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Onearmedcookie (6 KP) rated the PlayStation 4 version of Assassin's Creed: Origins in Video Games
Feb 10, 2018
Assassin's Creed is back... With a bang!
So for the last few months I have been spending quite a lot of my free time exploring ancient Egypt. Getting to grips with the latest installment in the Assassin’s Creed series. A series that has had me hooked with its historical references since the beginning. Admittedly the first got rather repetitive and I found myself wishing Ubisoft had taken things into a different direction.
Yet since the second game appeared, and introduced us to the charming Ezio, I have been hooked. The latest installment – entitled Origins has seen Ubisoft go back to the drawing board redesigning some of the games mechanics. Hoping to breathe new life into the series, whilst spinning another tale in history. I have to confess for the most part it has proved to be rather successful.
I have rather enjoyed this series, playing through all of the different historical places. The last in the series though, Syndicate was superb. Instantly my favourite so far so for me Origins – had a lot to live up to! I was worried initially when, Ubisoft had decided to delay the next instalment for a year whilst they looked at redesigning elements that for me had previously worked fine.
With this in mind, I loaded the game into my trusty PS4 and began my journey! Origins takes place in ancient Egypt just as Cleopatra is fighting for the throne. The game centres around a Medjay named Bayek and his wife Aya who find themselves thrust into the fight for Egypt between Cleopatra and the new Pharaoh – her brother - Ptolemy XIII. This is the birthplace of the assasins guild and the beginning of their fight against the knights of the templar!
The story is captivating, well thought out and the characters soon jump from the screen making you want to push forward to see what happens to them. In fact the characters are some of the best in the series, they have been developed well with real character development making them seem even more real. You can’t help but feel immersed in this new word as you discover more of Egypt. I also want to point out how well the characters are voiced, the voice acting in Origins is top notch. Fuelled with emotion and true grit, this only opens them up more. Making the game feel deeper than any before in the series. This is tory telling at its best.
I mentioned that Ubisoft went back to the drawing board on this one, changing some of the formula that we’ve all become used to. This is a bigger world to explore than any before it, Egypt is epic in scale and lovingly recreated. The world is brimming with life and it certainly feels like a more open world adventure than the previous instalments in the series. You can backtrack revisiting other areas or totally bypass them – the choice is yours.
There also seems to be a bigger range of side quests, helping you level up the character – unlocking handy upgrades as you go. Crafting is even present albeit in a simpler format than in most RPG’s. Similar to the Farcry series you can now hunt the wildlife in the area to help craft better equipment.
One of the biggest changes for me though, was the Eagle vision! Gone is the yellow vision highlighting heat signatures in red, with targets in gold allowing you to see through walls. Now you get to fly a real Eagle above you in the sky – tracking enemies and other areas of interest. It adds a whole new dimension to the game, casing an enemies camp from the sky – tracking their movements from up above really adds to the feel of the game. As you level up you can also have the Eagle attack and distract enemies allowing you to sneak past areas unseen. I love this idea and could quite happily fly Sensu around the environment for hours on end.
Combat has also been overhauled. Alas, for me this is probably the weakest part of the game. You can now block with your shield by pressing the L1 shoulder button. Heavy and medium attacks are found on the R1 & R2 buttons. For ranged attacks you press L2 to equip your bow! Sounds okay, but in practice I have found this new layout a trifle irritating. Imagine three guards are rushing you, you hit one and then go to block a blow with your shield – darn it you accidently hit L2 instead and suddenly you have your bow in your hand, getting cut up by two other guards! Frustrating isn’t the word. Especially when you get to some of the higher level guards with better AI.
Other than the combat though this is a solid game, with a very in depth strong story and well developed characters. If you got a little bored with the series, then this is the game to get you back in. It’s bold, with a beautifully crafted world to explore. Assassin’s Creed is back and it’s about time!
Yet since the second game appeared, and introduced us to the charming Ezio, I have been hooked. The latest installment – entitled Origins has seen Ubisoft go back to the drawing board redesigning some of the games mechanics. Hoping to breathe new life into the series, whilst spinning another tale in history. I have to confess for the most part it has proved to be rather successful.
