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Script of the Bridge by The Chameleons UK
Script of the Bridge by The Chameleons UK
1983 | Rock
10.0 (1 Ratings)
Album Favorite

"I’m going to take us from otherworldly right back into the world itself, to my teenage years. I guess you could say this about nearly all of these songs, but this one in particular got me for the same reason that The Catcher in the Rye gets people, the idea of ‘us versus them’, the real, sincere people pitted against the phonies of the world. “As a teenager I could have written The Catcher in the Rye, nearly any teenager could. At some point you feel yourself isolated against this outside world and The Chameleons were a band, lyrically and musically, that kept ringing this same set of isolated chimes of the individual pitted against this hostile world. Heading into my teenage years I was like everyone, looking for someone that can say something better than you can until you can say it better than they can, and for a while The Chameleons could say it better in song than I could speak it myself. “With ‘Second Skin’ they had the lexicon and the guitars that I loved. It was a sort of musical version of The Catcher in the Rye, of someone trying to make sense of a very perplexing, and at times hostile world that I think all teenagers find themselves in and I was no exception. For some people it was punk rock and for others it was other elements of entertainment, but for me it had a lot to do with music and in The Chameleons I found a direct way of saying it and not in the blunt, abject anger that punk rock sometimes wielded. I didn’t feel it like that, mine was much more of a pointed knife than a blunt nightstick. “It’s even something that people say to us, that they grew up listening to Mercury Rev or Deserter’s Songs. When you’re writing, it’s coming out of you but sometimes you forget that for people who are listening to it when they’re thirteen or fourteen, it’s their lexicon, it’s a newly learned vocabulary. That’s where sometimes as an artist you forget the importance of what you do, because music is what carried you to the point of doing it later in life. “Everyone has one song or a band that seem to take the words out of your young, teenage mouth before you could form them and for The Chameleons were one of those bands."

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Heidi's Guide to Four Letter Words
Heidi's Guide to Four Letter Words
Tara Sivec | 2019
6
6.0 (1 Ratings)
Book Rating
This starts with Heidi trying to find a job and her mum and aunt going through a list of schools they think she should work at and Heidi listening miserably, knowing education isn't something she enjoyed. Instead she's applied to be in a receptionist type role at a local small business, not knowing at the time that they record erotic romances in audiobook form. Heidi is equally embarrassed and curious about what goes on at her place of work and with the help of her colleagues begins a podcast where she talks about her hot neighbour who she'd love to date and becoming more confident in saying those tricky four letter words.

I wasn't sure with this to start with. I found Heidi's almost prudishness too much at the start. I can't quite believe that she doesn't even allow herself to think swear words let alone say them. I don't know if it was her religious upbringing or her parents - who I found really annoying at times. It was nice to see her grow more confident in herself with every podcast she broadcasts and book scene she reads.

This one does have some comedy elements in it but, for me, the speech to text thing was hilarious and the funniest part. I couldn't stop laughing for quite a while with that one.

The romance in this didn't seem to take up as much of the book as I'd have liked. I think it got to around the 35% mark before the romance even started to kick in. They had talked briefly and acknowledged each other in the street but it was only after she'd done a few of her podcasts that she even had the guts to approach him for a date and then it was a slow burn into a cute romance. It was a really nice relationship they'd built up and then "the thing" that split them apart for a little while was blown out of proportion - as they do in romance books - before they sorted it out and were cuter than ever.

One thing I didn't understand was the "uff da" thing. I even had to look it up to figure out what that bit was all about. It still seemed a rather odd exclamation to me so I read it as oomph/oof noise.

If you like romantic comedies then you should give this a go.
  
The Gentlemen (2020)
The Gentlemen (2020)
2020 | Action, Crime
It’s been a while since Guy Ritchie dealt with some proper geezers doing crime and talking bollocks. Maybe there were elements of it in The Man From U.N.C.L.E. but really it’s Rock ‘n Rolla from 2008 we are talking about. Personally I hadn’t missed it. I pretty much think he took it as far as it needed to be taken, and I much prefer the Sherlock Holmes stuff, anyway.

Judging from the inexplicably high rating (currently 7.8) for this on IMDb somehow someone had missed it big time though! Or is it just easy for those in search of a nutter with a gun and a swear word or six to click 9/10? I don’t want to speculate. Suffice to say The Gentlemen is not very good. Not awful. Colin Farrell wins by having a lot of fun hamming up a bonkers creation of a man (as he does so expertly and effortlessly), and Hugh Grant comes out of it with credit too, for at least looking engaged and having some of the best lines to deliver.

