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graveyardgremlin (7194 KP) rated The Other Countess (The Lacey Chronicles, #1) in Books
Feb 15, 2019
THE OTHER COUNTESS is a sweet and harmless love story set in Tudor England during the reign of Queen Elizabeth I, in the year of 1582 to be exact. Lady Eleanor Rodriguez, Countess of San Jaime, is our penniless heroine who is saddled with her absent-minded alchemist father; the roles of child and parent have been long since been reversed. The preface, which takes place in 1578, gives us our first glimpse of William Lacey, the new Earl of Dorset at age fourteen, as he throws a twelve-year-old Ellie and her father off his land.
The story itself isn't exactly original and doesn't go into any unfamiliar territory, but it's ably told and fairly inoffensive, making it suitable for older teens (there are numerous allusions to sexual situations but that's as far as it goes). The dialogue and sensibilities are more modern in nature and don't always ring true to the era, but some liberties are always taken in young adult fiction, therefore making it something I can forgive. Very light on historical content, this is more for the romantics out there who like a historical backdrop to a love story. For the first half, I wasn't very involved into either the characters or their story, and it didn't help that it moved at a slow pace, though at the halfway point it picked up and started charming me. However, the hero and heroine were a little too perfect, more so in Ellie's case, as she didn't seem to really have any negative attributes other than she has a bit of a temper. Maybe if they had a few more rough edges I would have rooted for them to have their happy ending, as it is, I wasn't that invested. I do think that the secondary character, Lady Jane Perceval, has promise on that front since her narrative had a more realistic feel to it, so I may just pick up her story when it comes out ([b:The Queen's Lady|8805112|The Queen's Lady (The Lacey Chronicles, #2)|Eve Edwards|http://photo.goodreads.com/books/1327950501s/8805112.jpg|13679272]). The resolution to Will and Ellie's story came far too easily and some more conflict would have made it much better. Still, as I said, it's a sweet story, even if nothing sets it apart from other books. An easy read that should appeal to teenage girls.
The story itself isn't exactly original and doesn't go into any unfamiliar territory, but it's ably told and fairly inoffensive, making it suitable for older teens (there are numerous allusions to sexual situations but that's as far as it goes). The dialogue and sensibilities are more modern in nature and don't always ring true to the era, but some liberties are always taken in young adult fiction, therefore making it something I can forgive. Very light on historical content, this is more for the romantics out there who like a historical backdrop to a love story. For the first half, I wasn't very involved into either the characters or their story, and it didn't help that it moved at a slow pace, though at the halfway point it picked up and started charming me. However, the hero and heroine were a little too perfect, more so in Ellie's case, as she didn't seem to really have any negative attributes other than she has a bit of a temper. Maybe if they had a few more rough edges I would have rooted for them to have their happy ending, as it is, I wasn't that invested. I do think that the secondary character, Lady Jane Perceval, has promise on that front since her narrative had a more realistic feel to it, so I may just pick up her story when it comes out ([b:The Queen's Lady|8805112|The Queen's Lady (The Lacey Chronicles, #2)|Eve Edwards|http://photo.goodreads.com/books/1327950501s/8805112.jpg|13679272]). The resolution to Will and Ellie's story came far too easily and some more conflict would have made it much better. Still, as I said, it's a sweet story, even if nothing sets it apart from other books. An easy read that should appeal to teenage girls.
A Stain in the Blood: The Remarkable Voyage of Sir Kenelm Digby
Book
SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE FOR BIOGRAPHY and THE ELIZABETH LONGFORD PRIZE FOR...
History
City of Girls
10.0
Rate It
Book
From the # 1 New York Times bestselling author of Eat, Pray, Love and The Signature of All Things, a...
LeftSideCut (3778 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 11, 2022
I've taken a few days since seeing Multiverse of Madness to try and digest it as a whole, and decide how I felt about it. It's certainly wild, and leaves a hefty impression. My initial reservations stem from a couple of elements. Firstly, due to the nature of the multiverse, there are some big set pieces and character moments that feel a bit inconsequential. I hope that future projects might reveist these moments and the subsequent fallout from them, but I've got a sneaky feeling that might not happen. Secondly, there's a massive plot point that drives the entire movie that feels a little unearned, even if the execution packs a hell of a punch.
Overall though, I feel that these are minor detriments to what is a spectacular, and comic-book-as-fuck MCU entry, an entry that carries a unique signature, thanks in no small part to its director. It's no secret that I'm a big ol' Sam Raimi fan, and the entirety of MoM feels like a film straight from his mind. Sure, it has the standard Marvel Studios template, but his style shines through with little effort. There are definitely some moments that feel like a gateway horror flick, and even a bit of splatter that you might not expect from an MCU movie. There's even a few Evil Dead references chucked in for good measure.
