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The Virgin Elizabeth: A Novel
The Virgin Elizabeth: A Novel
Robin Maxwell | 2012 | Fiction & Poetry, History & Politics, Romance
8
8.0 (1 Ratings)
Book Rating
41 of 250
Book
Virgin
By Robin Maxwell

Once read a review will be written via Smashbomb and link posted in comments

 
...a riveting portrait of Elizabeth I as a romantic and

vulnerable teenager, dangerously awakening to a perilous

liaison with the wrong man.

England, 1547: King Henry is dead. Elizabeth's half-brother, nine-year-old Edward, is king in name only. Thomas Seymour, brother to the ambitious duke who has seized power in this time of crisis, calculatingly works his way into Elizabeth's home in genteel Chelsea House. He marries Henry's widow, Catherine Parr, and uses his venerable charms and sexual magnetism to indulge his infatuation for young Elizabeth. Caught hopelessly under Thomas Seymour's spell, surrounded by kind friends and hidden enemies, Elizabeth can only follow her heart to ensure survival.



I’m fascinated by the Tudors and our English history and I love historical fiction so this was right up my street! Robin Maxwell certainly knows how to spin a tail! Elizabeth is definitely one of my favourite royals and to have an insight of her young life after already overcoming the embarrassment of her mother’s demise then this scandal truly shows why she remained unmarried and one of the longest strongest rulers!!
  
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Erika (17789 KP) rated Kindred (2020) in Movies

Jul 10, 2021  
Kindred (2020)
Kindred (2020)
2020 | Drama, Horror, Mystery
Kindred is a psychological thriller/horror about the reluctantly pregnant Charlotte (Tamara Lawrance) after her boyfriend, Ben (Edward Holcroft), dies in a workplace accident. After this accident, Charlotte is taken in by Ben’s mother (Fiona Shaw), and creepy stepbrother, Thomas (Jack Lowden). They proceed to basically torture her and question her sanity.

Prior to the accident, Charlotte and Ben visit the decrepit family home to announce they’re moving to Australia for a new start. It obviously did not go over well. After this visit, Charlotte finds out she’s pregnant, and that news gets passed around the small town, and that's how Ben finds out. Charlotte expresses that she doesn’t necessarily want the baby, but it was pretty much brushed aside – red flag, RUN GIRL!

This is when the main portion of the film begins, and they take her in under the guise of taking care of her and the baby. It was pretty obvious the only reason they took care of her, because she was the incubator for the grandchild.

This was basically a 21st Century version of Gaslight (1940/1944). The film wasn’t necessarily unique, and the ending was as expected. As always with films now, it’s about the journey, since you already know the end. There was very heavy-handed symbolism with the crow, which for me, began to get a little tedious, but I understood why it was there.

Full disclosure, I only watched the film because Jack Lowden was in it. I figured, if it’s not good, at least there was someone pretty to look at. As I watched this, I asked myself, is Thomas just a really beautiful dummy who constantly announces he’s making lunch? Hmm.

Tamara Lawrance was great in the film, she was compelling, and you did hope that she would be successful in escaping from the creepy family, and wallpaper-peeling house. Also, I liked that she correctly portrayed the serious frustration of expressing concern to doctors and other medical personnel, and not being taken seriously because the issues are related to female reproductive organs.

My curiosity was what made me keep watching, but I wasn’t necessarily completely engaged the entire time. The tension didn’t really stay the entire time. Although I did have the issues with the predictability, I did still surprising like the film. I’m glad I didn’t let it Rest in Peace in my Hulu watchlist graveyard.
  
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James Wood recommended Falling Awake in Books (curated)

 
Falling Awake
Falling Awake
Alice Oswald | 2016 | Fiction & Poetry
(0 Ratings)
Book Favorite

" Oswald is probably best known for her last book, “Memorial,” an extraordinarily free reinterpretation of the Iliad. (At public readings of “Memorial,” she recites it from memory, in homage to the orality of the original. I was lucky enough to witness this in London. The effect is rhapsodic, spellbinding.) Oswald does indeed have a classical power: she’s at once a grand elegist and a close celebrant of life, a rhetorician and a playful contemporary—a writer who can describe Hector dying in battle but can also depict how he “used to nip home deafened by weapons / To stand in full armour by the doorway / Like a man rushing in leaving his motorbike running.” At the heart of her new book is a long poem titled “Tithonus,” after one of Eos’s lovers from Greek mythology. It is a minutely detailed, ravishing, and rapturously observant account of the English countryside waking up at dawn—what Oswald calls “46 Minutes in the Life of the Dawn.” Slowly, the light builds and the stars disappear and the woods awaken to the birds: “as soon as dawn one star then / suddenly none then blue then pale / and the whole apparition only / ever known backwards already too / late now almost gone.” I’m sometimes reminded of Gerard Manley Hopkins and Edward Thomas, but the tutelary spirit seems to be Virginia Woolf’s “The Waves,” and that novel’s patient italicized passages (written from the point of view of the author) about sunlight building and spreading across the English landscape. (“The day waves yellow with all its crops” is one of my very favorite sentences from Woolf’s novel, and one that Oswald might easily have written herself.) This poet is, for me, a perpetual inspiration."

