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TheDefunctDiva (304 KP) rated Bohemian Rhapsody (2018) in Movies
Feb 17, 2019 (Updated Feb 17, 2019)
I want it all. I want it all. I want it all. And I want it now
Contains spoilers, click to show
“I want it all. I want it all. I want it all. And I want it now.”
“I Want It All,” Queen, The Miracle, 1989
I am hating having to write this review though I feel compelled to do so. I bought this movie knowing I would like it. I didn’t have much money left in my checking account, but I thought, yes, this would be worth what little I had left to spend. I gifted it to my kiddo for Valentine’s Day knowing she would surely love it, too.
I didn’t love it. I didn’t even really like it.
I haven’t made a mistake this bad since the much-renowned Lost in Translation. Why the ire? Because Bohemian Rhapsody taught me some things, but not enough. Not what I wanted to know. I wanted to learn more than what a rudimentary Google search would have taught me about the band. Instead, I obtained only basic information about the band’s success. I think to really do the band justice you would need a series. Maybe that is my problem. The film had too much general information crammed into it, and I needed MORE, PEOPLE.
I should have liked this film because it revolved around Queen’s music. The best thing about this film is the soundtrack. I think contemplating some of Queen’s lyrics throughout would have really enhanced the film, though. They talked about the poetry but didn’t examine it. And I was disappointed.
Malek’s Mercury just didn’t do it for me though I admire his dedication to the craft. I do think he did an excellent job, but there was something missing that I can’t put my finger on. It felt very much like pretending. And I can’t even adequately explain why. I did love the costuming though. Especially the hair. The transformation of Mercury from boy to man was impressive. It made me want to grow a mustache.
The supporting characters were stereotypical. The supporting cast members might have been cardboard cutouts for all of the attachment I felt to them. The film also didn’t undertake the concept of what it meant to be LGBT in that era. Therefore, it didn’t fully explore the ramifications of the risks that Mercury was taking both professionally and personally. Conflicts just didn’t resonate with the high drama I felt they should have especially considering the in-your-face elements of Mercury’s personality. The passion just wasn’t there. And a real miracle would have been adequately examining the collaboration between the musicians.
I also felt the film was generally stilted by the writing, which seemed comprised of the most overused clichés in the English language.
Bohemian Rhapsody didn’t delve into the AIDS crisis deep enough to evoke much of an emotional response in me. I appreciate that Freddie Mercury didn’t want his life to be a “cautionary tale.” I get that. But the tragedy of his death seemed really downplayed to me for some reason. I wasn’t expecting the emotional response you would get from a film like Philadelphia. But something close would have been nice. Maybe I’ve seen too many films that focus on tragedy and expected to be weeping by the end of the film. Or the beginning of the film, or at any point during the film. But I was left feeling hollow.
The crowd scene from Live Aid and the Live Aid performance rightfully stole what remained of this show. The looks on the faces of the crowd. The expanse of the crowd. The scene reflected what it must have felt like to be a performer or a fan in such a large venue. Malek was awesome in this scene and deserves his due. It might be what earns him the Oscar.
I hate to say it, but I liked Mark Wahlberg and Rock Star (2001) better than I liked this movie. I just felt they could have done a better job with it. It didn’t live up to the hype.
And now I’ve touched upon the real issue. I could never get enough of this band, or of Mercury, and DAMNIT. The experience they provided fans around the world was just gone too soon.
And I just don’t feel the movie did the band or Mercury’s life justice.
I spent my Saturday listening to music in my car, wondering what a septuagenarian Mercury would have thought of today’s saturated music market. I imagine he would have been like my late father, fascinated by both the popular and the underground.
Ok, NOW I’m crying.
But touch my tears, with your lips
Touch my world, with your fingertips.
And we can have forever
And we can love forever
Forever is our today…
Queen, “Who Wants to Live Forever,” It’s Kind of Magic, 1986
“I Want It All,” Queen, The Miracle, 1989
I am hating having to write this review though I feel compelled to do so. I bought this movie knowing I would like it. I didn’t have much money left in my checking account, but I thought, yes, this would be worth what little I had left to spend. I gifted it to my kiddo for Valentine’s Day knowing she would surely love it, too.
I didn’t love it. I didn’t even really like it.
I haven’t made a mistake this bad since the much-renowned Lost in Translation. Why the ire? Because Bohemian Rhapsody taught me some things, but not enough. Not what I wanted to know. I wanted to learn more than what a rudimentary Google search would have taught me about the band. Instead, I obtained only basic information about the band’s success. I think to really do the band justice you would need a series. Maybe that is my problem. The film had too much general information crammed into it, and I needed MORE, PEOPLE.
I should have liked this film because it revolved around Queen’s music. The best thing about this film is the soundtrack. I think contemplating some of Queen’s lyrics throughout would have really enhanced the film, though. They talked about the poetry but didn’t examine it. And I was disappointed.
Malek’s Mercury just didn’t do it for me though I admire his dedication to the craft. I do think he did an excellent job, but there was something missing that I can’t put my finger on. It felt very much like pretending. And I can’t even adequately explain why. I did love the costuming though. Especially the hair. The transformation of Mercury from boy to man was impressive. It made me want to grow a mustache.
The supporting characters were stereotypical. The supporting cast members might have been cardboard cutouts for all of the attachment I felt to them. The film also didn’t undertake the concept of what it meant to be LGBT in that era. Therefore, it didn’t fully explore the ramifications of the risks that Mercury was taking both professionally and personally. Conflicts just didn’t resonate with the high drama I felt they should have especially considering the in-your-face elements of Mercury’s personality. The passion just wasn’t there. And a real miracle would have been adequately examining the collaboration between the musicians.
I also felt the film was generally stilted by the writing, which seemed comprised of the most overused clichés in the English language.
Bohemian Rhapsody didn’t delve into the AIDS crisis deep enough to evoke much of an emotional response in me. I appreciate that Freddie Mercury didn’t want his life to be a “cautionary tale.” I get that. But the tragedy of his death seemed really downplayed to me for some reason. I wasn’t expecting the emotional response you would get from a film like Philadelphia. But something close would have been nice. Maybe I’ve seen too many films that focus on tragedy and expected to be weeping by the end of the film. Or the beginning of the film, or at any point during the film. But I was left feeling hollow.
The crowd scene from Live Aid and the Live Aid performance rightfully stole what remained of this show. The looks on the faces of the crowd. The expanse of the crowd. The scene reflected what it must have felt like to be a performer or a fan in such a large venue. Malek was awesome in this scene and deserves his due. It might be what earns him the Oscar.
I hate to say it, but I liked Mark Wahlberg and Rock Star (2001) better than I liked this movie. I just felt they could have done a better job with it. It didn’t live up to the hype.
And now I’ve touched upon the real issue. I could never get enough of this band, or of Mercury, and DAMNIT. The experience they provided fans around the world was just gone too soon.
And I just don’t feel the movie did the band or Mercury’s life justice.
I spent my Saturday listening to music in my car, wondering what a septuagenarian Mercury would have thought of today’s saturated music market. I imagine he would have been like my late father, fascinated by both the popular and the underground.
Ok, NOW I’m crying.
But touch my tears, with your lips
Touch my world, with your fingertips.
And we can have forever
And we can love forever
Forever is our today…
Queen, “Who Wants to Live Forever,” It’s Kind of Magic, 1986
Lee (2222 KP) rated Captain Marvel (2019) in Movies
Mar 9, 2019
Following the traumatic and devastating events of last years Avengers: Infinity War, Captain Marvel finally arrives on our screens with huge expectation, anticipation and excitement. As Nick Fury was reduced to dust in the final moments of Infinity War, along with half of all living things in the universe, we saw that he'd just managed to send out an SOS message. The recipient of that message was revealed to be Captain Marvel, so far absent from the cinematic universe but labelled outside of it as "Marvel's biggest female hero", and "quite possibly Marvel's mightiest Avenger". With mad Titan Thanos still on the loose, and half of all life to restore, there's clearly a great deal resting on her shoulders. Thankfully we'll get to see how that all plays out in just over a month when Endgame hits our cinemas, but in the meantime we need to get up to speed on the origins of Captain Marvel.
But this isn't your standard origin story. When we first join Captain Marvel, or Vers as she is currently known, she is already part of the Kree Starforce, fighting alongside her mentor Yon-Rogg (Jude Law) as they take on shape-shifting enemies, the Skrulls. She already has a considerable amount of power, although she has no memory of how exactly she came about it, or of any kind of life preceding it. Following an early morning bit of fight training, with Yon-Rogg urging her to try and control her emotions and her power, it's straight into the action as the Starforce team are sent out on an important field mission. Things don't quite go according to plan though, and when they're ambushed by a group of Skrulls, Vers is kidnapped by Skrull commander Talos (Ben Mendelsohn) and taken to their ship for interrogation.
