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Lyndsey Gollogly (2893 KP) rated The Jackal Prince ( Wild Rites Saga book 2) in Books
Mar 23, 2022
52 of 230
Kindle
The Jackal Prince ( Wild Rites Saga book 2)
By Anna McIlwraith
⭐️⭐️⭐️⭐️
Book two of The Wild Rites Saga takes you to a hidden stronghold in the heart of Egypt - a kingdom on the edge of ruin, ruled by fear and forgotten magic.
Sounds like a great place for a vacation, right? Emma Chase isn't exactly thrilled by the idea, but the jackals will do anything to get their claws on her, for she is the Caller of the Blood, a human woman destined to command the magic of all shapechanging races - which is a teensy bit more complicated than it sounds. And while Emma and her weird assortment of friends, allies and protectors are safe on an enchanted farm in the California Mountains, the Jackal Prince's invitation is too dangerous to refuse. Problem is, accepting it could be just as deadly, especially since Emma's going to need the help of a powerful ancient with an unbreakable - and totally unfair - grudge against her.
Emma's got a few tricks up her sleeve, but she's human, and she can be broken. Somehow she'll have to get her friends out of the jackal kingdom alive before the jackals kill her first — or worse, find a way to claim her power for their own.
So I wasn’t expecting much from this book due to how much I struggled with book 1 but this really surprised me. I really enjoyed it, the Egyptian links were so good and it all just made so much more sense. I’m absolutely in love with Fern I think he’s just brilliant. The thing with this series it has or mentions shifters we don’t normally come across, like tarantulas and crocodiles were mentioned. I love something different. Push through book 1 and I’m sure like me you won’t be disappointed with book 2!
Kindle
The Jackal Prince ( Wild Rites Saga book 2)
By Anna McIlwraith
⭐️⭐️⭐️⭐️
Book two of The Wild Rites Saga takes you to a hidden stronghold in the heart of Egypt - a kingdom on the edge of ruin, ruled by fear and forgotten magic.
Sounds like a great place for a vacation, right? Emma Chase isn't exactly thrilled by the idea, but the jackals will do anything to get their claws on her, for she is the Caller of the Blood, a human woman destined to command the magic of all shapechanging races - which is a teensy bit more complicated than it sounds. And while Emma and her weird assortment of friends, allies and protectors are safe on an enchanted farm in the California Mountains, the Jackal Prince's invitation is too dangerous to refuse. Problem is, accepting it could be just as deadly, especially since Emma's going to need the help of a powerful ancient with an unbreakable - and totally unfair - grudge against her.
Emma's got a few tricks up her sleeve, but she's human, and she can be broken. Somehow she'll have to get her friends out of the jackal kingdom alive before the jackals kill her first — or worse, find a way to claim her power for their own.
So I wasn’t expecting much from this book due to how much I struggled with book 1 but this really surprised me. I really enjoyed it, the Egyptian links were so good and it all just made so much more sense. I’m absolutely in love with Fern I think he’s just brilliant. The thing with this series it has or mentions shifters we don’t normally come across, like tarantulas and crocodiles were mentioned. I love something different. Push through book 1 and I’m sure like me you won’t be disappointed with book 2!
Billie Wichkan (118 KP) rated A Single Source in Books
May 22, 2019
Veteran BBC reporter William Carver is in Cairo, bang in the middle of the Arab Spring. 'The only story in the world' according to his editor. But it isn't.
There's another story, more significant and potentially more dangerous, and if no one else is willing to tell it, then Carver will - whatever the consequences.
A Single Source tells two stories, which over a few tumultuous months come together to prove inextricably linked. There are the dramatic, world-changing events as protests spread across North Africa and the Middle East, led by a new generation of tech-savvy youngsters challenging the corrupt old order. And then there are two Eritrean brothers, desperate enough to risk everything to make their way across the continent to a better life in Europe.
The world is watching, but its attention span is increasingly short. Carver knows the story is a complex one and, in the age of Facebook, Twitter and rolling news, difficult stories are getting harder to tell. If everyone is a reporter, then who do you believe?
