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Lilyn G - Sci-Fi & Scary (91 KP) rated The Sleeper in Books
Feb 1, 2018
Interesting elements for a kids book
The Sleeper is a 96-page science fiction mystery early chapter book. It comes with a few accompanying discussion questions at the back, as well as with some writing prompts and a basic glossary. These writing prompts encourage the reader to continue to interact with the story on their own terms. It plunges the reader right into a world that is theoretically just a few days away from getting destroyed by aliens. But the viewpoint the story is being told from is different than you might expect.
The illustrations in The Sleeper are black and white and surprisingly creepy. The illustrator, Tom Percival, does a solid job doing things like showing how even a smile can be rather disturbing. Nothing is graphic or outright scary at all, and yet readers can definitely experience an unease just looking at the pictures.
The Sleeper introduces the concept of a sleeper agent to young readers. I thought this was interesting and wasn't expecting it even though the title should have been a dead giveaway. In my defense, the cover for The Sleeper and the two line synopsis don't exactly tell you what to expect other than aliens!
While there are several good points to The Sleeper, I can't say I particularly liked it. It felt too brief and even though the discussion questions invite the reader to continue the story, it ends on a massive cliffhanger regarding one of the kids' fate. This may be deliberate, and for younger readers, it may actually work out well. It enables the child to feel a sense of accomplishment that they finished a book, and yet provides the impetus for them to pick up the next one. (Still made me twitch as it reeks too much of the chop-job that some authors like to do to a plot to sell more books.)
Overall, The Sleeper was an okay read. If it gets even a handful of kids interested enough to pick up another book, then it is has done its job. And, as always, it's nice to see a beginning chapter book that focuses on science fiction!
The illustrations in The Sleeper are black and white and surprisingly creepy. The illustrator, Tom Percival, does a solid job doing things like showing how even a smile can be rather disturbing. Nothing is graphic or outright scary at all, and yet readers can definitely experience an unease just looking at the pictures.
The Sleeper introduces the concept of a sleeper agent to young readers. I thought this was interesting and wasn't expecting it even though the title should have been a dead giveaway. In my defense, the cover for The Sleeper and the two line synopsis don't exactly tell you what to expect other than aliens!
While there are several good points to The Sleeper, I can't say I particularly liked it. It felt too brief and even though the discussion questions invite the reader to continue the story, it ends on a massive cliffhanger regarding one of the kids' fate. This may be deliberate, and for younger readers, it may actually work out well. It enables the child to feel a sense of accomplishment that they finished a book, and yet provides the impetus for them to pick up the next one. (Still made me twitch as it reeks too much of the chop-job that some authors like to do to a plot to sell more books.)
Overall, The Sleeper was an okay read. If it gets even a handful of kids interested enough to pick up another book, then it is has done its job. And, as always, it's nice to see a beginning chapter book that focuses on science fiction!
Rachel Maria Berney (114 KP) rated The Little Shop of Found Things in Books
Dec 9, 2018
Plot (1 more)
Writing
A nice story that is a little too obvious
I was looking forward to reading this, the story sounded very interesting and something that is right up my alley. However, I was underwhelmed and dissapointed.
The Main character is like a cardboard cutout, glossy blonde ringlets, Dr Martens, beautiful singing voice, antique expert and a psychic gift, but no real depth till the end. You want to like her, her gist is interesting. You want to feel for her, looking after her sick mother, innocent and sent to jail, she has had a trying time. You want to root for her, but you can't, she's too 2 dimensional. I found Xanthe tinny and annoying, with an impulse to slap her, had she been real.
I wanted to like the story, love it, it was such a good idea. There are so many good elements, that put together right, should've made the book shine. But the whole book just hangs there, hollow. You don't feel anything much for the characters or their plight, it maybe stirs you a little in the second half of the book, but too little too late. The story plods along and doesn't build up intrigue like it should.
