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ClareR (5916 KP) rated Build Your Home Around My Body in Books
Jul 28, 2021
I loved this enchanting, horrific, beautiful story. Build Your House Around My Body is a difficult book to describe. There are at least three timelines, all relevant to what is happening in the present day to the main character, Winnie née Ngoan.
Winnie is a lost soul - she has gone to Vietnam to stay with family while she teaches English to Vietnamese students, hoping to find herself, but she seems to become more and more lost as the story progresses. She struggles with her dual identity as her mother is American, and her father is Vietnamese. The fact that she seems to deliberately sabotage her own life is the most tragic thing about her.
The time does jump around a bit, but this didn’t confuse me at all - the chapter headings made sure of that - in fact they gave some interesting history lessons (e.g. French colonialism, Japanese occupation).
It’s a weird and wonderful one (my favourite kind!), sometimes bordering on the grotesque (ditto). Bodily functions and food that I wasn’t sure about, galore! (I’d still try the food though, although I draw the line at dog…).
The supernatural elements showed that these things are still very much a part of Vietnamese culture (spirits and demons both feature).
Some parts are achingly sad, some made me feel a bit ill, and others were actually quite amusing. I couldn’t put this book down. The joy of it was that I didn’t know, couldn’t predict, what was going to happen next!
I’m really interested to see what Kupersmith writes next if this is her debut - what an imagination!
Many thanks to Jellybooks for giving me the chance to read this wonderful book.
Winnie is a lost soul - she has gone to Vietnam to stay with family while she teaches English to Vietnamese students, hoping to find herself, but she seems to become more and more lost as the story progresses. She struggles with her dual identity as her mother is American, and her father is Vietnamese. The fact that she seems to deliberately sabotage her own life is the most tragic thing about her.
The time does jump around a bit, but this didn’t confuse me at all - the chapter headings made sure of that - in fact they gave some interesting history lessons (e.g. French colonialism, Japanese occupation).
It’s a weird and wonderful one (my favourite kind!), sometimes bordering on the grotesque (ditto). Bodily functions and food that I wasn’t sure about, galore! (I’d still try the food though, although I draw the line at dog…).
The supernatural elements showed that these things are still very much a part of Vietnamese culture (spirits and demons both feature).
Some parts are achingly sad, some made me feel a bit ill, and others were actually quite amusing. I couldn’t put this book down. The joy of it was that I didn’t know, couldn’t predict, what was going to happen next!
I’m really interested to see what Kupersmith writes next if this is her debut - what an imagination!
Many thanks to Jellybooks for giving me the chance to read this wonderful book.
Jonathan Donahue recommended track When You Wish Upon a Star by Cliff Edwards in When You Wish Upon a Star by Cliff Edwards in Music (curated)
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Album
Favorite
Lee Ronaldo recommended Slanted and Enchanted by Pavement in Music (curated)
Jesters_folly (230 KP) rated Zombeavers (2015) in Movies
Sep 21, 2020
Contains spoilers, click to show
Zombeavers is more an attempted at an 80's slasher film than a Zombie movie, you have your house by the lake, your horny teens and your monsters. The narrative is almost 'by the book' and once you work out what the threat is you could pretty much wright the script yourself. And it doesn't take much to work out the threat, between the title and opening credits you know what's going on before the protagonists do.
The effects are ok, the actual beavers are obviously fake animatronics but this is probably deliberate to help with the cheesy feel of the film, there is blood but not too much guts although there is a scene with a beaver ripped in half which is quite good (I'm not going to mention the scene meant to make any male's eyes water).
As with most 80's slashers there's sex, boobs and pruds. There are a few secondary characters, most of whom have no character and are really only there to flesh out the number victims and, to be honest the main characters don't really have much, well character.
Some of the water scenes seem to be going for a 'Friday the Thirteenth' feel but, where most films would have the characters messing about and joking about the monster and thus adding to their development, Zombeavers just gets down to the action and, as it's run time is is only around 1 hour 17 there is plenty of time for expansion.
If you like slashers then you may like Zombeavers, most of the elements are there but it's predictable, slightly funny and has mostly been done before, just not with Beavers.