Source
  
TM
The Master and the Muses
10
10.0 (1 Ratings)
Book Rating
After first reading <i> Tortured</i>, I was then taken in by <i>The Master and the Muse</i>. I was immediately interested in <i>The Master and the Muse</i> because it was a historical novel about an artist back when painting was still profitable career (for some). It goes through three different women he uses for models and his relationship with them. While <i> Tortured</i> was more about the plot line than the erotica, there was no want for erotic scenes in this book. McIntyre threw me for a loop with how detailed they were, too. Here, I wasn't expecting any heat and instead, I received full on fire.

Once more, I found myself ensnared by McIntyre's expert story telling. The world and characters she created were so vivid and realistic that I found myself falling in love with the novel. With each new muse, I found myself caught up in their stories, their lives, and their emotions. I felt my heart breaking with theirs and smiling with each success. My heart was always with Grace, who I felt for the most. I would have felt more sympathetic for Helen if she wasn't so pathetic, and I couldn't even begin to like Sara who just a brat. I would feel sorry for Edward, but he was so in love with Sara, he couldn't see what a snot she was.

But Grace. How could Thomas see how perfect she was? I literally wanted to punch him for being such a chauvinistic snob that he was. In all honestly, he didn’t deserve her love for how he abandoned her the way he did. And yet, I wanted them to succeed so much that I felt his love for her was apology enough. This novel brought out the romantic in me despite how dark and depressing it really was. Every happily ever after was worth the suffering of getting there.

Definitely a must read in my opinion.
  
Alex Cross (2012)
Alex Cross (2012)
2012 | Action, Mystery
7
5.3 (3 Ratings)
Movie Rating
Story: Alex Cross starts with homicide detective Alex Cross (Perry) and his team Thomas (Burns) and Monica (Nichols) needing to show their skills when a new hired killer nicknamed Picasso (Fox) uses his torture and pain techniques while eliminating people.

When the team learns of the targets they must work with who they think is the main target Giles Mercier (Reno), but this has made his team the newest targets for Picasso, who makes the killings personal.

 

Thoughts on Alex Cross

 

Characters – Dr Alex Cross is a homicide detective, we have seen this character before, but this time we meet a younger version of him, before he becomes the FBI agent we know. Alex has a family and is on the way to making his big career decision, when Picasso comes into his life, Alex will need to balance his skills and rage to stop him. Picasso is a hired gun, he is one of the very best in the world, he enjoys the pain he gives and receives, he makes his mission personal and drives Alex to limits he has never been pushed before. Thomas is the partner of Alex, he is shorter tempered, but loyal to Alex. Giles Mercier seems to be the main target of Picasso mission, he is the rich man that gets what he wants.

Performances – Tyler Perry was considered a strange choice for the leading role in this movie, known mostly for comedy and taking over from Morgan Freeman, he just doesn’t reach his levels, but is good through the film. it is Matthew Fox that shines the most as the cold calculated killer that enjoys the pain. The commitment Fox showed to this role needs to be praised because of the physical change he put his body through makes him an unlikely looking threat. Edward Burn is good as the partner while not being anything special and Jean Reno will always be good in the role he takes.

Story – To step into another Alex Cross story is always going to be interesting, picking up before he became an FBI agent helps us understand what drove him to be the determined man we know. Making the story personal for Cross shows how he can balance the law and revenge in his attempts to solve the crime. The story might not reach the level of intensity is could have for a personal story, it does everything we need for an entertaining crime mystery thriller.

Action/Crime/Mystery – The action involved in the film is good, even if moments of the effects used are weak. The crime is an interesting one to watch unfold, but it takes away from the mystery because we are always on the same level of the cops, we are not feed anything to solve.

Settings – Detroit makes for a good setting, it always feels like it is a place known for the crime rates.


Scene of the Movie – Picasso introduction fight.

