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ClareR (6054 KP) rated Pippo and Clara in Books
Apr 16, 2021
Pippo and Clara begins in 1938, in Italy. Mussolini is in power and WW2 is imminent. The Fascists have control of the country, but not necessarily the people, and the Italian Communists are fighting back.
Pippo and Clara arrive in the city with their mother after their Romany father is murdered. One morning their mother gets up early to buy food and doesn’t return. Clara goes to look for her, turning right at the entrance to their building; later Pippo awakens and goes to look for his mother and Clara, turning left at the entrance. This change in direction means the children don’t see one another for a long time.
Luckily, they are each adopted into families (unofficially) who love and care for them - Clara’s family are Fascists, Pippo’s are Communists.
This was such an emotional story. It wasn’t just what happened to these children, it was the bigger picture as well. When the inevitable happens and the Germans occupy Italy, Jews are rounded up and taken away, people fear for their freedom and their lives.
It was fascinating to read about the Freedom Fighters (Partisans) and their acts of espionage, as well as how they fought back. This included even those who had been fascists under Mussolini’s regime.
There’s so much to talk about in this book (perfect for a book club, I should think!), but I won’t spoil it. Needless to say, I really enjoyed it and was thoroughly heartbroken by the end. Any book about war is going to have tragic elements, but this is about hope as well, and the fact that good can, and did, overcome evil.
Another recommendation for the historical fiction fans. It’s a fabulous novel.
Pippo and Clara arrive in the city with their mother after their Romany father is murdered. One morning their mother gets up early to buy food and doesn’t return. Clara goes to look for her, turning right at the entrance to their building; later Pippo awakens and goes to look for his mother and Clara, turning left at the entrance. This change in direction means the children don’t see one another for a long time.
Luckily, they are each adopted into families (unofficially) who love and care for them - Clara’s family are Fascists, Pippo’s are Communists.
This was such an emotional story. It wasn’t just what happened to these children, it was the bigger picture as well. When the inevitable happens and the Germans occupy Italy, Jews are rounded up and taken away, people fear for their freedom and their lives.
It was fascinating to read about the Freedom Fighters (Partisans) and their acts of espionage, as well as how they fought back. This included even those who had been fascists under Mussolini’s regime.
There’s so much to talk about in this book (perfect for a book club, I should think!), but I won’t spoil it. Needless to say, I really enjoyed it and was thoroughly heartbroken by the end. Any book about war is going to have tragic elements, but this is about hope as well, and the fact that good can, and did, overcome evil.
Another recommendation for the historical fiction fans. It’s a fabulous novel.
ClareR (6054 KP) rated Luckenbooth in Books
Feb 14, 2021
I love a book that takes me by surprise and is a bit off centre; something a bit different from books found on the bestseller lists (which is where I would hope this will end up!!), or the supermarket shelves. Luckenbooth is one of those books.
Luckenbooth piqued my interest as soon as I saw the cover photo - and then I read the synopsis. How could it possibly NOT appeal to me? I mean, the devils daughter rows to Edinburgh in a coffin to work for the Minister of Culture. I was hooked. It’s not all about her though. The book is split into three sections, each section revolving around three different characters, and we see glimpses in to their lives. There are people from all walks of life: strippers, spies, maids, a black human rights lawyer with a bone mermaid, drug addicts, poets, a medium. These are all people who live on the edge of society (within No. 10 Luckenbooth Close, anyway!), people who have little - and they live in a tenement that has been cursed by the devils daughter.
The stories seem not to be linked to one another, and their only link is the fact that they all live in the same tenement building. I really enjoyed these snapshots, any one of them could have been longer and I would have enjoyed them just as much. This fed my love of short stories though, and I really liked how reality was mixed with the more supernatural elements.
I will have to dig out my copies of Fagans books The Sunlight Pilgrims and The Panopticon, languishing in my Kindle library - this has really made me want to read her other books.
Many thanks to the publisher for providing me with a copy of this book through NetGalley.
Luckenbooth piqued my interest as soon as I saw the cover photo - and then I read the synopsis. How could it possibly NOT appeal to me? I mean, the devils daughter rows to Edinburgh in a coffin to work for the Minister of Culture. I was hooked. It’s not all about her though. The book is split into three sections, each section revolving around three different characters, and we see glimpses in to their lives. There are people from all walks of life: strippers, spies, maids, a black human rights lawyer with a bone mermaid, drug addicts, poets, a medium. These are all people who live on the edge of society (within No. 10 Luckenbooth Close, anyway!), people who have little - and they live in a tenement that has been cursed by the devils daughter.
The stories seem not to be linked to one another, and their only link is the fact that they all live in the same tenement building. I really enjoyed these snapshots, any one of them could have been longer and I would have enjoyed them just as much. This fed my love of short stories though, and I really liked how reality was mixed with the more supernatural elements.
I will have to dig out my copies of Fagans books The Sunlight Pilgrims and The Panopticon, languishing in my Kindle library - this has really made me want to read her other books.
Many thanks to the publisher for providing me with a copy of this book through NetGalley.