I have rather enjoyed this series, playing through all of the different historical places. The last in the series though, Syndicate was superb. Instantly my favourite so far so for me Origins – had a lot to live up to! I was worried initially when, Ubisoft had decided to delay the next instalment for a year whilst they looked at redesigning elements that for me had previously worked fine.
With this in mind, I loaded the game into my trusty PS4 and began my journey! Origins takes place in ancient Egypt just as Cleopatra is fighting for the throne. The game centres around a Medjay named Bayek and his wife Aya who find themselves thrust into the fight for Egypt between Cleopatra and the new Pharaoh – her brother - Ptolemy XIII. This is the birthplace of the assasins guild and the beginning of their fight against the knights of the templar!
The story is captivating, well thought out and the characters soon jump from the screen making you want to push forward to see what happens to them. In fact the characters are some of the best in the series, they have been developed well with real character development making them seem even more real. You can’t help but feel immersed in this new word as you discover more of Egypt. I also want to point out how well the characters are voiced, the voice acting in Origins is top notch. Fuelled with emotion and true grit, this only opens them up more. Making the game feel deeper than any before in the series. This is tory telling at its best.
I mentioned that Ubisoft went back to the drawing board on this one, changing some of the formula that we’ve all become used to. This is a bigger world to explore than any before it, Egypt is epic in scale and lovingly recreated. The world is brimming with life and it certainly feels like a more open world adventure than the previous instalments in the series. You can backtrack revisiting other areas or totally bypass them – the choice is yours.
There also seems to be a bigger range of side quests, helping you level up the character – unlocking handy upgrades as you go. Crafting is even present albeit in a simpler format than in most RPG’s. Similar to the Farcry series you can now hunt the wildlife in the area to help craft better equipment.
One of the biggest changes for me though, was the Eagle vision! Gone is the yellow vision highlighting heat signatures in red, with targets in gold allowing you to see through walls. Now you get to fly a real Eagle above you in the sky – tracking enemies and other areas of interest. It adds a whole new dimension to the game, casing an enemies camp from the sky – tracking their movements from up above really adds to the feel of the game. As you level up you can also have the Eagle attack and distract enemies allowing you to sneak past areas unseen. I love this idea and could quite happily fly Sensu around the environment for hours on end.
Combat has also been overhauled. Alas, for me this is probably the weakest part of the game. You can now block with your shield by pressing the L1 shoulder button. Heavy and medium attacks are found on the R1 & R2 buttons. For ranged attacks you press L2 to equip your bow! Sounds okay, but in practice I have found this new layout a trifle irritating. Imagine three guards are rushing you, you hit one and then go to block a blow with your shield – darn it you accidently hit L2 instead and suddenly you have your bow in your hand, getting cut up by two other guards! Frustrating isn’t the word. Especially when you get to some of the higher level guards with better AI.
Other than the combat though this is a solid game, with a very in depth strong story and well developed characters. If you got a little bored with the series, then this is the game to get you back in. It’s bold, with a beautifully crafted world to explore. Assassin’s Creed is back and it’s about time!
graveyardgremlin (7194 KP) rated Mr. Impossible (Carsington Brothers, #2) in Books
Feb 15, 2019
I hate to say it but I just could not get into this at all. I tried numerous times (for many months) and finally had to call it quits on page 120. I really don't know what the problem is. This book had all the elements I enjoy: I really liked Loretta Chase's previous Carsington novel, Miss Wonderful, I loved the Mummy (and the Mummy Returns), not to mention anything that has to do with Egypt, archaeology, history, etc., I like strong female characters, but for some reason this book just fell flat. There's just something missing, maybe it was the two the leads; I didn't love 'em and I didn't hate 'em, they just weren't well-developed. I read the epilogue, which I was glad I did, because it gave a little info of the next book (although there's not much, but it was cute nonetheless). I'm sure there will be many people who will enjoy this even if it didn't mesh with me.
