Search
Search results
Movie Metropolis (309 KP) rated Big Hero 6 (2014) in Movies
Jun 11, 2019
Genuinely Moving
The Marvel Studios movie train has been non-stop over the last few years, from Iron Man to The Avengers, it shows no signs of slowing. Now though, a take-over by Disney has ensured both studios enter into rather unknown territory.
The first film from this collaboration is Big Hero 6, an animated superhero film in the same vein as Pixar’s The Incredibles. But does it reach those dizzying heights?
Big Hero 6 follows Hiro Hamada, a 14-year-old robotics prodigy as he goes about his life in the fictional city of San Fransokyo alongside his brother Tadashi. Hiro has lost his way after a family tragedy and it takes his brother’s robot Baymax to help find himself again.
The story unfortunately is the film’s weakest link, being predictable at best and downright clichéd at its worst. In this respect, Big Hero 6 falls well short of the standards set by the majority of Pixar’s movies.
Thankfully, the visuals are absolutely stunning, a match for Disney’s best, if not quite up to the level of last year’s How to Train YourBig_Hero_6_Poster_2 Dragon 2. The city of San Fransokyo is beautifully realised in sweeping, gloriously colourful shots that show of the animation best when they’re from above.
The characters themselves are rendered in painstaking detail and in particular sequences it becomes difficult to tell the film apart from a live-action feature.
Vocal performances are also very good. Ryan Potter plays Hiro as a vulnerable, pre-pubescent teen who by the end of the film comes to realise just who he is exceptionally well. James Cromwell, Maya Rudolph and Damon Wayans also lend their recognisable voices to people in the film.
However, by far the stand-out is Baymax, a hilariously funny healthcare robot. Disney’s animators should be given plaudits for crafting a character which despite its lack of facial features and emotive tones is so engaging to watch.
Unfortunately, when Baymax evolves into super-Baymax, his characterisation suffers and the funny, caring nature of him is lost somewhat.
The final third of the film delves into generic superhero fodder, but picks up again just before the end credits role with a deeply emotive.
Big Hero 6 also gets increasingly dark the further into the movie you get, the comedic elements get muddled in a plot which isn’t quite sure which way it wants to go and young children may find it a little to scary to stomach.
Thankfully the negatives here are far outweighed by the positives and Big Hero 6 steamrolls itself into a moving finale which leaves itself open for a sequel nicely.
Overall, from stunning visuals to engaging characters, Big Hero 6 continues Disney’s penchant for creating fun and watchable films. Despite a lack of originality, the character of Baymax makes up for most of the other shortcomings and ensures the generic story is genuinely moving.
https://moviemetropolis.net/2015/02/05/genuinely-moving-big-hero-6-review/
The first film from this collaboration is Big Hero 6, an animated superhero film in the same vein as Pixar’s The Incredibles. But does it reach those dizzying heights?
Big Hero 6 follows Hiro Hamada, a 14-year-old robotics prodigy as he goes about his life in the fictional city of San Fransokyo alongside his brother Tadashi. Hiro has lost his way after a family tragedy and it takes his brother’s robot Baymax to help find himself again.
The story unfortunately is the film’s weakest link, being predictable at best and downright clichéd at its worst. In this respect, Big Hero 6 falls well short of the standards set by the majority of Pixar’s movies.
Thankfully, the visuals are absolutely stunning, a match for Disney’s best, if not quite up to the level of last year’s How to Train YourBig_Hero_6_Poster_2 Dragon 2. The city of San Fransokyo is beautifully realised in sweeping, gloriously colourful shots that show of the animation best when they’re from above.
The characters themselves are rendered in painstaking detail and in particular sequences it becomes difficult to tell the film apart from a live-action feature.
Vocal performances are also very good. Ryan Potter plays Hiro as a vulnerable, pre-pubescent teen who by the end of the film comes to realise just who he is exceptionally well. James Cromwell, Maya Rudolph and Damon Wayans also lend their recognisable voices to people in the film.
However, by far the stand-out is Baymax, a hilariously funny healthcare robot. Disney’s animators should be given plaudits for crafting a character which despite its lack of facial features and emotive tones is so engaging to watch.
Unfortunately, when Baymax evolves into super-Baymax, his characterisation suffers and the funny, caring nature of him is lost somewhat.
The final third of the film delves into generic superhero fodder, but picks up again just before the end credits role with a deeply emotive.
Big Hero 6 also gets increasingly dark the further into the movie you get, the comedic elements get muddled in a plot which isn’t quite sure which way it wants to go and young children may find it a little to scary to stomach.
Thankfully the negatives here are far outweighed by the positives and Big Hero 6 steamrolls itself into a moving finale which leaves itself open for a sequel nicely.