It terms of wider connections, there's a lot goinh on here. The narrative does a lot to establish Dr Strange as a major player going forward, and introduces a great deep cut from the comics in America Chavez, another character that would fit right in with a Young Avenger film that is surely not too far off. It's also the first theater release to really feel impacted by the Disney+ shows, essentially acting as not just a sequel to Doctor Strange and No Way Home, but to WandaVision as well. On that note, Elizabeth Olsen all but steals the show here, and it's quite glorious. Elsewhere, the multiverse ensures that there are some crazy set pieces, and some fun cameos that will surely have fans talking and speculating for quite some time.
If nothing else, MoM is an incredibly fun Sam Raimi film, and a solid entry into the wider MCU, and I'm happy with that result.
Overall though, I feel that these are minor detriments to what is a spectacular, and comic-book-as-fuck MCU entry, an entry that carries a unique signature, thanks in no small part to its director. It's no secret that I'm a big ol' Sam Raimi fan, and the entirety of MoM feels like a film straight from his mind. Sure, it has the standard Marvel Studios template, but his style shines through with little effort. There are definitely some moments that feel like a gateway horror flick, and even a bit of splatter that you might not expect from an MCU movie. There's even a few Evil Dead references chucked in for good measure.
It terms of wider connections, there's a lot goinh on here. The narrative does a lot to establish Dr Strange as a major player going forward, and introduces a great deep cut from the comics in America Chavez, another character that would fit right in with a Young Avenger film that is surely not too far off. It's also the first theater release to really feel impacted by the Disney+ shows, essentially acting as not just a sequel to Doctor Strange and No Way Home, but to WandaVision as well. On that note, Elizabeth Olsen all but steals the show here, and it's quite glorious. Elsewhere, the multiverse ensures that there are some crazy set pieces, and some fun cameos that will surely have fans talking and speculating for quite some time.
If nothing else, MoM is an incredibly fun Sam Raimi film, and a solid entry into the wider MCU, and I'm happy with that result.
Heather Cranmer (2721 KP) rated The Looking Glass (The Looking Glass, #1) in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I read the blurb to this book, I didn't really know what to expect. I liked that it dealt with mirrors and ghosts. That's what drew me in. Luckily, I found this book to be super interesting!
I do like the title of this book. It pays homage to Lewis Carroll, and even some scenes in the book do the same.
I'm not a big fan of the cover although it does have to do with the story. I would've liked to see something spooky on the cover such as Elizabeth Blackwell staring out from the mirror or something similar, but that is just a personal opinion.
I did enjoy the world building and found it to be believable. However, I was a bit confused as to why and how Alice always ended up at the hotel's swimming pool at midnight for just an hour every night. Perhaps that could've been explained better. I was also a little big confused about the fog and how it differed for the witch and for Alice, but I won't go into details as I don't want to give away any spoilers. I do like how Alice's version of the hotel is different from the actual hotel and how she sees the real world through mirrors.
The pacing was brilliant in The Looking Glass! I'll be honest. I wasn't expecting this book to instantly catch my attention from the very first page, but it did just that. From the first sentence, I was hooked and couldn't wait to find out what would happen next to Alice.
I enjoyed the plot very much, and I felt it was fairly original. (Don't worry, the next few sentences aren't spoilers). Alice dives into the hotel swimming pool and hits her head. She almost drowns and ends up in a coma. However, her spirit is stuck at the hotel where she must figure out the mystery of Elizabeth Blackwell if she's to reunite her body with her spirit. While I didn't feel that there were any major plot twists in the story, I still really enjoyed it. Oh, and don't worry. There's no cliff hangars either.
I found the characters to be very well written and likable. Alice is a very down to Earth, normal teenage girl. She was easy to relate to and had a likable personality. She is a very curious about everything, but that ultimately comes to her advantage. I also really liked Tony and how he was so willing to help Alice. He came across as a real sweetheart and a very brave person. George is another character who I wasn't really sure of to begin with but ended up liking.
I enjoyed the dialogue and felt it was appropriate for a young adult book. It flowed smoothly and never once felt forced. My favorite bits of dialogue were when Alice was thinking to herself. There's no swearing in this book, but there is some minor violence.
Overall, The Looking Glass by Jessica Arnold is a highly interesting read. The plot will keep readers very much immersed in the book. The world building is very detailed albeit some minor confusing details.
I'd recommend this book to those aged 13+ who are after a book that's a little bit scary but not too much and for those who are after a book with a brilliant story line.
<b>I'd give The Looking Glass by Jessica Arnold a 4.5 out of 5.</b>
(I received an free ebook of this title from the tour host in exchange for a fair and honest review).
When I read the blurb to this book, I didn't really know what to expect. I liked that it dealt with mirrors and ghosts. That's what drew me in. Luckily, I found this book to be super interesting!
I do like the title of this book. It pays homage to Lewis Carroll, and even some scenes in the book do the same.
I'm not a big fan of the cover although it does have to do with the story. I would've liked to see something spooky on the cover such as Elizabeth Blackwell staring out from the mirror or something similar, but that is just a personal opinion.
