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Joey Santiago recommended Marquee Moon by Television in Music (curated)

 
Marquee Moon by Television
Marquee Moon by Television
1977 | Rock
9.0 (4 Ratings)
Album Favorite

"I got this when we were already started, it was when I raided the album closet of Elektra. It's one of the albums where it was, "Yeah, I gotta have this one". Tom Verlaine and Richard Lloyd traded off rhythm and lead, it'd be like their version of 'Dueling Banjos'! They took turns and there's all these different elements to it. That probably seeped in to [his and Black Francis' playing] on 'Monkey Gone To Heaven' through osmosis. We didn't mean it and it was just lucky. We just figure stuff out. Charles [Michael Kittridge Thompson IV, aka Black Francis] just leaves me alone when I'm doing my guitars. He would say "'Pixify' it", it's when the Pixies really become the Pixies. I'm just quoting him! It's kind of true in a little way. Of course it would be, that's the job, that's a lead guitarist's job, and Charles' job is to make Pixies songs and all that stuff. The guitar happens to be front and centre of the mix. They would even say it, "Now it's Joey's turn", and Charles would say: "Ah, now it's the Pixies.""

Source
  
The Devil's Own (1997)
The Devil's Own (1997)
1997 | Action, Drama, Mystery
I don't know what's worse: a film that's underwritten and knows it, or a film which sets up such thought-provoking themes only to immediately ditch them by the wayside (which this one is). It's so frustrating how this had most of the elements just on principle alone to be really, really good and it still wasn't. Seemingly intentionally unexciting, so much so that Brad Pitt's middle-schooler-impression-of-Daniel-Day-Lewis-from-𝘐𝘯-𝘵𝘩𝘦-𝘕𝘢𝘮𝘦-𝘰𝘧-𝘵𝘩𝘦-𝘍𝘢𝘵𝘩𝘦𝘳 accent is actually the best part of it. Gets semi-engaging in the last 45 minutes if only because it finally gets some of the right look + feel for what this wants to be, but even then it's got no bite and is disgustingly pro-cop (a cop who shot dead an unarmed victim multiple times then tried to force everyone to cover it up and doesn't regret it can be redeemed without doing anything!). Poises itself to go over issues of oppression, nationalism, trauma, violence, and what happens when they all intersect - but never does. Harrison Ford is so bland here, too. Doesn't even care about its own story, what a fucking shame. This really coulda been something.
  
Housebound (2014)
Housebound (2014)
2014 | Comedy, Mystery
Neither funny nor scary enough to fully accomplish what it wants to, but it's *almost* wild enough to. Hurts to go hard on this one because many of its flaws come from simply how ambitious this is on such a small budget - so it's at least always admirable in spite of them; but I can't look past how rough those first 45 minutes are nor how it largely abandons the loads upon loads of potential this premise has in favor of its eventual rug-pull twist to sort of carry the movie from there (which it at least does pretty okay). Because of this we see supporting characters who crave to be more fleshed-out and intriguing plot elements you wish they ran with more instead of more borrowed platitudes. But as aforementioned, those last 50 or so minutes are a fucking RIOT (if still painfully underdeveloped, at least it's fun to watch - with some unexpectedly potent emotion [again, underwritten though]). Even when it falls flat on its face there's a charming earnestness here that can't be denied. It's decent but far from the revolutionary cinema everyone seems to think it is - though it could have been.
  
Project Power (2020)
Project Power (2020)
2020 | Action, Crime, Sci-Fi
Another glossy but slightly underwhelming Netflix genre movie. A new drug granting temporary superpowers is being sold on the streets of New Orleans, and a maverick cop, a ex-military drifter and a teenage girl team up to put a stop to it.

Maybe some of these Netflix movies would be more impressive on a big screen where all the special effects and sound design would get an appropriate delivery and have the faculty-numbing effect this sort of film is depending on. Or maybe not, I don't know. As it is this has an interesting premise, charismatic leads and seems to genuinely want to do some social commentary about US society, the nature of power, etc etc. But that would require a level of downbeat grittiness wholly at odds with the extravaganza of lavish CGI and show-offy direction this film also wants to be, and it's the latter elements that win out. As a result it is watchable and engaging on a superficial level but you sort of lament the loss of the more interesting and restrained film this could have been instead. Hey ho.