The interrogation has a kind of Total Recall effect on Vers - unlocking memories of her life as a child, growing up with friends, military training and more. She manages to mount an escape, fleeing the ship and crash landing on planet C-53 (or as we know it, Earth), along with a bunch of Skrulls. She lands in the middle of a Blockbuster video store, with the Skrulls landing on a nearby beach and assuming the shape of some surfing humans in order to blend in with the locals. It's not long before the dramatic arrival has drawn the attention of a couple of SHIELD agents by the name of Fury and Coulson, both looking a lot younger than we're used to, due to the fact that we're in 1995. The de-aging effect, used sparingly but impressively in previous Marvel movies is simply incredible here, given that it is being relied upon for the entire movie in order to make the young Nick Fury believable. And it totally works too.
Up until this point in the movie, I felt that it was all just a little bit bland. We don't really get much time to get acquainted with our hero, or the alien world she inhabits, and the space-team-field-mission elements have all been done previously, and much better, in the Guardians of the Galaxy movies. Coincidentally, Ronan and Korath who star in those movies both appear early on in Captain Marvel, providing some nice backstory for them and a link to the rest of the cinematic universe. It's only when Vers arrives on Earth, and teams up with Nick Fury in order to stop the Skrull invasion, that the movie really finds its footing, becoming a great deal more interesting and enjoyable. Things really lighten up too, accompanied by a great 90s soundtrack and giving off a cool 90s buddy cop movie vibe. It's also great to see Nick Fury acting much less serious and having a lot more to do than in previous Marvel movies. As for Vers, we finally begin to learn a lot more about her too as she begins to piece together her forgotten history and learn more about her life on Earth as Carol Danvers.
The movie is made all the more fun by a couple of very good additional characters. Ben Mendelsohn is outstanding as Talos, providing just the right combination of menace and humour. Special mention also for Goose the cat, who joins Danvers and Fury on their journey. Although, if you're familiar with the comics (where he is known as Chewie), you'll know that there's more to him that meets the eye and he literally manages to steal every single scene he's in, providing some of the movies laugh out loud and surprising moments.
The final third of the movie is where things really kick in though with Carol Danvers unlocking her full potential, despite being repeatedly told throughout life that she's too emotional and too weak. Unleashing hell in an epic, breathtaking and extremely satisfying space battle. With just over a month to go until the release of Endgame, Thanos better be scared. He's not going to know what hit him!
But this isn't your standard origin story. When we first join Captain Marvel, or Vers as she is currently known, she is already part of the Kree Starforce, fighting alongside her mentor Yon-Rogg (Jude Law) as they take on shape-shifting enemies, the Skrulls. She already has a considerable amount of power, although she has no memory of how exactly she came about it, or of any kind of life preceding it. Following an early morning bit of fight training, with Yon-Rogg urging her to try and control her emotions and her power, it's straight into the action as the Starforce team are sent out on an important field mission. Things don't quite go according to plan though, and when they're ambushed by a group of Skrulls, Vers is kidnapped by Skrull commander Talos (Ben Mendelsohn) and taken to their ship for interrogation.
The interrogation has a kind of Total Recall effect on Vers - unlocking memories of her life as a child, growing up with friends, military training and more. She manages to mount an escape, fleeing the ship and crash landing on planet C-53 (or as we know it, Earth), along with a bunch of Skrulls. She lands in the middle of a Blockbuster video store, with the Skrulls landing on a nearby beach and assuming the shape of some surfing humans in order to blend in with the locals. It's not long before the dramatic arrival has drawn the attention of a couple of SHIELD agents by the name of Fury and Coulson, both looking a lot younger than we're used to, due to the fact that we're in 1995. The de-aging effect, used sparingly but impressively in previous Marvel movies is simply incredible here, given that it is being relied upon for the entire movie in order to make the young Nick Fury believable. And it totally works too.
Up until this point in the movie, I felt that it was all just a little bit bland. We don't really get much time to get acquainted with our hero, or the alien world she inhabits, and the space-team-field-mission elements have all been done previously, and much better, in the Guardians of the Galaxy movies. Coincidentally, Ronan and Korath who star in those movies both appear early on in Captain Marvel, providing some nice backstory for them and a link to the rest of the cinematic universe. It's only when Vers arrives on Earth, and teams up with Nick Fury in order to stop the Skrull invasion, that the movie really finds its footing, becoming a great deal more interesting and enjoyable. Things really lighten up too, accompanied by a great 90s soundtrack and giving off a cool 90s buddy cop movie vibe. It's also great to see Nick Fury acting much less serious and having a lot more to do than in previous Marvel movies. As for Vers, we finally begin to learn a lot more about her too as she begins to piece together her forgotten history and learn more about her life on Earth as Carol Danvers.
The movie is made all the more fun by a couple of very good additional characters. Ben Mendelsohn is outstanding as Talos, providing just the right combination of menace and humour. Special mention also for Goose the cat, who joins Danvers and Fury on their journey. Although, if you're familiar with the comics (where he is known as Chewie), you'll know that there's more to him that meets the eye and he literally manages to steal every single scene he's in, providing some of the movies laugh out loud and surprising moments.
The final third of the movie is where things really kick in though with Carol Danvers unlocking her full potential, despite being repeatedly told throughout life that she's too emotional and too weak. Unleashing hell in an epic, breathtaking and extremely satisfying space battle. With just over a month to go until the release of Endgame, Thanos better be scared. He's not going to know what hit him!
Movie Metropolis (309 KP) rated Aquaman (2018) in Movies
Jun 10, 2019
Bad Wigs aside it's really rather good
You could be forgiven for being rather sceptical walking into the cinema to see Aquaman, and it’s easy to see why. An uninspiring set of trailers preceded by the DCEU’s shall we say reluctance to resonate with audiences.
Of course, Wonder Woman was a sterling effort by Patty Jenkins, only hampered by a poor final act and the feeling that the female superhero couldn’t quite shake off the trappings of Zac Snyder’s overarching vision for the DC Extended Universe.
Justice League was a steaming pile of mediocrity and Batman vs Superman was fun if entirely forgettable. Aquaman arrives on the scene with the hopes of Warner Bros. entire franchise on its shoulders. But is it any good?
After the events of Justice League and the defeat of Steppenwolf, Aquaman (Jason Momoa) finds himself caught between a surface world that ravages the sea and the underwater Atlanteans who are ready to revolt. Much like the murky depths of the many oceans the film takes us to, Aquaman is at times, a clouded and muddled blockbuster that lacks the subtle nuances of the MCU, but do you know what, it’s actually really rather good.
As we should have been expecting, Aquaman plays the sensible card when it comes to plot and features numerous references to how we as human beings are destroying our oceans, and this is more than welcome. With the ongoing environmental crisis, the more we plug it in mainstream films, the better.
Jason Momoa takes to the role of Arthur Curry like a duck to water and gets to prove his acting prowess in some of the film’s more poignant moments. Nicole Kidman marks her superhero movie debut as his mother, Queen Atlanna and she looks like she’s having a royally good time. Elsewhere, Amber Heard battles against a truly ghastly wig as Momoa’s love-interest and sidekick – she’s fabulous, wig aside.
The supporting cast is also very strong. We get to see superhero veteran Willem Dafoe having a great time as wise Vulko and Patrick Wilson as Aquaman’s scaly brother, Orm. It’s a cracking cast that bolsters a film that is well-written and enjoyable throughout.
Director James Wan, mastermind of the Saw franchise and director of Furious 7brings his trademark filming style to the superhero blockbuster. There’s some stunning imagery throughout and it’s up there with Jurassic World: Fallen Kingdom as one of the best-looking films of the year. There’s something delightful to look at lurking in every frame and it’s leagues ahead of anything the DCEU has thrown at us.
The underwater world of Atlantis is brimming with life, albeit of the CGI variety. The neon colour-palate works incredibly well and it feels at times like you’re watching a Star Wars cloud city, but in the depths of the ocean. It’s nicely detailed and very well put together.
For all its flashy special effects and excellent cinematography, it feels wholly unoriginal
The special effects are on the whole, a bit of a mixed bag. The underwater worlds look fab and the sea creatures too have been improved after the critical mauling they received in the trailers. Nevertheless, there are some moments of shaky CGI, normally involving surface dwellers or Atlantean individuals, rather than scenery or creatures. That’s a shame as it distracts from a gorgeous looking film.
When it comes to villainy, both the DCEU and MCU have struggled to create compelling bad guys and unfortunately the same is true here. Yes, Patrick Wilson’s scheming brother is fun to watch, but he feels like a poor man’s Loki and that’s exactly what he is.
Then there’s Black Manta, portrayed by Yahya Abdul-Mateen II from The Greatest Showman. Despite being part of one of the film’s best sequences (a fantastically filmed rooftop chase in Italy), he doesn’t get to do a lot and his motives are very Killmonger-esque.
