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Eurovision Song Contest: The Story of Fire Saga (2020)
Eurovision Song Contest: The Story of Fire Saga (2020)
2020 | Comedy, Music, Romance
Decent comedy, though some real liberties taken with Edinburgh's geography
This is a decent comedy following the events leading up to mediocre Icelandic pop duo Fire Saga heading to represent their country at the Eurovision semi-finals. The portrayal of Icelandic people as being quite stupid and backwards and still believing in fairies was maybe a little offensive but added some of the best comedy, and with a silly film like this anyone taking that seriously would have real problems.
The setting of the contest in Edinburgh was a nice touch, as with Infinity War it is always good to see the end product from the annoying road closures. However it didn't make sense, given the hosts were not British and Britain didn't win the contest, but again lets not take this too seriously. The car chase was a mess though, with the car one minute heading one way along a street and shortly appearing at a roundabout at the end behind them. Also, the Glasgow SSE Hydro arena being at the end of George IV Bridge was just all sorts of wrong.
The geographical inconsistencies aside, this is a nice silly little comedy that drags on a little too long with a fairly cliche'd plot.
  
Head Over Heels by Cocteau Twins
Head Over Heels by Cocteau Twins
1983 | Rock
10.0 (1 Ratings)
Album Favorite

"When I heard Elizabeth Fraser for the first time, first of all I was so excited that they were based in Scotland and hearing her sing felt like I was in touch with alien life [laughs]. I heard it and I didn't even understand what she was saying but I could feel what she's saying. It was so emotive and so extraordinary. I felt like every time I listened – and I still have the same reaction – when I listen to these records I feel like I'm literally being transported in angel wings. I find it euphoric to listen to and nobody's ever sounded like her before. She's totally unique and just this extraordinary talent. 
 Funnily enough, I once met her at a Nick Cave concert in Edinburgh. She was there and I was just so in awe of this incredible woman – I also loved that she was so shy and so unassuming. She wasn't really a front person, more of an instrument using her voice. 
 I'm not a religious person, but I always think it's like music from the Gods. It's not of this world. I want them played at my funeral. I always say that to my husband: 'Play the Cocteau Twins all the way through my funeral, that's all I want' [laughs]."

Source
  
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Ross (3284 KP) rated Perfect Crime in Books

Feb 19, 2019 (Updated Feb 19, 2019)  
Perfect Crime
Perfect Crime
Helen Fields | 2019 | Crime
8
8.0 (1 Ratings)
Book Rating
More tense, gripping crime set in Edinburgh
*** Disclosure - I received a free advance copy of this book from the publishers and NetGalley in exchange for an honest review ***


The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.