As for Matthew McConnaughey, who is surely to be considered top billing, I can’t honestly remember a thing about his role in this forgettable fable some 9 weeks after seeing it. Literally, can’t recall anything he does in it to mind. Bad sign. And Charlie Hunnam doesn’t fare much better, but that’s probably because he isn’t that good or memorable in anything in the first place. There are a couple of women in this as well, but they really don’t make a difference to anything, and no one cares (sadly).

We’ve seen the whole thing before, I’m afraid, and even first time the style wasn’t for everyone and felt a bit “wrong” to a 21st century sensibility. It really is just guns and violence and swearing in ever decreasing creativity. I liked some of the costumes though.

No one involved’s best work, by a long way. A distracting way to kill a few hours if you are completely stuck for ideas, but little more than that. In a year or two no one will remember or talk about it at all. May that be a lesson to you Mr Ritchie. Leave outdated indulgences, even with your pals, in the past where they belong.
  
New to You by Samie Bower
New to You by Samie Bower
7
7.0 (1 Ratings)
Album Rating
Samie Bower is a rising singer-songwriter based in Los Angeles, California. Not too long ago, he released a lovely alternative R&B tune, entitled, “Tell Me”, released via Mickey Shiloh’s BDRM Records.

“Forget who you thought was around. What you allow? Let me take you outta town. I know you down. I’ma go show you around. Tell me what you wanna do now. I’m in awe, I called out. Staying with you, me and you. I’ma go start on the car now. I’m with tunes and food now. I don’t stall, I pull out. So demanding, yet monotone. I’m all up in there.” – lyrics

‘Tell Me’ tells an interesting tale of a young guy who fears that his significant other will leave him one day for the same guy who she broke up with in order for them to be together.

Now, he’s having doubts, buggin’ out, paranoid, wondering if she will be around in a month’s time. Later, he admits that he doesn’t want her to do him like she did her ex-beau.

Even though they say they shouldn’t be together, neither one of them really wants to leave their problematic relationship.

‘Tell Me’ contains a relatable storyline, harmonious vocals, and melodic instrumentation flavored with PBR&B (R-neg-B Hipster R&B) elements.

“It’s an on-going situation about how the one you left your past for, is now worried you’re gonna leave them and go back to who you left originally. With the chorus saying ‘I don’t want that done to me’ is basically a translation of ‘yeah, you can do that to get to me. But you can’t do it towards me so you leave’. It’s a string of webs for a storyline, but a true situation people go through every day. Being in a good relationship, but then suddenly finding someone else, so you leave to be with the new person. But at the same time, as time goes on, you have second thoughts and think about going back to who you were with originally. Meanwhile, the new person isn’t too happy to see it take place. I see it happen so often, and honestly, it’s a disappointing thing to see, but then again, depends on your perspective.” – Samie Bower

‘Tell Me’ is featured on Samie Bower’s “New to You” album. Check it out below via Spotify.
  
Scary Stories to Tell in the Dark (2019)
Scary Stories to Tell in the Dark (2019)
2019 | Horror
Contains spoilers, click to show
Scary Stories to tell in the dark is a film based on a series of children’s books famed for its terrifying art work. The film tells of what happens when a group of children discover the story book of Sarah Bellows, the town’s urban legend who is supposed to have poisoned and killed the children who heard her stories.
Scary Stories is one of those films that takes a mix of different horror elements, put’s them through a blender and sees what comes out; it is part Slasher, as a number of the children get attacked and killed in a variety of different ways, part J-Horror as the children have to find out what it will take to stop Sarah (in a similar style to the Ring or The Grudge), and part monster movie as a variety of creatures are set out after the children.
The one thing Scary Stories isn’t is a children’s film, the monsters are heavily based upon the art work from the original books and, after a slow beginning the tension and atmosphere are ramped up. There are a few jump scares but the film does not rely solely on these and the ones there are, are well crafted, you know something is going to happen but not when. Some of the children do died, although not in bloody ways.
For a film based on a series of stories ‘Scary Stories to tell in the dark’ doesn’t quite become an anthology movie which is a bit surprising, each monster has its own back story however, these back stories quickly become secondary as the hunt for the truth about Sarah takes over.
I think, at its heart, Scary Stories is mostly a classic ghost story, the book is a classic cursed item like the video tape in the ring or the mirror in mirror mirror (the horror film not the Disney one) which is fuelled by Sarah’s anger at the injustices she suffered when she was alive and which can be negated when something is put right. Of course anyone who has seen more than a few horror movies knows that a bad spirit can’t be kept down for long and Scary Stories to Tell in the Dark does leave the way open for a sequel.
  
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