"It's another record that I grew up with. Whenever I listen to it I'm transported back into my bedroom when I was 16. Again, I love its mystery and how it doesn't let you know what it's about. It was hard to choose between this and Closer, and though there are some tracks on Closer that I really love, this did it for me, tracks like 'She's Lost Control' and 'New Dawn Fades'. I think it's a groundbreaking record, and I suppose like The Smiths, they became more relevant after they split up than when they were around. They inspired so much modern music and sound incredibly relevant now. If you heard Joy Division now in 2011 and had never heard them before, you wouldn't think it was dated. The production is great. There are lots of mistakes on there, it's really nicely under-produced. Even though there's this bleak, icy electronic feel to the music, it's not programmed or anything, it's very human."

"I always like when I hear something that I think is trend–setting. I believe that he’s inspired. I’m listening with the same ears that I listen to Stravinsky, Ligeti and Zappa with. What I’m hearing is someone with the ability to layer timbres and sounds on an electronic field in the same way that Stravinsky did as an orchestrator. My kids come home with all this dubstep stuff and I go to raves occasionally –not too much but I’ve been to a few, and a lot of that music is emulating everything else that’s around and it’s really good but it becomes insipid because it lacks a certain depth of vision. But listening to Skrillex I hear the layered quality of it although it isn’t exactly my favorite style of music. Things have dynamics, things have places bearing in mind what’s going on around them so that it doesn’t all just sound like a mess and I’m very impressed with it."

"This is another circumstantial choice from my long drive across America. Some of the tracks on this are twenty minutes long and perfect for a seven hour drive! It's good to have that time to let a song build and, because they are metronomic and electronic, it's great travelling music. There's a song called 'Patchwork' that Kliph played over and over again. It's maybe a portal into the records I've been listening to over the past decade, bands like Emeralds. I've got kids of various ages and records like these are compromise records because I can put them on to get them to sleep and I also like listening to them, though one baby didn't react to meditative music and I had to put on head-banging music to get them to sleep. I could head bang away! I listen to a lot of instrumental music in the house, loudly. I enjoy not having a voice to interfere with my day."