I did enjoy the world building and found it to be believable. However, I was a bit confused as to why and how Alice always ended up at the hotel's swimming pool at midnight for just an hour every night. Perhaps that could've been explained better. I was also a little big confused about the fog and how it differed for the witch and for Alice, but I won't go into details as I don't want to give away any spoilers. I do like how Alice's version of the hotel is different from the actual hotel and how she sees the real world through mirrors.
The pacing was brilliant in The Looking Glass! I'll be honest. I wasn't expecting this book to instantly catch my attention from the very first page, but it did just that. From the first sentence, I was hooked and couldn't wait to find out what would happen next to Alice.
I enjoyed the plot very much, and I felt it was fairly original. (Don't worry, the next few sentences aren't spoilers). Alice dives into the hotel swimming pool and hits her head. She almost drowns and ends up in a coma. However, her spirit is stuck at the hotel where she must figure out the mystery of Elizabeth Blackwell if she's to reunite her body with her spirit. While I didn't feel that there were any major plot twists in the story, I still really enjoyed it. Oh, and don't worry. There's no cliff hangars either.
I found the characters to be very well written and likable. Alice is a very down to Earth, normal teenage girl. She was easy to relate to and had a likable personality. She is a very curious about everything, but that ultimately comes to her advantage. I also really liked Tony and how he was so willing to help Alice. He came across as a real sweetheart and a very brave person. George is another character who I wasn't really sure of to begin with but ended up liking.
I enjoyed the dialogue and felt it was appropriate for a young adult book. It flowed smoothly and never once felt forced. My favorite bits of dialogue were when Alice was thinking to herself. There's no swearing in this book, but there is some minor violence.
Overall, The Looking Glass by Jessica Arnold is a highly interesting read. The plot will keep readers very much immersed in the book. The world building is very detailed albeit some minor confusing details.
I'd recommend this book to those aged 13+ who are after a book that's a little bit scary but not too much and for those who are after a book with a brilliant story line.
<b>I'd give The Looking Glass by Jessica Arnold a 4.5 out of 5.</b>
(I received an free ebook of this title from the tour host in exchange for a fair and honest review).
Sarah (7798 KP) rated Antebellum (2020) in Movies
Apr 2, 2021
Incredibly dull and predictable
Antebellum is a 2020 thriller film from debut writer directors Gerard Bush and Christopher Renz, the trailer for which implied it was a mind bending, time travelling horror story set during the times of slavery in America. However Antebellum never manages to live up to what it promised, instead turning out to be a rather dull and predictable affair.
Antebellum opens on an unknown plantation somewhere in Louisiana, run by confederate soldiers. Janelle Monae stars as Eden, a slave we first see being beaten and branded by the confederate leader general known only as “Him” (Eric Lange). Running the plantation alongside “Him” is sadistic confederate officer Captain Jasper (Jack Huston) and his equally unpleasant wife Elizabeth (Jena Malone). Eden and her fellow slaves, including newcomer Julia (Kiersey Clemons), suffer numerous acts of brutality and oppressions at the hands of confederate soldiers, all the while trying to plan their escape amid the feeling that this plantation isn’t quite what it seems.
Then one night lying in bed after being raped by the general, Eden hears the ringing of a mobile phone and suddenly wakes up in an entirely different era, where she is now know as renowned sociologist Dr Veronica Henley. Veronica has a husband (Marque Richardson) and young daughter and is currently finishing off a book tour, with some help from her best friends Dawn (Gabourey Sidibe) and Sarah (Lily Cowles). Strange things soon start to happen, and a night out with her friends doesn’t quite the way Veronica had expected.
Antebellum’s biggest flaw, and unfortunately a rather pivotal one, is the story itself. I feel like there is meant to be an important message here, but I feel like it’s lost in the stereotypes and predictability. I’m trying to avoid spoilers, but this film is very reminiscent of one by M. Night Shyamalan and has a very similar storyline. I’d actually go so far as saying that his film was at least more interesting. Antebellum seems to have shied away from showing any real intrigue or thrill or horror at all, and other than switching from Eden to Veronica part way in, nothing of any real substance happens until the last 30 minutes of the film. There was even a lack of hints or subtleties pointing to the later plot twist throughout, and this may at least have helped make it a little less dull.
It’s a shame, as this film did have potential. It looks stunning and has been very well made, from the set design to the costumes, it all looks authentic and the score is suitably tense and dramatic too. The opening scene on the plantation alongside the score made for a very intriguing opener, although sadly this was spoilt some by the use questionable slow motion. Performance wise Gabourey Sidibe brings some much needed humour and fun as Veronica’s man hungry best friend, and Janelle Monae is captivating as both Eden and Veronica. This film is lucky Monae is such a talent, as she’s the only reason this was watchable to the very end. It’s just a shame Jena Malone’s Elizabeth is far too over the top to be a believable villain.