Cate Le Bon recommended Third/Sister Lovers by Big Star in Music (curated)
Wayne Coyne recommended The Dark Side of the Moon by Pink Floyd in Music (curated)
LeftSideCut (3776 KP) rated A Nightmare on Elm Street (1984) in Movies
Jul 4, 2021
80s horror is its own unique thing, and nothing quite encapsulates the era as well as A Nightmare On Elm Street. Another series that spawned a whole bunch of sequels, the original holds the crown, and still stands the test of time.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.
The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.
ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.
The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.
ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
Gaz Coombes recommended track Binary by Kazino in Around My Dream by Kazino in Music (curated)
LoganCrews (2861 KP) rated Bridget Jones's Diary (2001) in Movies
Sep 20, 2020
Renée is of course perfect, as are Hugh and Colin and all three of their respective characters. In fact this is still just as tight, snappy, and cute as it was back in the day - but per no real fault of its own this (or at least a hefty amount of its elements) became the basis for pretty much *every* chintzy romcom clone that was to come for the foreseeable future to the point where a lot of this just feels rather rote now in light of that *and* today's version of the mainstream romcom. Not that there still isn't revolutionary stuff that stands out, particularly the representation of a demographic that wasn't usually seen as romantic lead status at the time given by this lead. Though while it starts out lovely enough there's a clear dip in quality at a point and it treads water by the end. I find the first half very interesting in that - at the time - it probably played as a very adorable yet scandalous romp but now plays more like a biting, ballsy foray into societal satire in light of the #MeToo movement. Plus that's when the witty dialogue, engrossment, and visual competence is at its best anyway. But those aforementioned cringey and overused romcom clichés (people falling off boats, making a mess while cooking, interrupting some sort of wedding announcement, cheeky but actually annoying best friends who serve no purpose, etc etc) bog it down more and more until it runs on full autopilot mode. The parent subplot is a nonentity too but that's whatever I guess. Though I do stand with the majority in that the Firth x Grant fight scene is - naturally - a masterpiece. Agreeable even though approximately no interesting threads get pulled.
LeftSideCut (3776 KP) rated Revenge (2018) in Movies
Sep 20, 2020
I always feel a bit iffy about rape-revenge horror - it's a sub genre that at its best can be a satisfying and empowering thrill ride, and at it's worst, can come across as cheap exploitation. Revenge is luckily in the former camp.
Lead actress Matilda Lutz gives us a badass vengeance seeking protagonist for the ages, while the other three actors (it's a damn small cast) Kevin Janssens, Vincent Colombes, and Guillaume Bouchède effectively provide the the absolute bastards we all want to see die so badly.
The locations and wide shots in Revenge look stunning by the way. In between all the nasty bits(which we'll get to), it's just a stunning and vibrant film to look at, with a lot of the horror elements taking place in blazing sunshine.
As for the aforementioned nasty bits - holy shit, this film is violent. By the time the credits roll, everyone and everywhere is just covered in blood. The practical effects used are pretty great, and looks believable, even if the sheer amount of viscera is absurd at times.
It provides us with some grisly set pieces that linger on the brain, in particular, a scene where a character has to un-impale herself from a tree - it's genuinely quite harrowing.
Also, maybe give this a pass if you're squeamish about foot stuff. I don't know about you, but I always found the foot abuse in Die Hard rather uncomfortable, and this makes that look like a children's cartoon at times.
Overall, Revenge is just a smack to the face. A fairly slow build, but high octane when it gets rolling, with good performances, plenty of blood, and enough jarring sound and camera edits to make you uncomfortable. Worth a watch for horror fans, without a doubt.
Lead actress Matilda Lutz gives us a badass vengeance seeking protagonist for the ages, while the other three actors (it's a damn small cast) Kevin Janssens, Vincent Colombes, and Guillaume Bouchède effectively provide the the absolute bastards we all want to see die so badly.
The locations and wide shots in Revenge look stunning by the way. In between all the nasty bits(which we'll get to), it's just a stunning and vibrant film to look at, with a lot of the horror elements taking place in blazing sunshine.
As for the aforementioned nasty bits - holy shit, this film is violent. By the time the credits roll, everyone and everywhere is just covered in blood. The practical effects used are pretty great, and looks believable, even if the sheer amount of viscera is absurd at times.
It provides us with some grisly set pieces that linger on the brain, in particular, a scene where a character has to un-impale herself from a tree - it's genuinely quite harrowing.
Also, maybe give this a pass if you're squeamish about foot stuff. I don't know about you, but I always found the foot abuse in Die Hard rather uncomfortable, and this makes that look like a children's cartoon at times.
Overall, Revenge is just a smack to the face. A fairly slow build, but high octane when it gets rolling, with good performances, plenty of blood, and enough jarring sound and camera edits to make you uncomfortable. Worth a watch for horror fans, without a doubt.
Bong Mines Entertainment (15 KP) rated Keeper - Single by Olivia Nelson in Music
Jun 25, 2019
Olivia Nelson is a 23-year-old singer-songwriter based in East London. Not too long ago, she released an honest R&B tune, entitled, “Keeper”, the third track from her upcoming EP.