And therein lies the fundamental flaw with Aquaman. For all its flashy special effects and excellent cinematography, it feels wholly unoriginal. From Star Wars to Harry Potter and Thor to Black Panther, elements are borrowed here and there until they make up a film that at 143 minutes is a good 20 minutes too long.
But, it doesn’t take itself too seriously (a problem the DCEU has suffered previously) and Jason Momoa somehow manages to make that Aquaman suit work very well indeed. As far as the DCEU is concerned, this is by far the best film the franchise has put out so far – there’s life in the old dog yet. Aquaman is cheesy, campy fun, and I have to say, I really rather liked it. Just ignore the bad wigs.
https://moviemetropolis.net/2018/12/13/aquaman-review-bad-wigs-aside-its-really-rather-good/
Of course, Wonder Woman was a sterling effort by Patty Jenkins, only hampered by a poor final act and the feeling that the female superhero couldn’t quite shake off the trappings of Zac Snyder’s overarching vision for the DC Extended Universe.
Justice League was a steaming pile of mediocrity and Batman vs Superman was fun if entirely forgettable. Aquaman arrives on the scene with the hopes of Warner Bros. entire franchise on its shoulders. But is it any good?
After the events of Justice League and the defeat of Steppenwolf, Aquaman (Jason Momoa) finds himself caught between a surface world that ravages the sea and the underwater Atlanteans who are ready to revolt. Much like the murky depths of the many oceans the film takes us to, Aquaman is at times, a clouded and muddled blockbuster that lacks the subtle nuances of the MCU, but do you know what, it’s actually really rather good.
As we should have been expecting, Aquaman plays the sensible card when it comes to plot and features numerous references to how we as human beings are destroying our oceans, and this is more than welcome. With the ongoing environmental crisis, the more we plug it in mainstream films, the better.
Jason Momoa takes to the role of Arthur Curry like a duck to water and gets to prove his acting prowess in some of the film’s more poignant moments. Nicole Kidman marks her superhero movie debut as his mother, Queen Atlanna and she looks like she’s having a royally good time. Elsewhere, Amber Heard battles against a truly ghastly wig as Momoa’s love-interest and sidekick – she’s fabulous, wig aside.
The supporting cast is also very strong. We get to see superhero veteran Willem Dafoe having a great time as wise Vulko and Patrick Wilson as Aquaman’s scaly brother, Orm. It’s a cracking cast that bolsters a film that is well-written and enjoyable throughout.
Director James Wan, mastermind of the Saw franchise and director of Furious 7brings his trademark filming style to the superhero blockbuster. There’s some stunning imagery throughout and it’s up there with Jurassic World: Fallen Kingdom as one of the best-looking films of the year. There’s something delightful to look at lurking in every frame and it’s leagues ahead of anything the DCEU has thrown at us.
The underwater world of Atlantis is brimming with life, albeit of the CGI variety. The neon colour-palate works incredibly well and it feels at times like you’re watching a Star Wars cloud city, but in the depths of the ocean. It’s nicely detailed and very well put together.
For all its flashy special effects and excellent cinematography, it feels wholly unoriginal
The special effects are on the whole, a bit of a mixed bag. The underwater worlds look fab and the sea creatures too have been improved after the critical mauling they received in the trailers. Nevertheless, there are some moments of shaky CGI, normally involving surface dwellers or Atlantean individuals, rather than scenery or creatures. That’s a shame as it distracts from a gorgeous looking film.
When it comes to villainy, both the DCEU and MCU have struggled to create compelling bad guys and unfortunately the same is true here. Yes, Patrick Wilson’s scheming brother is fun to watch, but he feels like a poor man’s Loki and that’s exactly what he is.
Then there’s Black Manta, portrayed by Yahya Abdul-Mateen II from The Greatest Showman. Despite being part of one of the film’s best sequences (a fantastically filmed rooftop chase in Italy), he doesn’t get to do a lot and his motives are very Killmonger-esque.
And therein lies the fundamental flaw with Aquaman. For all its flashy special effects and excellent cinematography, it feels wholly unoriginal. From Star Wars to Harry Potter and Thor to Black Panther, elements are borrowed here and there until they make up a film that at 143 minutes is a good 20 minutes too long.
But, it doesn’t take itself too seriously (a problem the DCEU has suffered previously) and Jason Momoa somehow manages to make that Aquaman suit work very well indeed. As far as the DCEU is concerned, this is by far the best film the franchise has put out so far – there’s life in the old dog yet. Aquaman is cheesy, campy fun, and I have to say, I really rather liked it. Just ignore the bad wigs.
https://moviemetropolis.net/2018/12/13/aquaman-review-bad-wigs-aside-its-really-rather-good/
BackToTheMovies (56 KP) rated Haunted (2013) in Movies
Jun 12, 2019
About As Scary As A Trip To Seaworld
Contains spoilers, click to show
Haunted, a film Directed by Steven M Smith is an unusual addition to anyone's 'film' collection, as instantly you question whether this is even a film to begin with, the content is very documentary based, opening with factual accounts and a history of an abandoned railway museum. All of the opening shots are filmed in documentary format and this continues throughout the film even when found footage elements are introduced.
A TV crew will film a paranormal investigation and obtain evidence that proves we are not alone. Something Evil awaits them! They will all discover the truth, that we are not alone.
The above quote is taken directly from the synopsis on the website, contestants are invited to visit a haunted railway as part of the show of which they are filming, they are all packed into a limousine and taken to the event. The whole scenes within the limo following the group around SHOULD of been filmed by a professional camera and a professional cinematographer but it looks as thou the entire film has been shot on someone's mobile phone.
Budget constraints aside, decent camera's should of been used to document the entire film from introduction to the actual paranormal investigations, rather than Sony handycam's that cost £120. The only time still camera's are used is to document an almost news style report at the start of the film and a few segments in between. Using handycams this instantly brings us into frustrating territory of moving shaky pictures, blurred images, and camera operators with shaky hands. Very poor quality recording even for a documentary style shooting as you're watching a black screen for the duration, has anyone ever heard of night vision? Next the acting, now the contestants themselves are not in on the game, they are not aware of what's going on or what they have signed up too, however Jon our 'medium' gives the game away at every opportunity. The strategically placed actor in the movie is Jon Paul Gates a supposed 'medium' who describes what he is feeling and how strong a presence is in a particular area. I personally would of caught on very easily to this poor display as not only was the acting questionable, but his descriptions of certain ghosts and characters were so detailed that it was obvious they had been memorised from a script or prior knowledge. There is one scene where the ghost is apparently on top of Jon as he is weighed to the ground, I found this scene hysterical, I was literally crying with laughter of how poor he not only acted it out but how a ghost was piggy backing a ride around the railway yard.
For the first 30 minutes of the movie, the group have arrived, walked around some railway tracks and picked up some weird force that only Jon can feel yet no one around the group has even felt or experienced anything out of this world. Now Most Haunted the popular paranormal TV show would of thrust the audience into some action by now but for the opening 30 minutes of Haunted, nothing of the sort has happened, as it stands the documentary as I refuse to call it a film has displayed more history about the railways than anything remotely paranormal. Maybe a title change would be for the best? I am neither scared, nor intrigued at this moment in time, quite frankly I'm hoping this heats up and soon.
I feel as thou if this film was cut shorter, much shorter, with a voice over documentary style about where each group is going and what they are doing it would be much more easier to watch. Cut the best bits in, jump scares, certain happenings, instead of mundane walking around a railway yard, because as it stands I could grab a camera, head off out tonight and shoot an identical piece of footage, its neither scary nor intriguing. It needs to have production value and Haunted is really suffering from a lack of it as a result.
There is one event throughout the whole movie which is the main talking point and then the film has the audacity to kill people off towards the end after a whole run time of nothingness, no build up, no real meaning or reason why. It was basically like watching the worst episode of Most Haunted to find one of your group dead on the floor at the end of it, planned, boring and drawn out far too long.
Shorten the run time, have a voice over, documentary coverage and film, DON'T kill anyone off at the end with some cheesy fake characters who no one now believes and have a genuine vigil, no pranks or set ups and this could of been a cool little paranormal programme.
Sadly none of the above happened. What a shame. A few sequels are in the works, shorten the duration, fix the countless problems and maybe, just maybe show some true paranormal / experiences and I guarantee it will be more of a success !
A TV crew will film a paranormal investigation and obtain evidence that proves we are not alone. Something Evil awaits them! They will all discover the truth, that we are not alone.
The above quote is taken directly from the synopsis on the website, contestants are invited to visit a haunted railway as part of the show of which they are filming, they are all packed into a limousine and taken to the event. The whole scenes within the limo following the group around SHOULD of been filmed by a professional camera and a professional cinematographer but it looks as thou the entire film has been shot on someone's mobile phone.
