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Dark Prince (Greek Series, #2)
Dark Prince (Greek Series, #2)
David Gemmell | 1991 | Fiction & Poetry
7
7.0 (2 Ratings)
Book Rating
Sequel to David Gemmell's earlier Lion of Macedon, with more emphasis on the mystical elements this time around: whereas that earlier novel was perhaps 90/10 in favour of history, this is (IMO) closer to 40/60.

As the novel starts, Alexander is but a 4 year old and Parmenion is out of favour with Philip of Macedon, who is jealous of the Spartan general's success in battle. Alexander is still plagued by the Chaos Spirit, and - at around the 1/4 mark - is magically transported into an alternate Greece, where the myths and monsters of Greek legend are all real. With a little help from Aristotle and the Siptrassi stones, Parmenion is soon off on a rescue mission, accompanied by Philip's assassin Attalus (without Philips knowledge). The bulk of this novel - parts 2 and 3 (of 4) - then takes place in that alternate Greece, with Parmenion - again - reliving his past and playing a key role in proceedings, before it returns to 'our' Greece for the final part of the novel.

As is standard for Gemmell, lots of musing on the nature of Good and evil throughout, and with a conflicted central protagonist.
  
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Butch Vig recommended London Calling by The Clash in Music (curated)

 
London Calling by The Clash
London Calling by The Clash
1979 | Rock
8.8 (10 Ratings)
Album Favorite

"For me this is possibly the greatest rock album of all time. It's a band playing at the absolute, height of their power. It's very ambitious: it's got elements of ska and funk, pop songs, soul, jazz, rockabilly, reggae - and in the end it's got this really great blues energetic vibe. It just seems like they tossed it off and lyrically it touches on a lot of different subjects. Some of the songs are very political: 'Spanish Bombs' is about the Spanish civil war, 'London Calling' itself - that song is such an anthem. The band had some commercial success after this album - with Combat Rock - but to me London Calling is the pinnacle of their song-writing. It is just a fantastic record with an iconic sleeve; that shot of Paul Simonon smashing his bass, it's just incredible. I saw The Clash play in Chicago when I was on tour and it was like electricity. They came out and they started with 'London Calling'. The place was rammed with 5,000+ people and it went OFF! It was as if a bomb dropped and it was one of the most exciting concerts I've ever seen!"

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Joey Santiago recommended Marquee Moon by Television in Music (curated)

 
Marquee Moon by Television
Marquee Moon by Television
1977 | Rock
9.0 (4 Ratings)
Album Favorite

"I got this when we were already started, it was when I raided the album closet of Elektra. It's one of the albums where it was, "Yeah, I gotta have this one". Tom Verlaine and Richard Lloyd traded off rhythm and lead, it'd be like their version of 'Dueling Banjos'! They took turns and there's all these different elements to it. That probably seeped in to [his and Black Francis' playing] on 'Monkey Gone To Heaven' through osmosis. We didn't mean it and it was just lucky. We just figure stuff out. Charles [Michael Kittridge Thompson IV, aka Black Francis] just leaves me alone when I'm doing my guitars. He would say "'Pixify' it", it's when the Pixies really become the Pixies. I'm just quoting him! It's kind of true in a little way. Of course it would be, that's the job, that's a lead guitarist's job, and Charles' job is to make Pixies songs and all that stuff. The guitar happens to be front and centre of the mix. They would even say it, "Now it's Joey's turn", and Charles would say: "Ah, now it's the Pixies.""

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