Search
Search results
Hazel (1853 KP) rated Treasure, Darkly in Books
Aug 16, 2019
Jordan Elizabeth tackles steampunk fiction in her new young adult series Treasure Chronicles. In the first book of the series, Treasure, Darkly we are introduced to seventeen-year-old Clark Treasure who pinches a bottle of what he assumes is absinthe from a captain's pocket. After drinking it, however, Clark discovers he has ingested a liquid that gives him the power to awaken the dead. Wanted by the army to be experimented on, Clark goes into hiding and searches for the man he believes to be his father - one of the wealthiest men in the world, Garth Treasure.
On the Treasure ranch, Clark receives a warm welcome from his supposed father and step-mother, however, his half-brothers are not so keen on his arrival. His half-sister Amethyst, on the other hand, is an entirely different battle. Romance blossoms between the two siblings, which Clark has to fight... or perhaps there is a chance he is not really her brother?
Being on a Wanted list and coping with an illicit relationship is only part of Clark's troubles. The liquid he stole also allows him to see the dead and some of them have unfinished business, with which only Clark can help them. Full of adventure, danger, love and science fiction, Treasure, Darkly is a story packed with twists and turns. The characters evoke emotion in readers, causing us to either love or hate them but, ultimately, wish for Clark's success and safety.
Treasure Chronicles promises to be an exciting, engaging series for those who love fantasy, science fiction, romance and historical stories. With never a dull moment, Clark Treasure's plight will attract new and old readers of Jordan Elizabeth.
On the Treasure ranch, Clark receives a warm welcome from his supposed father and step-mother, however, his half-brothers are not so keen on his arrival. His half-sister Amethyst, on the other hand, is an entirely different battle. Romance blossoms between the two siblings, which Clark has to fight... or perhaps there is a chance he is not really her brother?
Being on a Wanted list and coping with an illicit relationship is only part of Clark's troubles. The liquid he stole also allows him to see the dead and some of them have unfinished business, with which only Clark can help them. Full of adventure, danger, love and science fiction, Treasure, Darkly is a story packed with twists and turns. The characters evoke emotion in readers, causing us to either love or hate them but, ultimately, wish for Clark's success and safety.
Treasure Chronicles promises to be an exciting, engaging series for those who love fantasy, science fiction, romance and historical stories. With never a dull moment, Clark Treasure's plight will attract new and old readers of Jordan Elizabeth.
ClareR (5596 KP) rated Six Tudor Queens: Katharine Parr, The Sixth Wife in Books
May 23, 2021
Katherine Parr’s book in this series of Henry VIII’s six wives was a really immersive read. She’s always seen as the wife who made it: the wife who escaped, lived after Henry died. And she’s certainly portrayed as a genuinely nice person - someone who I’d certainly be happy to sit down and talk to. She’s approachable, mature beyond her years as a young woman, and constantly loyal to all of her husbands (but they did have a habit of dying on her).
It’s clear that Alison Weir did loads of research on Katherine’s childhood and early years, and it was so interesting to learn more about that part of her life. Usually, any of Henry VIII’s wives are only spoken about in relation to their marriage. But Katherine Parr certainly lived in the years before Henry. She was a dutiful, supportive wife to both of her husbands before Henry, and had happy marriages - but no children. She didn’t have children with Henry either. It must have been a great sadness for her. I loved reading about the relationships she had with all of her stepchildren, and how she convinced Henry to re-establish Mary and Elizabeth in the succession. Not so good in Mary’s case (she wasn’t nicknamed Bloody Mary for nothing), better in Elizabeth’s. Indeed, Mary and Elizabeth seem genuinely fond of Katherine, and both even live with her for a time.
Things don’t run smoothly for Katherine - the knives are out for her whilst she is Queen, and remain out after Henry’s death. So when she marries the man that she truly loves after Henry’s death - without permission - there is scandal.
This is a captivating chunk of a book. I do enjoy a big, historical book, and this delivers in spades. I loved it!
Many thanks to the Amazon Vine Programme for my ARC of this book.
It’s clear that Alison Weir did loads of research on Katherine’s childhood and early years, and it was so interesting to learn more about that part of her life. Usually, any of Henry VIII’s wives are only spoken about in relation to their marriage. But Katherine Parr certainly lived in the years before Henry. She was a dutiful, supportive wife to both of her husbands before Henry, and had happy marriages - but no children. She didn’t have children with Henry either. It must have been a great sadness for her. I loved reading about the relationships she had with all of her stepchildren, and how she convinced Henry to re-establish Mary and Elizabeth in the succession. Not so good in Mary’s case (she wasn’t nicknamed Bloody Mary for nothing), better in Elizabeth’s. Indeed, Mary and Elizabeth seem genuinely fond of Katherine, and both even live with her for a time.