I have to say this book was a complete departure from the types of books I've been reading recently.
A Single Source is set in 2011 in a time that came to be known as the Arab Spring. Carver and his producer Patrick are in Cairos Tahrir Square to report on the January 25th uprising. There are three strands to the story the one set in Egypt, another revolving around the foreign office and the third set in Eritrea. Gradually these three strands are woven together..
A slow starter which I found very difficult to get into maybe because this is not my usual type of reading material.
This book is well written and descriptive and the author has done a lot of work and research.
Unfortunately just not my cup of tea but do recommend if political thrillers is what you like.
Many thanks to the publisher and Net Galley for the opportunity to review this book.
Review copied to Amazon UK but link not available yet.
There's another story, more significant and potentially more dangerous, and if no one else is willing to tell it, then Carver will - whatever the consequences.
A Single Source tells two stories, which over a few tumultuous months come together to prove inextricably linked. There are the dramatic, world-changing events as protests spread across North Africa and the Middle East, led by a new generation of tech-savvy youngsters challenging the corrupt old order. And then there are two Eritrean brothers, desperate enough to risk everything to make their way across the continent to a better life in Europe.
The world is watching, but its attention span is increasingly short. Carver knows the story is a complex one and, in the age of Facebook, Twitter and rolling news, difficult stories are getting harder to tell. If everyone is a reporter, then who do you believe?
I have to say this book was a complete departure from the types of books I've been reading recently.
A Single Source is set in 2011 in a time that came to be known as the Arab Spring. Carver and his producer Patrick are in Cairos Tahrir Square to report on the January 25th uprising. There are three strands to the story the one set in Egypt, another revolving around the foreign office and the third set in Eritrea. Gradually these three strands are woven together..
A slow starter which I found very difficult to get into maybe because this is not my usual type of reading material.
This book is well written and descriptive and the author has done a lot of work and research.
Unfortunately just not my cup of tea but do recommend if political thrillers is what you like.
Many thanks to the publisher and Net Galley for the opportunity to review this book.
Review copied to Amazon UK but link not available yet.
Night Reader Reviews (683 KP) rated The Cockatoo from Timbuktu in Books
Mar 19, 2020
Honest Review for Free Copy of Book
The Cockatoo from Timbuktu is from the same author who wrote Timothy Mean and the Time Machine (a 4/4 book I reviewed about a year ago) by William AE Ford. Just like the first book I reviewed by him, it is an amazingly cute book with fun rhymes.
Kian is a baby Cockatoo that lives at a zoo but wants to go home to Timbuktu and his parents. The little Cockatoo plans his escape and goes on a trip around the world to go home. He visits places like India and China, along with Egypt and Rio. He directly visits eight places during his journey and if readers pay attention he flys over even more amazing places such as the Stonehenge.
I absolutely love the cute little Cockatoo that is the focus of the story. “Cockatoo” and “Timbuktu” are both fun words to say, drawing interest from children. The artwork is also extremely cute as are all the other animals. Other than the few areas where the rhyme falls apart, I could find nothing to complain about. I absolutely love the cute little Cockatoo that is the focus of the story. I do understand losing the rhyme at spots for the sake of the story.
This is designed for children. It could easily be read to newborns and older. A great book fro the beginning reader. It may also spark interest in different animals in older children as they track Kian’s path home. I rate this book 4 out of 4. Just like the book before it, this book is wonderful. I love the bright artwork and repetition and rhymes. Everything about this book is great for young children.
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Kian is a baby Cockatoo that lives at a zoo but wants to go home to Timbuktu and his parents. The little Cockatoo plans his escape and goes on a trip around the world to go home. He visits places like India and China, along with Egypt and Rio. He directly visits eight places during his journey and if readers pay attention he flys over even more amazing places such as the Stonehenge.
I absolutely love the cute little Cockatoo that is the focus of the story. “Cockatoo” and “Timbuktu” are both fun words to say, drawing interest from children. The artwork is also extremely cute as are all the other animals. Other than the few areas where the rhyme falls apart, I could find nothing to complain about. I absolutely love the cute little Cockatoo that is the focus of the story. I do understand losing the rhyme at spots for the sake of the story.
