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Movie Metropolis (309 KP) rated The Purge: Election Year (2016) in Movies
Jun 11, 2019
Deathly Dull
The Purge series has set itself as one of the front-runners in modern horror. The first film, starring Ethan Hawke, was a huge success, bringing with it one of the best stories seen in the genre for decades.
Its successor, Anarchy, was warmly received – namely for its greater focus on the night of crime itself, rather than the plight of one family. Naturally, another sequel was always going to be on the cards and Election Year continues the franchise. But does it continue the positive trend?
With only one returning cast member, Frank Grillo’s brooding Leo Barnes, The Purge: Election Year goes for a more political approach than its horror-rooted predecessors and director James DeMonaco was brave in altering the formula. He gets through it – but only by the skin of his teeth.
As a young girl, Senator Charlie Roan (Elizabeth Mitchell) survived the annual night of lawlessness that took the lives of her family members. As a presidential candidate, Roan is determined to end the yearly tradition of blood lust once and for all. When her opponents hatch a deadly scheme, the senator finds herself trapped on the streets of Washington, D.C., just as the latest Purge gets underway. Now, it’s up to Leo Barnes (Frank Grillo), her head of security, to keep her alive during the next 12 hours of mayhem.
The first major stumbling block Election Year faces is its lack of originality. Yes, the basic formula goes for a more political tone but the story itself is a near carbon copy of its predecessor. It’s unfortunate that once again, despite the plight of fans, the production studio continues to overlook the most fascinating part of the Purge, its inception.
Once again we are forced to sit through the hack and slash killings, only this time the acting isn’t as good and the majority of scares are signposted from the off. The ones that aren’t; well they’re in the trailer. It’s such a shame that a series with such promise has resorted to rehashing the same “tricks” to sell tickets.
The cast gel together well but the acting is below par and the dialogue is at times, dreadful with the same three expletives doing the rounds from character to character. Frank Grillo is underused with Elizabeth Mitchell’s preachy politician mistakenly put in the foreground. By far the most interesting person throughout the course of the film is Mykelti Williamson’s deli owner Joe, but he is lumbered with shockingly bad catchphrases.
The cinematography is very plain and the city setting isn’t utilised well at all. Washington should’ve been an exceptional place to helm a film about a night of legalised murder, but instead the audience is confined to its dimly-lit backstreets and alleys.
Overall, The Purge: Election Year is a step in the wrong direction for a series that showed such promise. Creating a film that, despite its intriguing political intentions, is exactly the same as its predecessor is sheer laziness and I don’t like to use this word when reviewing films, but it’s just completely and utterly boring.
https://moviemetropolis.net/2016/08/26/deathly-dull-the-purge-election-year-review/
Its successor, Anarchy, was warmly received – namely for its greater focus on the night of crime itself, rather than the plight of one family. Naturally, another sequel was always going to be on the cards and Election Year continues the franchise. But does it continue the positive trend?
With only one returning cast member, Frank Grillo’s brooding Leo Barnes, The Purge: Election Year goes for a more political approach than its horror-rooted predecessors and director James DeMonaco was brave in altering the formula. He gets through it – but only by the skin of his teeth.
As a young girl, Senator Charlie Roan (Elizabeth Mitchell) survived the annual night of lawlessness that took the lives of her family members. As a presidential candidate, Roan is determined to end the yearly tradition of blood lust once and for all. When her opponents hatch a deadly scheme, the senator finds herself trapped on the streets of Washington, D.C., just as the latest Purge gets underway. Now, it’s up to Leo Barnes (Frank Grillo), her head of security, to keep her alive during the next 12 hours of mayhem.
The first major stumbling block Election Year faces is its lack of originality. Yes, the basic formula goes for a more political tone but the story itself is a near carbon copy of its predecessor. It’s unfortunate that once again, despite the plight of fans, the production studio continues to overlook the most fascinating part of the Purge, its inception.
Once again we are forced to sit through the hack and slash killings, only this time the acting isn’t as good and the majority of scares are signposted from the off. The ones that aren’t; well they’re in the trailer. It’s such a shame that a series with such promise has resorted to rehashing the same “tricks” to sell tickets.
