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Gareth von Kallenbach (980 KP) rated Cold Pursuit (2019) in Movies

Jun 19, 2019

Cold Pursuit (2019)

2019 | Action, Drama, Thriller

5.9

(29 Ratings)

Movie Rating

Nels Coxman (Liam Neeson) is a simple man who spends his days clearing the roads in a remote Colorado Ski Town and spends his days with his wife and his son. Nels is so unassuming that when he is awarded Citizen of the Year he states that there are others far more worthy and fusses over getting dressed up to accept the award and make a speech.

When his son is found dead of a Heroin overdose; Nels is not willing to accept that his son was a user even though this puts tremendous strain on his marriage and has taken Nels to consider suicide. At his worst moment he learns that his son’ co-worker was involved with some shady dealing and that his son was likely collateral damage from the criminal elements involved.

With a new found sense of purpose: Nels embarks on a quest to find the truth and avenge his son’s death no matter the consequences.

One would think that “Cold Pursuit” is a standard revenge film but it unexpectedly changes direction shortly after Nels starts exacting his revenge. The film transforms into a Dark Comedy of sorts as characters get a Title Screen when they are killed many of which have a morbid humor to them. The film even takes the bold step of moving away from Neeson for a good third of the film and putting the emphasis on other characters from rival crime organizations to the Sherriff and his eager Detective (Emmy Rossum).

As such the film is not what you expect as although there is plenty of action at times; it is a Dark Comedy with dramatic elements. It is more in line of what you might expect at a Film Festival from an Indie studio versus a major studio release.

As such fans of Neeson may be disappointed in seeing a departure from the type of films they have come to expect from him in recent years while others may embrace the quirky nature of the film.

http://sknr.net/2019/01/30/cold-pursuit/

Kudos

Marylegs (44 KP) rated Dark Aemilia (UK Edition) in Books

Aug 14, 2019

So I received Dark Aemilia from a Goodreads give away. All I can say is how lucky I was to receive such a good book, that otherwise I likely would not have taken a second glance at. This is a beautifully written piece of historical fiction. Which at its core, is a love story, between Aemilia Bassano and William Shakespeare. How their love blossomed and through many external factors was pulled apart. The book is laid out in acts and scenes like a play and tells the story from Aemilia point of view. I enjoyed being submerged in the Tudor London at the end of Elizabeth I reign. This book completely grabbed me from the start and had I had more free time I am sure I would have read this book in a day or two.

Unfortunately as I havent ever read historical fiction before I dont really have any point of reference for comparison. But what I will say is that I thoroughly enjoyed how realistic this book felt, but still was able to bring in completely fictitious elements of magic and witchcraft. Sam OReilly has managed to bring in these elements, which appealed to my love of fantasy, without being over the top. I particularly enjoyed the time when London was under the grips of the plague and thought it was just so well written and explained. At no point did I feel lost in descriptions, I was there, with Aemilia and that poor woman just couldnt catch a break.

There is mature content it is an adult story of love, so yes there is sex. I personally have no issue with this and believe it to be an integral addition to this story. It is done well and doesnt feel forced or overdone. I am struggling to put into words how much I enjoyed this book, I will read it again and I would recommend it. I will now even consider reading other historical fiction that I had not thought I would enjoy.

Kudos

Gareth von Kallenbach (980 KP) rated Inglourious Basterds (2009) in Movies

Aug 9, 2019

Should we be allowed to laugh at brutality? Is there room for comedy in a film about the Second World War? These are just some of the questions Quentin Tarantino’s latest film “Inglorious Bastards” is sure to bring to mind.

“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.

Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.

While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.

The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.

“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.

Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.