Things don’t run smoothly for Katherine - the knives are out for her whilst she is Queen, and remain out after Henry’s death. So when she marries the man that she truly loves after Henry’s death - without permission - there is scandal.
This is a captivating chunk of a book. I do enjoy a big, historical book, and this delivers in spades. I loved it!
Many thanks to the Amazon Vine Programme for my ARC of this book.
Gareth von Kallenbach (971 KP) rated Wind River (2017) in Movies
Jul 11, 2019
Between Sicario and Hell or High Water (both of which landed on my year-end best lists for 2015 and 2016 respectively), Taylor Sheridan has already proven to be an incredible talent at crafting slow-burning thrillers that also serve as in-depth character studies. His new film, third as a screenwriter and second as a director, may move at quite a faster pace than his previous two screenplays, but it is no less accomplished, either in plot or in character development. Though some may leave the theater feeling that they haven’t seen anything new, and they’d be right to as there isn’t anything particularly flashy or unique in the direction or cinematography, Wind River however finds its strength in its simplicity. It’s a simple story concerning the death of a young girl on a Wyoming reservation, of the tracker (Jeremy Renner) for whom the circumstance strikes too close to home, and of the presumably untested FBI agent (Elizabeth Olsen) forced to face the darker side of her chosen profession.
For Jeremy Renner, Wind River marks a career best. He displays restraint in a role that others would have played far too arrogantly and when he lets us in to share in his character’s painful past, the melodrama inherent in the dialogue is delivered with dignity and humility. Complimenting his performance beautifully is Gil Birmingham as Martin, the father of the murdered girl. Much like his work opposite Jeff Bridges in Hell or High Water, his scenes with Renner are the highlight of the film. Every line he delivers reverberates with truth and with the weight of losing of two children, one whose life is thrown away to drug use and one to an untimely, mysterious death. Veteran actor and longtime favorite of mine, Graham Greene is also on hand to give a competent turn as the local sheriff who in equal measures doles out tension-relieving humor as well as reminding us of the gravity of a bleak situation.
In amongst a predominately-male cast, Elizabeth Olsen shines. This film was an undoubtedly a tough task, as her character is given no soft options, and her performance gave me cause to reflect on a young Jodie Foster in The Silence of the Lambs. I don’t just draw this comparison because of the fact they both play young agents thrust into a situation beyond their level of experience, but because of the scenes in these films where they are called upon to confidently take command of a room full of men and to show great physicality in moments of unexpected violence. It’s another top mark in her filmography comparable to her breakout in Martha Marcy May Marlene and hopefully, in-between bouts of this bloated Marvel Cinematic Universe nonsense, we’ll continue to see her in roles of some substance.
For Jeremy Renner, Wind River marks a career best. He displays restraint in a role that others would have played far too arrogantly and when he lets us in to share in his character’s painful past, the melodrama inherent in the dialogue is delivered with dignity and humility. Complimenting his performance beautifully is Gil Birmingham as Martin, the father of the murdered girl. Much like his work opposite Jeff Bridges in Hell or High Water, his scenes with Renner are the highlight of the film. Every line he delivers reverberates with truth and with the weight of losing of two children, one whose life is thrown away to drug use and one to an untimely, mysterious death. Veteran actor and longtime favorite of mine, Graham Greene is also on hand to give a competent turn as the local sheriff who in equal measures doles out tension-relieving humor as well as reminding us of the gravity of a bleak situation.
In amongst a predominately-male cast, Elizabeth Olsen shines. This film was an undoubtedly a tough task, as her character is given no soft options, and her performance gave me cause to reflect on a young Jodie Foster in The Silence of the Lambs. I don’t just draw this comparison because of the fact they both play young agents thrust into a situation beyond their level of experience, but because of the scenes in these films where they are called upon to confidently take command of a room full of men and to show great physicality in moments of unexpected violence. It’s another top mark in her filmography comparable to her breakout in Martha Marcy May Marlene and hopefully, in-between bouts of this bloated Marvel Cinematic Universe nonsense, we’ll continue to see her in roles of some substance.
graveyardgremlin (7194 KP) rated Double Love (Sweet Valley High, #1) in Books
Feb 15, 2019
<u><b>SVH: WTF?</b></u>
<b>Cover Models:</b> Jessica and Elizabeth
<b>Page count:</b> 182
<b>Special Event:</b> Some sorority thing.
