Jonathan Donahue recommended track Second Skin by The Chameleons UK in Script of the Bridge by The Chameleons UK in Music (curated)
Leanne Crabtree (480 KP) rated Heidi's Guide to Four Letter Words in Books
Jan 12, 2021
I wasn't sure with this to start with. I found Heidi's almost prudishness too much at the start. I can't quite believe that she doesn't even allow herself to think swear words let alone say them. I don't know if it was her religious upbringing or her parents - who I found really annoying at times. It was nice to see her grow more confident in herself with every podcast she broadcasts and book scene she reads.
This one does have some comedy elements in it but, for me, the speech to text thing was hilarious and the funniest part. I couldn't stop laughing for quite a while with that one.
The romance in this didn't seem to take up as much of the book as I'd have liked. I think it got to around the 35% mark before the romance even started to kick in. They had talked briefly and acknowledged each other in the street but it was only after she'd done a few of her podcasts that she even had the guts to approach him for a date and then it was a slow burn into a cute romance. It was a really nice relationship they'd built up and then "the thing" that split them apart for a little while was blown out of proportion - as they do in romance books - before they sorted it out and were cuter than ever.
One thing I didn't understand was the "uff da" thing. I even had to look it up to figure out what that bit was all about. It still seemed a rather odd exclamation to me so I read it as oomph/oof noise.
If you like romantic comedies then you should give this a go.
Kirk Bage (1775 KP) rated The Gentlemen (2020) in Movies
Jan 22, 2021
Judging from the inexplicably high rating (currently 7.8) for this on IMDb somehow someone had missed it big time though! Or is it just easy for those in search of a nutter with a gun and a swear word or six to click 9/10? I don’t want to speculate. Suffice to say The Gentlemen is not very good. Not awful. Colin Farrell wins by having a lot of fun hamming up a bonkers creation of a man (as he does so expertly and effortlessly), and Hugh Grant comes out of it with credit too, for at least looking engaged and having some of the best lines to deliver.
As for Matthew McConnaughey, who is surely to be considered top billing, I can’t honestly remember a thing about his role in this forgettable fable some 9 weeks after seeing it. Literally, can’t recall anything he does in it to mind. Bad sign. And Charlie Hunnam doesn’t fare much better, but that’s probably because he isn’t that good or memorable in anything in the first place. There are a couple of women in this as well, but they really don’t make a difference to anything, and no one cares (sadly).
We’ve seen the whole thing before, I’m afraid, and even first time the style wasn’t for everyone and felt a bit “wrong” to a 21st century sensibility. It really is just guns and violence and swearing in ever decreasing creativity. I liked some of the costumes though.
No one involved’s best work, by a long way. A distracting way to kill a few hours if you are completely stuck for ideas, but little more than that. In a year or two no one will remember or talk about it at all. May that be a lesson to you Mr Ritchie. Leave outdated indulgences, even with your pals, in the past where they belong.
Bong Mines Entertainment (15 KP) rated New to You by Samie Bower in Music
Jul 10, 2019
“Forget who you thought was around. What you allow? Let me take you outta town. I know you down. I’ma go show you around. Tell me what you wanna do now. I’m in awe, I called out. Staying with you, me and you. I’ma go start on the car now. I’m with tunes and food now. I don’t stall, I pull out. So demanding, yet monotone. I’m all up in there.” – lyrics
‘Tell Me’ tells an interesting tale of a young guy who fears that his significant other will leave him one day for the same guy who she broke up with in order for them to be together.
Now, he’s having doubts, buggin’ out, paranoid, wondering if she will be around in a month’s time. Later, he admits that he doesn’t want her to do him like she did her ex-beau.
Even though they say they shouldn’t be together, neither one of them really wants to leave their problematic relationship.
‘Tell Me’ contains a relatable storyline, harmonious vocals, and melodic instrumentation flavored with PBR&B (R-neg-B Hipster R&B) elements.
“It’s an on-going situation about how the one you left your past for, is now worried you’re gonna leave them and go back to who you left originally. With the chorus saying ‘I don’t want that done to me’ is basically a translation of ‘yeah, you can do that to get to me. But you can’t do it towards me so you leave’. It’s a string of webs for a storyline, but a true situation people go through every day. Being in a good relationship, but then suddenly finding someone else, so you leave to be with the new person. But at the same time, as time goes on, you have second thoughts and think about going back to who you were with originally. Meanwhile, the new person isn’t too happy to see it take place. I see it happen so often, and honestly, it’s a disappointing thing to see, but then again, depends on your perspective.” – Samie Bower
‘Tell Me’ is featured on Samie Bower’s “New to You” album. Check it out below via Spotify.
Jesters_folly (230 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 21, 2019
Scary Stories is one of those films that takes a mix of different horror elements, put’s them through a blender and sees what comes out; it is part Slasher, as a number of the children get attacked and killed in a variety of different ways, part J-Horror as the children have to find out what it will take to stop Sarah (in a similar style to the Ring or The Grudge), and part monster movie as a variety of creatures are set out after the children.
The one thing Scary Stories isn’t is a children’s film, the monsters are heavily based upon the art work from the original books and, after a slow beginning the tension and atmosphere are ramped up. There are a few jump scares but the film does not rely solely on these and the ones there are, are well crafted, you know something is going to happen but not when. Some of the children do died, although not in bloody ways.
For a film based on a series of stories ‘Scary Stories to tell in the dark’ doesn’t quite become an anthology movie which is a bit surprising, each monster has its own back story however, these back stories quickly become secondary as the hunt for the truth about Sarah takes over.
I think, at its heart, Scary Stories is mostly a classic ghost story, the book is a classic cursed item like the video tape in the ring or the mirror in mirror mirror (the horror film not the Disney one) which is fuelled by Sarah’s anger at the injustices she suffered when she was alive and which can be negated when something is put right. Of course anyone who has seen more than a few horror movies knows that a bad spirit can’t be kept down for long and Scary Stories to Tell in the Dark does leave the way open for a sequel.
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