Overall, from stunning visuals to engaging characters, Big Hero 6 continues Disney’s penchant for creating fun and watchable films. Despite a lack of originality, the character of Baymax makes up for most of the other shortcomings and ensures the generic story is genuinely moving.
https://moviemetropolis.net/2015/02/05/genuinely-moving-big-hero-6-review/
Movie Metropolis (309 KP) rated Everest (2015) in Movies
Jun 11, 2019
A by the numbers adventure
The 1996 Everest disaster remains one of the greatest true stories to have ever been told. From made-for-TV movies to award-winning documentaries, it appears that audiences simply cannot get enough of this tale of survival.
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Kyera (8 KP) rated Frozen (Heart of Dread, #1) in Books
Feb 1, 2018
The story Frozen, by Melissa de la Cruz and Michael Johnston, is a tale about a girl with powers who lives in a world unlike our own. In post-apocalyptic New Vegas, Nat fins the one object that might allow her to escape the frozen landscape. The map to help her find the Blue, a promised land untainted by the cold and destruction her world knows. A place that maybe she can live a good life and not spend each day fearful that she will be discovered.
For an established YA writer, this book is surprisingly wrought with errors and would make an English major cringe. It was a poorly written novel with a multitude of punctuation, grammar, and spelling errors. Those completely detracted from the book and made it difficult to read the novel fluidly. There was an overuse of commas, "For days upon days she had been left in the room, alone, in total silence, with little food and water, the weight of solitude becoming ever more oppressive, the silence a heaviness that she could not shake, punishment for refusing to do as she was told, punishment for being what she was." I ran out of breath just reading that incredibly long, run on sentence. It also illustrates another example, the banal repetitiveness. Some examples would be, "She walked down the road, the road that was smooth." Or "The fire that raged within her. The fire that destroyed and consumed. The fire that would destroy and consume her..." How many times does one need to write the fire? Many of the sentences are just reworded versions of the one that came before it. Unnecessarily repetitive and it makes the book sound like a novice writer threw it together in a slap-dash manner with no editor to speak of.
It also cannot decide what genre it wishes to fall under. The magical elements and new species lend itself to a label of fantasy, like books about faeries or nymphs. Paranormal romance perhaps, for the love story that blossoms over the course of the novel? Or the more recently popular zombie novels, with their diseases and alterations of the human dNA, like Forest of Teeth and Bones? Perhaps its a post-apocalyptic or dystopian style novel, akin to Divergent or the Hunger Games - with its frozen world, scarce resources, and tyrannical governments. Whatever it is, the fact that it cannot decide makes the book quite confusing. It does not flow well as a result of the colliding and conflicting worlds. There also is no world-building, which is incredibly important to me in a book. And character building, or even character personalities? Almost non-existent. I would recommend this book to young teen readers, but not anyone who finds themselves frequently noticing errors in novels (even minor ones)as this will drive you crazy. I almost didn't finish the first chapter because the book was so poorly written, but I wanted to see if it would improve.
For an established YA writer, this book is surprisingly wrought with errors and would make an English major cringe. It was a poorly written novel with a multitude of punctuation, grammar, and spelling errors. Those completely detracted from the book and made it difficult to read the novel fluidly. There was an overuse of commas, "For days upon days she had been left in the room, alone, in total silence, with little food and water, the weight of solitude becoming ever more oppressive, the silence a heaviness that she could not shake, punishment for refusing to do as she was told, punishment for being what she was." I ran out of breath just reading that incredibly long, run on sentence. It also illustrates another example, the banal repetitiveness. Some examples would be, "She walked down the road, the road that was smooth." Or "The fire that raged within her. The fire that destroyed and consumed. The fire that would destroy and consume her..." How many times does one need to write the fire? Many of the sentences are just reworded versions of the one that came before it. Unnecessarily repetitive and it makes the book sound like a novice writer threw it together in a slap-dash manner with no editor to speak of.
It also cannot decide what genre it wishes to fall under. The magical elements and new species lend itself to a label of fantasy, like books about faeries or nymphs. Paranormal romance perhaps, for the love story that blossoms over the course of the novel? Or the more recently popular zombie novels, with their diseases and alterations of the human dNA, like Forest of Teeth and Bones? Perhaps its a post-apocalyptic or dystopian style novel, akin to Divergent or the Hunger Games - with its frozen world, scarce resources, and tyrannical governments. Whatever it is, the fact that it cannot decide makes the book quite confusing. It does not flow well as a result of the colliding and conflicting worlds. There also is no world-building, which is incredibly important to me in a book. And character building, or even character personalities? Almost non-existent. I would recommend this book to young teen readers, but not anyone who finds themselves frequently noticing errors in novels (even minor ones)as this will drive you crazy. I almost didn't finish the first chapter because the book was so poorly written, but I wanted to see if it would improve.
