has to be said that his Horror fiction is certainly his best. Though I have not yet read all of his short stories, or even half, the one's that I have read have given me a clear idea that whilst his work remains interesting to read, his horror is by far the most entertaining and thrilling.
Edgar Allan Poe will always remain my biggest inspiration for my writing, and I hope to one day have a collection of writings, that are just as loved as his.
The poems he has written are chilling, enjoyable and indeed are works of a genius, that some at the time, maybe even still to this day, would call the writings of a mad man. The life of Poe is one filled with tragedy and bewilderment, and he has inspired so many writers across all mediums over the years, and is one of the most famous writers known to man. Almost everyone I have ever met knows, at the very least, the line of 'Quote the Raven, Nevermore' and this is just one of the staples that this man has left throughout history.
His short stories aren't all horror, same as his poems, but it has to be said that his Horror fiction is certainly his best. Though I have not yet read all of his short stories, or even half, the one's that I have read have given me a clear idea that whilst his work remains interesting to read, his horror is by far the most entertaining and thrilling.
Edgar Allan Poe will always remain my biggest inspiration for my writing, and I hope to one day have a collection of writings, that are just as loved as his.
Matthew Krueger (10051 KP) rated The Tomb of Ligeia (1965) in Movies
Dec 13, 2020
Cat!!!!!
The Tomb of Ligeia- is anethor Roger Corman, Vincent Price and Edgar Allan Poe Collab.
The plot: Verden Fell (Vincent Price) is shattered after the death of his lovely wife. But, after an unexpected encounter with Lady Rowena Trevanion (Elizabeth Shepherd), Fell soon finds himself married again. Nevertheless, his late wife's spirit seems to hang over the dilapidated abbey that Fell shares with his new bride. Lady Rowena senses that something is amiss and, when she investigates, makes a horrifying discovery -- learning that Fell's dead wife is closer than she ever imagined possible.
Corman later gave Martin Scorsese permission to use a clip from the film in Mean Streets.
Roger Corman later said he thought the film was "one of the best Poe pictures and Vincent's performance in the film was very good. It was simply a matter of age."
Its a really good movie.
The plot: Verden Fell (Vincent Price) is shattered after the death of his lovely wife. But, after an unexpected encounter with Lady Rowena Trevanion (Elizabeth Shepherd), Fell soon finds himself married again. Nevertheless, his late wife's spirit seems to hang over the dilapidated abbey that Fell shares with his new bride. Lady Rowena senses that something is amiss and, when she investigates, makes a horrifying discovery -- learning that Fell's dead wife is closer than she ever imagined possible.
Corman later gave Martin Scorsese permission to use a clip from the film in Mean Streets.
Roger Corman later said he thought the film was "one of the best Poe pictures and Vincent's performance in the film was very good. It was simply a matter of age."
Its a really good movie.
Matthew Krueger (10051 KP) rated The Haunted Palace (1963) in Movies
Dec 15, 2020
Something Wicked
The Haunted Palace- is anethor Poe, Price and Corrman film. But Although marketed as "Edgar Allan Poe's The Haunted Palace", the film actually derives its plot from The Case of Charles Dexter Ward, a novella by H. P. Lovecraft. The title The Haunted Palace is borrowed from the 6-stanza poem by Poe, published in 1839 (which was later incorporated into Poe's horror short story "The Fall of the House of Usher"), and the film uses eight lines from the poem within the framing of the story. So in reality its a H.P. Lovecraft story and a Poe title.
The plot: Condemned warlock Joseph Curwen (Vincent Price) curses a New England village just before being burned alive. More than a century later, Curwen's kindly great-great grandson Charles Ward (also Price) arrives in town and moves into Curwen's old mansion. Caretaker Simon Orne (Lon Chaney Jr.) helps Charles and his wife Ann (Debra Paget) adjust to their new home. The ancient curse, however, takes hold of Joseph, awakening inside him a long-dormant evil passed on through blood.
Its a decent film.
The plot: Condemned warlock Joseph Curwen (Vincent Price) curses a New England village just before being burned alive. More than a century later, Curwen's kindly great-great grandson Charles Ward (also Price) arrives in town and moves into Curwen's old mansion. Caretaker Simon Orne (Lon Chaney Jr.) helps Charles and his wife Ann (Debra Paget) adjust to their new home. The ancient curse, however, takes hold of Joseph, awakening inside him a long-dormant evil passed on through blood.
Its a decent film.
BankofMarquis (1832 KP) rated The Pale Blue Eye (2022) in Movies
Jan 15, 2023
Haunting and Intriguing
An eerie, gothic murder mystery pairing an ingenious Detective with a young Edgar Allan Poe is now streaming on Netflix and is the perfect way to shut out the January winds and hibernate on your couch and get involved in the mystery while sitting in front of a warm, roaring fire (or heat lamp) and your favorite warm (possibly adult) beverage).