Budget constraints aside, decent camera's should of been used to document the entire film from introduction to the actual paranormal investigations, rather than Sony handycam's that cost £120. The only time still camera's are used is to document an almost news style report at the start of the film and a few segments in between. Using handycams this instantly brings us into frustrating territory of moving shaky pictures, blurred images, and camera operators with shaky hands. Very poor quality recording even for a documentary style shooting as you're watching a black screen for the duration, has anyone ever heard of night vision? Next the acting, now the contestants themselves are not in on the game, they are not aware of what's going on or what they have signed up too, however Jon our 'medium' gives the game away at every opportunity. The strategically placed actor in the movie is Jon Paul Gates a supposed 'medium' who describes what he is feeling and how strong a presence is in a particular area. I personally would of caught on very easily to this poor display as not only was the acting questionable, but his descriptions of certain ghosts and characters were so detailed that it was obvious they had been memorised from a script or prior knowledge. There is one scene where the ghost is apparently on top of Jon as he is weighed to the ground, I found this scene hysterical, I was literally crying with laughter of how poor he not only acted it out but how a ghost was piggy backing a ride around the railway yard.
For the first 30 minutes of the movie, the group have arrived, walked around some railway tracks and picked up some weird force that only Jon can feel yet no one around the group has even felt or experienced anything out of this world. Now Most Haunted the popular paranormal TV show would of thrust the audience into some action by now but for the opening 30 minutes of Haunted, nothing of the sort has happened, as it stands the documentary as I refuse to call it a film has displayed more history about the railways than anything remotely paranormal. Maybe a title change would be for the best? I am neither scared, nor intrigued at this moment in time, quite frankly I'm hoping this heats up and soon.
I feel as thou if this film was cut shorter, much shorter, with a voice over documentary style about where each group is going and what they are doing it would be much more easier to watch. Cut the best bits in, jump scares, certain happenings, instead of mundane walking around a railway yard, because as it stands I could grab a camera, head off out tonight and shoot an identical piece of footage, its neither scary nor intriguing. It needs to have production value and Haunted is really suffering from a lack of it as a result.
There is one event throughout the whole movie which is the main talking point and then the film has the audacity to kill people off towards the end after a whole run time of nothingness, no build up, no real meaning or reason why. It was basically like watching the worst episode of Most Haunted to find one of your group dead on the floor at the end of it, planned, boring and drawn out far too long.
Shorten the run time, have a voice over, documentary coverage and film, DON'T kill anyone off at the end with some cheesy fake characters who no one now believes and have a genuine vigil, no pranks or set ups and this could of been a cool little paranormal programme.
Sadly none of the above happened. What a shame. A few sequels are in the works, shorten the duration, fix the countless problems and maybe, just maybe show some true paranormal / experiences and I guarantee it will be more of a success !
Onearmedcookie (6 KP) rated the PlayStation 4 version of Assassin's Creed: Origins in Video Games
Feb 10, 2018
Assassin's Creed is back... With a bang!
So for the last few months I have been spending quite a lot of my free time exploring ancient Egypt. Getting to grips with the latest installment in the Assassin’s Creed series. A series that has had me hooked with its historical references since the beginning. Admittedly the first got rather repetitive and I found myself wishing Ubisoft had taken things into a different direction.
Yet since the second game appeared, and introduced us to the charming Ezio, I have been hooked. The latest installment – entitled Origins has seen Ubisoft go back to the drawing board redesigning some of the games mechanics. Hoping to breathe new life into the series, whilst spinning another tale in history. I have to confess for the most part it has proved to be rather successful.
I have rather enjoyed this series, playing through all of the different historical places. The last in the series though, Syndicate was superb. Instantly my favourite so far so for me Origins – had a lot to live up to! I was worried initially when, Ubisoft had decided to delay the next instalment for a year whilst they looked at redesigning elements that for me had previously worked fine.
With this in mind, I loaded the game into my trusty PS4 and began my journey! Origins takes place in ancient Egypt just as Cleopatra is fighting for the throne. The game centres around a Medjay named Bayek and his wife Aya who find themselves thrust into the fight for Egypt between Cleopatra and the new Pharaoh – her brother - Ptolemy XIII. This is the birthplace of the assasins guild and the beginning of their fight against the knights of the templar!
The story is captivating, well thought out and the characters soon jump from the screen making you want to push forward to see what happens to them. In fact the characters are some of the best in the series, they have been developed well with real character development making them seem even more real. You can’t help but feel immersed in this new word as you discover more of Egypt. I also want to point out how well the characters are voiced, the voice acting in Origins is top notch. Fuelled with emotion and true grit, this only opens them up more. Making the game feel deeper than any before in the series. This is tory telling at its best.
I mentioned that Ubisoft went back to the drawing board on this one, changing some of the formula that we’ve all become used to. This is a bigger world to explore than any before it, Egypt is epic in scale and lovingly recreated. The world is brimming with life and it certainly feels like a more open world adventure than the previous instalments in the series. You can backtrack revisiting other areas or totally bypass them – the choice is yours.
There also seems to be a bigger range of side quests, helping you level up the character – unlocking handy upgrades as you go. Crafting is even present albeit in a simpler format than in most RPG’s. Similar to the Farcry series you can now hunt the wildlife in the area to help craft better equipment.
One of the biggest changes for me though, was the Eagle vision! Gone is the yellow vision highlighting heat signatures in red, with targets in gold allowing you to see through walls. Now you get to fly a real Eagle above you in the sky – tracking enemies and other areas of interest. It adds a whole new dimension to the game, casing an enemies camp from the sky – tracking their movements from up above really adds to the feel of the game. As you level up you can also have the Eagle attack and distract enemies allowing you to sneak past areas unseen. I love this idea and could quite happily fly Sensu around the environment for hours on end.
Combat has also been overhauled. Alas, for me this is probably the weakest part of the game. You can now block with your shield by pressing the L1 shoulder button. Heavy and medium attacks are found on the R1 & R2 buttons. For ranged attacks you press L2 to equip your bow! Sounds okay, but in practice I have found this new layout a trifle irritating. Imagine three guards are rushing you, you hit one and then go to block a blow with your shield – darn it you accidently hit L2 instead and suddenly you have your bow in your hand, getting cut up by two other guards! Frustrating isn’t the word. Especially when you get to some of the higher level guards with better AI.
Other than the combat though this is a solid game, with a very in depth strong story and well developed characters. If you got a little bored with the series, then this is the game to get you back in. It’s bold, with a beautifully crafted world to explore. Assassin’s Creed is back and it’s about time!
Yet since the second game appeared, and introduced us to the charming Ezio, I have been hooked. The latest installment – entitled Origins has seen Ubisoft go back to the drawing board redesigning some of the games mechanics. Hoping to breathe new life into the series, whilst spinning another tale in history. I have to confess for the most part it has proved to be rather successful.
I have rather enjoyed this series, playing through all of the different historical places. The last in the series though, Syndicate was superb. Instantly my favourite so far so for me Origins – had a lot to live up to! I was worried initially when, Ubisoft had decided to delay the next instalment for a year whilst they looked at redesigning elements that for me had previously worked fine.
With this in mind, I loaded the game into my trusty PS4 and began my journey! Origins takes place in ancient Egypt just as Cleopatra is fighting for the throne. The game centres around a Medjay named Bayek and his wife Aya who find themselves thrust into the fight for Egypt between Cleopatra and the new Pharaoh – her brother - Ptolemy XIII. This is the birthplace of the assasins guild and the beginning of their fight against the knights of the templar!
The story is captivating, well thought out and the characters soon jump from the screen making you want to push forward to see what happens to them. In fact the characters are some of the best in the series, they have been developed well with real character development making them seem even more real. You can’t help but feel immersed in this new word as you discover more of Egypt. I also want to point out how well the characters are voiced, the voice acting in Origins is top notch. Fuelled with emotion and true grit, this only opens them up more. Making the game feel deeper than any before in the series. This is tory telling at its best.
I mentioned that Ubisoft went back to the drawing board on this one, changing some of the formula that we’ve all become used to. This is a bigger world to explore than any before it, Egypt is epic in scale and lovingly recreated. The world is brimming with life and it certainly feels like a more open world adventure than the previous instalments in the series. You can backtrack revisiting other areas or totally bypass them – the choice is yours.
There also seems to be a bigger range of side quests, helping you level up the character – unlocking handy upgrades as you go. Crafting is even present albeit in a simpler format than in most RPG’s. Similar to the Farcry series you can now hunt the wildlife in the area to help craft better equipment.
One of the biggest changes for me though, was the Eagle vision! Gone is the yellow vision highlighting heat signatures in red, with targets in gold allowing you to see through walls. Now you get to fly a real Eagle above you in the sky – tracking enemies and other areas of interest. It adds a whole new dimension to the game, casing an enemies camp from the sky – tracking their movements from up above really adds to the feel of the game. As you level up you can also have the Eagle attack and distract enemies allowing you to sneak past areas unseen. I love this idea and could quite happily fly Sensu around the environment for hours on end.
