"I've liked this band for a long time, and I think this is the best work. I love the sound, the programming he does, the synths he uses, but this record has great songs, he was able to craft these complete songs. The structures of them are really good, and the girl who sings on it, her voice is superb. The production is so big, and reminiscent of 80s music, so it is nostalgic for me, it takes me back to my youth. For just one dude to be making this it's pretty awesome. I've always been a fan of shoegaze, and when I first heard M83 I took it to my friends and said 'you've got to hear this, it's an electronic shoegaze band'."

"My wife and I had moved back to Britain in 1992 and we were interested in every kind of electronic music. Before we left, we knew people that worked for R&S Records, and they brought around the first white label of Aphex Twin’s Digeridoo. We were just blown away by it. At the time, the space opened up for a lot of small labels like ours [Swim ~]. What was great about that world was that anybody could do it. You didn’t have to be British or American. That’s the great thing about the Boredom Is Deep and Mysterious compilation, which I was introduced to by a journalist. It was all Danish artists and it has the splendidly named Dub Tractor and Double Muffled Dolphin."

"The classic Led Zeppelin record. Again I got into that much later, 1995 or something. A guy who used to work at our studio was really into them. 'Stairway To Heaven' I knew because we used to play that at our guitar club. They were almost a precursor to The Sex Pistols, except they were better musicians, it was just very heavy rock & roll. We never had a synth club at school. What happened was when Depeche started I was playing guitar, Fletcher was playing bass and we had a drum machine. Then all these electronic bands started like Gary Numan and OMD, and we thought, ""you know what, maybe we can enter into that world instead"". Our guitar playing wasn't up to scratch, probably."