<b>Number of times "a hundred and thirty-seven" was mentioned:</b> Two, plus five hundred and thirty-seven and seven hundred and thirty-seven. See below.
<b>Mental Illness Winner of the Week:</b> Jessica. Is there any surprise there?
<b>Jessica's Bitchyness scale:</b> ***** (out of five)
<b>WTFery Meter:</b> ****1/2 stars (out of five)
-------------------------
<b>Quotes & Snarky comments:</b>
What a peach:<blockquote>"How can you be best friends with somebody as blah as Eeny Rollins? I don't want you to go over there. Somebody might think it was <i>me</i> talking to her." - Jessica Wakefield, page 18</blockquote>Jessica's thoughts about Liz's lack of enthusiasm at being accepted into the sorority, Pi Beta Alpha: <blockquote>"No big deal? Elizabeth, how can you say that? How can you even think it? You've got to be seven hundred and thirty-seven kinds of idiots not to be excited about associating with the best girls at Sweet Valley High. What's wrong with you?" - page 34/5</blockquote>Isn't she simply the sweetest girl in the world? (note: Enid was also accepted.)
On butting into their brother's, Steven, love life: <blockquote>"You can do whatever you want, Elizabeth Wakefield, but it's just not in my nature to be cold and selfish when it comes to the happiness of a member of my family!" - page 39</blockquote>This as she attempts to steal Todd away from Liz the whole book. Yeah, real selfless of ya, Jess.<blockquote>"He has got to be the most wonderful boy in a hundred and thirty-seven states!" - Jessica, page 108</blockquote> Uh, she does realize there are only 50, right?<blockquote>Elizabeth wondered how her sister could possibly descend from cloud nine with Todd Wilkins to the pits of depression so fast and simply because she had to do a little thing like help fix dinner. - page 108</blockquote>I bet a psychologist (or a whole team of them) is the only one that could help you figure that out, Liz. What follows immediately afterward sees Jessica having a complete meltdown. Seriously.
<blockquote>"This family has got to be the biggest bummer in five hundred and thirty-seven cities!" - Jess, page 111</blockquote><blockquote>"You selfish little twerp," Steven said, glaring at Jessica. - page 114</blockquote>Hear, hear! Way to go Steve!
<blockquote>"I'll never forgive you, not if I live to be a hundred and thirty-seven years." - Jessica, page 182</blockquote>Aah! Please don't live that long, please. 8O
<b>Final thoughts:</b>
Elizabeth = Goody-two-shoes doormat.
Jessica = Satan incarnate.
Sounds like a bad sitcom.
<b>Disclaimer:</b> I am not a teenager or preteen, but an adult. Supposedly. Everyone keeps telling me I am but I'm not sure I'm buying what they're selling. Therefore my views are based from that perspective rather than someone in the target age range. I inhaled these suckers when I was young, hale, and hearty, so in an apparent moment of weakness have decided to re-visit one of my favorite old series in a fondly-remembered, tongue-in-cheek, and mostly sarcastic approach. So since I couldn't manage to devise a rating system for SVH books, I came up with this little way to have some fun, which is in the review form you've (hopefully) just read. Why else would you be reading this if you hadn't read all the way through anyway? Sometimes me not so bright. ;P
Next review: <a href="http://www.goodreads.com/review/show/166889313"><b>Secrets</b></a>;
<b>Cover Models:</b> Jessica and Elizabeth
<b>Page count:</b> 182
<b>Special Event:</b> Some sorority thing.
<b>Number of times "a hundred and thirty-seven" was mentioned:</b> Two, plus five hundred and thirty-seven and seven hundred and thirty-seven. See below.
<b>Mental Illness Winner of the Week:</b> Jessica. Is there any surprise there?
<b>Jessica's Bitchyness scale:</b> ***** (out of five)
<b>WTFery Meter:</b> ****1/2 stars (out of five)
-------------------------
<b>Quotes & Snarky comments:</b>
What a peach:<blockquote>"How can you be best friends with somebody as blah as Eeny Rollins? I don't want you to go over there. Somebody might think it was <i>me</i> talking to her." - Jessica Wakefield, page 18</blockquote>Jessica's thoughts about Liz's lack of enthusiasm at being accepted into the sorority, Pi Beta Alpha: <blockquote>"No big deal? Elizabeth, how can you say that? How can you even think it? You've got to be seven hundred and thirty-seven kinds of idiots not to be excited about associating with the best girls at Sweet Valley High. What's wrong with you?" - page 34/5</blockquote>Isn't she simply the sweetest girl in the world? (note: Enid was also accepted.)