Combat has also been overhauled. Alas, for me this is probably the weakest part of the game. You can now block with your shield by pressing the L1 shoulder button. Heavy and medium attacks are found on the R1 & R2 buttons. For ranged attacks you press L2 to equip your bow! Sounds okay, but in practice I have found this new layout a trifle irritating. Imagine three guards are rushing you, you hit one and then go to block a blow with your shield – darn it you accidently hit L2 instead and suddenly you have your bow in your hand, getting cut up by two other guards! Frustrating isn’t the word. Especially when you get to some of the higher level guards with better AI.
Other than the combat though this is a solid game, with a very in depth strong story and well developed characters. If you got a little bored with the series, then this is the game to get you back in. It’s bold, with a beautifully crafted world to explore. Assassin’s Creed is back and it’s about time!
Daniel Boyd (1066 KP) rated Tomb Raider (2018) in Movies
Mar 22, 2018 (Updated Mar 22, 2018)
An Uninspired Take On the Iconic Character
This is the greatest video game movie ever made.
Now, I know what you are thinking, "Dan, you scored this thing a 6, you can't open your review with a statement like that!" Well the thing is, every other video game movie is so shit, that this mediocre action adventure flick is the gold standard in comparison.
If you played the 2013 Tomb Raider reboot game, then you will see a lot of similarities here, except most of it isn't done as well as it was done in the game. First of all, they spend far too much time following Lara in London before she goes on her adventure. For some reason she lives a poor life as a delivery girl that can't even afford to pay her gym membership, even though she has a massive fortune of inheritance money sitting there, that is hers once she signs off on her father's death certificate. Her dad is played by Dominic West, who is one of my favourite actors, but unfortunately he is kind of wasted here. He went missing seven years ago and is the catalyst for Lara's adventure to begin.
So she goes to Thailand to look for the guy that her dad bought the boat from to go to the remote island with the treasure on it. The guy she finds from Into The Badlands, turns out to be his son and he agrees to help her for some cash. He is actually pretty enjoyable in the movie and probably does a better job selling his character than his Oscar winning co-star, but we will get back to that later. So the two of them go to this remote island and a storm hits the boat, forcing the two of them overboard. Lara wakes up with Walton Goggins' character Mathias holding her at gun point. Mathias is nothing like he was in the game, where he was a mad priest type character, here he is a tired faithless mercenary that just wants to get the job done and go home. Walton Goggins, who again is one of my favourite actors, does his best with the material that he is giving, the issue being that the material is pretty garbage, which is the case for this movie's script in general. From here, Lara goes through the motions of becoming more of a badass survivor. This leads us into some exciting action set pieces that call back to the original game and are probably the best parts of the movie, so I won't spoil them here.
Let's talk about Alicia Vikander as Lara Croft. I have liked Alicia Vikander in every other role that I have seen her in and I was looking forward to seeing her performance as this iconic character. However, she just doesn't sell the character for me. I'm not sure if it's the material that the filmmakers gave her to work with, but she is totally underwhelming and never defines the character in any major way or makes it her own. You could have cast any young actress in this role and you would have gotten the same result. The other rumoured names before Vikander was officially cast were Emelia Clarke and Daisey Ridley. Any one of those would yielded the exact same results meaning that while Vikander was perfectly serviceable, she brought nothing special or original to the role.
Next I want to cover some of the movie's technical elements. The special effects were actually pretty impressive overall. The CGI backdrops all looked pretty convincing and even the character animation that was sprinkled in here and there looked pretty good and didn't distract or take me out of the movie too much. However, everything else was totally unremarkable. From the direction, to the lighting, to the cinematography, to the score, it was all just passable and nothing more.
Before I conclude this review, I want to briefly touch on something that this movie does that I hate seeing in movies. For some reason this movie repeatedly shows us flashbacks of something that happened just minutes beforehand. It is so frustrating and totally breaks the pace of the movie. It also feels as if the filmmakers are treating their audience like complete idiots that can't piece their predictable plot together without explicitly spelling it out by showing us the same flashback for the fourth time. Hollywood please stop doing this, it totally breaks any flow that your movie almost had and is so painfully unnecessary it hurts, give us some credit as moviegoers.
Overall, this is a decent action adventure romp that works okay if you don't think about it too much. It isn't anything special in any way and doesn't do anything that hasn't been done better by another franchise before. You will have a decent time with this as long as you don't expect something that is going to bring the video game movie into legendary status.
Now, I know what you are thinking, "Dan, you scored this thing a 6, you can't open your review with a statement like that!" Well the thing is, every other video game movie is so shit, that this mediocre action adventure flick is the gold standard in comparison.
If you played the 2013 Tomb Raider reboot game, then you will see a lot of similarities here, except most of it isn't done as well as it was done in the game. First of all, they spend far too much time following Lara in London before she goes on her adventure. For some reason she lives a poor life as a delivery girl that can't even afford to pay her gym membership, even though she has a massive fortune of inheritance money sitting there, that is hers once she signs off on her father's death certificate. Her dad is played by Dominic West, who is one of my favourite actors, but unfortunately he is kind of wasted here. He went missing seven years ago and is the catalyst for Lara's adventure to begin.
So she goes to Thailand to look for the guy that her dad bought the boat from to go to the remote island with the treasure on it. The guy she finds from Into The Badlands, turns out to be his son and he agrees to help her for some cash. He is actually pretty enjoyable in the movie and probably does a better job selling his character than his Oscar winning co-star, but we will get back to that later. So the two of them go to this remote island and a storm hits the boat, forcing the two of them overboard. Lara wakes up with Walton Goggins' character Mathias holding her at gun point. Mathias is nothing like he was in the game, where he was a mad priest type character, here he is a tired faithless mercenary that just wants to get the job done and go home. Walton Goggins, who again is one of my favourite actors, does his best with the material that he is giving, the issue being that the material is pretty garbage, which is the case for this movie's script in general. From here, Lara goes through the motions of becoming more of a badass survivor. This leads us into some exciting action set pieces that call back to the original game and are probably the best parts of the movie, so I won't spoil them here.
Let's talk about Alicia Vikander as Lara Croft. I have liked Alicia Vikander in every other role that I have seen her in and I was looking forward to seeing her performance as this iconic character. However, she just doesn't sell the character for me. I'm not sure if it's the material that the filmmakers gave her to work with, but she is totally underwhelming and never defines the character in any major way or makes it her own. You could have cast any young actress in this role and you would have gotten the same result. The other rumoured names before Vikander was officially cast were Emelia Clarke and Daisey Ridley. Any one of those would yielded the exact same results meaning that while Vikander was perfectly serviceable, she brought nothing special or original to the role.
Next I want to cover some of the movie's technical elements. The special effects were actually pretty impressive overall. The CGI backdrops all looked pretty convincing and even the character animation that was sprinkled in here and there looked pretty good and didn't distract or take me out of the movie too much. However, everything else was totally unremarkable. From the direction, to the lighting, to the cinematography, to the score, it was all just passable and nothing more.
Before I conclude this review, I want to briefly touch on something that this movie does that I hate seeing in movies. For some reason this movie repeatedly shows us flashbacks of something that happened just minutes beforehand. It is so frustrating and totally breaks the pace of the movie. It also feels as if the filmmakers are treating their audience like complete idiots that can't piece their predictable plot together without explicitly spelling it out by showing us the same flashback for the fourth time. Hollywood please stop doing this, it totally breaks any flow that your movie almost had and is so painfully unnecessary it hurts, give us some credit as moviegoers.
Overall, this is a decent action adventure romp that works okay if you don't think about it too much. It isn't anything special in any way and doesn't do anything that hasn't been done better by another franchise before. You will have a decent time with this as long as you don't expect something that is going to bring the video game movie into legendary status.
Heather Cranmer (2721 KP) rated Breaking Glass in Books
Jun 7, 2018
(This review will be up on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> in September).
If you've been following my blog/reviews, you will know that I love anything to do with beyond the grave! Ghosts are a sure fire way to make me pick up a book and read it instantly! Luckily, this book was a really interesting read and helped me keep my faith in those type of books.
The title is definitely an interesting one. It made me thing of a type of mystery book, which this is somewhat. Also, after reading the blurb, I thought maybe this would be about the main character having a break down.
I'm on the fence about the cover. On the one hand, I love the different images on the cover. They give me a sort of creepy feel. On the other hand, I wish the cover would've been an image from the book or gave us more insight to the book.
I love how the author draws you into Jeremy's world quite easily. I felt as if everything that was happening to Jeremy was happening to me. I could visualize the world quite easily. The only thing that kind of made me have a "hmm" moment was when The Book of the Dead disappears from Jeremy's room, but it just kind of turns up again in another chapter without any explanation. That's a totally minor thing, and all the other loose ends of the story are all tied up by the ending. The world building is just amazing!