Kristy H (1252 KP) rated Hold Still in Books
Feb 13, 2018
Maya is an English professor (her specialty is Woolf) dealing with her daughter Ellie's drug addiction and general disinterest with life. The daughter of two college professors, Ellie has never lived up to her familial expectations. Instead, she's drifting, experimenting, and causing her mother great angst. So Maya sends Ellie to Florida, to stay with her friend, Annie and her family: husband Stephen and five-year-old son, Jack. Annie is having her own issues with Jack and looking for some help. But Maya doesn't tell her friend all of Ellie's woes. Then one day, disaster strikes on Ellie's watch, and things will never be the same again. Now, both Ellie and Maya must confront the aftermath of their actions.
This was an interesting book. It's told in chapters that alternate between Ellie's perspective and Maya's; they also alternate in time: before the event and after. The before chapters lead right up to said event. You know generally what has happened, but not how, so it's surprisingly suspenseful for a book that's mainly about emotions and feelings. As such, the novel conveys a stressful tension immediately. It also does an excellent job of delving into the frightening ramifications of becoming a parent. How much do we influence what our kids become? We see Maya--herself so influenced by her own family situation--and then realize her own effects on Ellie. It's startling and humbling.
However, there is a little bit of a "been there, done that" feeling when reading, of experiencing yet another novel of well-off New York parents screwing up their kids. Neither Maya nor Ellie are really likable in any capacity, and while that's not a problem per se, they are harder to relate to than one would think. (Also not likable: her husband. I felt great sympathy for the younger son, Ben.) There were moments I found myself drawn to Maya, but overall, she was too distant and too horrible to really feel any connection to whatsoever. That fact that she's nearly as immature as her daughter was perhaps the point, but I'm not sure it was one I enjoyed or felt was worth making. Also, the plotlines related to Maya's teaching assistant and other friends seem odd and inserted into the story at times.
Still, it was a well-written novel and the somewhat parallel storylines of a lost and drifting mother and daughter were well-done. I'm not sure about the ending, though. In fact, for a good part of the book, I found myself wondering more about Maya's friend, Annie. I think her story might have been one I would have enjoyed more. Overall, the novel certainly makes you feel and the parenting elements resonate. But will it stay with me? I don't think so.
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/21/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This was an interesting book. It's told in chapters that alternate between Ellie's perspective and Maya's; they also alternate in time: before the event and after. The before chapters lead right up to said event. You know generally what has happened, but not how, so it's surprisingly suspenseful for a book that's mainly about emotions and feelings. As such, the novel conveys a stressful tension immediately. It also does an excellent job of delving into the frightening ramifications of becoming a parent. How much do we influence what our kids become? We see Maya--herself so influenced by her own family situation--and then realize her own effects on Ellie. It's startling and humbling.
However, there is a little bit of a "been there, done that" feeling when reading, of experiencing yet another novel of well-off New York parents screwing up their kids. Neither Maya nor Ellie are really likable in any capacity, and while that's not a problem per se, they are harder to relate to than one would think. (Also not likable: her husband. I felt great sympathy for the younger son, Ben.) There were moments I found myself drawn to Maya, but overall, she was too distant and too horrible to really feel any connection to whatsoever. That fact that she's nearly as immature as her daughter was perhaps the point, but I'm not sure it was one I enjoyed or felt was worth making. Also, the plotlines related to Maya's teaching assistant and other friends seem odd and inserted into the story at times.
Still, it was a well-written novel and the somewhat parallel storylines of a lost and drifting mother and daughter were well-done. I'm not sure about the ending, though. In fact, for a good part of the book, I found myself wondering more about Maya's friend, Annie. I think her story might have been one I would have enjoyed more. Overall, the novel certainly makes you feel and the parenting elements resonate. But will it stay with me? I don't think so.
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/21/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Zuky the BookBum (15 KP) rated Unravelling Oliver in Books
Mar 15, 2018
Why must I be disappointed by books I’m so eager to read? I didn’t end up loving this novel as much as I would have liked to, but I didn’t exactly hate it.
This novel started strong. It’s first line, “I expected more of a reaction the first time I hit her“, is brutal and shocking, it lures you in in an instant. What I expected to follow was a taut, heart racing novel about why such a “loving husband” would beat his wife into a coma. And, I guess I got the “why” bit, but I didn’t get the taut, heart racing bit. It was snail pace and didn’t really get exciting until the very end.
I saw another reviewer talk about the lack of character in the characters in the novel and she’s right. Considering this whole book was a character study, the people we got to study weren’t that special. I was most interested in Veronique so I was glad she had a good few chapters to herself, but I wasn’t particularly interested in reading about what other people thought of Oliver. Even Oliver’s own chapters could get irritating.