Antebellum is obviously trying to make an important statement about slavery and racism packaged into an unusual thriller/horror, but unlike similar films like Jordan Peele’s Get Out, it doesn’t manage to pull it off and instead flounders with a dull and predictable storyline that most could figure out well before the final act. It’s also severely lacking in any real intrigue or horror, and aside from some good performances, there’s nothing memorable about this at all.
Antebellum opens on an unknown plantation somewhere in Louisiana, run by confederate soldiers. Janelle Monae stars as Eden, a slave we first see being beaten and branded by the confederate leader general known only as “Him” (Eric Lange). Running the plantation alongside “Him” is sadistic confederate officer Captain Jasper (Jack Huston) and his equally unpleasant wife Elizabeth (Jena Malone). Eden and her fellow slaves, including newcomer Julia (Kiersey Clemons), suffer numerous acts of brutality and oppressions at the hands of confederate soldiers, all the while trying to plan their escape amid the feeling that this plantation isn’t quite what it seems.
Then one night lying in bed after being raped by the general, Eden hears the ringing of a mobile phone and suddenly wakes up in an entirely different era, where she is now know as renowned sociologist Dr Veronica Henley. Veronica has a husband (Marque Richardson) and young daughter and is currently finishing off a book tour, with some help from her best friends Dawn (Gabourey Sidibe) and Sarah (Lily Cowles). Strange things soon start to happen, and a night out with her friends doesn’t quite the way Veronica had expected.
Antebellum’s biggest flaw, and unfortunately a rather pivotal one, is the story itself. I feel like there is meant to be an important message here, but I feel like it’s lost in the stereotypes and predictability. I’m trying to avoid spoilers, but this film is very reminiscent of one by M. Night Shyamalan and has a very similar storyline. I’d actually go so far as saying that his film was at least more interesting. Antebellum seems to have shied away from showing any real intrigue or thrill or horror at all, and other than switching from Eden to Veronica part way in, nothing of any real substance happens until the last 30 minutes of the film. There was even a lack of hints or subtleties pointing to the later plot twist throughout, and this may at least have helped make it a little less dull.
It’s a shame, as this film did have potential. It looks stunning and has been very well made, from the set design to the costumes, it all looks authentic and the score is suitably tense and dramatic too. The opening scene on the plantation alongside the score made for a very intriguing opener, although sadly this was spoilt some by the use questionable slow motion. Performance wise Gabourey Sidibe brings some much needed humour and fun as Veronica’s man hungry best friend, and Janelle Monae is captivating as both Eden and Veronica. This film is lucky Monae is such a talent, as she’s the only reason this was watchable to the very end. It’s just a shame Jena Malone’s Elizabeth is far too over the top to be a believable villain.
Antebellum is obviously trying to make an important statement about slavery and racism packaged into an unusual thriller/horror, but unlike similar films like Jordan Peele’s Get Out, it doesn’t manage to pull it off and instead flounders with a dull and predictable storyline that most could figure out well before the final act. It’s also severely lacking in any real intrigue or horror, and aside from some good performances, there’s nothing memorable about this at all.
Lottie disney bookworm (1056 KP) rated Six Crimson Cranes in Books
Jun 17, 2021
Wow!
Where do I start?
Wow!
In a kingdom which has banned magic and banished all demons to the Holy Mountains, Princess Shiori must hide her magical blood from those around her, in particular her six brothers, her mysterious stepmother and her father, the Emperor.
However, when a combination of magic and stubbornness derails Shiori’s betrothal ceremony the princess discovers that she is not the only family member hiding their gift. After spying on her stepmother, Shiori is convinced that her father’s wife is a demon and turns to her brothers…with disastrous consequences.
With her six brothers transformed into cranes, Shiori is alone, cast far away from the palace and forced to remain mute: for every word she utters, one brother will die! She is also unrecognisable, her magic is locked and she cannot reveal her past to anyone. Powerless, abandoned and mute- can Shiori save her six older brothers and return home to defeat her stepmother?
Shiori herself is an amazing protagonist. She is young, impulsive, stubborn but also has the biggest heart. Her love for her brothers (and food) is integral to her personality and the comfort she takes in the memories of her mother is beautiful.
Initially, Shiori’s life may appear to be a fairytale with extravagant robes and magnificent palaces. Maybe that is why Lim creates a fairytale-worthy curse? With a lost voice, a lost pink slipper and a city put to sleep, Elizabeth Lim certainly showcases some of the magic we saw in her Disney Twisted Tale novels.
Shiori’s journey to save her brothers is one of tremendous bravery and courage and it is along this path that the princess truly discovers her inner strength. She also matures immensely (it’s probably inevitable when your stepmother curses you) but Shiori experiences the hardships of the world around her, learns who to trust and realises that sometimes poison (or a curse) can be a “medicine in disguise”.