The effects are ok, the actual beavers are obviously fake animatronics but this is probably deliberate to help with the cheesy feel of the film, there is blood but not too much guts although there is a scene with a beaver ripped in half which is quite good (I'm not going to mention the scene meant to make any male's eyes water).
As with most 80's slashers there's sex, boobs and pruds. There are a few secondary characters, most of whom have no character and are really only there to flesh out the number victims and, to be honest the main characters don't really have much, well character.
Some of the water scenes seem to be going for a 'Friday the Thirteenth' feel but, where most films would have the characters messing about and joking about the monster and thus adding to their development, Zombeavers just gets down to the action and, as it's run time is is only around 1 hour 17 there is plenty of time for expansion.
If you like slashers then you may like Zombeavers, most of the elements are there but it's predictable, slightly funny and has mostly been done before, just not with Beavers.
LeftSideCut (3776 KP) rated Possessor (2020) in Movies
Dec 4, 2020
From the mind of Brandon Cronenberg comes his second feature length, Possessor, and the best way I could sum it up is that it's a subtle assault on the senses. Although it occasionally throws unsettling imagery at the screen now and again, these moments are seldom and fleeting. The main assault comes from the constant sense of dread that is present from it's visually striking and bloody opening, straight through to it's pretty insane climax. I just felt on edge consistently, thanks to the minimal but forboding score, top notch editing on display, and some quite brilliant performances.
Andrea Riseborough is great, as she was in Mandy, and her presence in modern horror is a welcome one. Her character is the overarching glue that holds all the emotional strains of the plot together with a cold core.
Christopher Abbott is wonderful, as he essentially plays two seperate characters, and sells his descent into madness perfectly.
The supporting cast include the likes of Jennifer Jason Leigh, Tuppence Middleton, and Sean Bean, and it's honestly just a pretty solid cast all around.
The plot is intriguing in a dystopian sci-fi kind of way, and has enough horror elements to really get under the skin. The scene that the already recognisable poster image is taken from is one of the most recoil inducing and uncomfortable scenes I've seen in a while. This premise played out with a decent screenplay, accompanied by sudden bursts of extreme violence, give Possessor an identity of it's own, and make it a modern horror entry that can stand shoulder to shoulder with the big boys.
One of the films of the year for me!
Andrea Riseborough is great, as she was in Mandy, and her presence in modern horror is a welcome one. Her character is the overarching glue that holds all the emotional strains of the plot together with a cold core.
Christopher Abbott is wonderful, as he essentially plays two seperate characters, and sells his descent into madness perfectly.
The supporting cast include the likes of Jennifer Jason Leigh, Tuppence Middleton, and Sean Bean, and it's honestly just a pretty solid cast all around.
The plot is intriguing in a dystopian sci-fi kind of way, and has enough horror elements to really get under the skin. The scene that the already recognisable poster image is taken from is one of the most recoil inducing and uncomfortable scenes I've seen in a while. This premise played out with a decent screenplay, accompanied by sudden bursts of extreme violence, give Possessor an identity of it's own, and make it a modern horror entry that can stand shoulder to shoulder with the big boys.
One of the films of the year for me!
MelanieTheresa (997 KP) rated Yesterday (2019) in Movies
Sep 23, 2019 (Updated Sep 23, 2019)
Better than I thought it would be.
Contains spoilers, click to show
Failing musician gets hit by a car during a mysterious worldwide 12-second blackout, and wakes up to a world in which The Beatles never existed (also never existed: Coca-Cola, cigarettes (?), and Harry Potter). Musician claims the songs as his own and becomes an overnight sensation.
(There are also the rom-com elements: failing musician is oblivious to the feelings of his friend-slash-manager until he's uber-famous and it's almost too late, friend-slash-manager starts seeing someone else, etc.)
Evidently, there are two other people in the world who also remember The Beatles, and though the movie attempts to make you think there may be something sinister happening there (*gasp* are they going to expose him??), there isn't. These two people aren't even mad that the musician is claiming he wrote the songs; they're just happy to hear the songs again.