This is designed for children. It could easily be read to newborns and older. A great book fro the beginning reader. It may also spark interest in different animals in older children as they track Kian’s path home. I rate this book 4 out of 4. Just like the book before it, this book is wonderful. I love the bright artwork and repetition and rhymes. Everything about this book is great for young children.
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Kristy H (1252 KP) rated Cut to the Bone in Books
Aug 6, 2020
I absolutely love the Sayer Altair series and book three didn't disappoint one bit. What is not to love about an incredibly intelligent kickass black FBI agent who takes no prisoners? While Sayer lost her FBI agent fiancé, Jake, several years ago--something she's still reeling from--she's now surrounded herself by her own makeshift family: Adi; her neighbor, Tino; and Ezra. And, of course, there's her witty and tough grandmother, Nana, who raised Sayer. Coming back to this crew as a reader feels like returning to family. Cooper excels at capturing each character's unique voice, and I'm so fond of them all. We even get an appearance from Sayer's former boss, Holt, who has been kicked out of the FBI in a scandal covered in the previous books.
The mystery plot here is a really wild but totally engaging case. There are lots of references to Egypt and plenty to keep you on your toes. It is a tense and suspenseful tale and Cooper throws in plenty of well-timed twists and turns. The story turns personal for Sayer, and I was certainly riveted. Cooper writes in a quick, fast-paced style that makes it easy to keep flipping the pages.
All the books in this series are dark, and this one is no exception. They are not especially for the faint of heart. A lot of death and gruesome descriptions. It is easy to see that Cooper, who has a Ph.D. in anthropology and worked as a murder investigator, knows her stuff. For me, the authenticity just makes the story pop off the pages even more.
This book ends with a total boom for Sayer, and I cannot wait for the next installment. As I said, I love this series and adore Sayer and her little family. If you haven't read the entire series, I recommend starting with book one, but this one will standalone, especially if you love a twisty and engaging thriller. 4+ stars.
The mystery plot here is a really wild but totally engaging case. There are lots of references to Egypt and plenty to keep you on your toes. It is a tense and suspenseful tale and Cooper throws in plenty of well-timed twists and turns. The story turns personal for Sayer, and I was certainly riveted. Cooper writes in a quick, fast-paced style that makes it easy to keep flipping the pages.
All the books in this series are dark, and this one is no exception. They are not especially for the faint of heart. A lot of death and gruesome descriptions. It is easy to see that Cooper, who has a Ph.D. in anthropology and worked as a murder investigator, knows her stuff. For me, the authenticity just makes the story pop off the pages even more.
This book ends with a total boom for Sayer, and I cannot wait for the next installment. As I said, I love this series and adore Sayer and her little family. If you haven't read the entire series, I recommend starting with book one, but this one will standalone, especially if you love a twisty and engaging thriller. 4+ stars.
Merissa (11697 KP) rated Over the Emerald Valley (Immortal Jewels) by Lee Colgin in Books
May 5, 2022 (Updated Jun 20, 2023)
OVER THE EMERALD VALLEY is a standalone story within the Immortal Jewels series. I haven't read any of the other books in this series although I do love the Outcasts series.
This book is set in ancient Egypt where Solon has been sent on a mission to visit some remote emerald mines where the Pharaoh thinks he is being short-changed. Once there, he is 'gifted' with Temaj, a concubine who may or may not be there to spy on him. He resists the attraction, but not for too long. Temaj has had a rough life but is now making the best of it. Will he help Solon rock the boat, or will he decide he is too comfortable?
I liked how Temaj was able to draw Solon out of himself, although I found his bratty attitude a bit much at times. I know it was his character but it didn't seem to fit with his role all of the time. Abasi must have been a very laid-back owner to allow him to speak in such ways in public. Temaj was also able to make Solon see things differently, and I loved his comparisons as he tried to make Solon understand his point of view.
The supporting characters were wonderful and I couldn't help a pang of sadness with Temaj at the thought of not seeing Seli or Met again. And Solon with Neku. I am hoping we will see more of Solon and Temaj's life with Eshe in different books.