I was dissapointed, expecting so much more, it failed to deliver that imaginational jump. it is nothing more than words on a page, with no depth or room for your imagination. I found Blackburns writing too descriptive, she has a tendency to state the obvious to the reader when readers are not stupid, it is annoying and takes something away from the story. From the descriptions it is clear Blackburn has done her historical research and in that respect, she does bring to life the past.
One of the saving graces of the story is the telling of the relationshop between Xanthe and Samuel, it brings an emotional aspect to the book, that up until that point, was lacking.
Overall the story is predicatable, the writing ok, and the only reason you read to end is the optimistic hope that there will be some kind of twist or an unxpected resolution; you are left feeling underwhelmed and frustrated.
The Main character is like a cardboard cutout, glossy blonde ringlets, Dr Martens, beautiful singing voice, antique expert and a psychic gift, but no real depth till the end. You want to like her, her gist is interesting. You want to feel for her, looking after her sick mother, innocent and sent to jail, she has had a trying time. You want to root for her, but you can't, she's too 2 dimensional. I found Xanthe tinny and annoying, with an impulse to slap her, had she been real.
I wanted to like the story, love it, it was such a good idea. There are so many good elements, that put together right, should've made the book shine. But the whole book just hangs there, hollow. You don't feel anything much for the characters or their plight, it maybe stirs you a little in the second half of the book, but too little too late. The story plods along and doesn't build up intrigue like it should.
I was dissapointed, expecting so much more, it failed to deliver that imaginational jump. it is nothing more than words on a page, with no depth or room for your imagination. I found Blackburns writing too descriptive, she has a tendency to state the obvious to the reader when readers are not stupid, it is annoying and takes something away from the story. From the descriptions it is clear Blackburn has done her historical research and in that respect, she does bring to life the past.
One of the saving graces of the story is the telling of the relationshop between Xanthe and Samuel, it brings an emotional aspect to the book, that up until that point, was lacking.
Overall the story is predicatable, the writing ok, and the only reason you read to end is the optimistic hope that there will be some kind of twist or an unxpected resolution; you are left feeling underwhelmed and frustrated.
Sensitivemuse (246 KP) rated Assassin's Heart in Books
Jul 22, 2018
It's Gotta be good with Assassin's in it :)
Contains spoilers, click to show
***Spoilers ahead you’ve been warned***
The world building is really well done with different Families pitted against each other and each one wanting to rise up in the ranks to gain more influence and power. There’s elements of fantasy, as it also involves deities and Gods (each city has their own patron deity). Lea has Safraella for example, who happens to be the Goddess of her city and protects her followers from the ghosts that frequent outside during the night. I loved this concept as it kept the world interesting and played a large role in Lea’s character.
Speaking of Lea. I really enjoyed her as a character. She’s fiercely loyal, headstrong, and her skills are on point. She’s a survivor and once she sets her goals, she does it. Despite all she goes through, she continues to keep going. I love her devotion to Safraella. It may seem fanatical to some but it’s what kept her advancing into her plot for revenge. (Also, she wouldn’t have the drive to go find Les and Marcello)
Although I rather liked Lea and Val together but well he just had to go ahead and do that thing didn’t he but well, Family before family right? Les and Lea were all right. Not the ideal chemistry that I thought she had with Val, but it’s still sweet nevertheless. I can’t say I enjoyed reading the romance in the book though. It felt awkward and out of the place (do we really have time for this when revenge is priority??) and I didn’t care too much for reading about that. I preferred the plotting and surprises that were in store for Lea with the Da Vias.
Aside from the awkward moments of romance, the plot itself was great. It’s got good amounts of action and drama to keep the reading going, and the excellent world building really helps in this case. I especially liked the encounter with Lea and the Goddess Safraella herself. The last third part of the book closed nicely (bwahaha! Revenge was sweet!!!!)
I’m looking forward to the second book, I’d like to know what happens next considering what Lea chose to do.
The world building is really well done with different Families pitted against each other and each one wanting to rise up in the ranks to gain more influence and power. There’s elements of fantasy, as it also involves deities and Gods (each city has their own patron deity). Lea has Safraella for example, who happens to be the Goddess of her city and protects her followers from the ghosts that frequent outside during the night. I loved this concept as it kept the world interesting and played a large role in Lea’s character.