Mark @ Carstairs Considers (2069 KP) rated Mrs. Pollifax Unveiled (Mrs Pollifax #14) in Books
Mar 9, 2018
Mrs. Pollifax and her friend Farrell are off to Syria to try to find out what happened to Amanda Pym, who vanished after stopping the hijackers of a plane diverted from Egypt. They are constantly being watched and much evade their followers before they can even make contact. With the thinnest of leads, can they find the missing young woman?
This is Mrs. Pollifax, so that means we are off on another wild and fun adventure. Set in the world of 2000, it’s interesting to read this take on the politics of the Middle East back then. The plot features a couple of familiar plot points, but I didn’t care since it was so fantastic to be enjoying another adventure with Mrs. Pollifax. Sadly, this is her last adventure, but I like to imagine she is still out there saving the day against overwhelming odds.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/11/book-review-mrs-pollifax-unveiled-by.html">Carstairs Considers</a>.
This is Mrs. Pollifax, so that means we are off on another wild and fun adventure. Set in the world of 2000, it’s interesting to read this take on the politics of the Middle East back then. The plot features a couple of familiar plot points, but I didn’t care since it was so fantastic to be enjoying another adventure with Mrs. Pollifax. Sadly, this is her last adventure, but I like to imagine she is still out there saving the day against overwhelming odds.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/11/book-review-mrs-pollifax-unveiled-by.html">Carstairs Considers</a>.
Sarah (7798 KP) rated Gods Of Egypt (2016) in Movies
Mar 17, 2018
Entertainingly bad
Let's face it, you know a film with Gerard Butler in it is never going to be good. But at least with Gods of Egypt it's that bad it's vaguely entertaining.
It's take on Egyptian mythology is actually an interesting one and it's just a shame they decided to take some of it too far with over the top and pretty naff CGI. Gerard Butler hams it up and it's quite funny to listen to his accent constantly switching between English, Scottish and American. Nicolaj Coster-Waldau is a good actor but he's given absolutely nothing to work with here other than a terrible cheesy and stilted script. Brenton Thwaites isn't too bad either but he does seem to be playing a very similar character to that of the latest Pirates film.
This is one of those films you watch just to laugh at how bad it is. And fortunately for this, I've seen worse!
It's take on Egyptian mythology is actually an interesting one and it's just a shame they decided to take some of it too far with over the top and pretty naff CGI. Gerard Butler hams it up and it's quite funny to listen to his accent constantly switching between English, Scottish and American. Nicolaj Coster-Waldau is a good actor but he's given absolutely nothing to work with here other than a terrible cheesy and stilted script. Brenton Thwaites isn't too bad either but he does seem to be playing a very similar character to that of the latest Pirates film.
This is one of those films you watch just to laugh at how bad it is. And fortunately for this, I've seen worse!
Bostonian916 (449 KP) rated The Prince of Egypt (1998) in Movies
Aug 6, 2020
Dreamworks never ceases to amaze me.
There is a disclaimer prior to the start of the picture that indicates that while some artistic liberties were taken in the making of the film, the overall story is told with primary accuracy to the source material. That was adhered to impressively.
From a non biblical standpoint, looking at the bible through the lens of a "story," there are so many very interesting things that occur that would make many great movies when told. For whatever reason, most film makers don't think the stories are good enough and feel the need to change them to the point of not being recognizable. Dreamworks did not take that approach.
The Prince of Egypt does a great job of explaining the relationship between Ramses and Moses and how they grew together, and the anguish that was felt through the trials and tribulations they were both faced with.
The voice acting was wonderful and the artwork was top notch. Dreamworks hits another home run.
There is a disclaimer prior to the start of the picture that indicates that while some artistic liberties were taken in the making of the film, the overall story is told with primary accuracy to the source material. That was adhered to impressively.
From a non biblical standpoint, looking at the bible through the lens of a "story," there are so many very interesting things that occur that would make many great movies when told. For whatever reason, most film makers don't think the stories are good enough and feel the need to change them to the point of not being recognizable. Dreamworks did not take that approach.
The Prince of Egypt does a great job of explaining the relationship between Ramses and Moses and how they grew together, and the anguish that was felt through the trials and tribulations they were both faced with.