Written for the screen (from book by Louis Bayard) and Directed by Scott Cooper (OUT OF THE FURNACE), THE PALE BLUE EYE stars the always good Christian Bale (probably my favorite actor working today) as Civilian Detective Augustus Landor who is summoned to 1830’s West Point Military Academy to solve a murder. He is aided by a young cadet played by Harry Melling (Dudley Dursley in the HARRY POTTER FILMS) who turns out to be none other than Edgar Allan Poe.
Cooper films this movie in shadow and dark brown and yellow tones, giving the 1830’s setting a certain dream-like, dreary quality that underscores the gruesome goings-on happening behind the scenes at the fledgling United States Military Academy. These types of films - and the mood that is permeated throughout - can often be slow slogs and often times bogs down under the weight of it’s own pretentiousness - but Cooper keeps the action moving forward (though at a deliberate pace) often-times mimicking the piecing together of the circumstances that Bale’s character is doing.
Thank goodness Cooper had the good sense to reunite with his OUT OF THE FURNACE star and cast Bale in the lead role. The character of Detective Augustus Landor is dark and brooding - himself still working through the emotions of a tragedy from his past. But he is also thoughtful and deliberate in his detective work and Bale handles these moods…and the pacing of the film…like the pro that he is. If for no other reason, check out THE PALE BLUE EYE (a reference to Poe’s TELL TALE HEART) for Bale’s performance at the center of things.
Fortunately, Bale is aided in this film by a strong ensemble of (mostly) British actors from Toby Jones to Gillian Anderson to Simon McBurney and Timothy Spall - they all bring their considerable talents to lesser roles as suspects and/or witnesses in this “whodunnit”. Cooper also trots out good ol’ (and I do mean old) Robert Duvall for a “blink or you’ll miss it” cameo. The casting works well for this gothic murder mystery.
And then there is Melling as Edgar Allan Poe. He plays Poe as you might expect one to play a young Edgar Allan Poe - as an “odd duck” who is fascinated by macabre scenarios (which would be later found in his storytelling), but Melling gives him an intelligence and gentleness of soul that really works in this case.
The Cinematography of this movie is bleak and dark - as befits a gothic murder mystery - and the pacing is not fast in any sense of the word, but if you click into this world, you’ll be rewarding by an interesting murder mystery that resolves itself in a surprising - and satisfactory - way.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written for the screen (from book by Louis Bayard) and Directed by Scott Cooper (OUT OF THE FURNACE), THE PALE BLUE EYE stars the always good Christian Bale (probably my favorite actor working today) as Civilian Detective Augustus Landor who is summoned to 1830’s West Point Military Academy to solve a murder. He is aided by a young cadet played by Harry Melling (Dudley Dursley in the HARRY POTTER FILMS) who turns out to be none other than Edgar Allan Poe.
Cooper films this movie in shadow and dark brown and yellow tones, giving the 1830’s setting a certain dream-like, dreary quality that underscores the gruesome goings-on happening behind the scenes at the fledgling United States Military Academy. These types of films - and the mood that is permeated throughout - can often be slow slogs and often times bogs down under the weight of it’s own pretentiousness - but Cooper keeps the action moving forward (though at a deliberate pace) often-times mimicking the piecing together of the circumstances that Bale’s character is doing.
Thank goodness Cooper had the good sense to reunite with his OUT OF THE FURNACE star and cast Bale in the lead role. The character of Detective Augustus Landor is dark and brooding - himself still working through the emotions of a tragedy from his past. But he is also thoughtful and deliberate in his detective work and Bale handles these moods…and the pacing of the film…like the pro that he is. If for no other reason, check out THE PALE BLUE EYE (a reference to Poe’s TELL TALE HEART) for Bale’s performance at the center of things.
Fortunately, Bale is aided in this film by a strong ensemble of (mostly) British actors from Toby Jones to Gillian Anderson to Simon McBurney and Timothy Spall - they all bring their considerable talents to lesser roles as suspects and/or witnesses in this “whodunnit”. Cooper also trots out good ol’ (and I do mean old) Robert Duvall for a “blink or you’ll miss it” cameo. The casting works well for this gothic murder mystery.
And then there is Melling as Edgar Allan Poe. He plays Poe as you might expect one to play a young Edgar Allan Poe - as an “odd duck” who is fascinated by macabre scenarios (which would be later found in his storytelling), but Melling gives him an intelligence and gentleness of soul that really works in this case.
The Cinematography of this movie is bleak and dark - as befits a gothic murder mystery - and the pacing is not fast in any sense of the word, but if you click into this world, you’ll be rewarding by an interesting murder mystery that resolves itself in a surprising - and satisfactory - way.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(ofMarquis)