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Lottie disney bookworm (1056 KP) rated Dragon By Midnight in Books
Aug 30, 2021
The concept of Dragon by Midnight immediately intrigued me: a Cinderella retelling where, at the stroke of midnight, Cinderella becomes a dragon and is hunted by Prince Charming? Yes please!
Karen Kincy had some bestseller-worthy ideas when it came to this book: I loved Sikandar's mysterious sorcerer vibe and dark past; the Jinni gave Arabian nights/Aladdin vibes and the plot twist of the curse was brilliant.
However, in my opinion, the major elements that made Dragon by Midnight great were just not developed enough and I was left with unanswered questions, in particular with Cinderella's story line.
Sikandar is bound to be everyone's favourite character and the description of him as a cinnamon roll hero is perfect. I would have liked him to keep his mystery for a bit longer and for the worthiness of his previous actions to be withheld instead of instantly revealed - it felt like he was a mysterious murderer one second and then an amazing hero the next . Although this was in keeping with the fast-paced nature of the story.
Similarly, the romance between Sikandar and Cinderella developed so quickly. She almost fell in love with him straight away! It was also very fluffy and cute: which is not a criticism! This is a YA book after all. However, sometimes Cinderella seemed too wrapped up in the cute boy and less concerned about ... well, being a dragon!
Prince Benedict Charming was brilliant in his arrogance and cringe worthiness. I did expect a bit more action and dragon-hunting from him though and his attitude towards Cinderella when she returned to the castle as a girl was very odd. I truly couldn't tell if he was so self-absorbed he didn't care what had happened, or if he was plotting something.
Overall I did enjoy Dragon by Midnight and read it within a day. It is a very cute, fast-paced fairytale with some genius ideas. The overly descriptive language and lack of character development would push it closer to the middle-grade side of YA for me but I enjoyed the story and will possibly pick up the sequel if I see it.
I received an advance review copy for free, and I am leaving this review voluntarily.
Karen Kincy had some bestseller-worthy ideas when it came to this book: I loved Sikandar's mysterious sorcerer vibe and dark past; the Jinni gave Arabian nights/Aladdin vibes and the plot twist of the curse was brilliant.
However, in my opinion, the major elements that made Dragon by Midnight great were just not developed enough and I was left with unanswered questions, in particular with Cinderella's story line.
Sikandar is bound to be everyone's favourite character and the description of him as a cinnamon roll hero is perfect. I would have liked him to keep his mystery for a bit longer and for the worthiness of his previous actions to be withheld instead of instantly revealed - it felt like he was a mysterious murderer one second and then an amazing hero the next . Although this was in keeping with the fast-paced nature of the story.
Similarly, the romance between Sikandar and Cinderella developed so quickly. She almost fell in love with him straight away! It was also very fluffy and cute: which is not a criticism! This is a YA book after all. However, sometimes Cinderella seemed too wrapped up in the cute boy and less concerned about ... well, being a dragon!
Prince Benedict Charming was brilliant in his arrogance and cringe worthiness. I did expect a bit more action and dragon-hunting from him though and his attitude towards Cinderella when she returned to the castle as a girl was very odd. I truly couldn't tell if he was so self-absorbed he didn't care what had happened, or if he was plotting something.
Overall I did enjoy Dragon by Midnight and read it within a day. It is a very cute, fast-paced fairytale with some genius ideas. The overly descriptive language and lack of character development would push it closer to the middle-grade side of YA for me but I enjoyed the story and will possibly pick up the sequel if I see it.
I received an advance review copy for free, and I am leaving this review voluntarily.
Bob Mann (459 KP) rated Oxygen (2021) in Movies
Sep 28, 2021
A taut mystery horror/thriller that goes off in surprising directions!
You can recognize a ‘lockdown-produced movie’ a mile off. Typically it focuses on a handful of players, who are mostly socially isolated. Here is a classic example. Yet by doing that, the director is forced to focus in on character and dialogue. As such, some of these ‘small’ movies that reign in the director’s excesses are far better as a result.
“Oxygen” is a case in point. When I saw that the film was directed by Alexandre Aja – the man behind the OTT “Piranha 3D” and the equally OTT popcorn-croc movie “Crawl” from 2 years ago, I feared the worst. But this an intriguing little movie that mystifies and jolts in equal measure.
There is probably no such thing anymore as a truly novel thriller or science fiction film. And this draws recognisably from a host of other movies: I personally recognised elements from “Room“, “Solaris”, “Moon” and “Gravity” in there. But the closest similarity is definitely to the Ryan Reynolds 2010 thriller “Buried” which features a very similar initial set-up. If “Oxygen” were to have pulled out an ending like that film (if you haven’t watched it yet – do so!) then it would have been a mini-classic.