Overall, this was a very good read that kept my attention to the end. Recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 3, 2022
This book is set in ancient Egypt where Solon has been sent on a mission to visit some remote emerald mines where the Pharaoh thinks he is being short-changed. Once there, he is 'gifted' with Temaj, a concubine who may or may not be there to spy on him. He resists the attraction, but not for too long. Temaj has had a rough life but is now making the best of it. Will he help Solon rock the boat, or will he decide he is too comfortable?
I liked how Temaj was able to draw Solon out of himself, although I found his bratty attitude a bit much at times. I know it was his character but it didn't seem to fit with his role all of the time. Abasi must have been a very laid-back owner to allow him to speak in such ways in public. Temaj was also able to make Solon see things differently, and I loved his comparisons as he tried to make Solon understand his point of view.
The supporting characters were wonderful and I couldn't help a pang of sadness with Temaj at the thought of not seeing Seli or Met again. And Solon with Neku. I am hoping we will see more of Solon and Temaj's life with Eshe in different books.
Overall, this was a very good read that kept my attention to the end. Recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 3, 2022
Jordan Binkerd (567 KP) rated The Scorpion King 3: Battle For Redemption (2012) in Movies
Oct 27, 2019
Victor Webster sells the fights (5 more)
Ron Perlman is never a bad thing.
Neither is Temura Morrison.
Billy Zane is comically evil
Krystal Vee and Selina Lo pull off their reason for being here - hot chicks kicking ass.
Nice scenery and sets
Victor Webster fails to sell being The Rock, even aside from skin ton (2 more)
The story and lore are all over the place, not helped by the setting
The Warriors of the book announcing themselves just felt silly and contrived
Muddies the franchise and lore
The longer this goes the more damage this franchise does to itself. Let's review what we've seen so far:
-The Mummy Returns: At the end of his life, the Scorpion King leads an army to take over and subjugate the world, aided by Anubis, which proves that the Egyptian gods are, you know, gods.
-The Scorpion King: Mathayus is ostensibly the last living Akkadian, and leads a revolt against an evil king who....wants to take over and subjugate the world. Some tragic irony there, knowing where he ends up.
-The Scorpion King II: Rise of a Warrior: There's a whole kingdom of Akkadians, and Mathayus leads a revolt against the general who killed both his father and the rightful King, usurping the throne. Given that just a decade or two later the entire race has been wiped out, maybe putting the rightful heir back on the throne didn't end well?
Which brings us to this movie, featuring numerous human characters with the names of the Egyptian pantheon (maybe named in homage to their gods, but it feels like the idea is that these men will be mistaken for God's by myth and legend) and doubles down on the "conquest is evil" theme. Mathayus has lost his queen and kingdom from the first film to plague, reduced to being a mercenary again. The action primarily happens in Egypt and.... Cambodia? Vietnam? Thailand? Somewhere around there, with little explanation of how the characters go that distance. This just makes the whole thing more inconsistent and convoluted. I shudder to think about the damage the next one will do....
-The Mummy Returns: At the end of his life, the Scorpion King leads an army to take over and subjugate the world, aided by Anubis, which proves that the Egyptian gods are, you know, gods.
-The Scorpion King: Mathayus is ostensibly the last living Akkadian, and leads a revolt against an evil king who....wants to take over and subjugate the world. Some tragic irony there, knowing where he ends up.
-The Scorpion King II: Rise of a Warrior: There's a whole kingdom of Akkadians, and Mathayus leads a revolt against the general who killed both his father and the rightful King, usurping the throne. Given that just a decade or two later the entire race has been wiped out, maybe putting the rightful heir back on the throne didn't end well?
Which brings us to this movie, featuring numerous human characters with the names of the Egyptian pantheon (maybe named in homage to their gods, but it feels like the idea is that these men will be mistaken for God's by myth and legend) and doubles down on the "conquest is evil" theme. Mathayus has lost his queen and kingdom from the first film to plague, reduced to being a mercenary again. The action primarily happens in Egypt and.... Cambodia? Vietnam? Thailand? Somewhere around there, with little explanation of how the characters go that distance. This just makes the whole thing more inconsistent and convoluted. I shudder to think about the damage the next one will do....
