"Robert Ashley is famous for having made these so-called operas, a lot of them were for TV. He works with the voice in these really great ways. I love this record because you don't know exactly what's going on: there's a lot of mystery. You have to piece together what's going on within the minutiae of the musical environment. Or you don't and you just listen and enjoy it. The sounds are very beautiful. Ther's a distant organ in the background just playing this one chord and you can also hear a bass. You can hear this woman whispering in French but you can barely hear her. Then this male singer appears but there's some crazy modulation on his voice. So all these crazy elements combine to create this crazy environment that you want to listen to for maybe ten minutes, because it's not like a song but it's got the elements of a song: you've got a bassline, you've got these instruments playing harmonies and you have voices. But you can't tell what's going on. It has an atmosphere. The album is called Automatic Writing but the track I'm talking about here, specifically, is called 'Automatic Writing'. It's important for me because it reinforced this idea that you could put beauty into music without necessarily using sweet melodies or whatever. I do have that in my music, but I also like the drama that can come from just… voices."

"I love Tom Lehrer, I love a lot of writers of funny songs. I like Noël Coward, I like Flanders and Swann and Tom Lehrer is probably the best and funniest. Incredibly intelligent man and he's well aware of the idiocy of what he's doing. Each song lasts for about 1 minute 45 seconds, because it's like, "Here's the joke, go!", it's really good. I think I was about 26 or 27 when I first heard him. I think it might have been 'The Elements', when he set the list of elements to the Gilbert and Sullivan tune, 'I Am The Very Model Of A Modern Major-General' is the original from The Pirates Of Penzance - I like Gilbert and Sullivan as well! I think I also liked the idea of one man and a piano, being a bit of an entertainer. I finally got up the nerve to do that myself, five or six years ago, and it's been jolly good fun. I was nervous about it, but knew it was a good time to do it. I had a few songs off that album (Bang Goes The Knighthood) that were suited to it. I did have to do an awful lot of practice to get up to standard on the piano, because I did grade one piano, and then gave up - I'm really completely untutored. So I have a bizarre technique, but it gets me through."