The voice acting was wonderful and the artwork was top notch. Dreamworks hits another home run.
Merissa (11656 KP) rated Shadow of the Swan in Books
Sep 28, 2020
Shadow of the Swan is a standalone novel set in Victorian England. I say standalone but I am seriously hoping it turns into more! Louisa is a strong and resilient female lead and Henry is superb, a rightful male balance to this pairing.
This story takes you from Egypt to England with all of the differences between the two brilliantly described. Louisa and Henry are supported by an amazing cast that I loved getting to know and I really want to see more of them! The pacing is spot-on with the whole book moving along nicely without a wasted word or unnecessary flourish.
This was a fantastic read that I thoroughly enjoyed. So good to read a Nicola Cameron classic again. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This story takes you from Egypt to England with all of the differences between the two brilliantly described. Louisa and Henry are supported by an amazing cast that I loved getting to know and I really want to see more of them! The pacing is spot-on with the whole book moving along nicely without a wasted word or unnecessary flourish.
This was a fantastic read that I thoroughly enjoyed. So good to read a Nicola Cameron classic again. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
David McK (3188 KP) rated Exodus: Gods and Kings (2014) in Movies
Jul 11, 2022
When you think of Moses (in film, that is), you probably think of Charlton heston in 'The 10 Commandments'.
Not a former-Batman in the lead role.
Yet that is exactly what this is, with Christian Bale taking on the lead role in a film that portrays Moses as more of a General than any other I have come across.
All the key elements of the story are here: Moses's heritage (NB, the film starts without him knowing such), his wanderings, the burning bush, the plagues of Egypt, the Passover, the parting of the Red Sea and the Ten Commandment, with the film going to great pains to, shall we say, 'muddy the waters' somewhat in just what is going on, with OT God being portrayed as a youngster and also only appearing to Moses after he hits his head and being invisible/inaudible to any others.
Which is a choice, to say the least.
Still, this is an enjoyable enough flick!
Not a former-Batman in the lead role.
Yet that is exactly what this is, with Christian Bale taking on the lead role in a film that portrays Moses as more of a General than any other I have come across.
All the key elements of the story are here: Moses's heritage (NB, the film starts without him knowing such), his wanderings, the burning bush, the plagues of Egypt, the Passover, the parting of the Red Sea and the Ten Commandment, with the film going to great pains to, shall we say, 'muddy the waters' somewhat in just what is going on, with OT God being portrayed as a youngster and also only appearing to Moses after he hits his head and being invisible/inaudible to any others.
Which is a choice, to say the least.
Still, this is an enjoyable enough flick!
David McK (3188 KP) rated The Legion (Eagle, #10) in Books
Jan 30, 2019
The latest in Simon Scarrows Roman series of books (that initially all had the word 'Eagle' somewhere in the title), this follows on fromt he events of 'The Gladiator' and can be seen as concluding the plot line first began in 'Centurion'.
Unlike 'The Gladiator', however, I reckon it would be possible (maybe not advisable, but possible) to read this as stand-alone: although reference is made to previous events, they aren't quite as central to the story in this book as the events in 'Centurion' are to 'The Gladiator'. This particular novel is set in Egypt - Rome's bread-basket - and follows Cato (who, for the first time in the series as a whole, has more responsibility than Macro) and Macro's search to hunt down the renegade Gladiator Ajax, who escaped from Crete at the end of the previous novel. As before, when you pick up one of these books: you pretty much know what to expect - bloody battles, a little bit of suspense, and a few loose ends for the sequels ...
Unlike 'The Gladiator', however, I reckon it would be possible (maybe not advisable, but possible) to read this as stand-alone: although reference is made to previous events, they aren't quite as central to the story in this book as the events in 'Centurion' are to 'The Gladiator'. This particular novel is set in Egypt - Rome's bread-basket - and follows Cato (who, for the first time in the series as a whole, has more responsibility than Macro) and Macro's search to hunt down the renegade Gladiator Ajax, who escaped from Crete at the end of the previous novel. As before, when you pick up one of these books: you pretty much know what to expect - bloody battles, a little bit of suspense, and a few loose ends for the sequels ...
