Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.
Kelly Knows (95 KP) rated Ready Player One (2018) in Movies
Jun 27, 2019
Bong Mines Entertainment (15 KP) rated Fantasy by Chloe MK in Music
Sep 2, 2019
“This song, it’s not about being in love but it could be. Or, it could just be about having someone in your life that means so much to you and then losing them and the effect of that. We were like, how does this translate and relate to the digital elements of the EP and to the visual element of this futuristic, but early-2000s aesthetic. With the TV, when I put my hands up to the screen, I’m being like, taken into the digital realm. Then, in the car with all the numbers flying by, I’m just in this car with like, my matrix friends (laughs). It was this teleportation and signifying being stuck inside and being lost in the sauce with technology.” – chloe mk via refinery29
‘David Bowie’ tells an emotional tale of a young woman who struggles to cope with her mental wellbeing after an affectionate breakup with her significant other.
Apparently, she’s losing her mind thinking about all the time she wasted on an individual who isn’t around anymore.
Even though she can’t wait forever for her ex’s return, she still wishes she could feel this person’s warm embrace one last time for old times’ sake.
Nashville native chloe mk initially cut her teeth by playing classic rock in small clubs and bars before making her way on to NBC’s The Voice.
She emerged victorious on the show in 2017, inked a deal with Republic Records, and established herself as an artist to watch.
Her brand navigates what it means to be young in the digital age and the vast range of emotions that come along with it. Also, her music captures the journey towards self-discovery.
‘David Bowie’ is featured on chloe mk’s debut EP, entitled, “Fantasy”.
Mark @ Carstairs Considers (2440 KP) rated Finding Zelda in Books
Oct 2, 2019 (Updated Oct 2, 2019)
I was excited to see this novel come out. It started life as four short stories in a series called Holidays from Hell. Those stories, plus some additional scenes to help fill in the gaps, make up the first half of the novel, and I was anxious to find out what happened to Zelda. I wasn’t disappointed. While author Sue Ann Jaffarian is best known for her mystery novels, this isn’t a mystery. Instead, it’s a dysfunctional family dramedy. And yes, there are scenes that will make you laugh and scenes that will make you feel for the characters and what they are going through, especially Zelda. As our main characters, she is the most sympathetic, but all the characters have their moments as the book unfolds and all of them are great. This book definitely falls into the PG-13 realm with a smattering of foul language and some scenes that discuss characters’ sex lives. I could have done without those elements, but they are worth noting only in passing. Despite the fact that the book takes place roughly over the course of a year, we get a clear plot and only the scenes we need for the story. While originally conceived as a standalone novel, we are going to get more of Zelda’s adventures. I’m not sure where things can go from here, but I’m looking forward to visiting her again.
ClareR (6001 KP) rated Things In Jars in Books
Sep 22, 2019
I absolutely loved this book. I was never sure if the mythical, fairytale elements were real, or whether Bridie believed them to be real. The seedy, macabre side to London, the sights and smells of the winding streets and the general atmosphere were so well described, that I could have been standing next to Bridie, watching the moving tattoos across Ruby’s torso! Bridie is an excellent character. She feels compelled to find Christabel, mainly because she is coming to the job with a failure weighing heavy on her shoulders, but also she can remember being alone in the world as a child.
Mrs Bibby is a superb villain - she has her conspirators dancing to her tune. She has a gun (and a limp!) and she’s not afraid to use it! Her macabre ‘fairytales’ really ramped up the atmosphere, and showed how truly awful she was. There was a real menace about her.
Other than what I’ve said here, all I can really say is - go and read this book! I loved it (I’ve said that already, I know!), go and read it - you won’t be sorry!
Many thanks to NetGalley and the publisher for my copy of this book.
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