Haley Mathiot (9 KP) rated The Eternal Hourglass (Magickeepers, #1) in Books
Apr 27, 2018
Series Review:
I really enjoyed the Magickeeper series! It's written for ages 8-14, but even I got really into it and enjoyed it a lot.
The stories were both woven well, with plenty of mystery and suspense to keep you reading. Once I started to read, it was hard to put it down. I never knew what to expect and was always surprised. It was like walking through a fun-house: you never knew what was going to be around the corner.
My favorite characters had to be Nick and Isabella, followed closely by Isabella's pet tiger, Sascha. Sascha was just a really cool tiger. Vladimir, the hedgehog, was pretty cool, too. It was fun to watch Nick and Isabella together: they balanced each other well and would be fun people to be around. I wish they were real so we could hang out. Haley why would you want to hang out with thirteen-year-olds? Because they're magician thirteen-year-olds who can disappear and fly and look into crystal balls, and have more adventure in a day that I have in a month.
The writing was good and easy to read and easy to follow, but some of the structure was a little confusing at times. It didn't take away form the action and adventure, though.
I really liked the Russian culture incorporated into the stories. It wasn't overdone, but it was really fun to read the descriptions of the foods and the clothes and the decorations, and learn about some of the traditions. In the second book, The Pyramid of Souls, there was a lot of other cultures incorporated into it as well, because there were Magickeepers from Egypt and Nigeria and a Parisian clan, and Australians… so there were a lot of cool things that went on that we wouldn't normally think about—even in the world of magic.
I look forward to the next book in the Magickeeper series! The Eternal Hourglass came out in paperback on March 31, 2010 and The Pyramid of Souls was just published in hardback on May 1st, 2010.
Content/Recommendation: clean, and suitable for ages 8-16(-ish). I'm 18 and I enjoyed it, and parents would enjoy reading the books out loud to their kids as well!
I really enjoyed the Magickeeper series! It's written for ages 8-14, but even I got really into it and enjoyed it a lot.
The stories were both woven well, with plenty of mystery and suspense to keep you reading. Once I started to read, it was hard to put it down. I never knew what to expect and was always surprised. It was like walking through a fun-house: you never knew what was going to be around the corner.
My favorite characters had to be Nick and Isabella, followed closely by Isabella's pet tiger, Sascha. Sascha was just a really cool tiger. Vladimir, the hedgehog, was pretty cool, too. It was fun to watch Nick and Isabella together: they balanced each other well and would be fun people to be around. I wish they were real so we could hang out. Haley why would you want to hang out with thirteen-year-olds? Because they're magician thirteen-year-olds who can disappear and fly and look into crystal balls, and have more adventure in a day that I have in a month.
The writing was good and easy to read and easy to follow, but some of the structure was a little confusing at times. It didn't take away form the action and adventure, though.
I really liked the Russian culture incorporated into the stories. It wasn't overdone, but it was really fun to read the descriptions of the foods and the clothes and the decorations, and learn about some of the traditions. In the second book, The Pyramid of Souls, there was a lot of other cultures incorporated into it as well, because there were Magickeepers from Egypt and Nigeria and a Parisian clan, and Australians… so there were a lot of cool things that went on that we wouldn't normally think about—even in the world of magic.
I look forward to the next book in the Magickeeper series! The Eternal Hourglass came out in paperback on March 31, 2010 and The Pyramid of Souls was just published in hardback on May 1st, 2010.
Content/Recommendation: clean, and suitable for ages 8-16(-ish). I'm 18 and I enjoyed it, and parents would enjoy reading the books out loud to their kids as well!
Haley Mathiot (9 KP) rated The Pyramid of Souls (Magickeepers, #2) in Books
Apr 27, 2018
Series Review:
I really enjoyed the Magickeeper series! It's written for ages 8-14, but even I got really into it and enjoyed it a lot.