Positives:
No spoilers here, but this is a ‘small’ mystery movie that goes off in a VERY surprising direction. The script is genuinely unpredictable.
Mélanie Laurent gives a strong performance as the heroine near the end of her tether.
Although this is a French film, don’t let that put you off. Netflix gives options of the original French, French with subtitles and an English dub. And the English dubbing is so good that it took me until some sub-titles for text written in French before I realised it was dubbed!
Negatives:
After the long drip-drip-drip of context, I found the ending to be something of a disappointment. Too twee.
I found something morally dubious about the ‘re-routing’ request near the end of the movie. (Although, I’m sure given the options, I would probably do the same!)
If you don’t like jump scares, you are likely to spill a lot of hot drinks while watching this one!
“Oxygen” is a case in point. When I saw that the film was directed by Alexandre Aja – the man behind the OTT “Piranha 3D” and the equally OTT popcorn-croc movie “Crawl” from 2 years ago, I feared the worst. But this an intriguing little movie that mystifies and jolts in equal measure.
There is probably no such thing anymore as a truly novel thriller or science fiction film. And this draws recognisably from a host of other movies: I personally recognised elements from “Room“, “Solaris”, “Moon” and “Gravity” in there. But the closest similarity is definitely to the Ryan Reynolds 2010 thriller “Buried” which features a very similar initial set-up. If “Oxygen” were to have pulled out an ending like that film (if you haven’t watched it yet – do so!) then it would have been a mini-classic.
Positives:
No spoilers here, but this is a ‘small’ mystery movie that goes off in a VERY surprising direction. The script is genuinely unpredictable.
Mélanie Laurent gives a strong performance as the heroine near the end of her tether.
Although this is a French film, don’t let that put you off. Netflix gives options of the original French, French with subtitles and an English dub. And the English dubbing is so good that it took me until some sub-titles for text written in French before I realised it was dubbed!
Negatives:
After the long drip-drip-drip of context, I found the ending to be something of a disappointment. Too twee.
I found something morally dubious about the ‘re-routing’ request near the end of the movie. (Although, I’m sure given the options, I would probably do the same!)
If you don’t like jump scares, you are likely to spill a lot of hot drinks while watching this one!
Bob Mann (459 KP) rated Army of the Dead (2021) in Movies
Sep 28, 2021
A gory Zombie-rich take on Oceans 11.
Zac Snyder’s glossy zombie flick is a valiant attempt, and it has its moments. The story neatly blends a zombie apocalypse with an “Oceans” heist movie. You even get some stirring “Die Hard”-style vault opening music! But a weak script and a flabby running time make this rather hard work to get through in one sitting. If Snyder could get a bit of self-control and come out with a nice 100-minute movie, he’d get more of my vote.
Positives:
Park brain at door. You gotta love the splatter-fest of a zombie-movie once in a while, and this one delivers a lot of requisite gore and a zombie white tiger to boot! You have to admit that Zack Snyder does have an eye for style. There are some neat moments in this… like when the casino power comes back on and the silence is filled with that familiar slot machine noise and Elvis track that you only ever hear at scale in Vegas!
Dave Bautista is nearly always either in an ensemble piece or a bit-part “heavy” – the only other film I can immediately think of is the (very funny) comedy “Stuber“. He’s seldom the lead. But, understanding that the script is horribly vomit-inducing in places, he’s pretty good in this. I also liked Ella Purnell who plays his daughter, although couldn’t get over how much she looks like Olivia Cooke!
The special effects and prosthetics work is pretty impressive. This would have been good to see on the big screen.
Negatives:
Interspersed amongst the (often entertaining) action sequences are some horribly soupy sections of dialogue where the forward momentum of the movie completely stalls.
Some of the acting is on the decidedly ropey side and makes the glossy piece feel more like a B-movie.
A number of elements of the story really don’t make sense. The most blatant happens at the end: Tanaka could have got the money anyway!
At nearly two and a half hours, it’s another Snyder bladder-tester.
Positives:
Park brain at door. You gotta love the splatter-fest of a zombie-movie once in a while, and this one delivers a lot of requisite gore and a zombie white tiger to boot! You have to admit that Zack Snyder does have an eye for style. There are some neat moments in this… like when the casino power comes back on and the silence is filled with that familiar slot machine noise and Elvis track that you only ever hear at scale in Vegas!
Dave Bautista is nearly always either in an ensemble piece or a bit-part “heavy” – the only other film I can immediately think of is the (very funny) comedy “Stuber“. He’s seldom the lead. But, understanding that the script is horribly vomit-inducing in places, he’s pretty good in this. I also liked Ella Purnell who plays his daughter, although couldn’t get over how much she looks like Olivia Cooke!
The special effects and prosthetics work is pretty impressive. This would have been good to see on the big screen.
