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Dark Prince (Greek Series, #2)
Dark Prince (Greek Series, #2)
David Gemmell | 1991 | Fiction & Poetry
7
7.0 (2 Ratings)
Book Rating
Sequel to David Gemmell's earlier Lion of Macedon, with more emphasis on the mystical elements this time around: whereas that earlier novel was perhaps 90/10 in favour of history, this is (IMO) closer to 40/60.

As the novel starts, Alexander is but a 4 year old and Parmenion is out of favour with Philip of Macedon, who is jealous of the Spartan general's success in battle. Alexander is still plagued by the Chaos Spirit, and - at around the 1/4 mark - is magically transported into an alternate Greece, where the myths and monsters of Greek legend are all real. With a little help from Aristotle and the Siptrassi stones, Parmenion is soon off on a rescue mission, accompanied by Philip's assassin Attalus (without Philips knowledge). The bulk of this novel - parts 2 and 3 (of 4) - then takes place in that alternate Greece, with Parmenion - again - reliving his past and playing a key role in proceedings, before it returns to 'our' Greece for the final part of the novel.

As is standard for Gemmell, lots of musing on the nature of Good and evil throughout, and with a conflicted central protagonist.
  
40x40

Butch Vig recommended London Calling by The Clash in Music (curated)

 
London Calling by The Clash
London Calling by The Clash
1979 | Rock
8.8 (10 Ratings)
Album Favorite

"For me this is possibly the greatest rock album of all time. It's a band playing at the absolute, height of their power. It's very ambitious: it's got elements of ska and funk, pop songs, soul, jazz, rockabilly, reggae - and in the end it's got this really great blues energetic vibe. It just seems like they tossed it off and lyrically it touches on a lot of different subjects. Some of the songs are very political: 'Spanish Bombs' is about the Spanish civil war, 'London Calling' itself - that song is such an anthem. The band had some commercial success after this album - with Combat Rock - but to me London Calling is the pinnacle of their song-writing. It is just a fantastic record with an iconic sleeve; that shot of Paul Simonon smashing his bass, it's just incredible. I saw The Clash play in Chicago when I was on tour and it was like electricity. They came out and they started with 'London Calling'. The place was rammed with 5,000+ people and it went OFF! It was as if a bomb dropped and it was one of the most exciting concerts I've ever seen!"

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