I can’t fault the writing in this one. For a debut, it’s really good! If you connected with the characters, the writing could definitely put you in their shoes and make you feel exactly how they felt, but because I didn’t connect with anyone, I didn’t get that pleasure. All I know is that the descriptions were realistic and insightful.
Obviously the plot for this one was what interested me and it sounded like a great story. Unfortunately it was too slow in revealing it’s secrets to keep my interest high, and so I began losing interest about the halfway mark. This was a short book but it felt long. I know we were supposed to get to know Oliver and all his troubles and worries in life, but it all felt like waffle. There were no definitive markers in this book to signify any sort of middle event that would lead us to the end event and so until the plot finally revealed itself this felt like one long biography of Oliver, with not a lot going on.
To give this novel credit, elements of the plot and the reveal are very unique to other books I’ve read. And I read a lot of this kinds of books. I suppose you could say the “why” in this book isn’t as dark as you would originally think. It’s almost trivial, I guess.
I sound a bit negative in this review but that’s just because I was so excited about reading it in the first place. In the end, a 3 star rating isn’t the worst thing ever, it’s just not great.
<i>Thank you so much to Ali @The Sunday Feeling for sending me your copy to read!</i>
This novel started strong. It’s first line, “I expected more of a reaction the first time I hit her“, is brutal and shocking, it lures you in in an instant. What I expected to follow was a taut, heart racing novel about why such a “loving husband” would beat his wife into a coma. And, I guess I got the “why” bit, but I didn’t get the taut, heart racing bit. It was snail pace and didn’t really get exciting until the very end.
I saw another reviewer talk about the lack of character in the characters in the novel and she’s right. Considering this whole book was a character study, the people we got to study weren’t that special. I was most interested in Veronique so I was glad she had a good few chapters to herself, but I wasn’t particularly interested in reading about what other people thought of Oliver. Even Oliver’s own chapters could get irritating.
I can’t fault the writing in this one. For a debut, it’s really good! If you connected with the characters, the writing could definitely put you in their shoes and make you feel exactly how they felt, but because I didn’t connect with anyone, I didn’t get that pleasure. All I know is that the descriptions were realistic and insightful.
Obviously the plot for this one was what interested me and it sounded like a great story. Unfortunately it was too slow in revealing it’s secrets to keep my interest high, and so I began losing interest about the halfway mark. This was a short book but it felt long. I know we were supposed to get to know Oliver and all his troubles and worries in life, but it all felt like waffle. There were no definitive markers in this book to signify any sort of middle event that would lead us to the end event and so until the plot finally revealed itself this felt like one long biography of Oliver, with not a lot going on.
To give this novel credit, elements of the plot and the reveal are very unique to other books I’ve read. And I read a lot of this kinds of books. I suppose you could say the “why” in this book isn’t as dark as you would originally think. It’s almost trivial, I guess.
I sound a bit negative in this review but that’s just because I was so excited about reading it in the first place. In the end, a 3 star rating isn’t the worst thing ever, it’s just not great.
<i>Thank you so much to Ali @The Sunday Feeling for sending me your copy to read!</i>
BankofMarquis (1832 KP) rated Snow White and the Seven Dwarfs (1937) in Movies
Oct 6, 2018
Still the "Fairest of Them All"
It's always a fear of mine when I go back to visit a beloved film of mine - especially a film that was beloved to me in my childhood. Will it hold up? Is it as good as I remember it? Will the re-visitation tarnish the precious memory of this film that I have?
I am happy to report that, upon a fresh viewing of the first full length animated film every, that I can still declare SNOW WHITE AND THE SEVEN DWARFS "the fairest of them all".
Made in 1937, by the visionary Walt Disney, this film defies the odds - many calling it "Walt's Folly". No one had attempted a full length animated film before and the skeptics were many, but what Walt knew is that he had all the standard elements of a good story - a heroine we can root for, an evil villain, some comic characters that can help us laugh (and cry) and, more importantly, he had the skillful craftsmen of the Walt Disney Studios that can pull off such a feat.
And...pull it off they did! This film is gorgeous and lush to look at. Upon this viewing, I was drawn to the background, and the edges of the frame, marveling at the detail that was interwoven into each, hand drawn imagery - giving this tapestry a lushness and thickness heretofore unseen on the screen.
As for the story of the film - and the film itself - Disney was smart enough to know that "less is more". The film is compact - running a relatively quick 83 minutes - this was a two-fold solution. (1) It helped move the film along at a sprightly pace, never once resting or losing energy and (2) this means that the artists only had to draw what was necessary for this streamlined story.
The music, of course, is wonderful and important part of this film. This was one of the first movie musicals, and was the first film to release a Soundtrack Album. From "Some Day My Prince Will Come" to "I'm Wishing" to "Heigh-Ho" and "Whistle While You Work", the songs moved the story forward and added depth to the characters portrayed on the screen.