The supporting cast within Six Crimson Cranes are also incredible. Seryu the dragon prince with his ruby eyes and green hair clearly cares for Shiori. Will he try to sway her affections in book two? He will have to compete with Takkan, the loyal, picture-perfect prince who protected Shiori when no-one else did, long before he knew her true identity.
Shiori’s stepmother, Raikama, was possibly the most complex character. Despite only being present at the beginning and end of the novel, she spends 90% of the book as a villain – and the reader is fully on board with this! However, Lim’s ingenious use of Shiori’s faint memories help her piece together an unfathomable puzzle: why would Raikama curse the siblings instead of killing them? Is this linked to her stepmother’s magic and her mysterious past?
The world building in Six Crimson Cranes is magical. Without breaking the flow of the novel Lim perfectly creates the kingdom of Kiata in our minds, from the manicured grounds of the palace during the Summer Festival, with kites bobbing against azure skies, to the bleak but beautiful Iro, overlooked by Rabbit mountain, glittering in the light of the silver moon. Elizabeth Lim truly transports her readers to these beautiful but dangerous landscapes.
Six Crimson Cranes is a book which surpassed all my expectations. The world building is as magical as its fairy-tale undertones and the characters already feel like old friends. I don’t think I can wait another year for the sequel!
Thank you so so much to Netgalley for providing this amazing opportunity! I received a free digital copy of this book in exchange for an honest review…and now I’m off to pre-order the real thing!
Where do I start?
Wow!
In a kingdom which has banned magic and banished all demons to the Holy Mountains, Princess Shiori must hide her magical blood from those around her, in particular her six brothers, her mysterious stepmother and her father, the Emperor.
However, when a combination of magic and stubbornness derails Shiori’s betrothal ceremony the princess discovers that she is not the only family member hiding their gift. After spying on her stepmother, Shiori is convinced that her father’s wife is a demon and turns to her brothers…with disastrous consequences.
With her six brothers transformed into cranes, Shiori is alone, cast far away from the palace and forced to remain mute: for every word she utters, one brother will die! She is also unrecognisable, her magic is locked and she cannot reveal her past to anyone. Powerless, abandoned and mute- can Shiori save her six older brothers and return home to defeat her stepmother?
Shiori herself is an amazing protagonist. She is young, impulsive, stubborn but also has the biggest heart. Her love for her brothers (and food) is integral to her personality and the comfort she takes in the memories of her mother is beautiful.
Initially, Shiori’s life may appear to be a fairytale with extravagant robes and magnificent palaces. Maybe that is why Lim creates a fairytale-worthy curse? With a lost voice, a lost pink slipper and a city put to sleep, Elizabeth Lim certainly showcases some of the magic we saw in her Disney Twisted Tale novels.
Shiori’s journey to save her brothers is one of tremendous bravery and courage and it is along this path that the princess truly discovers her inner strength. She also matures immensely (it’s probably inevitable when your stepmother curses you) but Shiori experiences the hardships of the world around her, learns who to trust and realises that sometimes poison (or a curse) can be a “medicine in disguise”.
The supporting cast within Six Crimson Cranes are also incredible. Seryu the dragon prince with his ruby eyes and green hair clearly cares for Shiori. Will he try to sway her affections in book two? He will have to compete with Takkan, the loyal, picture-perfect prince who protected Shiori when no-one else did, long before he knew her true identity.
Shiori’s stepmother, Raikama, was possibly the most complex character. Despite only being present at the beginning and end of the novel, she spends 90% of the book as a villain – and the reader is fully on board with this! However, Lim’s ingenious use of Shiori’s faint memories help her piece together an unfathomable puzzle: why would Raikama curse the siblings instead of killing them? Is this linked to her stepmother’s magic and her mysterious past?
The world building in Six Crimson Cranes is magical. Without breaking the flow of the novel Lim perfectly creates the kingdom of Kiata in our minds, from the manicured grounds of the palace during the Summer Festival, with kites bobbing against azure skies, to the bleak but beautiful Iro, overlooked by Rabbit mountain, glittering in the light of the silver moon. Elizabeth Lim truly transports her readers to these beautiful but dangerous landscapes.
Six Crimson Cranes is a book which surpassed all my expectations. The world building is as magical as its fairy-tale undertones and the characters already feel like old friends. I don’t think I can wait another year for the sequel!
Thank you so so much to Netgalley for providing this amazing opportunity! I received a free digital copy of this book in exchange for an honest review…and now I’m off to pre-order the real thing!
Hadley (567 KP) rated Ghostly Tales: Spine-Chilling Stories of the Victorian Age in Books
Jan 20, 2021
Ghost stories (1 more)
Well-written
This collection of tales will transport you to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind, or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, these stories come alive alongside exquisitely eerie art in this special illustrated edition.
Since this is a short story collection, I will list the stories with a short synopsis and what I liked and disliked about them.