The cast gel together well but the acting is below par and the dialogue is at times, dreadful with the same three expletives doing the rounds from character to character. Frank Grillo is underused with Elizabeth Mitchell’s preachy politician mistakenly put in the foreground. By far the most interesting person throughout the course of the film is Mykelti Williamson’s deli owner Joe, but he is lumbered with shockingly bad catchphrases.
The cinematography is very plain and the city setting isn’t utilised well at all. Washington should’ve been an exceptional place to helm a film about a night of legalised murder, but instead the audience is confined to its dimly-lit backstreets and alleys.
Overall, The Purge: Election Year is a step in the wrong direction for a series that showed such promise. Creating a film that, despite its intriguing political intentions, is exactly the same as its predecessor is sheer laziness and I don’t like to use this word when reviewing films, but it’s just completely and utterly boring.
https://moviemetropolis.net/2016/08/26/deathly-dull-the-purge-election-year-review/
Louise (64 KP) rated A Tyranny of Petticoats (A Tyranny of Petticoats, #1) in Books
Jul 2, 2018
A Tyranny of petticoats is an all female written anthology about badass females. The 15 stories consist of Pirates, Assassins, Ghosts and Robbers whilst covering relevant American history such as Gold mining, the slave trade and war.
The stories are written in historical order, starting from 1710-1968. These are my ratings for each story:
Mother Carey's table by J.Anderson Coats ⭐.5 stars
The Journey by Marie Lu ⭐⭐⭐stars
Madeleine's choice by Jessica Spotswood ⭐⭐⭐.5 stars
El Destinos by Leslye Walton ⭐⭐⭐stars
High Stakes by Andrea Cremer ⭐⭐⭐ stars
The Red Ravenue Ball by Caroline Tung Richmond ⭐⭐stars
Pearls by Beth Revis ⭐⭐⭐.5 stars
Gold in the roots of grass by Marissa Meyer ⭐⭐⭐⭐stars
The Legendary Garnet Girls by Y.S.Lee ⭐⭐⭐stars
The colour of the sky by Elizabeth Wein ⭐⭐⭐ stars
Bonnie and Clydebank by Sundra Mitchell ⭐⭐⭐stars
Hard times by Catherine Longshore ⭐⭐⭐stars
City of Angels by Lindsay Smith ⭐⭐⭐.5 stars
Pulse of the Panthers by Kekla Magoon ⭐⭐⭐ stars
The whole world is watching by Robin Talley ⭐⭐stars
I wanted to read this collection of short stories as I had heard great things about it. This book should have been ideal for me, it's feminist historical fiction. Sadly this didn't deliver, none of the stories blew me away. In actual fact I have a hard time remembering what the stories were about. Some of the stories felt like they were an excerpt from a novel, some felt rushed and others under developed.
However,I am glad I got to read this as I get to explore authors that I have not read before and got to sample their work and see if I get on with their writing styles.
The book also has a short note from the author as to why they picked the era, why they contributed to the anthology and so on. I definitely want to explore more novels with American history such as the gold mining and slavery thanks to these authors.
Overall I rated this 3 out of 5 stars
The stories are written in historical order, starting from 1710-1968. These are my ratings for each story:
Mother Carey's table by J.Anderson Coats ⭐.5 stars
The Journey by Marie Lu ⭐⭐⭐stars
Madeleine's choice by Jessica Spotswood ⭐⭐⭐.5 stars
El Destinos by Leslye Walton ⭐⭐⭐stars
High Stakes by Andrea Cremer ⭐⭐⭐ stars
The Red Ravenue Ball by Caroline Tung Richmond ⭐⭐stars
Pearls by Beth Revis ⭐⭐⭐.5 stars
Gold in the roots of grass by Marissa Meyer ⭐⭐⭐⭐stars
The Legendary Garnet Girls by Y.S.Lee ⭐⭐⭐stars
The colour of the sky by Elizabeth Wein ⭐⭐⭐ stars
Bonnie and Clydebank by Sundra Mitchell ⭐⭐⭐stars
Hard times by Catherine Longshore ⭐⭐⭐stars
City of Angels by Lindsay Smith ⭐⭐⭐.5 stars
Pulse of the Panthers by Kekla Magoon ⭐⭐⭐ stars
The whole world is watching by Robin Talley ⭐⭐stars
I wanted to read this collection of short stories as I had heard great things about it. This book should have been ideal for me, it's feminist historical fiction. Sadly this didn't deliver, none of the stories blew me away. In actual fact I have a hard time remembering what the stories were about. Some of the stories felt like they were an excerpt from a novel, some felt rushed and others under developed.