The stories were both woven well, with plenty of mystery and suspense to keep you reading. Once I started to read, it was hard to put it down. I never knew what to expect and was always surprised. It was like walking through a fun-house: you never knew what was going to be around the corner.
My favorite characters had to be Nick and Isabella, followed closely by Isabella's pet tiger, Sascha. Sascha was just a really cool tiger. Vladimir, the hedgehog, was pretty cool, too. It was fun to watch Nick and Isabella together: they balanced each other well and would be fun people to be around. I wish they were real so we could hang out. Haley why would you want to hang out with thirteen-year-olds? Because they're magician thirteen-year-olds who can disappear and fly and look into crystal balls, and have more adventure in a day that I have in a month.
The writing was good and easy to read and easy to follow, but some of the structure was a little confusing at times. It didn't take away form the action and adventure, though.
I really liked the Russian culture incorporated into the stories. It wasn't overdone, but it was really fun to read the descriptions of the foods and the clothes and the decorations, and learn about some of the traditions. In the second book, The Pyramid of Souls, there was a lot of other cultures incorporated into it as well, because there were Magickeepers from Egypt and Nigeria and a Parisian clan, and Australians… so there were a lot of cool things that went on that we wouldn't normally think about—even in the world of magic.
I look forward to the next book in the Magickeeper series! The Eternal Hourglass came out in paperback on March 31, 2010 and The Pyramid of Souls was just published in hardback on May 1st, 2010.
Content/Recommendation: clean, and suitable for ages 8-16(-ish). I'm 18 and I enjoyed it, and parents would enjoy reading the books out loud to their kids as well!
I really enjoyed the Magickeeper series! It's written for ages 8-14, but even I got really into it and enjoyed it a lot.
The stories were both woven well, with plenty of mystery and suspense to keep you reading. Once I started to read, it was hard to put it down. I never knew what to expect and was always surprised. It was like walking through a fun-house: you never knew what was going to be around the corner.
My favorite characters had to be Nick and Isabella, followed closely by Isabella's pet tiger, Sascha. Sascha was just a really cool tiger. Vladimir, the hedgehog, was pretty cool, too. It was fun to watch Nick and Isabella together: they balanced each other well and would be fun people to be around. I wish they were real so we could hang out. Haley why would you want to hang out with thirteen-year-olds? Because they're magician thirteen-year-olds who can disappear and fly and look into crystal balls, and have more adventure in a day that I have in a month.
The writing was good and easy to read and easy to follow, but some of the structure was a little confusing at times. It didn't take away form the action and adventure, though.
I really liked the Russian culture incorporated into the stories. It wasn't overdone, but it was really fun to read the descriptions of the foods and the clothes and the decorations, and learn about some of the traditions. In the second book, The Pyramid of Souls, there was a lot of other cultures incorporated into it as well, because there were Magickeepers from Egypt and Nigeria and a Parisian clan, and Australians… so there were a lot of cool things that went on that we wouldn't normally think about—even in the world of magic.
I look forward to the next book in the Magickeeper series! The Eternal Hourglass came out in paperback on March 31, 2010 and The Pyramid of Souls was just published in hardback on May 1st, 2010.
Content/Recommendation: clean, and suitable for ages 8-16(-ish). I'm 18 and I enjoyed it, and parents would enjoy reading the books out loud to their kids as well!
Gareth von Kallenbach (965 KP) rated Mr. Peabody & Sherman (2014) in Movies
Aug 6, 2019
Mr. Peabody and Sherman were first introduced to the world via the
1950s-1960s legendary kids cartoon "The Rocky and Bullwinkle Show." Mr.
Peabody (Ty Burell), a Nobel prize winning brainiac canine, whose
intelligence is beyond that of any human being; there is nothing this
Beagle cannot do. He was able to put his brilliant mind to use and adopt
a young boy named Sherman (Max Charles) and he also invents a time
travelling machine he calls the WABAC (pronounced way-back). He uses the
WABAC as a teaching tool by travelling back in time with Sherman to
experience some of the most famous moments in history.