On butting into their brother's, Steven, love life: <blockquote>"You can do whatever you want, Elizabeth Wakefield, but it's just not in my nature to be cold and selfish when it comes to the happiness of a member of my family!" - page 39</blockquote>This as she attempts to steal Todd away from Liz the whole book. Yeah, real selfless of ya, Jess.<blockquote>"He has got to be the most wonderful boy in a hundred and thirty-seven states!" - Jessica, page 108</blockquote> Uh, she does realize there are only 50, right?<blockquote>Elizabeth wondered how her sister could possibly descend from cloud nine with Todd Wilkins to the pits of depression so fast and simply because she had to do a little thing like help fix dinner. - page 108</blockquote>I bet a psychologist (or a whole team of them) is the only one that could help you figure that out, Liz. What follows immediately afterward sees Jessica having a complete meltdown. Seriously.
<blockquote>"This family has got to be the biggest bummer in five hundred and thirty-seven cities!" - Jess, page 111</blockquote><blockquote>"You selfish little twerp," Steven said, glaring at Jessica. - page 114</blockquote>Hear, hear! Way to go Steve!
<blockquote>"I'll never forgive you, not if I live to be a hundred and thirty-seven years." - Jessica, page 182</blockquote>Aah! Please don't live that long, please. 8O
<b>Final thoughts:</b>
Elizabeth = Goody-two-shoes doormat.
Jessica = Satan incarnate.
Sounds like a bad sitcom.
<b>Disclaimer:</b> I am not a teenager or preteen, but an adult. Supposedly. Everyone keeps telling me I am but I'm not sure I'm buying what they're selling. Therefore my views are based from that perspective rather than someone in the target age range. I inhaled these suckers when I was young, hale, and hearty, so in an apparent moment of weakness have decided to re-visit one of my favorite old series in a fondly-remembered, tongue-in-cheek, and mostly sarcastic approach. So since I couldn't manage to devise a rating system for SVH books, I came up with this little way to have some fun, which is in the review form you've (hopefully) just read. Why else would you be reading this if you hadn't read all the way through anyway? Sometimes me not so bright. ;P
Next review: <a href="http://www.goodreads.com/review/show/166889313"><b>Secrets</b></a>;
Hazel (1853 KP) rated Larry, Bush Pilot in Books
Mar 18, 2021
Jordan Mierek, also known as Jordan Elizabeth, usually writes for young adults, but after many requests, she has published her first children's book. Larry, Bush Pilot is a collaborative effort between Mierek and her father, Lawrence Mierek, who grew up on a dairy farm. Larry, a ten-year-old boy, also lives on a farm during the 1970s with his father, who owns an aeroplane. Despite his age, Larry's father taught him to fly, which came in handy when his father suffered an accident in the middle of nowhere.
This short story loosely reflects Lawrence Mierek's childhood. As a teenager, his father taught him to fly a plane on the airstrip behind their barn. The narrative is likely an imagined scenario, placing a young boy in a precarious situation, which many children would not have the means to solve. Only through extreme determination and courage is Larry able to rescue his father.
Larry, Bush Pilot is a short story intended for primary school children. The few illustrations between chapters make it an appropriate step between picture books and teenage novels. Larry's life on the farm allows modern children to learn about the world before digital technology and the importance of a family working together. The story also tells the reader that if they believe in themselves and their abilities, they can achieve great things.
Jordan Mierek has stepped into the world of children's literature and proved that she is more than capable of writing for several age groups. Larry, Bush Pilot is the first in a series called Flying Acres, and we look forward to joining Larry on his next adventure.
This short story loosely reflects Lawrence Mierek's childhood. As a teenager, his father taught him to fly a plane on the airstrip behind their barn. The narrative is likely an imagined scenario, placing a young boy in a precarious situation, which many children would not have the means to solve. Only through extreme determination and courage is Larry able to rescue his father.
Larry, Bush Pilot is a short story intended for primary school children. The few illustrations between chapters make it an appropriate step between picture books and teenage novels. Larry's life on the farm allows modern children to learn about the world before digital technology and the importance of a family working together. The story also tells the reader that if they believe in themselves and their abilities, they can achieve great things.
Jordan Mierek has stepped into the world of children's literature and proved that she is more than capable of writing for several age groups. Larry, Bush Pilot is the first in a series called Flying Acres, and we look forward to joining Larry on his next adventure.