If you haven't caught this film in awhile, I heartily recommend you check it out - it works for young and old alike. A good film to share with children of today, to show them what lush, hand drawn animation looks like. Come for the fun of the Dwarfs and the Villainy of the Evil Queen, stay for the richness of the tapestry and the attention to detail that a true classic film portrays.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank (ofMarquis)
Next Month: WRECK-IT RALPH and (of course) the sequel RALPH BREAKS THE INTERNET (coming to theaters in November).
I am happy to report that, upon a fresh viewing of the first full length animated film every, that I can still declare SNOW WHITE AND THE SEVEN DWARFS "the fairest of them all".
Made in 1937, by the visionary Walt Disney, this film defies the odds - many calling it "Walt's Folly". No one had attempted a full length animated film before and the skeptics were many, but what Walt knew is that he had all the standard elements of a good story - a heroine we can root for, an evil villain, some comic characters that can help us laugh (and cry) and, more importantly, he had the skillful craftsmen of the Walt Disney Studios that can pull off such a feat.
And...pull it off they did! This film is gorgeous and lush to look at. Upon this viewing, I was drawn to the background, and the edges of the frame, marveling at the detail that was interwoven into each, hand drawn imagery - giving this tapestry a lushness and thickness heretofore unseen on the screen.
As for the story of the film - and the film itself - Disney was smart enough to know that "less is more". The film is compact - running a relatively quick 83 minutes - this was a two-fold solution. (1) It helped move the film along at a sprightly pace, never once resting or losing energy and (2) this means that the artists only had to draw what was necessary for this streamlined story.
The music, of course, is wonderful and important part of this film. This was one of the first movie musicals, and was the first film to release a Soundtrack Album. From "Some Day My Prince Will Come" to "I'm Wishing" to "Heigh-Ho" and "Whistle While You Work", the songs moved the story forward and added depth to the characters portrayed on the screen.
If you haven't caught this film in awhile, I heartily recommend you check it out - it works for young and old alike. A good film to share with children of today, to show them what lush, hand drawn animation looks like. Come for the fun of the Dwarfs and the Villainy of the Evil Queen, stay for the richness of the tapestry and the attention to detail that a true classic film portrays.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank (ofMarquis)
Next Month: WRECK-IT RALPH and (of course) the sequel RALPH BREAKS THE INTERNET (coming to theaters in November).
Carma (21 KP) rated Cowboy SEAL Christmas (Navy SEAL Cowboys, #3) in Books
Jun 17, 2019
Love and a Llama, how can a book get any better than this?! Cowboy Seal Christmas is the 3rd book in the Navy Seal Cowboy series (a sort of spin off of Helms Big Sky Cowboy series). I have not read the first 2 books in this series (time constraints and a overwhelming TBR pile but I did read all the books in the Big Sky Cowboy series). This book has all the elements I loved from those books and more. Nicole Helm has a way of getting you right into the moment as if you were standing right there alongside the characters. 5/5 for Grouchy Gabe!!!
Gabe Cortez is a grouchy, ex Navy SEAL who hates Christmas. He hates most things actually and is more than happy to tell you how much it all sucks. He had a horrible childhood that led to him entering the military and losing a good friend in one horrifying instance. He comes to Revival ranch with his 2 friends, Jack and Alex, to help start a new program for injured military servicemen and women to get back on their feet. Jack and Alex both find love (spoiler for the first 2 books haha) and he is once again the odd man out. Then he meets the new ranch therapist Monica Finley and hope starts to rise in him again.
Monica Finley is looking forward to working with all the men and women headed to Revival Ranch for therapy and help getting back to civilian life. Growing up with a Marine father suffering from PTSD has helped her understand some of the struggles men and women face upon returning home. She has a 10 year old son named Colin, with her late Air Force husband Dex, who is her entire world. She protects him, well overprotects, as well as she can as a single mother and is hoping the closeness of the ranch will help them all start a new life. Gabe has been the only one to deny needing therapy and keeps his distance from her both literally and figuratively. She has to find a way to crack his shell. Can Gabe help her understand not only his struggles but some of her own struggles since her husband died?
This story flows really well from start to finish. I was able to get a great idea of where Monica and Gabe are in their lives as well as some past situations that have molded their current state of mind. Throw in great friends (who meddle), a Montana snowstorm, being snowed in for days without heat (snuggle alert), past secrets, daily questions (1 for her, 2 for him) and a llama and you have pretty much the perfect love story. Nicole Helm once again draws me into her cowboy world and makes me sad to leave when the story ends.