Before I picked up this book, I felt as if it would start out slow at first and then pick up speed. How wrong I was! From the very first sentence, the pacing is spot on. Not once did I become bored with this book. I couldn't wait to find out what was going to happen next. I was hanging on every word, even at the ending! (And don't worry, there isn't any sort of cliff hanger ending. I just didn't want it to end).
I very much enjoyed the plot. I felt this was more of a whodunnit type plot. Jeremy is convinced someone murdered Susannah, so he's trying to solve the mystery as soon as possible all while feeling like he is being haunted by Susannah's ghost. There is some romantic elements, but it's not the main focus. Oh, and I loved the twists involving Susannah! There's even one about Ryan that I figured out with all the context clues before his secret was revealed.
The characters were written superbly! Jeremy Glass feels like an average angry teenager. Now when I say angry, I don't mean angsty or emo or immature. He's been through a lot including watching his mother die and dealing with his injury. Now he's convinced his best friend is missing. Jeremy's got a lot on his plate, and if I were him, I'd be angry too. I loved his sarcasm and wit even if it was to mask how he was feeling most of the time. We don't really get to see much of Susannah's character except when Jeremy believes he is seeing her ghost and what he finds out about her personality. The girl obviously had problems, but for a character whose presence is more ethereal, the author does a fantastic job of making her come alive (no pun intended). I would've loved to know more about Marisa especially her back story such as where she came from and why she moved to the United States. The book says she's an immigrant, but I would've just liked to know a bit more. I liked the character of Ryan. At first, I thought he was a bit of an idiot and really selfish, but as the story progresses, I came to see that Ryan had his reasons for acting the way he did. I really enjoyed Trudy's back story!
There is a lot of swearing in this book, but I don't believe it's over the top. Teenagers swear, and it's a part of life. The swearing in this book makes it more believable. I understand why a lot of young adult writers don't include swearing, but for this book, the swearing worked. Overall, the dialogue is easy to understand and very believable. There were some times where I felt that Jeremy was older then 17, but after all that he'd been through, I figured it was down to all he'd been through.
Overall, Breaking Glass is one of the most intriguing books that I've read. It's one of those books that makes you ponder whether or not the main character is going crazy or is he actually experiencing everything around him.
I'd recommend this book to those aged 16+ (due to language and themes) who like trying to solve mysteries and are looking for a book to wake up their brain.
I'd give Breaking Glass by Lisa Amowitz a 4.75 out of 5.
If you've been following my blog/reviews, you will know that I love anything to do with beyond the grave! Ghosts are a sure fire way to make me pick up a book and read it instantly! Luckily, this book was a really interesting read and helped me keep my faith in those type of books.
The title is definitely an interesting one. It made me thing of a type of mystery book, which this is somewhat. Also, after reading the blurb, I thought maybe this would be about the main character having a break down.
I'm on the fence about the cover. On the one hand, I love the different images on the cover. They give me a sort of creepy feel. On the other hand, I wish the cover would've been an image from the book or gave us more insight to the book.
I love how the author draws you into Jeremy's world quite easily. I felt as if everything that was happening to Jeremy was happening to me. I could visualize the world quite easily. The only thing that kind of made me have a "hmm" moment was when The Book of the Dead disappears from Jeremy's room, but it just kind of turns up again in another chapter without any explanation. That's a totally minor thing, and all the other loose ends of the story are all tied up by the ending. The world building is just amazing!
Before I picked up this book, I felt as if it would start out slow at first and then pick up speed. How wrong I was! From the very first sentence, the pacing is spot on. Not once did I become bored with this book. I couldn't wait to find out what was going to happen next. I was hanging on every word, even at the ending! (And don't worry, there isn't any sort of cliff hanger ending. I just didn't want it to end).
I very much enjoyed the plot. I felt this was more of a whodunnit type plot. Jeremy is convinced someone murdered Susannah, so he's trying to solve the mystery as soon as possible all while feeling like he is being haunted by Susannah's ghost. There is some romantic elements, but it's not the main focus. Oh, and I loved the twists involving Susannah! There's even one about Ryan that I figured out with all the context clues before his secret was revealed.
The characters were written superbly! Jeremy Glass feels like an average angry teenager. Now when I say angry, I don't mean angsty or emo or immature. He's been through a lot including watching his mother die and dealing with his injury. Now he's convinced his best friend is missing. Jeremy's got a lot on his plate, and if I were him, I'd be angry too. I loved his sarcasm and wit even if it was to mask how he was feeling most of the time. We don't really get to see much of Susannah's character except when Jeremy believes he is seeing her ghost and what he finds out about her personality. The girl obviously had problems, but for a character whose presence is more ethereal, the author does a fantastic job of making her come alive (no pun intended). I would've loved to know more about Marisa especially her back story such as where she came from and why she moved to the United States. The book says she's an immigrant, but I would've just liked to know a bit more. I liked the character of Ryan. At first, I thought he was a bit of an idiot and really selfish, but as the story progresses, I came to see that Ryan had his reasons for acting the way he did. I really enjoyed Trudy's back story!
There is a lot of swearing in this book, but I don't believe it's over the top. Teenagers swear, and it's a part of life. The swearing in this book makes it more believable. I understand why a lot of young adult writers don't include swearing, but for this book, the swearing worked. Overall, the dialogue is easy to understand and very believable. There were some times where I felt that Jeremy was older then 17, but after all that he'd been through, I figured it was down to all he'd been through.
Overall, Breaking Glass is one of the most intriguing books that I've read. It's one of those books that makes you ponder whether or not the main character is going crazy or is he actually experiencing everything around him.
I'd recommend this book to those aged 16+ (due to language and themes) who like trying to solve mysteries and are looking for a book to wake up their brain.
I'd give Breaking Glass by Lisa Amowitz a 4.75 out of 5.
Heather Cranmer (2721 KP) rated The Unbecoming of Mara Dyer (Mara Dyer, #1) in Books
Jun 6, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I'd been wanting to read this book for awhile. It was high up on my TBR pile. I finally couldn't wait any longer and bought it. Luckily, it was money well spent!
Mara Dyer is a 16 year old girl who survived a building collapse although her other friends didn't. She doesn't know why she was the only one to survive. She begins to hear her dead friends voices and seeing them in mirrors and in her waking life. She's convinced she had something to do with their deaths and resolves to stay away from people. However, all that changes when she meets the womanizing Noah Shaw. Will Noah and Mara be able to fall in love or will something or someone prevent that from happening?
I love the title of this book! It sounds so ominous and sad at the same time. The title definitely drew me in. It made me want to know more about this book.
I kind of like the cover, but I don't really get why these two people, who I presume are Noah and Mara, are in water. When I first saw the cover, I presumed that this was going to be one of those books that deal with underwater themes like mermaids and what not, but it's not. Then I thought that maybe it was symbolic about Mara feeling like she was drowning, and Noah is supposed to save her although it looks more like Noah is trying to drown her.
The world building felt very believable throughout most of the book. All my questions were answered in this book which I was super happy about! However, towards the end of the book, the story kind of took a left turn, and I was just like "what". I felt that it got a bit crazy here, and I really can't explain why which I know is bad since this is a review. I know this is a fiction book so of course things won't really happen that happen in books, but without some spoilers, I can't really explain why. Maybe it's just a personal thing.
I enjoyed the pacing and thought it was done quite well. I found myself wanting to know what was going to happen next. I was immersed in the writing, and I didn't want to leave Mara's world.
I loved the whole plot. Mara can make things happen just by visualizing them. (Don't worry, that wasn't a spoiler). I've always wished I could do that, so I enjoyed reading about it. Plus, there's the subplot of the romance with Noah. I'm not a big romance fan since I believe it tends to get in the way of the actual plot (unless, of course, it's a romance book), but the romance was done in an enjoyable way.
I liked Mara a lot. She felt like a real teenage girl. She's under a lot of stress, and I liked seeing how she was able to deal with it. Mara felt like a girl I could be friends with. With Noah, there were times I liked him and times where I thought he was being a bit too mean and bossy. There's a few times (and only a few) where he tells Mara what to do. He does get violent when it comes to defending Mara's honor. I also didn't like how Noah would use Daddy's money to get whatever he wanted. I know he was only doing it for Mara, but still, it rubbed me wrong. I loved the character of Jamie. I loved his wit, and I wished that there was more of him in the book.
The dialogue was well written although there were a few times where the characters would talk like they were in a Dawson's Creek episode or for those that don't get that reference, like Sheldon does in Big Bang Theory. Personally, I've never been in any situation where a whole conversation used such a rich vocabulary, especially when it involve teenagers. This could just be a me thing though. I enjoyed reading about what Mara did in certain situations. As for language, there is a lot of swearing in this book although I don't feel like it's over the top.