Gareth von Kallenbach (971 KP) rated Pride and Prejudice and Zombies (2016) in Movies
Aug 6, 2019
As a fan of the Pride and Prejudice book by Jane Austen, I thought it was all kinds of wrong when I came across the parody novel Pride and Prejudice and Zombies, by Seth Grahame-Smith, that essentially Austen’s classic novel with elements of modern zombie fiction. Mainly because I’m not a fan of horror movies. So as we approached the theater where we were screening Pride and Prejudice and Zombies, I told my husband, “I really don’t want to watch this. I hate zombies.” He just laughed. “You hate zombies, but you watch Walking Dead. Just pretend it’s an episode of Walking dead. Just set near the Victorian era.” I admit, I do watch the Walking Dead but it’s the most stressful hour of television for me, and there are commercial breaks. This movie has a running time for this move was almost 2 hrs with no commercials.
But the movie got a giggle out of me in the first 5 minutes. And of course it made me gasp not long after. But Walking Dead has trained me well, and it wasn’t too long ago that I watched Hateful Eight, so I think I’m quite desensitized to blood and gore now, and in comparison, PPZ was relatively mild in that regard. It also had enough of the elements of the original story that fighting zombies actually became an entertaining digression. You know – beautiful young ladies, dashing young men, ballroom dancing, budding romance, zombie attack.
“To succeed in polite society, a young woman must be many things. Kind… well-read… and accomplished. But to survive in the world as WE know it, you’ll need… other qualities.” Those qualities include being skilled in the martial arts and weapons training, while wearing a corset –essentially making them Regency era bad-asses.
Because I don’t watch Downton Abbey, the last time I saw Lily James, who plays Elizabeth Bennett, she was brilliantly blond and sweetly keeping her promise to her mother to “have courage and be kind.” as Cinderella. In PPZ, she’s a fierce brunette who doesn’t take too kindly to Fitzwilliam Darcy, played by a sullen and haughty Sam Riley – another Disney alum, last seen as Diaval, Maleficent’s companion raven.
Where the Jane Austen’s Mr. Darcy is won over by Elizbeth’s charm and wit, PPZ’s Darcy is slowly won over by Elizabeth’s aggressive and bold battle skills. Adding the alternate history of how zombies came to be a part of Regency era England hurried the story along, so the romantic developments felt a bit rushed, but Riley’s Darcy was quite believable in his reluctant but growing admiration of Elizabeth.
I was pleasantly surprised by how much I enjoyed this movie, zombies and all. When you can get guys to cheer for some undead’s head getting blown off, and still make the ladies sigh for the romance, you have a pretty perfect date movie. It may very well be my favorite period costume romantic zombie action film.
But the movie got a giggle out of me in the first 5 minutes. And of course it made me gasp not long after. But Walking Dead has trained me well, and it wasn’t too long ago that I watched Hateful Eight, so I think I’m quite desensitized to blood and gore now, and in comparison, PPZ was relatively mild in that regard. It also had enough of the elements of the original story that fighting zombies actually became an entertaining digression. You know – beautiful young ladies, dashing young men, ballroom dancing, budding romance, zombie attack.
“To succeed in polite society, a young woman must be many things. Kind… well-read… and accomplished. But to survive in the world as WE know it, you’ll need… other qualities.” Those qualities include being skilled in the martial arts and weapons training, while wearing a corset –essentially making them Regency era bad-asses.
Because I don’t watch Downton Abbey, the last time I saw Lily James, who plays Elizabeth Bennett, she was brilliantly blond and sweetly keeping her promise to her mother to “have courage and be kind.” as Cinderella. In PPZ, she’s a fierce brunette who doesn’t take too kindly to Fitzwilliam Darcy, played by a sullen and haughty Sam Riley – another Disney alum, last seen as Diaval, Maleficent’s companion raven.
Where the Jane Austen’s Mr. Darcy is won over by Elizbeth’s charm and wit, PPZ’s Darcy is slowly won over by Elizabeth’s aggressive and bold battle skills. Adding the alternate history of how zombies came to be a part of Regency era England hurried the story along, so the romantic developments felt a bit rushed, but Riley’s Darcy was quite believable in his reluctant but growing admiration of Elizabeth.
I was pleasantly surprised by how much I enjoyed this movie, zombies and all. When you can get guys to cheer for some undead’s head getting blown off, and still make the ladies sigh for the romance, you have a pretty perfect date movie. It may very well be my favorite period costume romantic zombie action film.
Hazel (1853 KP) rated Christmas in Marlow Center in Books
Nov 30, 2018
Christmas in Marlow Center is a short Christmas-themed romance and mystery story by Jordan Elizabeth. Set in present-day December, Natassia is on her Winter Break and has arrived on her family farm to spend the period with her grandmother. Unfortunately, the family are unable to maintain the farm and are going to have to sell in the new year, therefore, this is Natassia's final opportunity to visit the place she loves. Yet, family secrets threaten to put an end to the Christmas festivities.