Gabe Cortez is a grouchy, ex Navy SEAL who hates Christmas. He hates most things actually and is more than happy to tell you how much it all sucks. He had a horrible childhood that led to him entering the military and losing a good friend in one horrifying instance. He comes to Revival ranch with his 2 friends, Jack and Alex, to help start a new program for injured military servicemen and women to get back on their feet. Jack and Alex both find love (spoiler for the first 2 books haha) and he is once again the odd man out. Then he meets the new ranch therapist Monica Finley and hope starts to rise in him again.
Monica Finley is looking forward to working with all the men and women headed to Revival Ranch for therapy and help getting back to civilian life. Growing up with a Marine father suffering from PTSD has helped her understand some of the struggles men and women face upon returning home. She has a 10 year old son named Colin, with her late Air Force husband Dex, who is her entire world. She protects him, well overprotects, as well as she can as a single mother and is hoping the closeness of the ranch will help them all start a new life. Gabe has been the only one to deny needing therapy and keeps his distance from her both literally and figuratively. She has to find a way to crack his shell. Can Gabe help her understand not only his struggles but some of her own struggles since her husband died?
This story flows really well from start to finish. I was able to get a great idea of where Monica and Gabe are in their lives as well as some past situations that have molded their current state of mind. Throw in great friends (who meddle), a Montana snowstorm, being snowed in for days without heat (snuggle alert), past secrets, daily questions (1 for her, 2 for him) and a llama and you have pretty much the perfect love story. Nicole Helm once again draws me into her cowboy world and makes me sad to leave when the story ends.
Bong Mines Entertainment (15 KP) rated Focused - Single by Lilly Whyte in Music
Jun 17, 2019
Lilly Whyte is an Atlanta-based rapper-singer from Loris, South Carolina. Not too long ago, she released a motivational rap tune, entitled, “Focused”.
“I been working hard, I know its gonna take time. I can’t let down my guard, can’t let nobody take my shine, I need to just focus. Please just let me focus. I been down before and I ain’t never going back. I’m hungry for more so tell me where the money at. I’m just being honest. I’m gonna get it regardless.” – lyrics
‘Focused’ tells an encouraging tale of a determined young woman who is focused on getting what’s hers. But, as she gets closer to accomplishing her goals, there’s a guy in her life who’s trying to get close to her.
Even though she’s not looking for closure with him, she knows deep down she can’t afford to lose her concentration to distractions. Therefore, she chooses to stay motivated and refuses to let him come remotely close to disrupting her grind.
‘Focused’ contains a relatable storyline, harmonious rap vocals, and melodic instrumentation flavored with contemporary R&B and hip-hop elements.
“So excited about this record because it’s the first song I actually recorded all by myself. I literally wrote this song in my head as I was teaching myself how to engineer. FOCUSING on my craft and not letting anything stop me. FOCUSED is the product of me staying up all night in my little at-home-studio and not giving up. This song is very motivational which is why it’s one of my all-time favorites. I’ve always had a hard time focusing on what I’m supposed to be doing because I’m always so easily distracted. It can be really frustrating sometimes. I literally have to tell myself to just FOCUS, but this song is way more than that.” – Lilly Whyte
Lilly Whyte struggled with health and addiction issues, along with becoming a mother at a young age.
With a determination and drive inherent only to single mothers, she overcame her hardships by using music as an outlet for healing and growth.
She represents love, peace, and diversity, writing lyrics that are rich, fiery and full of meaning. Her stories cover themes such as empowerment, positivity, and self-acceptance.
Also, she’s an accomplished dancer, and her love for Lil Wayne’s music has garnered her the nickname, Lil Wheezy.
“I call out a certain someone for trying to come into my life and distract me. I have way too many trust issues from past experiences and I’m sure a few of you can relate. The beat was produced by DrellOnTheTrack and it has a guitar in the melody which is ironic as I also play the guitar. Hope you gain as much from this track as I did and don’t forget to STAY FOCUSED!” – Lilly Whyte
https://www.bongminesentertainment.com/lilly-whyte-focused/
“I been working hard, I know its gonna take time. I can’t let down my guard, can’t let nobody take my shine, I need to just focus. Please just let me focus. I been down before and I ain’t never going back. I’m hungry for more so tell me where the money at. I’m just being honest. I’m gonna get it regardless.” – lyrics
‘Focused’ tells an encouraging tale of a determined young woman who is focused on getting what’s hers. But, as she gets closer to accomplishing her goals, there’s a guy in her life who’s trying to get close to her.
Even though she’s not looking for closure with him, she knows deep down she can’t afford to lose her concentration to distractions. Therefore, she chooses to stay motivated and refuses to let him come remotely close to disrupting her grind.
‘Focused’ contains a relatable storyline, harmonious rap vocals, and melodic instrumentation flavored with contemporary R&B and hip-hop elements.
