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The Holy Mountain (Der Heilige Berg) (1926)
The Holy Mountain (Der Heilige Berg) (1926)
1926 | Drama
Mountainous melodrama couples a rather corny, obscurely allegorical plot to some stunning visuals to reasonably engaging effect. A dancer (Riefenstahl) is drawn to the Alps, where she falls in love with an engineer; confusion and jealousy lead to jeopardy, stoic heroism, and ultimately tragedy.

I found the dramatic elements of the film to be rather hard going, and Riefenstahl's dancing, rather than evoking desire, just reminded me of a drunk woman trying to start a fight at a wedding reception. However, there are some fantastic compositions and the mountains still look awesome nearly a century on; the film may feel a bit pretentious but its imagery remains powerful.
  
Duolingo
Duolingo
Education, Social Networking
9
8.4 (61 Ratings)
App Rating
Reminders for daily ptactace (0 more)
Perfect learning tool
Have to say, thus is a great app for languages. It covers basics and advanced elements in fun and easy to understand ways.
Aside from failing because I could not say the word loudly on the train, it uses a range of tools to help you learn.
While it would be better if you could pick specific things to focus on, and allow you to skip ahead of you are already experienced, it is still a great app for practicing. Ideal as a full learning tool, or to enhance your lessons, it is worth a go, we all learn differently.
  
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Awix (3310 KP) rated La Ley del Deseo (Law of Desire) (1987) in Movies

Apr 2, 2020 (Updated Apr 2, 2020)  
La Ley del Deseo (Law of Desire) (1987)
La Ley del Deseo (Law of Desire) (1987)
1987 | Drama, Thriller
7
7.0 (1 Ratings)
Movie Rating
Almodovar's sixth movie is the one that brought him properly to international attention, but it's clear that his distinctive style was already well-developed by this point: there is the same skilful combination of suspense-movie tropes with sometimes-outrageous melodrama, and a sense of narrative playfulness.



Very strong performances from Antonio Banderas and Carmen Maura in particular, although the script seems to lack some of the deftness and confidence Almodovar would show in later movies - the shift from relationship drama to thriller isn't quite as well handled as one could hope for, and some elements of the story really do strain credibility. Nevertheless, an accomplished and engaging movie.