Meanwhile, Jesse, the tenant who lives in one of the farm buildings, is being plagued by horrifying family memories that occurred at Christmas-time. Unable to leave the past in the past, Jesse is dreading the coming holiday. Yet, when he meets Natassia, he feels a sense of hope. Perhaps he can move on, develop a new friendship, a relationship and learn to trust that other people will not judge him for the actions of a past family member.
While things are looking up for Jesse and Natassia in terms of relationship, problems with the farm cause enormous worry and strain. Just as things are beginning to fall into place, the remains of a body are found on the premises, unearthing family secrets dating back to 1964; secrets that affect both Natassia and Jesse.
Christmas stories are available in abundance and it is difficult to write something new and fresh without falling into traps, such as overly gushing romance or fake happiness. Jordan Elizabeth has kept the romance to a minimum, concentrating on family relationships, secrets and mystery.
Christmas in Marlow Center is a quick book to read, suitable for young adults and older. It is not too Christmassy, therefore, can be read any time of year. Unfortunately, the manuscript (at least the version I read) has numerous grammar and typographical errors, which slightly ruins the reading experience, however, it does not detract from the well thought out story.
Meanwhile, Jesse, the tenant who lives in one of the farm buildings, is being plagued by horrifying family memories that occurred at Christmas-time. Unable to leave the past in the past, Jesse is dreading the coming holiday. Yet, when he meets Natassia, he feels a sense of hope. Perhaps he can move on, develop a new friendship, a relationship and learn to trust that other people will not judge him for the actions of a past family member.
While things are looking up for Jesse and Natassia in terms of relationship, problems with the farm cause enormous worry and strain. Just as things are beginning to fall into place, the remains of a body are found on the premises, unearthing family secrets dating back to 1964; secrets that affect both Natassia and Jesse.
Christmas stories are available in abundance and it is difficult to write something new and fresh without falling into traps, such as overly gushing romance or fake happiness. Jordan Elizabeth has kept the romance to a minimum, concentrating on family relationships, secrets and mystery.
Christmas in Marlow Center is a quick book to read, suitable for young adults and older. It is not too Christmassy, therefore, can be read any time of year. Unfortunately, the manuscript (at least the version I read) has numerous grammar and typographical errors, which slightly ruins the reading experience, however, it does not detract from the well thought out story.
Lottie disney bookworm (1056 KP) rated So This is Love in Books
May 16, 2020
Never has a title of a book made me sing one verse over and over (and over) again. Seriously, I have been wandering around the house humming “So this is love” so much my husband probably thinks I have got myself a new fella!
‘So This is Love’ is the latest in the Disney Twisted Tale series and has been eagerly awaited by yours truly. The latest novel, by Elizabeth Lim (who also wrote the Mulan inspired tale ‘Reflection’) explores what would happen to the classic Cinderella tale if Cinders did not try on the glass slipper for the Grand Duke and scamper off towards her happily ever after. How would Cinderella fare if a dramatic stand off resulted in the remaining slipper shattering into a million pieces?
However, it is not, as you may suspect, Lady Tremaine who smashes the second glass slipper but Cinders herself. Lim’s Cinderella has her head firmly on her shoulders and is all too aware what the power of possessing this shoe may mean to herself, the Prince and the kingdom if it fell into the greedy hands of her relatives. Thus, in an act of bravery, she destroys her ticket to a happily ever after and faces the wrath of her stepmother in the process.
This is the first point in the twisted tale where we see a completely different Cinderella than we have ever seen before. After a dramatic turn of events Cinderella leaves her family home for good and finds herself at risk of a life living on the streets. However, Elizabeth Lim has not abandoned all aspects of a fairy tale: a chance encounter and a new friend present Cinders with the opportunity to find work within the palace where she once danced the night away.
In my opinion, the traditional Cinderella would go running straight to the Prince, explain her story, rely on her beautiful face and live happily ever after. Thankfully for the realists amongst us, our twisted tale Cinderella agonises over the possibility that the Prince is more in love with the idea of the “runaway princess”: she decides that their relationship would never work and that she should focus on her career and creating an independent life for herself.
This was such a refreshing character trait: I loved the fact that, although Elizabeth Lim did not change the time period of the novel, she modernised the main character into a young woman who does not need rescuing. Quite the opposite, as Cinderella soon finds herself witnessing corruption within the palace: can this Disney Princess become a hero and save the kingdom?
Lim’s Cinderella is truly a modern role model: she is resilient, sometimes stubborn but altogether kind and most importantly, she faces her fears despite overwhelming periods of anxiety in some of the most emotive and beautifully written pieces I have read in a long time.