On Sherman's first day school, he finds that some of the history lessons
being taught in school were not accurate to how the events actually took
place. Remember, he traveled in time and witnessed it all first hand.
Sherman finds himself clashing with his classmate Penny (Ariel Winter),
who spends most of her time teasing and bullying Sherman for 'knowing too
much' and for being raised by a dog. In an attempt to bring peace among
Sherman's classmates and to also avoid the impending threat from child
services who would like nothing more than to prove that a dog does not have
the right to raise human child, Mr. Peabody invites Penny and her parents
over to their home for dinner. Sherman tries to impress Penny by breaking
Mr. Peabody's rules and introduces Penny to the WABAC. Nothing good comes
of two kids travelling in time and disrupting the space time continuum.
Enter Mr. Peabody, who uses the WABAC to try and rectify the disruptions
that were caused by Penny and Sherman's adventure through time.
This movie is not the story of "man's best friend!" It is geared more
towards the father-son relationship. A very likeable film that brings us
back to some significant moments in history, such as Leonardo DaVinci's
painting of the Mona Lisa, the Trojan War, the time when King Tut ruled
Ancient Egypt, and the French Revolution. In true Dreamwork fashion, there
was just the perfect of amount of humor for kids and adults alike to
enjoy. What sets this movie apart from others is its ability to embrace
education as an adventure and how it challenges the 'traditional' family
stereotype and that love can be found in all creatures and at any time.
4 out of 5 stars.
1950s-1960s legendary kids cartoon "The Rocky and Bullwinkle Show." Mr.
Peabody (Ty Burell), a Nobel prize winning brainiac canine, whose
intelligence is beyond that of any human being; there is nothing this
Beagle cannot do. He was able to put his brilliant mind to use and adopt
a young boy named Sherman (Max Charles) and he also invents a time
travelling machine he calls the WABAC (pronounced way-back). He uses the
WABAC as a teaching tool by travelling back in time with Sherman to
experience some of the most famous moments in history.
On Sherman's first day school, he finds that some of the history lessons
being taught in school were not accurate to how the events actually took
place. Remember, he traveled in time and witnessed it all first hand.
Sherman finds himself clashing with his classmate Penny (Ariel Winter),
who spends most of her time teasing and bullying Sherman for 'knowing too
much' and for being raised by a dog. In an attempt to bring peace among
Sherman's classmates and to also avoid the impending threat from child
services who would like nothing more than to prove that a dog does not have
the right to raise human child, Mr. Peabody invites Penny and her parents
over to their home for dinner. Sherman tries to impress Penny by breaking
Mr. Peabody's rules and introduces Penny to the WABAC. Nothing good comes
of two kids travelling in time and disrupting the space time continuum.
Enter Mr. Peabody, who uses the WABAC to try and rectify the disruptions
that were caused by Penny and Sherman's adventure through time.
This movie is not the story of "man's best friend!" It is geared more
towards the father-son relationship. A very likeable film that brings us
back to some significant moments in history, such as Leonardo DaVinci's
painting of the Mona Lisa, the Trojan War, the time when King Tut ruled
Ancient Egypt, and the French Revolution. In true Dreamwork fashion, there
was just the perfect of amount of humor for kids and adults alike to
enjoy. What sets this movie apart from others is its ability to embrace
education as an adventure and how it challenges the 'traditional' family
stereotype and that love can be found in all creatures and at any time.
4 out of 5 stars.
Chris Sawin (602 KP) rated Death on the Nile (2022) in Movies
Feb 10, 2022
Most of the female cast. (2 more)
Poirot's backstory.
Kenneth Branagh's mustache.
Slow-moving with little payoff. (2 more)
Nothing substantial happens for the first hour.
Not entertaining. Perfect example of first world problems.
A Drowzy Whodunit Loaded with Mediocrity
Death on the Nile is the sequel to 2017’s Murder on the Orient Express with director and lead actor Kenneth Branagh returning. The mystery thriller is based on the 1937 novel of the same name by Agatha Christie. Death on the Nile has been adapted before as a 1978 film and as a 2004 episode of the Poirot television series starring David Suchet.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.