Speaking of Lea. I really enjoyed her as a character. She’s fiercely loyal, headstrong, and her skills are on point. She’s a survivor and once she sets her goals, she does it. Despite all she goes through, she continues to keep going. I love her devotion to Safraella. It may seem fanatical to some but it’s what kept her advancing into her plot for revenge. (Also, she wouldn’t have the drive to go find Les and Marcello)
Although I rather liked Lea and Val together but well he just had to go ahead and do that thing didn’t he but well, Family before family right? Les and Lea were all right. Not the ideal chemistry that I thought she had with Val, but it’s still sweet nevertheless. I can’t say I enjoyed reading the romance in the book though. It felt awkward and out of the place (do we really have time for this when revenge is priority??) and I didn’t care too much for reading about that. I preferred the plotting and surprises that were in store for Lea with the Da Vias.
Aside from the awkward moments of romance, the plot itself was great. It’s got good amounts of action and drama to keep the reading going, and the excellent world building really helps in this case. I especially liked the encounter with Lea and the Goddess Safraella herself. The last third part of the book closed nicely (bwahaha! Revenge was sweet!!!!)
I’m looking forward to the second book, I’d like to know what happens next considering what Lea chose to do.
Daniel Boyd (1066 KP) rated Castle Rock in TV
Oct 23, 2018 (Updated Oct 23, 2018)
Good cast (2 more)
Some cool ideas
Stephen King references
Ups and Downs
Castle Rock is an interesting show, it wasn't what I thought it would be at all. I went in expected a creepy, atmospheric thriller and instead I got a slow burning character study. Don't get me wrong, it is a very well told character study, with plenty of interesting characters and plot threads.
The cast is made up of a few actors that have been used in Stephen King adaptions in the past, as well as a few newcomers to the King adaption universe. Everybody is great in their role, with Sissy Spacek and Bill Skarsgard being the standouts.
The liberties that the show takes with it's inspiration is weirdly inconstant, with some episode whoring out King references left and right and some ignoring the writer's influence altogether. I get the feeling that this was due to the creators wanting to please King fans in the audience while still trying to craft a show that can stand on it's own independently, which is fine, but I kinda wish that they had committed one way or the other.
The show starts off strong, then drags a bit in the middle, but if you can get to episodes 8 & 9, they are possible contenders for some of the best episodes of TV broadcast in 2018. Unfortunately the last episode is very underwhelming after this awesome build up of intrigue that precedes it.
The ending was the biggest negative that the show had. Without giving too much away, it leaves the audience feeling like everything they just witnessed was pretty pointless and leaves you feeling unfulfilled and fairly disappointed. It is clearly trying to set things up for a second season, but does so to the point that it forgets to end the first season in any significant way.
Overall, if you are a King fan you will get a kick out of this. Alternatively, if you are in the mood for a well told, slow burning character study full of intrigue, with elements of psychological horror, then this show is perfect for you. Just don't go in expecting an intense, chilling atmosphere to be present throughout.
The cast is made up of a few actors that have been used in Stephen King adaptions in the past, as well as a few newcomers to the King adaption universe. Everybody is great in their role, with Sissy Spacek and Bill Skarsgard being the standouts.
The liberties that the show takes with it's inspiration is weirdly inconstant, with some episode whoring out King references left and right and some ignoring the writer's influence altogether. I get the feeling that this was due to the creators wanting to please King fans in the audience while still trying to craft a show that can stand on it's own independently, which is fine, but I kinda wish that they had committed one way or the other.
The show starts off strong, then drags a bit in the middle, but if you can get to episodes 8 & 9, they are possible contenders for some of the best episodes of TV broadcast in 2018. Unfortunately the last episode is very underwhelming after this awesome build up of intrigue that precedes it.
The ending was the biggest negative that the show had. Without giving too much away, it leaves the audience feeling like everything they just witnessed was pretty pointless and leaves you feeling unfulfilled and fairly disappointed. It is clearly trying to set things up for a second season, but does so to the point that it forgets to end the first season in any significant way.