“So excited about this record because it’s the first song I actually recorded all by myself. I literally wrote this song in my head as I was teaching myself how to engineer. FOCUSING on my craft and not letting anything stop me. FOCUSED is the product of me staying up all night in my little at-home-studio and not giving up. This song is very motivational which is why it’s one of my all-time favorites. I’ve always had a hard time focusing on what I’m supposed to be doing because I’m always so easily distracted. It can be really frustrating sometimes. I literally have to tell myself to just FOCUS, but this song is way more than that.” – Lilly Whyte
Lilly Whyte struggled with health and addiction issues, along with becoming a mother at a young age.
With a determination and drive inherent only to single mothers, she overcame her hardships by using music as an outlet for healing and growth.
She represents love, peace, and diversity, writing lyrics that are rich, fiery and full of meaning. Her stories cover themes such as empowerment, positivity, and self-acceptance.
Also, she’s an accomplished dancer, and her love for Lil Wayne’s music has garnered her the nickname, Lil Wheezy.
“I call out a certain someone for trying to come into my life and distract me. I have way too many trust issues from past experiences and I’m sure a few of you can relate. The beat was produced by DrellOnTheTrack and it has a guitar in the melody which is ironic as I also play the guitar. Hope you gain as much from this track as I did and don’t forget to STAY FOCUSED!” – Lilly Whyte
https://www.bongminesentertainment.com/lilly-whyte-focused/
Gareth von Kallenbach (980 KP) rated Deadpool 2 (2018) in Movies
Jun 19, 2019
The Mercenary with a mouth is back with the eagerly awaited arrival of “Deadpool 2”. The films sees the generally well-meaning but highly dysfunctional Deadpool (Ryan Reynolds), back to taking out bad guys as a contract player but also managing his relationship with Vanessa (Morena Baccarin). When an unexpected event sends his life into a freefall, Deadpool tries to find a new purpose with the help of his X-Men associates from the last film who attempt to recruit him into their organization.
His first mission is to defuse an angry and destructive young mutant named Russell (Julian Dennison), which takes an unexpected turn and lands them both in serious trouble.
One would think that would be enough to cause some major life changes for Deadpool but thanks to the arrival of Cable (Josh Brolin), a cyborg soldier from the future; things are about to get much more complicated and intense.
Undaunted, Deadpool opts to form his own league of heroes and aside from Domino (Zazie Beetz); they seem to be as unlucky or dysfunctional as their leader which makes for some very hysterical consequences.
What follows is an action and laugh-laden adventure which brings even more of what made the first film such a success to the audience as the film takes the bawdy action of the first and ups the ante thanks in large part to an expanded budget and cast.
My biggest concern for the film was that with an expanded budget there would be too many characters and an attempt to do far too much with the film. That did play out at times in the beginning as for me, the first film worked so well as they had to let the characters rather than the action and effects carry it and the rapid-fire arrival of so many jokes and creative profanity made repeat viewing of the film necessary to catch everything.
This time out we get elaborate action and chase sequences as well as a much larger cast. At times it seemed as if this would possibly overshadow the characters and story but Reynolds and Director David Leith never let it cross that line.
They also go back to the core elements in the final third of the film which really allows the film to fully connect with the tone of the original film and brings the film home to a satisfying conclusion. What really sold the film for me was the brilliant and very inspired extended scene during the credits which allows Deadpool to “fix” various issues which perfectly captures the irreverent character and the best aspects of the series where the cast is willing to make fun of themselves as well as the larger universe in which their characters exist.
I cannot wait to see what comes next as “DeadPool 2” is another fun outing for the character and something very different from most comic based movies.
http://sknr.net/2018/05/14/deadpool-2-2/
His first mission is to defuse an angry and destructive young mutant named Russell (Julian Dennison), which takes an unexpected turn and lands them both in serious trouble.
One would think that would be enough to cause some major life changes for Deadpool but thanks to the arrival of Cable (Josh Brolin), a cyborg soldier from the future; things are about to get much more complicated and intense.
Undaunted, Deadpool opts to form his own league of heroes and aside from Domino (Zazie Beetz); they seem to be as unlucky or dysfunctional as their leader which makes for some very hysterical consequences.
What follows is an action and laugh-laden adventure which brings even more of what made the first film such a success to the audience as the film takes the bawdy action of the first and ups the ante thanks in large part to an expanded budget and cast.
My biggest concern for the film was that with an expanded budget there would be too many characters and an attempt to do far too much with the film. That did play out at times in the beginning as for me, the first film worked so well as they had to let the characters rather than the action and effects carry it and the rapid-fire arrival of so many jokes and creative profanity made repeat viewing of the film necessary to catch everything.