“I hope he cracks your back and treats you better than he did to me. I hope he builds a bridge and gets over his insecurities. I’m so over the complications, over the not letting go. I’m ready to move on, ready to open the door. And she’s a keeper if she can deal with all your sh*t. No, I wasn’t the one, wasn’t no fun to play with.” – lyrics
‘Keeper’ tells a straightforward tale of a young woman who sends her ex-beau an evergreen message.
Apparently, not too long ago, the once budding couple called it quits. Their breakup occurred because she lived in a fairytale world while he simultaneously dated someone else.
Later, after healing from her heartache, she tells her ex to keep his new girl close because she’s the only one who will deal with his shenanigans.
‘Keeper’ contains a bittersweet storyline, ear-welcoming vocals, and funky instrumentation flavored with contemporary R&B and neo-soul elements.
“It’s a message to his new girlfriend. A warning of what’s potentially to come.” – Olivia Nelson
Olivia Nelson blossomed after releasing her collaborative debut, “Someone That You Love”, which has amassed over 15M streams; and her standalone single, “Smother Me”, has over 1M streams online.
She is labeled one of British R&B’s most exciting new talents and set to perform on the BBC Introducing Stage at Reading & Leeds Festival this year. Followed by her own headline show at Hoxton Bar & Kitchen in London on October 15, 2019.
“I hope he cracks your back and treats you better than he did to me. I hope he builds a bridge and gets over his insecurities. I’m so over the complications, over the not letting go. I’m ready to move on, ready to open the door. And she’s a keeper if she can deal with all your sh*t. No, I wasn’t the one, wasn’t no fun to play with.” – lyrics
‘Keeper’ tells a straightforward tale of a young woman who sends her ex-beau an evergreen message.
Apparently, not too long ago, the once budding couple called it quits. Their breakup occurred because she lived in a fairytale world while he simultaneously dated someone else.
Later, after healing from her heartache, she tells her ex to keep his new girl close because she’s the only one who will deal with his shenanigans.
‘Keeper’ contains a bittersweet storyline, ear-welcoming vocals, and funky instrumentation flavored with contemporary R&B and neo-soul elements.
“It’s a message to his new girlfriend. A warning of what’s potentially to come.” – Olivia Nelson
Olivia Nelson blossomed after releasing her collaborative debut, “Someone That You Love”, which has amassed over 15M streams; and her standalone single, “Smother Me”, has over 1M streams online.
She is labeled one of British R&B’s most exciting new talents and set to perform on the BBC Introducing Stage at Reading & Leeds Festival this year. Followed by her own headline show at Hoxton Bar & Kitchen in London on October 15, 2019.
Leanne Crabtree (480 KP) rated Written in Red (The Others, #1) in Books
Aug 26, 2019 (Updated Sep 3, 2019)
Well I thought this one started on a bit of intrigue. Where had Meg come from? What were these scars she had? How had she so new to...life?
I found this really hard to put down, if I'm honest, the story really pulled me in and despite there not being much of a romance, I'll admit I was hooked. I loved the innocence of Meg and her just being really nice to everyone, which equally confused them and made them want to protect her. It was nice seeing them turn from scary "other" beings to almost friendly. Especially with Meg. She became one of them. Part of their family.
Despite its lack of romance--I can't decide if something may happen between Meg and Simon in the future--I enjoyed this. It had a few elements of horror style things in--at the beginning and towards the end some trespassers are eaten alive and then some detailed snow related deaths towards the end--but although I didn't enjoy that bit so much, I forgot about it quickly enough.
I loved how every species of other in the Courtyard had their own little traits. The Crows with the "shiny". The wolves with their "arroooo" greetings. Tess with her living hair. The Hawks and their love of rats and mice. The elementals and their horses.
It was really well thought out and though it was almost 500 kindle pages long, I didn't lose interest once.
I'm interested enough in this group of characters to carry on the series. I even read the excerpt for the next book and it HAS given me hope for something more between Meg and Simon so I will be buying the next book at some point in the future.
I found this really hard to put down, if I'm honest, the story really pulled me in and despite there not being much of a romance, I'll admit I was hooked. I loved the innocence of Meg and her just being really nice to everyone, which equally confused them and made them want to protect her. It was nice seeing them turn from scary "other" beings to almost friendly. Especially with Meg. She became one of them. Part of their family.
Despite its lack of romance--I can't decide if something may happen between Meg and Simon in the future--I enjoyed this. It had a few elements of horror style things in--at the beginning and towards the end some trespassers are eaten alive and then some detailed snow related deaths towards the end--but although I didn't enjoy that bit so much, I forgot about it quickly enough.
I loved how every species of other in the Courtyard had their own little traits. The Crows with the "shiny". The wolves with their "arroooo" greetings. Tess with her living hair. The Hawks and their love of rats and mice. The elementals and their horses.
It was really well thought out and though it was almost 500 kindle pages long, I didn't lose interest once.
I'm interested enough in this group of characters to carry on the series. I even read the excerpt for the next book and it HAS given me hope for something more between Meg and Simon so I will be buying the next book at some point in the future.