Overall, if you are a King fan you will get a kick out of this. Alternatively, if you are in the mood for a well told, slow burning character study full of intrigue, with elements of psychological horror, then this show is perfect for you. Just don't go in expecting an intense, chilling atmosphere to be present throughout.
Hazel (1853 KP) rated Fanya in the Underworld in Books
Dec 6, 2018
I was sent a copy of this book by the author in exchange for an honest review.
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Bong Mines Entertainment (15 KP) rated Magic - Single by ABC Dialect in Music
Jun 17, 2019
Abc Dialect is an electronic duo based in Barcelona, Spain. Not too long ago, they released a lovely music video for their “Magic” single.
The audiovisual tells an interesting tale of a young man who purchases a bird from a pet store.
Later, the video follows him as he adapts a loving companionship between him and his new pet.
‘Magic’ contains a relatable storyline, pleasing vocals, and groovy instrumentation flavored with funky synthesizers, glistening keys, clean guitar chords, and enchanting flute.
Also, the likable tune showcases the group’s harmonically bright production which evokes a sense of smooth laidback euphoria.
“For this track, we’ve decided to go with a more organic approach. Recording live drums together with keyboards and bass and then adding some guitars, synths, flute, and vocals. We tried to keep the instrumental as simple and groovy as possible in order to give more space to the vocals and the flute which are the key elements on this track. The lyrics are simple but effective and relatable. The song had started being much more electronic and fast until we understood that it was meant to be much more real and pure.” – Abc Dialect
Abc Dialect formed in 2017 by London-based Argentinians, Tomás Susevich and Luca Oliva Knight.
The origin of their name was inspired by a trip to Japan, where they realized the dialect of their music was different than that of other cultures on the eastern side of the world.
This was a defining moment for the songwriters as they knew that they wanted their music to extend past the western hemisphere.
Therefore, they selected their name as a play on words addressing the dialect in which their music is created. Their goal is to have their music universally accepted by all.
Abc Dialect cites influences from both the past and present and draws inspiration from legacy acts such as Kool & The Gang, The Whispers, The Whitest Boy Alive, and Jamiroquai.
‘Magic’ is the first single from their upcoming EP, entitled, “Real Life”, available on June 13, 2019, via Casablanca Sunset.
https://www.bongminesentertainment.com/abc-dialect-magic/
The audiovisual tells an interesting tale of a young man who purchases a bird from a pet store.
Later, the video follows him as he adapts a loving companionship between him and his new pet.
‘Magic’ contains a relatable storyline, pleasing vocals, and groovy instrumentation flavored with funky synthesizers, glistening keys, clean guitar chords, and enchanting flute.
Also, the likable tune showcases the group’s harmonically bright production which evokes a sense of smooth laidback euphoria.
“For this track, we’ve decided to go with a more organic approach. Recording live drums together with keyboards and bass and then adding some guitars, synths, flute, and vocals. We tried to keep the instrumental as simple and groovy as possible in order to give more space to the vocals and the flute which are the key elements on this track. The lyrics are simple but effective and relatable. The song had started being much more electronic and fast until we understood that it was meant to be much more real and pure.” – Abc Dialect
Abc Dialect formed in 2017 by London-based Argentinians, Tomás Susevich and Luca Oliva Knight.
The origin of their name was inspired by a trip to Japan, where they realized the dialect of their music was different than that of other cultures on the eastern side of the world.
This was a defining moment for the songwriters as they knew that they wanted their music to extend past the western hemisphere.
Therefore, they selected their name as a play on words addressing the dialect in which their music is created. Their goal is to have their music universally accepted by all.
Abc Dialect cites influences from both the past and present and draws inspiration from legacy acts such as Kool & The Gang, The Whispers, The Whitest Boy Alive, and Jamiroquai.
