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Cold As The Grave
Cold As The Grave
James Oswald | 2019 | Crime, Paranormal, Thriller
8
9.0 (2 Ratings)
Book Rating
A treat for crime fiction lovers
This is a treat for crime fiction lovers with a bit of the supernatural thrown in for good measure. Mr Oswald knows how to write a great story and he has done it once again with "Cold as the Grave".

DCI Tony McLean finds himself, quite unexpectedly, in the midst of a strange and disturbing investigation following his discovery of the mummified remains of a young girl. Being a DCI, Tony is not supposed to get into the day to day investigation of crime however, Tony being Tony just can't help himself and he quickly becomes in the thick of it.

This is a dark and sinister case to investigate and includes themes on refugees, asylum seekers, illegal immigrants, trafficking, modern slavery, the murder of children and violence towards women as well as introducing a less than "normal" slant on the perpetrator of the crime and the method used for committing murder.

With fantastic characters throughout and written in a sympathetic rather than sensationalist way with the back drop of a winter in Edinburgh, this is a great read.

I admit to not having read all the previous books in this series and although I have probably missed out massively on back story, character development, etc., it did not detract from my enjoyment of this book.

On to the next .... when it comes out!

My thanks must go to the Publisher and NetGalley for my copy in return for an unbiased review.
  
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Kirk Bage (1775 KP) rated James Acaster: Repertoire in TV

Aug 6, 2020 (Updated Aug 6, 2020)  
James Acaster: Repertoire
James Acaster: Repertoire
2018 | Comedy
8
8.0 (1 Ratings)
TV Show Rating
I have been a fan of stand up comedy, erm, all my life… well, at least since Billy Connely kinda invented it, in a way that wasn’t all about hating the mother in law and homophobia. When I moved to Edinburgh in 1999, I found myself at the epicentre of new comedy, every August at the unparalleled event that is the Fringe Festival.

Over the years I have seen most of the living greats at the art live, be it a full show or a smaller set at the legendary bullpit of Late and Live. Sad exceptions being Eddie Izzard and Dylan Moran, still on the bucket list. It has given me a pretty good eye for who is gonna make it big when they start out. I saw Jack Whitehall aged 16; Jimmy Carr before anyone knew who he was; and many others that have gone on to have decent TV and touring careers.

Having moved to Glasgow in recent years I started to see less comedy. Not that The Stand and other venues don’t have it going on, but because it just feels less of a thing outside of Edinburgh. So, when James Acaster came to my old place of work, the legendary Oran Mor, I booked tickets for myself, my daughter and her boyfriend in a heartbeat.

I had seen him do a lot of Mock The Week and a few other guest spots on TV, and thought from the start that this guy had something kinda special. The main good sign being that he made me laugh! A kind of blonder Jarvis Cocker, with the dress sense to match, he has a quirky, sleepy but cross delivery that is a total winner. He is very fast with an improvised moment, is very clever in his off kilter observations, and charmingly wanders into surreal tangents whenever possible. In other words, totally up my comedy avenue.

I was delighted to see that he had a new four part special on Netflix when I was recently surfing around old comedy shows I’ve seen half a dozen times. Repertoire is consecutive shows that work either alone, or payoff better as a whole, when early jokes get a back reference in a genius fashion. To explain why they are funny is not a thing I’m about to attempt. Comedy is so subjective; if it makes you laugh then it is good, if not… it might still be good, but not for you. You have to watch it to know.

So many highlights. At least three moments that made me have to pause it because I was laughing almost too much and in danger of passing out. Generally, you get a content knowing smile out of it, patting yourself on the back for getting his multi-layered intentions. Some things are just weird or hilarious, but often there is an intelligent point being made on the sly. When the two combine, I find him one of the best around for quality of writing and delivery.

As a side note, in part 3 of Repertoire he makes reference to a recent nightmare gig, when the entire front row of a Glasgow show kicked off and threw verbal abuse at him. That was the show we were at! He handled it remarkably well, turning the final portion of the show into an improv about that, chucked the planned material away. It isn’t every stand-up that can handle hecklers that well. Total kudos, Mr Acaster.

Recommended big time.
  
T2 Trainspotting (2017)
T2 Trainspotting (2017)
2017 | Drama
Cast (3 more)
Script
Direction
Soundtrack
The timing of certain plot elements are a bit too convenient (0 more)
Here comes Johnny Yen again...
Choose nostalgia, choose sequels, choose another dose of high energy antics and following four reprobates as they show that although time rolls by, people don’t change. Choose betraying your mates and abandoning them for two decades until you are forced to return home and face your demons. Choose to buy the fact that Renton returns to Edinburgh the same week that Begbie decides to break out of prison after a twenty year stretch and try not to think too much about it. Choose facing the fact that we aren’t getting any younger and not everything works out the way we hope it will. Choose a killer soundtrack, a lighter tone, a witty script and phenomenal direction. Danny Boyle and the cast in this movie have came a long way in the last twenty years and this movie exhibits that awesomely, but doesn’t forget where they came from. This movie was never going to exceed the first movie but it instead functions as a companion piece to the original and actually makes the events of the first movie more meaningful. The film isn’t afraid to play on its legacy and the fact that a good amount of time has passed since the last time we saw these characters, it in fact relies on the time that has past since the original movie. This is one of the best Scottish films ever made and is right up there alongside the original and the two movies together tell a fantastic, gripping and engaging story over a significant period of time.