In an Instagram post to Elizabeth Lim (@elimpix) I told her that this Cinderella is the version I would prefer my boys to chase after. However, on reflection that isn’t true. This Cinderella doesn’t deserve to be chased and hunted down in order to fit into a pretty shoe. This Cinderella is a partner in every aspect: working for the good of the kingdom and a ruler in her own right. This is the Cinderella I would want my boys to be worthy of.
‘So This is Love’ is the latest in the Disney Twisted Tale series and has been eagerly awaited by yours truly. The latest novel, by Elizabeth Lim (who also wrote the Mulan inspired tale ‘Reflection’) explores what would happen to the classic Cinderella tale if Cinders did not try on the glass slipper for the Grand Duke and scamper off towards her happily ever after. How would Cinderella fare if a dramatic stand off resulted in the remaining slipper shattering into a million pieces?
However, it is not, as you may suspect, Lady Tremaine who smashes the second glass slipper but Cinders herself. Lim’s Cinderella has her head firmly on her shoulders and is all too aware what the power of possessing this shoe may mean to herself, the Prince and the kingdom if it fell into the greedy hands of her relatives. Thus, in an act of bravery, she destroys her ticket to a happily ever after and faces the wrath of her stepmother in the process.
This is the first point in the twisted tale where we see a completely different Cinderella than we have ever seen before. After a dramatic turn of events Cinderella leaves her family home for good and finds herself at risk of a life living on the streets. However, Elizabeth Lim has not abandoned all aspects of a fairy tale: a chance encounter and a new friend present Cinders with the opportunity to find work within the palace where she once danced the night away.
In my opinion, the traditional Cinderella would go running straight to the Prince, explain her story, rely on her beautiful face and live happily ever after. Thankfully for the realists amongst us, our twisted tale Cinderella agonises over the possibility that the Prince is more in love with the idea of the “runaway princess”: she decides that their relationship would never work and that she should focus on her career and creating an independent life for herself.
This was such a refreshing character trait: I loved the fact that, although Elizabeth Lim did not change the time period of the novel, she modernised the main character into a young woman who does not need rescuing. Quite the opposite, as Cinderella soon finds herself witnessing corruption within the palace: can this Disney Princess become a hero and save the kingdom?
Lim’s Cinderella is truly a modern role model: she is resilient, sometimes stubborn but altogether kind and most importantly, she faces her fears despite overwhelming periods of anxiety in some of the most emotive and beautifully written pieces I have read in a long time.
In an Instagram post to Elizabeth Lim (@elimpix) I told her that this Cinderella is the version I would prefer my boys to chase after. However, on reflection that isn’t true. This Cinderella doesn’t deserve to be chased and hunted down in order to fit into a pretty shoe. This Cinderella is a partner in every aspect: working for the good of the kingdom and a ruler in her own right. This is the Cinderella I would want my boys to be worthy of.
Sassy Brit (97 KP) rated Timeless: Recreate the Most Iconic Looks from 100 Years of Beauty in Books
Jun 5, 2019
The hardcover version of Timeless: A Century of Iconic Looks by Louise Young, Loulia Sheppard is a stunning and informative book for recreating the most striking make-up and hair styles of the 20th century with step-by-step guides. If you love fashion, different hairstyles and the make-up that goes with these different years, I can see you loving this.
Timeless is indeed a beauty of a book, with glossy photos and clear, concise ‘how to’ steps to recreate the styles and make-up from the early years, and the jazz-age flapper 1930s right up to the 1980s and beyond.
I’m a fan of the sixties, Jean Shrimpton, Twiggy models, and designer Mary Quant, who all influenced the UK and made London an icon fashion hub back in the day. So I really liked how there was quite a chunk dedicated to this (and other) hairstyle and make-up periods. I wish I was old enough to have lived in this era!
It’s also amazing to see just how long brands like Max Factor, Yardley, Ponds, Elizabeth Arden and Revlon have been going. And sad to read how much of the make-up was bought from much-loved shops like Woolworths, which I do remember! (The shop, not buying make-up in the 60s!)
The cultural revolution of the 1960s saw innovative make-up formulations produced, boundaries being pushed and the youthful Swinging London scene influencing looks all over the world. ?????????”
Put together by renowned film, television and make-up artist Louise Young, along with leading film industry hairstylist Loulia Sheppard, this is an outstanding book full of tips, tricks and stunning photos. Whether you’re a fashion guru or just like this as a coffee table book, it’s definitely a conversation starter.
Timeless is indeed a beauty of a book, with glossy photos and clear, concise ‘how to’ steps to recreate the styles and make-up from the early years, and the jazz-age flapper 1930s right up to the 1980s and beyond.