Negatives:
Interspersed amongst the (often entertaining) action sequences are some horribly soupy sections of dialogue where the forward momentum of the movie completely stalls.
Some of the acting is on the decidedly ropey side and makes the glossy piece feel more like a B-movie.
A number of elements of the story really don’t make sense. The most blatant happens at the end: Tanaka could have got the money anyway!
At nearly two and a half hours, it’s another Snyder bladder-tester.
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Gareth von Kallenbach (980 KP) rated Uncharted (2022) in Movies
Feb 16, 2022
After numerous attempts which saw talent attached only to depart before filming began, “Uncharted” has finally arrived on the big screen.
The movie is based on the hit Playstation series of games by Naughty Dog and stars Tom Holland as Nathan Drake, a young man who is as adept at history as he is with pickpocketing which he uses to offset his income from Bartending.
Nathan’s brother fled the law years earlier and aside from Postcards has had no contact with him over the years. Things change when Victor Sullivan (Mark Wahlberg) arrives and recruits Nathan by showing him that he used to work with his brother. Despite misgivings and unresolved feelings; Nathan joins with Victor and finds himself in a daring caper to steal a valuable object that could unlock the key to a gold supply that has been lost for over five hundred years.
Naturally, there are others who want the money, and Nathan, Victory, and their dubious partner Chloe (Sophia Ali); as they rush around the world in one adventure after another to solve the ancient puzzles and stay one step ahead of some very deadly individuals.
The movie has elements of “National Treasure” and “Raiders of the Lost Ark” in terms of the quests to find ancient treasures mixed with action but keeps things in a simpler context. The focus is not on plot development, character development, or plausibility but considering the film is based on a video game, it does a good job with the source material.
There has been some controversy about the casting of Holland as Nathan is older in the game series, but he goes all-in with his performance even when the acrobatic action sequences does offer many reminders of his Spider-man role.
The action in the game is fun and over-the-top and more than once I thought I should be pushing my X and Square button to help him make the moves necessary to complete the task and survive.
The post-credit scenes offer some great possibilities for future adventures and those would be more than welcome for those looking for some no-brainer escapist entertainment.
3.5 stars out of 5.
The movie is based on the hit Playstation series of games by Naughty Dog and stars Tom Holland as Nathan Drake, a young man who is as adept at history as he is with pickpocketing which he uses to offset his income from Bartending.
Nathan’s brother fled the law years earlier and aside from Postcards has had no contact with him over the years. Things change when Victor Sullivan (Mark Wahlberg) arrives and recruits Nathan by showing him that he used to work with his brother. Despite misgivings and unresolved feelings; Nathan joins with Victor and finds himself in a daring caper to steal a valuable object that could unlock the key to a gold supply that has been lost for over five hundred years.
Naturally, there are others who want the money, and Nathan, Victory, and their dubious partner Chloe (Sophia Ali); as they rush around the world in one adventure after another to solve the ancient puzzles and stay one step ahead of some very deadly individuals.
The movie has elements of “National Treasure” and “Raiders of the Lost Ark” in terms of the quests to find ancient treasures mixed with action but keeps things in a simpler context. The focus is not on plot development, character development, or plausibility but considering the film is based on a video game, it does a good job with the source material.
There has been some controversy about the casting of Holland as Nathan is older in the game series, but he goes all-in with his performance even when the acrobatic action sequences does offer many reminders of his Spider-man role.
The action in the game is fun and over-the-top and more than once I thought I should be pushing my X and Square button to help him make the moves necessary to complete the task and survive.
The post-credit scenes offer some great possibilities for future adventures and those would be more than welcome for those looking for some no-brainer escapist entertainment.
3.5 stars out of 5.
Kristy H (1252 KP) rated Before I Let Go in Books
Jan 5, 2018
Easy to read (1 more)
Honest portrayal of mental illness
Lacks full character development (1 more)
Difficult to discern full point
Quick read that falls a little short
When Corey gets the call that her best friend, Kyra, has passed away--falling under the ice in their frigid hometown of Lost Creek, Alaska--she is devastated. Corey has been gone from Lost, as it's known, away at boarding school, corresponding with Kyra only via letters. She was due to visit in a few days and now her best friend is gone. Lost always shunned Kyra because she was bipolar and had maniac episodes. The small, insulated town couldn't understand Kyra's highs and lows. She stood out too much in a place where being different was wrong. But the seven months that Corey's been away has been long enough for the town of Lost to turn on her and now deem her an outsider. Since Corey's departure, Lost has suddenly embraced Kyra, though Corey isn't sure why. Even worse, they are calling Kyra's death meant to be, her time. They've rallied around in her death and they want nothing to do with Corey. Kyra always said she would wait for Corey to return: why didn't she?
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.