Mark Cousins recommended Ace in the Hole (The Big Carnival) (1951) in Movies (curated)
The Cincinnati Kid (1965)
Movie Watch
Young poker player Eric Stoner (Steve McQueen), also known as the "Cincinnati Kid," wants to build...
Soylent Green (1973)
Movie Watch
Overcrowding, pollution, and resource depletion have reduced society's leaders to finding food for...
Alec Baldwin recommended High and Low (1963) in Movies (curated)
The Ten Commandments (1956)
Movie Watch
Enjoying a life of ease in the court of Egypt's pharaoh, Moses (Charlton Heston) discovers his...
Joan Blondell: A Life Between Takes
Book
Joan Blondell: A Life between Takes is the first major biography of the effervescent, scene-stealing...
101 Gangster Movies: You Must See Before You Die
Book
From the early Prohibition-era classics of Mervyn LeRoy and William A. Wellman to the mean streets...
The Facet LIS Textbook Collection
David Bawden, Alison Jane Pickard, Lyn Robinson and Karen Calhoun
Book
The Facet LIS Textbook Collection contains ten core textbooks for students studying library and...
Gareth von Kallenbach (965 KP) rated Trumbo (2016) in Movies
Aug 6, 2019
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.