I’m a fan of the sixties, Jean Shrimpton, Twiggy models, and designer Mary Quant, who all influenced the UK and made London an icon fashion hub back in the day. So I really liked how there was quite a chunk dedicated to this (and other) hairstyle and make-up periods. I wish I was old enough to have lived in this era!
It’s also amazing to see just how long brands like Max Factor, Yardley, Ponds, Elizabeth Arden and Revlon have been going. And sad to read how much of the make-up was bought from much-loved shops like Woolworths, which I do remember! (The shop, not buying make-up in the 60s!)
The cultural revolution of the 1960s saw innovative make-up formulations produced, boundaries being pushed and the youthful Swinging London scene influencing looks all over the world. ?????????”
Put together by renowned film, television and make-up artist Louise Young, along with leading film industry hairstylist Loulia Sheppard, this is an outstanding book full of tips, tricks and stunning photos. Whether you’re a fashion guru or just like this as a coffee table book, it’s definitely a conversation starter.
Gareth von Kallenbach (971 KP) rated Ouija: Origin of Evil (2016) in Movies
Jul 15, 2019
As a huge fan of supernatural horror films I was really looking forward to screening Ouija: Origins of Evil. I had hoped that this film would make up to it’s unsuccessful predecessor. I think the last big box horror movie that I thoroughly enjoyed was The Conjuring 2. I can’t say that I was surprised with being a little disappointed with this film.
As always, some of the best scenes in any film are usually displayed in the trailer to reel us in and that’s precisely what happened.
The film is based in 1965 with a young widowed mother Alice (Elizabeth Reaser) raising two daughters Paulina and Doris. Alice and the girls use old school seance scams to make ends meet.
The somewhat rebellious teen daughter Paulina sneaks out to a party where a Ouija board is used and suggests that her mother should buy one and add it to the act. Her mother decides that it just might be what they need to liven up the show. Thinking that this would only be one of her many parlor tricks she buys one.
While setting up the board for a practice session she decides to see if it might actually work. She doesn’t realize that she has now opened a can of worms and her youngest daughter Doris is in the throws of a malevolent force.
Is it the board, is it the house, is it their father. With the help of their school priest they are able to understand what is truly happening.
The film in a whole was just okay, not the best but not the worst either. The problem that I had with it specifically was how long you have to get through to get to the scary parts of the film. I was hopeful that it would get better and to my surprise it did.
Yes the lines weren’t great but the cast seemed fitting for their characters. Elizabeth Reaser who I’ve had the pleasure of meeting was perfect as Alice and the young girls as well. I don’t usually go on about editing and lighting but I must say that I really enjoyed the cinematography in the film. The drab colors and filming techniques were very well executed and added to the 60’s style horror films of the past.
In all honesty I would recommend seeing this in theaters. With the energy of the audience and darkness of the theater it makes for a fun and spooky Halloween event.
Just be aware that the build up to the better scenes is long and drawn out. The jump scares are few and far between however it still is worth a watch.
As always, some of the best scenes in any film are usually displayed in the trailer to reel us in and that’s precisely what happened.
The film is based in 1965 with a young widowed mother Alice (Elizabeth Reaser) raising two daughters Paulina and Doris. Alice and the girls use old school seance scams to make ends meet.
The somewhat rebellious teen daughter Paulina sneaks out to a party where a Ouija board is used and suggests that her mother should buy one and add it to the act. Her mother decides that it just might be what they need to liven up the show. Thinking that this would only be one of her many parlor tricks she buys one.
While setting up the board for a practice session she decides to see if it might actually work. She doesn’t realize that she has now opened a can of worms and her youngest daughter Doris is in the throws of a malevolent force.
Is it the board, is it the house, is it their father. With the help of their school priest they are able to understand what is truly happening.
The film in a whole was just okay, not the best but not the worst either. The problem that I had with it specifically was how long you have to get through to get to the scary parts of the film. I was hopeful that it would get better and to my surprise it did.
Yes the lines weren’t great but the cast seemed fitting for their characters. Elizabeth Reaser who I’ve had the pleasure of meeting was perfect as Alice and the young girls as well. I don’t usually go on about editing and lighting but I must say that I really enjoyed the cinematography in the film. The drab colors and filming techniques were very well executed and added to the 60’s style horror films of the past.
In all honesty I would recommend seeing this in theaters. With the energy of the audience and darkness of the theater it makes for a fun and spooky Halloween event.
Just be aware that the build up to the better scenes is long and drawn out. The jump scares are few and far between however it still is worth a watch.