Overall, The Unbecoming of Mara Dyer by Michelle Hodkin is a super enjoyable read. The plot is great, the romance is enjoyable, and the characters are very down to Earth. I can't wait to read the next book in the series!
I'd recommend this book to those aged 16+ due to language used. Those who appreciate paranormal elements in their books will love this one!
I'd been wanting to read this book for awhile. It was high up on my TBR pile. I finally couldn't wait any longer and bought it. Luckily, it was money well spent!
Mara Dyer is a 16 year old girl who survived a building collapse although her other friends didn't. She doesn't know why she was the only one to survive. She begins to hear her dead friends voices and seeing them in mirrors and in her waking life. She's convinced she had something to do with their deaths and resolves to stay away from people. However, all that changes when she meets the womanizing Noah Shaw. Will Noah and Mara be able to fall in love or will something or someone prevent that from happening?
I love the title of this book! It sounds so ominous and sad at the same time. The title definitely drew me in. It made me want to know more about this book.
I kind of like the cover, but I don't really get why these two people, who I presume are Noah and Mara, are in water. When I first saw the cover, I presumed that this was going to be one of those books that deal with underwater themes like mermaids and what not, but it's not. Then I thought that maybe it was symbolic about Mara feeling like she was drowning, and Noah is supposed to save her although it looks more like Noah is trying to drown her.
The world building felt very believable throughout most of the book. All my questions were answered in this book which I was super happy about! However, towards the end of the book, the story kind of took a left turn, and I was just like "what". I felt that it got a bit crazy here, and I really can't explain why which I know is bad since this is a review. I know this is a fiction book so of course things won't really happen that happen in books, but without some spoilers, I can't really explain why. Maybe it's just a personal thing.
I enjoyed the pacing and thought it was done quite well. I found myself wanting to know what was going to happen next. I was immersed in the writing, and I didn't want to leave Mara's world.
I loved the whole plot. Mara can make things happen just by visualizing them. (Don't worry, that wasn't a spoiler). I've always wished I could do that, so I enjoyed reading about it. Plus, there's the subplot of the romance with Noah. I'm not a big romance fan since I believe it tends to get in the way of the actual plot (unless, of course, it's a romance book), but the romance was done in an enjoyable way.
I liked Mara a lot. She felt like a real teenage girl. She's under a lot of stress, and I liked seeing how she was able to deal with it. Mara felt like a girl I could be friends with. With Noah, there were times I liked him and times where I thought he was being a bit too mean and bossy. There's a few times (and only a few) where he tells Mara what to do. He does get violent when it comes to defending Mara's honor. I also didn't like how Noah would use Daddy's money to get whatever he wanted. I know he was only doing it for Mara, but still, it rubbed me wrong. I loved the character of Jamie. I loved his wit, and I wished that there was more of him in the book.
The dialogue was well written although there were a few times where the characters would talk like they were in a Dawson's Creek episode or for those that don't get that reference, like Sheldon does in Big Bang Theory. Personally, I've never been in any situation where a whole conversation used such a rich vocabulary, especially when it involve teenagers. This could just be a me thing though. I enjoyed reading about what Mara did in certain situations. As for language, there is a lot of swearing in this book although I don't feel like it's over the top.
Overall, The Unbecoming of Mara Dyer by Michelle Hodkin is a super enjoyable read. The plot is great, the romance is enjoyable, and the characters are very down to Earth. I can't wait to read the next book in the series!
I'd recommend this book to those aged 16+ due to language used. Those who appreciate paranormal elements in their books will love this one!
Andy Meakin (5 KP) rated Thor: Ragnarok (2017) in Movies
Jul 11, 2018
Thor-oughly entertaining.
Thor has always come across as the weaker of the Marvel film series’. The first film was well made, but never really demanded a repeat watch. The second, whilst not as bad as some people will attest, still felt more like a stop gap filler. You can’t blame the casting for the feeling of nonchalance that the films, so far, have delivered. Hemsworth is great in the role, and the support cast have always given their all, from Hiddleston as Loki, to Anthony Hopkins as Odin. But the stories have just felt superfluous, generic, and lacking in anything fantastical or mystical. In addition they have made the same error that DC made when they adapted Green Lantern – they spent too much time on Earth! You see, there are enough super-hero films that focus on a threat to Earth, so even though you could argue that it is faithful to the comics to have Thor defending Midgard against some mythical enemy, it has the unfortunate effect of making it seem just a little too…familiar. Wisely the decision was made for this third film to break away from Midgard, and go ‘cosmic’ with the story – and the end result is a damn sight better as a result.
The film spends the first act tying up some loose ends from the previous film, and returning Thor to Asgard. There he finds things are not as he left, and pretty soon Hela (Cate Blanchett) arrives to take control of Asgard, and threaten all the kingdoms with her army. Thor himself finds himself stranded on a remote junk-planet called Sakaar, where he finds himself thrown into gladiatorial combat against…well…an old friend. Can Thor unite an army to return to Asgard and save his people?
To say the film is immense fun would be an understatement! Director Taika Waititi, known for comedy dramas such as Hunt for the Wilderpeople and What We Do In The Shadows, definitely had an aim to explore the somewhat sillier side of the character, and the film is funny from the outset. Thor, who has always been a little naïve and shown some more awkward moments, is really given a lot of great lines, jibes, and clumsy aspects to round him out as more than just a ‘dumb, cocky Asgardian’. Throughout the film, characters quip and riff on ideas, creating genuine laughs and quotable moments, with even the newer characters getting their moments to impress on the audience. Amongst those newer additions, Karl Urban as Skurge, Jeff Goldblum as Grandmaster, and Tessa Thompson as Valkyrie steal any moments they appear on screen (Goldblum in particular just needs to have a wry grin and a raised eyebrow and all focus is on him). But Waititi himself gets to play with the best new addition to the cast, and one we will apparently see more of in the future, as Korg, a Kronan warrior.
So far, so entertaining, but is it all comedy and no substance? Far from it! The comedy serves well to balance against the dark drama of the story. This is titled Ragnarok, and Hela’s assault on Asgard is chilling indeed. In addition, the weaving in of elements from the Planet Hulk storyline, to give the mid-point journey part of the film some meat, ensures that there is never any dip in the tale, and there is plenty going on. The delicate balance of drama, emotion, and comedy is very reminiscent of the Guardians of the Galaxy films, and the franchise is so much better for it. After all, Asgardians are an alien race, so why not explore the cosmos a little with them? Even the soundtrack feels a little ‘Guardians-esque’ in style, with Led Zeppelin’s fabulous Immigrant Song being utilised perfectly for battle moments, but a somewhat electro-pop-synth score resonating throughout the film.
This is a film that flies by in run time (130 minutes, but never dragging), and finally gives Thor an identity in the Marvel Cinematic Universe. As the end credits finish rolling, the immediate desire is to watch it all again – which is not a feeling that the other two films left in me at all. Jostling for position in the top three Marvel films to date (Avengers and Guardians for those who are curious – yes, I know Winter Soldier and Civil War are damned good too, but these films are just fun). Thor: Ragnarok looks amazing, and entertains thoroughly. Ragnarok may mean the end of Asgard according to myth and legend, but it signals the true start of Thor as a character in his own right. All of that positive without even mentioning Ruffalo as Hulk (which you just knew was going to be great anyway)! Just watch the film for yourself, and enjoy.
The film spends the first act tying up some loose ends from the previous film, and returning Thor to Asgard. There he finds things are not as he left, and pretty soon Hela (Cate Blanchett) arrives to take control of Asgard, and threaten all the kingdoms with her army. Thor himself finds himself stranded on a remote junk-planet called Sakaar, where he finds himself thrown into gladiatorial combat against…well…an old friend. Can Thor unite an army to return to Asgard and save his people?
To say the film is immense fun would be an understatement! Director Taika Waititi, known for comedy dramas such as Hunt for the Wilderpeople and What We Do In The Shadows, definitely had an aim to explore the somewhat sillier side of the character, and the film is funny from the outset. Thor, who has always been a little naïve and shown some more awkward moments, is really given a lot of great lines, jibes, and clumsy aspects to round him out as more than just a ‘dumb, cocky Asgardian’. Throughout the film, characters quip and riff on ideas, creating genuine laughs and quotable moments, with even the newer characters getting their moments to impress on the audience. Amongst those newer additions, Karl Urban as Skurge, Jeff Goldblum as Grandmaster, and Tessa Thompson as Valkyrie steal any moments they appear on screen (Goldblum in particular just needs to have a wry grin and a raised eyebrow and all focus is on him). But Waititi himself gets to play with the best new addition to the cast, and one we will apparently see more of in the future, as Korg, a Kronan warrior.