"Oh, Whistle, and I'll Come to You, My Lad" by M.R. James
A professor decides to go on vacation to work on his golf game while doing a little side work in the town's archaeology, but when he digs up an old whistle and blows into it, he instantly regrets what the whistle brings.
Liked: the buildup to the climax was done masterfully, and the superstition that was used as the premise of the story
Disliked: that the ending is never explained
"The Old Nurse's Story" by Elizabeth Gaskell
When a governess and her ward are taken to a haunted house, they found out that everyone has to pay for their misdeeds.
Liked: the perfect example of what Victorian ghost stories were
Disliked: Nothing; I really enjoyed this one
"The Signalman" by Charles Dickens
A railroad signalman tells a co-worker that he is seeing a ghost that warns him of future accidents, but his co-worker can't tell if he's telling the truth or losing his mind.
Liked: an excellent ghost story; I wish it were an entire novel
Disliked: nothing
"The Body-Snatcher" by Robert Louis Stevenson
When a medical student realizes that the 'donated' bodies are murder victims, he's not so sure he can live with the consequences.
Liked: the ending wasn't predictable
Disliked: at the start, there's a little confusion among who is who
" The Captain of the Pole-Star" by Sir Arthur Conan Doyle
A group of whalers are stuck in the middle of the ocean because of ice burgs, but the ice is the least of their problems when they begin to hear and see supernatural things out on the ice.
Liked: the plot of the story was really good
Disliked: the run-on sentences, some of the accents were hard to decipher, and the ending wasn't explained
"The Phantom Coach" by Amelia B. Edwards
A young man loses his way while on a hunt, but soon finds help with an old man that is convinced the supernatural is real, and when he senses the young man does not, he puts him up against forces from the other side.
Liked: the story never lulled, and the descriptions of the undead were amazing
Disliked: nothing, I thought the story was really good
"The Screaming Skull" by F. Marion Crawford
When the friend of a family finds a skull in the latter's home, he begins to question whether or not the husband murdered his wife.
Liked: I love that this story is actually based off an urban legend
Disliked: the way the author kept breaking away from the story to talk to the audience; it caused the flow of the story to stop
Overall, the Victorian-era authors knew how to write a ghost story. I absolutely loved this collection of short stories. I highly recommend this book to people who love a good 'ol fashioned ghost story (not the gory ones we have today).
Since this is a short story collection, I will list the stories with a short synopsis and what I liked and disliked about them.
"Oh, Whistle, and I'll Come to You, My Lad" by M.R. James
A professor decides to go on vacation to work on his golf game while doing a little side work in the town's archaeology, but when he digs up an old whistle and blows into it, he instantly regrets what the whistle brings.
Liked: the buildup to the climax was done masterfully, and the superstition that was used as the premise of the story
Disliked: that the ending is never explained
"The Old Nurse's Story" by Elizabeth Gaskell
When a governess and her ward are taken to a haunted house, they found out that everyone has to pay for their misdeeds.
Liked: the perfect example of what Victorian ghost stories were
Disliked: Nothing; I really enjoyed this one
"The Signalman" by Charles Dickens
A railroad signalman tells a co-worker that he is seeing a ghost that warns him of future accidents, but his co-worker can't tell if he's telling the truth or losing his mind.
Liked: an excellent ghost story; I wish it were an entire novel
Disliked: nothing
"The Body-Snatcher" by Robert Louis Stevenson
When a medical student realizes that the 'donated' bodies are murder victims, he's not so sure he can live with the consequences.
Liked: the ending wasn't predictable
Disliked: at the start, there's a little confusion among who is who
" The Captain of the Pole-Star" by Sir Arthur Conan Doyle
A group of whalers are stuck in the middle of the ocean because of ice burgs, but the ice is the least of their problems when they begin to hear and see supernatural things out on the ice.
Liked: the plot of the story was really good
Disliked: the run-on sentences, some of the accents were hard to decipher, and the ending wasn't explained
"The Phantom Coach" by Amelia B. Edwards
A young man loses his way while on a hunt, but soon finds help with an old man that is convinced the supernatural is real, and when he senses the young man does not, he puts him up against forces from the other side.
Liked: the story never lulled, and the descriptions of the undead were amazing
Disliked: nothing, I thought the story was really good
"The Screaming Skull" by F. Marion Crawford
When the friend of a family finds a skull in the latter's home, he begins to question whether or not the husband murdered his wife.
Liked: I love that this story is actually based off an urban legend
Disliked: the way the author kept breaking away from the story to talk to the audience; it caused the flow of the story to stop
Overall, the Victorian-era authors knew how to write a ghost story. I absolutely loved this collection of short stories. I highly recommend this book to people who love a good 'ol fashioned ghost story (not the gory ones we have today).