However,I am glad I got to read this as I get to explore authors that I have not read before and got to sample their work and see if I get on with their writing styles.
The book also has a short note from the author as to why they picked the era, why they contributed to the anthology and so on. I definitely want to explore more novels with American history such as the gold mining and slavery thanks to these authors.
Overall I rated this 3 out of 5 stars
Gareth von Kallenbach (965 KP) rated The Purge: Election Year (2016) in Movies
Aug 6, 2019
Sen Roan (Elizabeth Mitchell) was the only member of her family to survive the Purge as a youth. Years later she runs on the platform of ending the Purge and exposing the various factors and rationale in its implementation and continuance. She and many others see the Purge as nothing more than a way for the powers that be and the wealthy to stay in power at the expense of the poor and people of color. As the Purge approaches, the American people are being torn as to the direction that their nation should take. The New Founding Fathers of America (NFFA) see the threat that Sen. Roan poses and seek out to use the annual purge as a way to rid themselves of her and those that seek to change the system that they have put into place.
Purge: Election Year is not about mindless killing as those who are unfamiliar with the series would assume. The films are a mirror being held back on American Society to make us think about what we would do in similar situations if faced with them. The horror of the film is not in the shocking scenes, violence, or gore. What we can find to be truly scary is that many people only need to be given the option of financial gain or the removal of any repercussions in order to engage in such nefarious activity. The Purge: Election Year allows us to live vicariously through the trauma presented on-screen and the ability to leave at any time that we feel too uncomfortable with what is being presented. The films, especially this third iteration demonstrates to its audience what class warfare looks like and what happens when the populace is truly deceived by its media and politicians. It is a true dystopian reality that some people might welcome for all the wrong reasons.
The action of the film is inventive. The plot is on par with what you would expect for an action-horror film. It is the touch of reality and characters that are not limited to two dimensions that truly allows the film to create a deeper connection with the audience so they find themselves rooting for the “good guys” to not just win, but to survive the night. Viewers and fans of action, horror, political drama, and suspense will all be satisfied with The Purge: Election Year. Fans new and old of this franchise will leave theaters hoping for this to become a lasting franchise that has fresh ideas and storylines each time.
Purge: Election Year is not about mindless killing as those who are unfamiliar with the series would assume. The films are a mirror being held back on American Society to make us think about what we would do in similar situations if faced with them. The horror of the film is not in the shocking scenes, violence, or gore. What we can find to be truly scary is that many people only need to be given the option of financial gain or the removal of any repercussions in order to engage in such nefarious activity. The Purge: Election Year allows us to live vicariously through the trauma presented on-screen and the ability to leave at any time that we feel too uncomfortable with what is being presented. The films, especially this third iteration demonstrates to its audience what class warfare looks like and what happens when the populace is truly deceived by its media and politicians. It is a true dystopian reality that some people might welcome for all the wrong reasons.
The action of the film is inventive. The plot is on par with what you would expect for an action-horror film. It is the touch of reality and characters that are not limited to two dimensions that truly allows the film to create a deeper connection with the audience so they find themselves rooting for the “good guys” to not just win, but to survive the night. Viewers and fans of action, horror, political drama, and suspense will all be satisfied with The Purge: Election Year. Fans new and old of this franchise will leave theaters hoping for this to become a lasting franchise that has fresh ideas and storylines each time.