‘Magic’ is the first single from their upcoming EP, entitled, “Real Life”, available on June 13, 2019, via Casablanca Sunset.
https://www.bongminesentertainment.com/abc-dialect-magic/
Bong Mines Entertainment (15 KP) rated You Got My Heart - Single by Charlotte Morris in Music
Jun 18, 2019
Charlotte Morris is a singer-songwriter based in New York. Not too long ago, she released a lovely sunshine-pop tune, entitled, “You Got My Heart”.
“I don’t always know what I wanna say when I look at you. And every time I think that I’ve made up my mind, you do something new. When I spend the whole day wondering if you’re ever gonna call, you never do. But as soon as I decide that I’m walking away, then I hear from you.” – lyrics
‘You Got My Heart’ tells an interesting tale of a young woman who is head-over-heels in love with a guy who she shares a long-distance relationship with.
But she wants to know if her beau loves her the same way how she loves him. Also, the answer to that question kinda bothers her deep down to her soul.
Later, she admits that she doesn’t know if their relationship will last because she doesn’t know if she really has him as a committed partner.
‘You Got My Heart’ contains a relatable storyline, pleasing vocals, and guitar-driven instrumentation flavored with sentimental elements.
“‘You Got My Heart’ is a sunshine-pop take on the struggles of long-distance relationships. This isn’t your typical summer song about falling in love, but it has the upbeat, bop-along groove while expressing something that can be difficult to face. Instead of wallowing in a sad ballad, this became my pump up jam as I figured out where to go next. ‘You Got My Heart’ is a great song for summer, windows-down road trips, and anyone looking to find the silver lining in a less-than-ideal situation.” – Charlotte Morris
Charlotte Morris draws inspiration from many of her favorite artists including Delta Rae, Brandi Carlile, Christina Perri, and folk legends like Peter, Paul and Mary, and Simon & Garfunkel.
Her songs, which are mostly auto-biographical, also reflect her years in the theatre. Also, when she’s not writing and releasing music, Charlotte can be seen performing in theatrical productions across the country, playing with dogs, and eating cheese.
https://www.bongminesentertainment.com/charlotte-morris-you-got-my-heart/
“I don’t always know what I wanna say when I look at you. And every time I think that I’ve made up my mind, you do something new. When I spend the whole day wondering if you’re ever gonna call, you never do. But as soon as I decide that I’m walking away, then I hear from you.” – lyrics
‘You Got My Heart’ tells an interesting tale of a young woman who is head-over-heels in love with a guy who she shares a long-distance relationship with.
But she wants to know if her beau loves her the same way how she loves him. Also, the answer to that question kinda bothers her deep down to her soul.
Later, she admits that she doesn’t know if their relationship will last because she doesn’t know if she really has him as a committed partner.
‘You Got My Heart’ contains a relatable storyline, pleasing vocals, and guitar-driven instrumentation flavored with sentimental elements.
“‘You Got My Heart’ is a sunshine-pop take on the struggles of long-distance relationships. This isn’t your typical summer song about falling in love, but it has the upbeat, bop-along groove while expressing something that can be difficult to face. Instead of wallowing in a sad ballad, this became my pump up jam as I figured out where to go next. ‘You Got My Heart’ is a great song for summer, windows-down road trips, and anyone looking to find the silver lining in a less-than-ideal situation.” – Charlotte Morris
Charlotte Morris draws inspiration from many of her favorite artists including Delta Rae, Brandi Carlile, Christina Perri, and folk legends like Peter, Paul and Mary, and Simon & Garfunkel.
Her songs, which are mostly auto-biographical, also reflect her years in the theatre. Also, when she’s not writing and releasing music, Charlotte can be seen performing in theatrical productions across the country, playing with dogs, and eating cheese.
https://www.bongminesentertainment.com/charlotte-morris-you-got-my-heart/
Bong Mines Entertainment (15 KP) rated L.A. - Single by Kyan in Music
Jun 18, 2019
Kyan is a singer-songwriter and producer from Cambridge, England. Not too long ago, he released a music video for his “L.A.” single, which was shot in South Africa.