There's a pretty great sequence in which our main character looks up John Lennon (played by Robert Carlyle) and goes to visit him, because hey, if The Beatles never existed, then it follows that John must still be alive, right? I didn't even think of that until he showed up on screen, but it seemed like a quietly brilliant piece of the movie.
So what caused the mysterious 12-second blackout and the disappearance of The Beatles (and Coca-Cola, cigarettes, Harry Potter)? I HAVE NO IDEA BECAUSE THEY DIDN'T TELL US. Anybody who knows me will tell you I always need to know the "why" of things, so this mostly happily-ever-after ending left me super frustrated.
(There are also the rom-com elements: failing musician is oblivious to the feelings of his friend-slash-manager until he's uber-famous and it's almost too late, friend-slash-manager starts seeing someone else, etc.)
Evidently, there are two other people in the world who also remember The Beatles, and though the movie attempts to make you think there may be something sinister happening there (*gasp* are they going to expose him??), there isn't. These two people aren't even mad that the musician is claiming he wrote the songs; they're just happy to hear the songs again.
There's a pretty great sequence in which our main character looks up John Lennon (played by Robert Carlyle) and goes to visit him, because hey, if The Beatles never existed, then it follows that John must still be alive, right? I didn't even think of that until he showed up on screen, but it seemed like a quietly brilliant piece of the movie.
So what caused the mysterious 12-second blackout and the disappearance of The Beatles (and Coca-Cola, cigarettes, Harry Potter)? I HAVE NO IDEA BECAUSE THEY DIDN'T TELL US. Anybody who knows me will tell you I always need to know the "why" of things, so this mostly happily-ever-after ending left me super frustrated.
Matthew Krueger (10051 KP) rated The Texas Chain Saw Massacre (1974) in Movies
Oct 14, 2019
What Noise Does A Chainsaw Make?
The Texas Chainsaw Massacre- a classic horror film. Directed by a horror icon and legend- Tobe Hopper.
The Plot- When Sally (Marilyn Burns) hears that her grandfather's grave may have been vandalized, she and her paraplegic brother, Franklin (Paul A. Partain), set out with their friends to investigate. After a detour to their family's old farmhouse, they discover a group of crazed, murderous outcasts living next door. As the group is attacked one by one by the chainsaw-wielding Leatherface (Gunnar Hansen), who wears a mask of human skin, the survivors must do everything they can to escape.
The film was marketed as being based on true events to attract a wider audience and to act as a subtle commentary on the era's political climate; although the character of Leatherface and minor story details were inspired by the crimes of murderer Ed Gein, its plot is largely fictional.
Hooper limited the quantity of onscreen gore in hopes of securing a PG rating, but the Motion Picture Association of America (MPAA) rated it R. The film faced similar difficulties internationally.
It has since gained a reputation as one of the best and most influential horror films. It is credited with originating several elements common in the slasher genre, including the use of power tools as murder weapons, the characterization of the killer as a large, hulking, faceless figure, and the killing of victims. It led to a franchise that continued the story of Leatherface and his family through sequels, prequels, a remake, comic books and video games.
I highly reccordmend this movie.
The Plot- When Sally (Marilyn Burns) hears that her grandfather's grave may have been vandalized, she and her paraplegic brother, Franklin (Paul A. Partain), set out with their friends to investigate. After a detour to their family's old farmhouse, they discover a group of crazed, murderous outcasts living next door. As the group is attacked one by one by the chainsaw-wielding Leatherface (Gunnar Hansen), who wears a mask of human skin, the survivors must do everything they can to escape.
The film was marketed as being based on true events to attract a wider audience and to act as a subtle commentary on the era's political climate; although the character of Leatherface and minor story details were inspired by the crimes of murderer Ed Gein, its plot is largely fictional.
Hooper limited the quantity of onscreen gore in hopes of securing a PG rating, but the Motion Picture Association of America (MPAA) rated it R. The film faced similar difficulties internationally.
It has since gained a reputation as one of the best and most influential horror films. It is credited with originating several elements common in the slasher genre, including the use of power tools as murder weapons, the characterization of the killer as a large, hulking, faceless figure, and the killing of victims. It led to a franchise that continued the story of Leatherface and his family through sequels, prequels, a remake, comic books and video games.
I highly reccordmend this movie.
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