This time out we get elaborate action and chase sequences as well as a much larger cast. At times it seemed as if this would possibly overshadow the characters and story but Reynolds and Director David Leith never let it cross that line.
They also go back to the core elements in the final third of the film which really allows the film to fully connect with the tone of the original film and brings the film home to a satisfying conclusion. What really sold the film for me was the brilliant and very inspired extended scene during the credits which allows Deadpool to “fix” various issues which perfectly captures the irreverent character and the best aspects of the series where the cast is willing to make fun of themselves as well as the larger universe in which their characters exist.
I cannot wait to see what comes next as “DeadPool 2” is another fun outing for the character and something very different from most comic based movies.
http://sknr.net/2018/05/14/deadpool-2-2/
Gareth von Kallenbach (980 KP) rated Ice Age 2: The Meltdown (2006) in Movies
Aug 14, 2019
It has been almost four years since audiences last embraced the animated misadventures of a pack of prehistoric animals in the runaway smash Ice Age.
As the calendar moves into spring the multiplexes throughout the land prepare to welcome the arrival of the early summer season films which like the warming of spring also indicates a warming at the box office as scores of moviegoers look forward to the latest releases which often contain a fair number of sequels.
In the new film, Ice Age 2: The Meltdown things are going well for the animals as they frolic the days away in a scenic glacier. Sid (John Leguizamo) has taken it upon himself to open a camp for younger animals much to the dismay of his friends Manny (Ray Romano), and Diego (Denis Leary).
Things take a turn for the worse when a rapidly warming environment threatens to melt the ice and flood the valley which results in a mass migration of the animals to a new locale where they will be safe from the flooding.
Along the way, Manny, Diego, and Sid encounter an odd trio of refugees, a family of possums. What makes this family different is that one of the possums named Ellie (Queen Latifah) is actually a Mammoth who thinks she is a possum after she was taken in at an early age by the two brothers Crash (Seann William Scott) and Eddie (Josh Peck).
Along the way this eclectic band of creatures must bond with one another as they face all manner of obstacles ranging from the elements to dangerous animals and the growing bond/tensions between Manny and Ellie who Manny fears may be the last two mammoths left.
Of course it would not be an Ice Age film without the misadventures of Scrat, the loveable squirrel from the first film who is still trying desperately to secure his beloved acorn and has all manner of misadventures as a result. As good as the other characters are the comedic interludes with Scrat are the funniest moments in the film which is saying something as there are many, many shining moments in the film.
The animation is first rate and is greatly improved from the first film as the animal’s now show greater texture and motion in their furs as well as a realistic weight transfer when they walk.
While this is not vital to the film, it does show a level of attention and detail that infuses the film with a vitality and flair not often shown in family entertainment that did not come from Disney.
Fox is at the top of their game, and “Ice Age: The Meltdown” is a further reminder that Disney no longer has a lock on animated family classics as this is a film that will delight viewers of all ages.
As the calendar moves into spring the multiplexes throughout the land prepare to welcome the arrival of the early summer season films which like the warming of spring also indicates a warming at the box office as scores of moviegoers look forward to the latest releases which often contain a fair number of sequels.
In the new film, Ice Age 2: The Meltdown things are going well for the animals as they frolic the days away in a scenic glacier. Sid (John Leguizamo) has taken it upon himself to open a camp for younger animals much to the dismay of his friends Manny (Ray Romano), and Diego (Denis Leary).
Things take a turn for the worse when a rapidly warming environment threatens to melt the ice and flood the valley which results in a mass migration of the animals to a new locale where they will be safe from the flooding.
Along the way, Manny, Diego, and Sid encounter an odd trio of refugees, a family of possums. What makes this family different is that one of the possums named Ellie (Queen Latifah) is actually a Mammoth who thinks she is a possum after she was taken in at an early age by the two brothers Crash (Seann William Scott) and Eddie (Josh Peck).
Along the way this eclectic band of creatures must bond with one another as they face all manner of obstacles ranging from the elements to dangerous animals and the growing bond/tensions between Manny and Ellie who Manny fears may be the last two mammoths left.
Of course it would not be an Ice Age film without the misadventures of Scrat, the loveable squirrel from the first film who is still trying desperately to secure his beloved acorn and has all manner of misadventures as a result. As good as the other characters are the comedic interludes with Scrat are the funniest moments in the film which is saying something as there are many, many shining moments in the film.
The animation is first rate and is greatly improved from the first film as the animal’s now show greater texture and motion in their furs as well as a realistic weight transfer when they walk.
While this is not vital to the film, it does show a level of attention and detail that infuses the film with a vitality and flair not often shown in family entertainment that did not come from Disney.
Fox is at the top of their game, and “Ice Age: The Meltdown” is a further reminder that Disney no longer has a lock on animated family classics as this is a film that will delight viewers of all ages.