Darren (1599 KP) rated Brightburn (2019) in Movies
Jun 19, 2019
Darkness Superhero Style
Thoughts on Brightburn
Characters – Tori is adopted mother of Brandon, she sees him as a blessing and will defending him through any troubles he finds himself in. she does enjoy painting which does seem to be her way to unwind and through the 12th year of Brandon, she is left wondering if he is like her or it is something else controlling him. Kyle is the husband a farmer, he does have to give his son ‘the talk’ which is one of the funniest scenes of the film, he has taught Brandon responsibility and does become the overreacting parent through the situations, a nice spin on the normal. Brandon is the young boy/alien that has bee raised like a normal child, he is social awkward, a loner at school, even his 12th birthday party is in a diner with his family, no friends. Once he starts hearing noises he gets drawn to his craft, which will be the beginning of his newly discovered powers. The powers his has will make him a danger not just to his town, but to the world because they are limitless. We do have other characters including the Aunt and her husband, the fellow students that see Brandon as an outsider and the sheriff trying to figure out the crimes that have been happening around the town.
Performances – Elizabeth Banks does bring us a great performance, we see the undying love of a mother against the shadows of what her child’s true nature is, constantly conflicted through the film. David Denman brings us the father figure, he plays this opposite to the normal because usually we don’t see the weakness or fear in a father and David brings this requirement to the role. Jackson A Dunn is the true star of the show here, he makes young Brandon feel both terrifying and welcoming, as in needing help or a friend, he has moments of being creepy, while moments of pure calmness.
Story – The story here follows a couple that adopt a young boy who feel from space, it seems like everything is going well, until he reaches 12 and his true powers start to come out, leaving the parents in the difficult position of loving their son or turning over a monster that could destroy the world. This story does take the superhero genre in a new direction, we can clearly see how the origin or Brandon place the same as Superman, coming from space adopted and learning about powers, while this time we take a dramatic turn towards the darker side of powers. We do go through the learning process like new superheroes would go through, this is important. The only downside with the story, comes from the ideas that Brandon could be in the pivotal position on which side of good or evil he falls on, only we don’t get to see any hint that he could ever be good. Away from this minor negative, we do see a horror story unfold that becomes bigger and more devasting as the powers become clearer.
Horror/Sci-Fi – The horror in this film comes from the power that Brandon is having, we see what he does to people, with each injury becomes more graphic and shocking as the rampage goes on. The sci-fi elements of the film focus on the idea that Brandon has come from space, we simply don’t know what he could be capable off.
Settings – Th film is set in a small town of Brightburn, it is a close community which is left in shock after the first incident, Brandon however is raised on a small farm which shows that his isolation isn’t just school, but home too.
Special Effects – When we look at the effects, we have some brilliant injury effects, that are front and centre and will make you want to look away, a few of the flying moments are not the best, but they are not what the scenes are focused on at the time.
Scene of the Movie – Uncle Noah’s car trip.
That Moment That Annoyed Me – It would have been nice to see him have a chance to be good.
Final Thoughts – This is a dark superhero movie, unlike anything we have seen before, it feels original, while playing opposite to what we know and isn’t afraid to spill a little blood.
Overall: The Dark Universe has Started.
Rating
Characters – Tori is adopted mother of Brandon, she sees him as a blessing and will defending him through any troubles he finds himself in. she does enjoy painting which does seem to be her way to unwind and through the 12th year of Brandon, she is left wondering if he is like her or it is something else controlling him. Kyle is the husband a farmer, he does have to give his son ‘the talk’ which is one of the funniest scenes of the film, he has taught Brandon responsibility and does become the overreacting parent through the situations, a nice spin on the normal. Brandon is the young boy/alien that has bee raised like a normal child, he is social awkward, a loner at school, even his 12th birthday party is in a diner with his family, no friends. Once he starts hearing noises he gets drawn to his craft, which will be the beginning of his newly discovered powers. The powers his has will make him a danger not just to his town, but to the world because they are limitless. We do have other characters including the Aunt and her husband, the fellow students that see Brandon as an outsider and the sheriff trying to figure out the crimes that have been happening around the town.
Performances – Elizabeth Banks does bring us a great performance, we see the undying love of a mother against the shadows of what her child’s true nature is, constantly conflicted through the film. David Denman brings us the father figure, he plays this opposite to the normal because usually we don’t see the weakness or fear in a father and David brings this requirement to the role. Jackson A Dunn is the true star of the show here, he makes young Brandon feel both terrifying and welcoming, as in needing help or a friend, he has moments of being creepy, while moments of pure calmness.
Story – The story here follows a couple that adopt a young boy who feel from space, it seems like everything is going well, until he reaches 12 and his true powers start to come out, leaving the parents in the difficult position of loving their son or turning over a monster that could destroy the world. This story does take the superhero genre in a new direction, we can clearly see how the origin or Brandon place the same as Superman, coming from space adopted and learning about powers, while this time we take a dramatic turn towards the darker side of powers. We do go through the learning process like new superheroes would go through, this is important. The only downside with the story, comes from the ideas that Brandon could be in the pivotal position on which side of good or evil he falls on, only we don’t get to see any hint that he could ever be good. Away from this minor negative, we do see a horror story unfold that becomes bigger and more devasting as the powers become clearer.
