"That’s probably my favorite film right now. Drinking Buddies was very inspired by this movie. I just love how it managed to be a real successful mainstream Hollywood comedy but it’s really complicated. The characters in this film are married, they have children, they’re still talking about open sexual relationships, and doing drugs, it just… it feels real to me, is how it feels. I’m very impressed by it, not only for its sense of humor which I think is spot on, but also for its sort of willingness to dip into dramatic elements and to have central characters who are not necessarily likeable all the time, who are, you know, sort of confused and behaving in very human realistic ways."

"I always say Agnès Varda was to the French New Wave as Eve is to the Ruff Ryders: a ride-or-die bitch, respected by a pack of tough gentlemen. The first film of hers I saw was Cléo from 5 to 7. My mom had just had a routine but unpleasant dental surgery and was all whacked out on pills, and I read all the subtitles to her in different voices. I was so impressed by how Varda manages to be both deeply emotional and utterly in control of the technical elements of filmmaking. That had seemed to me to be an impossible line to straddle, and she does it so beautifully. Watch The Beaches of Agnès next, a portrait of a rich life in film."

"I always say Agnès Varda was to the French New Wave as Eve is to the Ruff Ryders: a ride-or-die bitch, respected by a pack of tough gentlemen. The first film of hers I saw was Cléo from 5 to 7. My mom had just had a routine but unpleasant dental surgery and was all whacked out on pills, and I read all the subtitles to her in different voices. I was so impressed by how Varda manages to be both deeply emotional and utterly in control of the technical elements of filmmaking. That had seemed to me to be an impossible line to straddle, and she does it so beautifully. Watch The Beaches of Agnès next, a portrait of a rich life in film."

"I always say Agnès Varda was to the French New Wave as Eve is to the Ruff Ryders: a ride-or-die bitch, respected by a pack of tough gentlemen. The first film of hers I saw was Cléo from 5 to 7. My mom had just had a routine but unpleasant dental surgery and was all whacked out on pills, and I read all the subtitles to her in different voices. I was so impressed by how Varda manages to be both deeply emotional and utterly in control of the technical elements of filmmaking. That had seemed to me to be an impossible line to straddle, and she does it so beautifully. Watch The Beaches of Agnès next, a portrait of a rich life in film."

"I always say Agnès Varda was to the French New Wave as Eve is to the Ruff Ryders: a ride-or-die bitch, respected by a pack of tough gentlemen. The first film of hers I saw was Cléo from 5 to 7. My mom had just had a routine but unpleasant dental surgery and was all whacked out on pills, and I read all the subtitles to her in different voices. I was so impressed by how Varda manages to be both deeply emotional and utterly in control of the technical elements of filmmaking. That had seemed to me to be an impossible line to straddle, and she does it so beautifully. Watch The Beaches of Agnès next, a portrait of a rich life in film."