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Dean (6927 KP) rated The Unforgivable (2021) in Movies
Jan 7, 2022
Great story
Well after watching a short while I realised this is actually based on a short TV series from the UK in 2009 starring Suranne Jones. A really gripping drama. This is basically a remake but set in the US.
The key story elements are the same as a young woman released after a long period in Prison for killing a cop tries to track down her younger sister. She struggles as her past catches up and the victims family are keen for revenge.
It holds up pretty well to the original, the writer also help produced this. Just the ending seemed a little less dramatic in this version. Still a very good story and a gritty role for Sandra Bullock.
The key story elements are the same as a young woman released after a long period in Prison for killing a cop tries to track down her younger sister. She struggles as her past catches up and the victims family are keen for revenge.
It holds up pretty well to the original, the writer also help produced this. Just the ending seemed a little less dramatic in this version. Still a very good story and a gritty role for Sandra Bullock.
Ghost Story (The Dresden Files, #13)
9.1
Rate It
Book
Meet Harry Dresden, Chicago's first (and only) Wizard PI. Turns out the ‘everyday’ world is full...
Rachel (48 KP) rated The 13th Black Candle in Books
May 27, 2017
Great Characters, Great Story. Great book!
For the first fifteen or so pages I kept thinking "I'm not going to like this". The character of Simon Stacey didn't seem particularly sympathetic nor believable in his reaction to a huge, devastating event in his life.
I am so glad that I persevered with this book. There are a lot of side characters but they are all very fleshed out, apart from one or two that couldn't be until the end of the novel.
Although Simon Stacey is the central character, who I did become to really like and 'get', there are some brilliant characters in the parallel story - the police working the case.
You get to see them all grow and change, there are no stereotypical "This is who they are, this is how they will act regardless of what happens" which seems to be the case a lot of the time when it comes to police characters in novels/TV etc.
This really gives credence and a sense of reality to the story. Some elements are very out of the ordinary and you get to see how an actual person would deal with them!
The storyline itself is intriguing. Parts of it are kept shadowy, which had to be done, and other parts are right in your face from the beginning. What seems like a tiny detail actually turns out to be hugely important and vice versa.
As I said - some aspects are esoteric and unusual but Mr Goodwin manages to keep it utterly believable. I think that is because the mundane elements of life are also included.
The ending was skillfully done. What could have turned into a farce was kept under control and the tension was built in exactly the right way.
The only criticism I have is that I couldn't entirely remember who one or two of the characters actually were once they were revealed. This would definitely be partly my fault though. For various reasons I didn't get to read for three days so memory of the first half of the book wasn't what it should have been.
The only thing I would suggest to the author is that a few more reminders of who some of the lesser characters were would have helped.
There are also a few hints that, perhaps, some people aren't what they seem. Could that be paving the way for a sequel? If it is then that is something I would very eagerly read.
I would recommend this book to most people as it has so many elements to it. It's rather hard to pin down just one genre!
I am so glad that I persevered with this book. There are a lot of side characters but they are all very fleshed out, apart from one or two that couldn't be until the end of the novel.
Although Simon Stacey is the central character, who I did become to really like and 'get', there are some brilliant characters in the parallel story - the police working the case.
You get to see them all grow and change, there are no stereotypical "This is who they are, this is how they will act regardless of what happens" which seems to be the case a lot of the time when it comes to police characters in novels/TV etc.
This really gives credence and a sense of reality to the story. Some elements are very out of the ordinary and you get to see how an actual person would deal with them!
The storyline itself is intriguing. Parts of it are kept shadowy, which had to be done, and other parts are right in your face from the beginning. What seems like a tiny detail actually turns out to be hugely important and vice versa.
As I said - some aspects are esoteric and unusual but Mr Goodwin manages to keep it utterly believable. I think that is because the mundane elements of life are also included.
The ending was skillfully done. What could have turned into a farce was kept under control and the tension was built in exactly the right way.
The only criticism I have is that I couldn't entirely remember who one or two of the characters actually were once they were revealed. This would definitely be partly my fault though. For various reasons I didn't get to read for three days so memory of the first half of the book wasn't what it should have been.
The only thing I would suggest to the author is that a few more reminders of who some of the lesser characters were would have helped.
There are also a few hints that, perhaps, some people aren't what they seem. Could that be paving the way for a sequel? If it is then that is something I would very eagerly read.
I would recommend this book to most people as it has so many elements to it. It's rather hard to pin down just one genre!