That Moment That Annoyed Me – The Rocket effects.

Final Thoughts – This is an easy to watch crime thriller, it does everything it needs to do and is carried by a wonderful villain performance from Fox.

 

Overall: Crime fans watch.

https://moviesreview101.com/2018/07/15/matthew-fox-weekend-alex-cross-2012/
  
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Bob Mann (459 KP) rated Adrift (2018) in Movies

Sep 29, 2021  
Adrift (2018)
Adrift (2018)
2018 | Action, Adventure, Drama
“Hurricane Raymond has been upgraded to a category 5”
“Should we be worried” says Tami. Well, yes dear, you really should.

In the glorious surroundings of Tahiti, the American footloose traveller Tami Oldham (Shailene Woodley, “Divergent trilogy“, “The Descendents) meets British footloose traveller Richard Sharp (Sam Claflin, “Journey’s End“, “Me Before You“) and a nautical-based love beckons. Richard is hired by his friends Peter (Jeffrey Thomas) and Christine (Elizabeth Hawthorne) to sail their luxury 44 foot yacht Hazana from Tahiti to Tami’s home city of San Diego. But they hadn’t reckoned on the decidedly un-romantic attentions of Raymond and severely battered and bruised it’s a battle for survival on the vast expanse of the Pacific.

I was intrigued by this film as it seems to have divided the professional critics’ opinions: Kevin Maher in The Times gave it five stars… five! Conversely Edward Porter in The Sunday Times gave it two stars. After seeing the film, I’m with Mr Maher on this one (breaking convention as I haven’t exactly been in tune with this reviewer recently!).

As a story with romantic undertones, the film will live or die on your belief in this aspect. And fortunately the romance works. There is real chemistry between the pair despite them striking you as an odd couple. This is in no small part to the quality of the acting: Claflin proves again that he is a safe pair of hands as a male lead, but it’s Shailene Woodley, who has to carry large portions of the film single-handedly, who again demonstrates just how excellent an actress she is. The camera of Tarentino favourite Robert Richardson (“The Hateful Eight“, “Django Unchained”) stays tightly on Woodley’s features dramatically capturing her tiniest of grimaces.

Woodley is also deliciously un-Hollywood, getting to where she has through acting talent as much as her looks. Yes, she has a great body (liberally, perhaps a tad lasciviously, featured here both above and under the water) but her face is gloriously assymettical with little wrinkles appearing unexpectedly when she grins. She’s a good role model for young girls that perfection is not a pre–requisite for success. (What’s perhaps less good, role-model-wise, is that Woodley allegedly ate only 350 calories a day to get to the emaciated state seen at the end of the film! But to compensate, it’s notable that she looks so much better/sexier at the start of the film than at the end).

It’s also interesting to note that the 27-year old Woodley is also a co-producer on the film, a sign perhaps that as well as being the ‘Meryl Streep of the future'(TM), she is also likely to become a significant mover and shaker in Hollywood when getting there.

A bit like “The Shallows“, it’s unapologetically a B movie, but it’s delivered with such style and chutzpah that it drives its way through the apallingly cheesy dialogue just as the poor Hazana bashes its way throught the mountainous seas. It’s even self-mocking, with Tami rolling her eyes at the corniness of Richard’s, very English, attempts at romantic dialogue. The script is more successful in establishing back-stories for Tami and Richard, demonstrating a degree of parallelism that perhaps better explains their mutual attraction. The irony of fate taking Tami back to her damaged past is exquisite.

A controversial and brave decision by Icelandic director Baltasar Kormákur is to constantly flashback between the survival scenes and Tami and Richard’s courtship that leads up to the cataclismic event. This can be a little distracting, but given the gut-wrenching twist in the third act a linear storytelling would simply have not worked. It’s very well done too, with matched cross-cuts that really work well. Kormákur’s previous film “Everest” was his biggest hit to date, and I noted the cheeky addition of the book “Everest” on the bookshelf on Richard’s boat! (As an aside, “Everest” is for some reason the film review on One Mann’s Movies that has been viewed more often than any other… no idea why… must be down to search engine results!)

Extraordinarily, it’s a true story with the closing frames of the film being genuinely moving.

With many similarities to the excellent Robert Redford thriller “All Is Lost”, this is a robust and enthralling thriller-cum-romance that unusually delivers on both counts. The romance is believable and the thrills suitably thrilling, especially when a panic-ridden Tami is separated from her one patch of dry land. Although slightly let down by some dodgy dialogue, sitting amongst all the big-hitter summer blockbusters this is a movie you should definitely seek out.