Rebecca Billcliff (2409 KP) rated the PC version of The Sims 3 in Video Games
Jan 25, 2020
The "motherload" of games
Like many people, I have lost countless hours to this game. Spending my time living the lives of made up people instead of living my own. And yet, how I miss it!
Ruby Stone, explorer of tombs, rider of horses, collector of crap. High fitness level, but bust, but a bit of a loner.
Just how much time I wasted waiting for Egypt to load so I could cram in as much tomb raiding before the vacation need, it is impossible to tell. But what I do know, is if I had the time these days, I would do it all again.
Why?
Because reality sucks!
Soothing my anger with the creation of a haunted mansion, by killing all the residents in a house fire by putting them all in a room with several open fireplaces, rugs everywhere, and removing all the doors and windows. Or getting someone into the pool and taking away the ladder.
Ahhh, the cheapest therapy there is.
Ruby Stone, explorer of tombs, rider of horses, collector of crap. High fitness level, but bust, but a bit of a loner.
Just how much time I wasted waiting for Egypt to load so I could cram in as much tomb raiding before the vacation need, it is impossible to tell. But what I do know, is if I had the time these days, I would do it all again.
Why?
Because reality sucks!
Soothing my anger with the creation of a haunted mansion, by killing all the residents in a house fire by putting them all in a room with several open fireplaces, rugs everywhere, and removing all the doors and windows. Or getting someone into the pool and taking away the ladder.
Ahhh, the cheapest therapy there is.
David McK (3188 KP) rated The Grimoire of the Lamb (The Iron Druid Chronicles, #0.4) in Books
Jan 28, 2019
Released after book #5 in Kevin Hearne's 'Iron Druid Chronicles' (i.e. after [b:Trapped|8428140|Trapped|Michael Northrop|https://d.gr-assets.com/books/1395769555s/8428140.jpg|13291342]), this is actually somewhat unusual in that it does not take place after or during the events of the previous but before those of the next: i.e. this is NOT book 5.5.
Rather, this joins both [b:Clan Rathskeller|10324651|Clan Rathskeller (The Iron Druid Chronicles, #0.5)|Kevin Hearne|https://d.gr-assets.com/books/1323223194s/10324651.jpg|15227090] and [b:Kaibab Unbound|11950840|Kaibab Unbound (The Iron Druid Chronicles , #0.6)|Kevin Hearne|https://d.gr-assets.com/books/1323225105s/11950840.jpg|16912742] in being set before the first novel (i.e. before [b:Hounded|18404329|Hounded|David Rosenfelt|https://d.gr-assets.com/books/1382758931s/18404329.jpg|26038191]), set even before either of those two novels. As such, there's no Granuaile (sp?) in this one, with Atticus still living in Tempe and still in charge of his shop. Indeed, it's an item in that shop - the Grimoire of the title - that acts as the catalyst for this tale, which sees Atticus (and Oberon!) traveling to Egypt when said item is stolen from him for nefarious purposes.
Rather, this joins both [b:Clan Rathskeller|10324651|Clan Rathskeller (The Iron Druid Chronicles, #0.5)|Kevin Hearne|https://d.gr-assets.com/books/1323223194s/10324651.jpg|15227090] and [b:Kaibab Unbound|11950840|Kaibab Unbound (The Iron Druid Chronicles , #0.6)|Kevin Hearne|https://d.gr-assets.com/books/1323225105s/11950840.jpg|16912742] in being set before the first novel (i.e. before [b:Hounded|18404329|Hounded|David Rosenfelt|https://d.gr-assets.com/books/1382758931s/18404329.jpg|26038191]), set even before either of those two novels. As such, there's no Granuaile (sp?) in this one, with Atticus still living in Tempe and still in charge of his shop. Indeed, it's an item in that shop - the Grimoire of the title - that acts as the catalyst for this tale, which sees Atticus (and Oberon!) traveling to Egypt when said item is stolen from him for nefarious purposes.