“I came across an incredible self-portraiture photographer, Danielle Terblance, on Instagram. I had had this video concept in the back of my head for a while to create a narrative around a series of still images. We created it using 500 photographs, edited down from the 4,000 we took over the two shoot days. The piece follows my character as a fallen angel, attempting to navigate his way through the South African landscape back to The City of Angels (L.A.).” – Kyan
‘L.A.’ tells an interesting tale of a young guy with an aching heart who relocates to L.A to get his mind right.
Apparently, he tries his best to cope with life after experiencing an emotional breakup with his ex-girlfriend. Even though L.A. is five thousand miles away from where she stays, he can’t seem to get her out of his mind.
Later, he admits that he’s been lying on a sofa for a week. Also, in his mind, she’s everywhere he goes and in everything he knows. Therefore, he realizes that he needs her in his life.
‘L.A.’ contains a bittersweet storyline, ear-welcoming vocals, and lush instrumentation flavored with sentimental elements.
“The narrative concept came from my personal experience of traveling to L.A. after a breakup with my long-term girlfriend and record label. I’d always viewed L.A. as this distant, shining beacon of dreams and opportunity. Then, all of a sudden, I was going there under really difficult circumstances. Due to the breakups, the trip had switched from being something I was running to, to something I was running from. In the weeks before the trip, L.A. became an escape, a chance for air amongst the intense emotional claustrophobia I was experiencing inside.” – Kyan
Since releasing his debut EP, entitled, “The Purple Experiment” in 2014, Kyan has toured with the critically acclaimed trio, London Grammar.
Also, he has had a series of collaborations with the likes of Cedric Gervais & Just Kiddin, Duke Dumont, electro-pop king Madeon, Benga, and Knox Brown.
https://www.bongminesentertainment.com/kyan-la/
“I came across an incredible self-portraiture photographer, Danielle Terblance, on Instagram. I had had this video concept in the back of my head for a while to create a narrative around a series of still images. We created it using 500 photographs, edited down from the 4,000 we took over the two shoot days. The piece follows my character as a fallen angel, attempting to navigate his way through the South African landscape back to The City of Angels (L.A.).” – Kyan
‘L.A.’ tells an interesting tale of a young guy with an aching heart who relocates to L.A to get his mind right.
Apparently, he tries his best to cope with life after experiencing an emotional breakup with his ex-girlfriend. Even though L.A. is five thousand miles away from where she stays, he can’t seem to get her out of his mind.
Later, he admits that he’s been lying on a sofa for a week. Also, in his mind, she’s everywhere he goes and in everything he knows. Therefore, he realizes that he needs her in his life.
‘L.A.’ contains a bittersweet storyline, ear-welcoming vocals, and lush instrumentation flavored with sentimental elements.
“The narrative concept came from my personal experience of traveling to L.A. after a breakup with my long-term girlfriend and record label. I’d always viewed L.A. as this distant, shining beacon of dreams and opportunity. Then, all of a sudden, I was going there under really difficult circumstances. Due to the breakups, the trip had switched from being something I was running to, to something I was running from. In the weeks before the trip, L.A. became an escape, a chance for air amongst the intense emotional claustrophobia I was experiencing inside.” – Kyan
Since releasing his debut EP, entitled, “The Purple Experiment” in 2014, Kyan has toured with the critically acclaimed trio, London Grammar.
Also, he has had a series of collaborations with the likes of Cedric Gervais & Just Kiddin, Duke Dumont, electro-pop king Madeon, Benga, and Knox Brown.
https://www.bongminesentertainment.com/kyan-la/
Gareth von Kallenbach (980 KP) rated Splatoon in Video Games
Jun 19, 2019
Nintendo continues their recent impressive run of exclusive titles with the quirky and addictive Splatoon which combines the color and fun of Paintball with a customizable shooter.
Playing either solo or multiplay, players compete in various arenas to battle it out for control of key locales and to score more points that the other team. That sounds simple enough, but when you factor in the ability to turn into a squid to hide yourself in one of the many paint puddles you can create or to scale a wall, then you have something entirely new.