Horror/Sci-Fi – The horror in this film comes from the power that Brandon is having, we see what he does to people, with each injury becomes more graphic and shocking as the rampage goes on. The sci-fi elements of the film focus on the idea that Brandon has come from space, we simply don’t know what he could be capable off.
Settings – Th film is set in a small town of Brightburn, it is a close community which is left in shock after the first incident, Brandon however is raised on a small farm which shows that his isolation isn’t just school, but home too.
Special Effects – When we look at the effects, we have some brilliant injury effects, that are front and centre and will make you want to look away, a few of the flying moments are not the best, but they are not what the scenes are focused on at the time.
Scene of the Movie – Uncle Noah’s car trip.
That Moment That Annoyed Me – It would have been nice to see him have a chance to be good.
Final Thoughts – This is a dark superhero movie, unlike anything we have seen before, it feels original, while playing opposite to what we know and isn’t afraid to spill a little blood.
Overall: The Dark Universe has Started.
Rating
Hazel (1853 KP) rated Escape from Witchwood Hollow in Books
Dec 7, 2018
<i>This eBook was sent to me by the author in exchange for an honest review </i>
Jordan Elizabeth combines contemporary and historical fiction in this mystical young adult novel.<i> Escape From Witchwood Hollow</i> begins in October 2001 with teenage Honoria who has recently moved to the countryside in New York. Not only is it a huge contrast from the life she knew in the city, there is also a local legend that she becomes fascinated with: if you go into the woods a witch will capture you and never let you leave.
This story, however, is not only about Honoria. Back in 1850, Albertine moves from England to New York to be with her father. Ignoring the rumours about Witchwood Hollow, she ventures into the woods hoping that it will be a shortcut to her father’s farm. When she becomes hopelessly lost she begins to question the actuality of the tale of the witch.
As the two stories go on they begin to merge together as Honoria investigates deeper into the legend and Albertine begins to learn the truth. It also appears that the two girls are in some way connected.
Although <i>Escape From Witchwood Hollow</i> is primarily focused on the paranormal aspect of the story, it also deals with the way in which a teenage girl deals with drastic change. Albertine is motherless and living as a maid, however that is nothing compared to the grief Honoria is dealing with. Her parents were two of the victims in the collapse of the World Trade Centers. Not only has she got to come to terms with the loss, she has to cope with moving house, changing schools and making new friends.
The concept of <i>Escape From Witchwood Hollow</i> sounds exciting yet, at least for me, it was not as interesting to read. I far more enjoyed the chapters focused on Albertine rather than Honoria. Perhaps that is because it is easier to admire Albertine’s sense independence and determination, whereas Honoria appears to have a more depressed view of the world (although that is not surprising judging what she has been through).
Overall,<i> Escape From Witchwood Hollow</i> is a decent book to read when you are looking for something quick that will pass the time. It is fast paced and becomes gripping towards the end - particularly when you realize there are not many pages left and nothing has yet been resolved – before coming to a shocking conclusion.
Jordan Elizabeth combines contemporary and historical fiction in this mystical young adult novel.<i> Escape From Witchwood Hollow</i> begins in October 2001 with teenage Honoria who has recently moved to the countryside in New York. Not only is it a huge contrast from the life she knew in the city, there is also a local legend that she becomes fascinated with: if you go into the woods a witch will capture you and never let you leave.
This story, however, is not only about Honoria. Back in 1850, Albertine moves from England to New York to be with her father. Ignoring the rumours about Witchwood Hollow, she ventures into the woods hoping that it will be a shortcut to her father’s farm. When she becomes hopelessly lost she begins to question the actuality of the tale of the witch.
As the two stories go on they begin to merge together as Honoria investigates deeper into the legend and Albertine begins to learn the truth. It also appears that the two girls are in some way connected.
Although <i>Escape From Witchwood Hollow</i> is primarily focused on the paranormal aspect of the story, it also deals with the way in which a teenage girl deals with drastic change. Albertine is motherless and living as a maid, however that is nothing compared to the grief Honoria is dealing with. Her parents were two of the victims in the collapse of the World Trade Centers. Not only has she got to come to terms with the loss, she has to cope with moving house, changing schools and making new friends.
The concept of <i>Escape From Witchwood Hollow</i> sounds exciting yet, at least for me, it was not as interesting to read. I far more enjoyed the chapters focused on Albertine rather than Honoria. Perhaps that is because it is easier to admire Albertine’s sense independence and determination, whereas Honoria appears to have a more depressed view of the world (although that is not surprising judging what she has been through).
Overall,<i> Escape From Witchwood Hollow</i> is a decent book to read when you are looking for something quick that will pass the time. It is fast paced and becomes gripping towards the end - particularly when you realize there are not many pages left and nothing has yet been resolved – before coming to a shocking conclusion.