Rachel King (13 KP) rated Between Two Kingdoms in Books
Feb 11, 2019
This book was such a unique read for me that I can't recall reading anything of this nature, with the one exception of The Pilgrim's Progress by John Bunyan, which is also allegorical in nature. The story in Between Two Kingdoms is told as a story that I think young children could appreciate just as well as adults because of the simplistic nature of the text. What intrigued me about this book was trying to figure out what each element of the story represented in reference to the Bible. Some things were obvious, such as the King being God, the Good Prince being Jesus Christ, and the River being the Holy Spirit. The interpretation of many elements though are biased according to how the author, Joe Boyd, interprets Bibical scripture, such as making the River female in nature, which would indicate Boyd's interpretation that the Holy Spirit is also female, which I do not agree with. Another interpretation that I found questionable was the Dark Prince and his true name, Adam. I could be wrong, but that tells me that the author interprets the origin of the Devil as the first man, Adam. I was completely baffled by the language that the Phantom Messengers spoke and what it was supposed to represent.
Many elements of the story were quite imaginative and fascinating, such as the behavior of the River, which was as playful and joyous as it could be peaceful and comforting. I love how the children could use such a simple thing as mirrors to destroy the Phantom Messengers by showing them their true selves. The Long Night was rife with metaphor, and I love good metaphors.
On the whole, I think this story is a great conversation piece for anyone interested in puzzling out the meanings behind the allegory.
Many elements of the story were quite imaginative and fascinating, such as the behavior of the River, which was as playful and joyous as it could be peaceful and comforting. I love how the children could use such a simple thing as mirrors to destroy the Phantom Messengers by showing them their true selves. The Long Night was rife with metaphor, and I love good metaphors.
On the whole, I think this story is a great conversation piece for anyone interested in puzzling out the meanings behind the allegory.
The Art of Memoir
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Model Perspectives: Structure, Architecture and Culture
Mark R. Cruvellier, Bjorn N. Sandaker and Luben Dimcheff
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Matthew Krueger (10051 KP) rated the Xbox One version of Amnesia: A Machine For Pigs in Video Games
Nov 14, 2020
Scary and Spooky
Amnesia: A Machine For Pigs- is a terrorfying, horrorfying, spooky, scary, creepy game.
The game features several interlocking storylines. Some take place in the past, some in the present, and some are overtly real while some may be imagined. Set in London on New Year's Eve, 1899, the game's protagonist is Oswald Mandus, a wealthy industrialist and butcher who is implied to be the great grand-nephew of Daniel, the protagonist of Amnesia: The Dark Descent.
The game is a survival horror game played from a first-person perspective.
Players explore the environments using a lantern, with diary entries and notes providing information on the lost memory of the title character. While the core of the game remains the same between the two, some elements of The Dark Descent have been removed for A Machine for Pigs, while new elements have been added, one reason being to provide a fresh gameplay experience to players of The Dark Descent.
Most of the puzzles are based on physically interacting with the environment because of this change. The sanity mechanic of the first game has been removed, meaning that the darkness and looking at the creatures no longer cause any drawbacks. Health lost when Mandus is injured, will regenerate after a certain period of time; thereby eliminating the need to find vials of laudanum to restore health as in The Dark Descent.
The game's level design has been touted as "significantly different" from that of The Dark Descent, with larger areas and outdoor environments included. AI was also adjusted to ensure players are unable to predict enemy behavior based on their experiences with the original game.
Its a excellent survival game.
The game features several interlocking storylines. Some take place in the past, some in the present, and some are overtly real while some may be imagined. Set in London on New Year's Eve, 1899, the game's protagonist is Oswald Mandus, a wealthy industrialist and butcher who is implied to be the great grand-nephew of Daniel, the protagonist of Amnesia: The Dark Descent.
The game is a survival horror game played from a first-person perspective.
Players explore the environments using a lantern, with diary entries and notes providing information on the lost memory of the title character. While the core of the game remains the same between the two, some elements of The Dark Descent have been removed for A Machine for Pigs, while new elements have been added, one reason being to provide a fresh gameplay experience to players of The Dark Descent.
Most of the puzzles are based on physically interacting with the environment because of this change. The sanity mechanic of the first game has been removed, meaning that the darkness and looking at the creatures no longer cause any drawbacks. Health lost when Mandus is injured, will regenerate after a certain period of time; thereby eliminating the need to find vials of laudanum to restore health as in The Dark Descent.
The game's level design has been touted as "significantly different" from that of The Dark Descent, with larger areas and outdoor environments included. AI was also adjusted to ensure players are unable to predict enemy behavior based on their experiences with the original game.
Its a excellent survival game.
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BodyKey® is a personalised weight management solution that is designed to suit your lifestyle. The...