Splatoon also offers a campaign mode where players go through a training course as well as get to enjoy leaping from one launch point to another to battle enemy forces. Clever trimming can be required as there is not an infinite supply of paint, so gamers will have to reload which is key when you’re laying down your colors in an effort to control and area.
I especially liked the paint bombs you could throw at an enemy as the colorful nature of the game is really one of the most unique action shooter elements in recent memory.
The multiplay matching was fast and in no time I found myself on a team battling it out. The motion control aspects did take some getting used to as tilting the control up, down, left, and right to aim while using the control sticks to move did take some adjustment and this is not a game you want to play standing for long periods of time, as the action is fast.
The social area of the game allows players to customize their characters with new clothes and weapons so players have an incentive to do well in their games for more than simple bragging rights.
While the graphics will not set new standards, they are in keeping with what players expect from Nintendo and the action and fun of the game makes Splatoon a must own for Wii U owners and one that any shooter fan, especially those with younger gamers will want to experience.
http://sknr.net/2015/10/21/splatoon/
Playing either solo or multiplay, players compete in various arenas to battle it out for control of key locales and to score more points that the other team. That sounds simple enough, but when you factor in the ability to turn into a squid to hide yourself in one of the many paint puddles you can create or to scale a wall, then you have something entirely new.
Splatoon also offers a campaign mode where players go through a training course as well as get to enjoy leaping from one launch point to another to battle enemy forces. Clever trimming can be required as there is not an infinite supply of paint, so gamers will have to reload which is key when you’re laying down your colors in an effort to control and area.
I especially liked the paint bombs you could throw at an enemy as the colorful nature of the game is really one of the most unique action shooter elements in recent memory.
The multiplay matching was fast and in no time I found myself on a team battling it out. The motion control aspects did take some getting used to as tilting the control up, down, left, and right to aim while using the control sticks to move did take some adjustment and this is not a game you want to play standing for long periods of time, as the action is fast.
The social area of the game allows players to customize their characters with new clothes and weapons so players have an incentive to do well in their games for more than simple bragging rights.
While the graphics will not set new standards, they are in keeping with what players expect from Nintendo and the action and fun of the game makes Splatoon a must own for Wii U owners and one that any shooter fan, especially those with younger gamers will want to experience.
http://sknr.net/2015/10/21/splatoon/
Neon's Nerd Nexus (360 KP) rated Brightburn (2019) in Movies
Jun 19, 2019
Super Nasty
Brightburn is a short film that moves at a blistering pace but its the calm moments where the movie truly shines. Brightburn successfully turns the entire superhero genre on its head going almost full horror movie on us & while it does fall into the trap of using to many horror cliches its a really interesting, fun & stand out movie. If I were to compare it I'd say its a mix of A Quiet Place, Midnight Special & The Children leaning towards the horror side of things more than anything else but there are sprinkles of Scifi & obviously dabs of Superhero here & there. Visually its such a looker the screen often painted fully in deep inky blackness with the only thing breaking it up being the warm glow of natural light coming from a lamp or street light. This not only helps create great atmosphere but heightens tension by limiting the viewers vision perfectly. There are neat swaps between camera techniques too eg from an almost raw found footage style to a really cool slightly obstructed first person scene. Action doesnt disapoint & the film makes the viewer wait for its violence & big pay offs making it more impactful when it finally hits. Acting is great & Elizabeth Banks clearly steals the show here. Theres a running comparison of Brandon to predatory animals such as a wasp, jellyfish or Wolf & I found the creepiest elements of the film were the slower paced scenes where we see him discover, adapt & learn how to evolve into a more successful killing machine (ie studying human anatomy) & also the impact of his actions begin to tear up his happy home & constantly disappoint his loving parents. Theres a big metaphore about adoption & the difficulties it can bring for both the new parents & the child (especially when the child hits the age where questions need to be answered) & at one point I wondered if that was really the overall message the film was actually trying to relay because this scene was so full of realistic emotion. Brightburn at times can be very predictable & show its budget constrains too but as a first film I really did dig its format & would definitely like to see a sequel or two to it for sure.