So far, so entertaining, but is it all comedy and no substance? Far from it! The comedy serves well to balance against the dark drama of the story. This is titled Ragnarok, and Hela’s assault on Asgard is chilling indeed. In addition, the weaving in of elements from the Planet Hulk storyline, to give the mid-point journey part of the film some meat, ensures that there is never any dip in the tale, and there is plenty going on. The delicate balance of drama, emotion, and comedy is very reminiscent of the Guardians of the Galaxy films, and the franchise is so much better for it. After all, Asgardians are an alien race, so why not explore the cosmos a little with them? Even the soundtrack feels a little ‘Guardians-esque’ in style, with Led Zeppelin’s fabulous Immigrant Song being utilised perfectly for battle moments, but a somewhat electro-pop-synth score resonating throughout the film.
This is a film that flies by in run time (130 minutes, but never dragging), and finally gives Thor an identity in the Marvel Cinematic Universe. As the end credits finish rolling, the immediate desire is to watch it all again – which is not a feeling that the other two films left in me at all. Jostling for position in the top three Marvel films to date (Avengers and Guardians for those who are curious – yes, I know Winter Soldier and Civil War are damned good too, but these films are just fun). Thor: Ragnarok looks amazing, and entertains thoroughly. Ragnarok may mean the end of Asgard according to myth and legend, but it signals the true start of Thor as a character in his own right. All of that positive without even mentioning Ruffalo as Hulk (which you just knew was going to be great anyway)! Just watch the film for yourself, and enjoy.
Chris Sawin (602 KP) rated Lars and the Real Girl (2007) in Movies
Jun 18, 2019
Writer Nancy Oliver (Six Feet Under, True Blood) wrote the script for Lars and the Real Girl in 2002 after stumbling onto the website RealDoll.com. Directed by Craig Gillespie (the 2011 Fright Night remake, I, Tonya), Lars and the Real Girl is a much more tender and thoughtful comedic drama than you may be expecting. Ryan Gosling portrays Lars Lindstrom; a socially awkward yet decent guy. His brother, Gus (Paul Schneider, The Flowers of War), and his wife, Karen (Emily Mortimer, Transsiberian), worry about him since he spends so much time alone.
Lars not only has a shy and stand-offish demeanor he also tends to avoid people and social interactions altogether. If a woman happens to speak to him, Lars is incapable of responding. Physical contact from anyone seems to physically hurt Lars, but that doesn’t stop his friends and family from encouraging him to get a girlfriend. One fateful day, Lars is shown a peculiar website by a co-worker that sells love dolls. Although Lars is reluctant at first, he eventually warms up to the idea of a love doll as his companion. Bianca soon becomes an especially important part of Lars’ life and her presence not only changes Lars, but the town that he lives in for the better.
It took nearly a year to finally see Lars and the Real Girl after its theatrical release; a statistic that seems like a luxury ten years later when seeing and promoting new releases seems to lose steam after its opening weekend. The concept for Lars and the Real Girl is a strange one. A sex doll tagging along with an extreme introvert doesn’t sound all that appealing at first, but Lars is easy to understand as a character especially if you’re an introvert yourself or have had trouble with the opposite sex at some point in your life. Dating was always this massive hurdle that only seemed to expand and grow with each failed first date or cancellation. With those experiences and that mentality where you find yourself retreating into your own constructed sanctuary, Lars is strangely easy to relate to.
It’s not that Ryan Gosling hasn’t been a part of big budget films, but Lars and the Real Girl was released at a time in his career when he was catering more towards the independent side of things. This is pre-Drive yet post-Notebook Ryan Gosling here; films like Half Nelson and Blue Valentine solidified how talented Gosling is as an actor without all the bells and whistles of a huge cast or blockbuster film. Lars and the Real Girl is the film that made a lot of people realize that Gosling was more than a teenage heartthrob and former Mouseketeer.
Gosling fits the Lars Lindstrom role perfectly as he’s capable of portraying quirks that are as awkward as they are charming. How he’s able to talk to a doll for over an hour and not only make it believable, but also entertaining is incredibly impressive. Part of that is attributed to Bianca being treated like an actual person with her own trailer, getting dressed in private, and only being on set when she was in the scene, but Gosling also contributed quite a bit as well. Gosling improvised the CPR on Margo’s teddy bear sequence and the scene before he and Bianca enter the party.
The film fits that independent film mold a bit too well as it has humor that’s funny but not laugh out loud funny and is dramatic and heartfelt enough to make you invested in something you likely never would without the context of the film. The film shares elements from films like Her, The Perks of Being a Wallflower, and Lost in Translation; that sensation of being lost in what is considered to be normal society but finding something unorthodox that makes you belong and feel comfortable and whole. There’s this overwhelming sense of charm and sentimentality that can only be found in films like this.
Lars and the Real Girl is a comedic drama that relies on awkward situations or even one rare occurrence that triggers unusual peculiarities as it focuses on people’s reactions to these situations that occur. It’s worth seeing if you’ve ever felt like an outcast and to witness Lars’ odd behavior and the snowball effect that it causes. Introverts will likely enjoy it more than the average film lover, but Lars and the Real Girl takes something that seems taboo on the surface and molds it into this genuine motion picture experience that is strangely beautiful.
Lars and the Real Girl is currently available to stream on Amazon Prime, YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. It’s also available to stream for free on Amazon Prime if you have Starz with Prime Video channels. The DVD is $8.51 and the Multi-Format Blu-ray is $7.68 on Amazon. On eBay, the DVD is $7.98 and the Blu-ray is $7.95 (or best offer) while both are in brand new condition and both have free shipping.
Lars not only has a shy and stand-offish demeanor he also tends to avoid people and social interactions altogether. If a woman happens to speak to him, Lars is incapable of responding. Physical contact from anyone seems to physically hurt Lars, but that doesn’t stop his friends and family from encouraging him to get a girlfriend. One fateful day, Lars is shown a peculiar website by a co-worker that sells love dolls. Although Lars is reluctant at first, he eventually warms up to the idea of a love doll as his companion. Bianca soon becomes an especially important part of Lars’ life and her presence not only changes Lars, but the town that he lives in for the better.
It took nearly a year to finally see Lars and the Real Girl after its theatrical release; a statistic that seems like a luxury ten years later when seeing and promoting new releases seems to lose steam after its opening weekend. The concept for Lars and the Real Girl is a strange one. A sex doll tagging along with an extreme introvert doesn’t sound all that appealing at first, but Lars is easy to understand as a character especially if you’re an introvert yourself or have had trouble with the opposite sex at some point in your life. Dating was always this massive hurdle that only seemed to expand and grow with each failed first date or cancellation. With those experiences and that mentality where you find yourself retreating into your own constructed sanctuary, Lars is strangely easy to relate to.
It’s not that Ryan Gosling hasn’t been a part of big budget films, but Lars and the Real Girl was released at a time in his career when he was catering more towards the independent side of things. This is pre-Drive yet post-Notebook Ryan Gosling here; films like Half Nelson and Blue Valentine solidified how talented Gosling is as an actor without all the bells and whistles of a huge cast or blockbuster film. Lars and the Real Girl is the film that made a lot of people realize that Gosling was more than a teenage heartthrob and former Mouseketeer.
Gosling fits the Lars Lindstrom role perfectly as he’s capable of portraying quirks that are as awkward as they are charming. How he’s able to talk to a doll for over an hour and not only make it believable, but also entertaining is incredibly impressive. Part of that is attributed to Bianca being treated like an actual person with her own trailer, getting dressed in private, and only being on set when she was in the scene, but Gosling also contributed quite a bit as well. Gosling improvised the CPR on Margo’s teddy bear sequence and the scene before he and Bianca enter the party.
The film fits that independent film mold a bit too well as it has humor that’s funny but not laugh out loud funny and is dramatic and heartfelt enough to make you invested in something you likely never would without the context of the film. The film shares elements from films like Her, The Perks of Being a Wallflower, and Lost in Translation; that sensation of being lost in what is considered to be normal society but finding something unorthodox that makes you belong and feel comfortable and whole. There’s this overwhelming sense of charm and sentimentality that can only be found in films like this.
Lars and the Real Girl is a comedic drama that relies on awkward situations or even one rare occurrence that triggers unusual peculiarities as it focuses on people’s reactions to these situations that occur. It’s worth seeing if you’ve ever felt like an outcast and to witness Lars’ odd behavior and the snowball effect that it causes. Introverts will likely enjoy it more than the average film lover, but Lars and the Real Girl takes something that seems taboo on the surface and molds it into this genuine motion picture experience that is strangely beautiful.
Lars and the Real Girl is currently available to stream on Amazon Prime, YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. It’s also available to stream for free on Amazon Prime if you have Starz with Prime Video channels. The DVD is $8.51 and the Multi-Format Blu-ray is $7.68 on Amazon. On eBay, the DVD is $7.98 and the Blu-ray is $7.95 (or best offer) while both are in brand new condition and both have free shipping.
