"I loved Drive. Drive is one of my favorites, actually. Yeah, I would put that down. Stylistically, it was like nothing I’d seen in a while. The soundtrack is one of the best soundtracks ever — I loved the soundtrack — and the way that he directed that; there are so many interesting directorial choices there. Ryan Gosling and Carey Mulligan — their falling in love with each other, the kiss that is in that movie in the elevator, and then the violence that proceeds right after that. And it’s one of the most amazing movie kisses ever because you kind of sense that this thing is coming right afterwards, and it’s so, so brutal. There are so many elements of that movie that I think are really, really well done. Great movie."

"Some people say that a record or a film changed their life. In my case, it was this book, back in 1990. My hardback copy has a Biro inscription in it: “To Nick love Richey, James and Sean, 28th September 1990”. We’d all read a review in the NME and knew immediately that it was exactly the kind of thing we’d been searching for. Something to link music, art, culture and protest; an alternative history that segued those seemingly disparate elements into one text. It persuaded us that we could attempt to create art that just might deeply resonate with people in the way that the book had resonated with us. Without resorting to cliche, Lipstick Traces is the band's Holy Bible; our cultural equivalent of the Good Book"

"As counterweight to the weird and eerie elements in many of the books I have selected I propose the sweet and kind Summer Book. Tove Jansson’s fictionalized memoir about the summers she spent as a girl with her grandmother on a tiny island in the archipelago off Finland’s south coast is a wonderful ode to the curiosity of childhood and the wisdom of old age. In a precise, lyrical language that never gives in to easy sentiments Jansson allows us to take part in the summer days with the girl and the grandmother as one is discovering nature for the first time and the other is contemplating its vulnerability. It is sunshine in the shape of a book — for the shadowy part of Jansson’s oeuvre one must look to her children stories about the Moomins."