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Trigger Warnings: Child abuse, child neglect, homelessness, mention of drug use, rape, suicide, homophobia, prison/juvie
Twins Storm and Lake have always been in sync growing up - until they get separated within the foster care system. Storm’s been through juvie but his current foster dad and his girlfriend are helping him find a normal life again - until an incident makes him lose control again. Lake likes girls, but her bible loving foster parents would immediately kick her out if they find out - so she and her foster sibling, Parker, must keep their relationship secret. Both twins have rough patches ahead and both fight to come out on the other side.
Sooo, I’ve never read an Ellen Hopkins book - at least that I can remember anyway. I did NOT keep track of books I read until I was in my late 20’s… That being said, I feel like I would remember the emotional damage that probably would have been done with her books, especially with how I feel after finishing this one.
Hopkins didn’t shy away from the hard topics. Doing so allowed me to feel every emotion alongside the twins as they were. I’ve recently really gotten into novel-in-verse books and it absolutely makes me understand how poetry can really hit your gut with just so few words; Hopkins didn’t have to go into detail about what things looked like for you to understand what was going on.
The ending was bittersweet because I didn’t want it to be over, but at the same time, Hopkins finished it beautifully without needing the words. God, this book is going to stay with me for quite some time. I’m going to think of Storm and Lake and hope they’re doing okay.
Overall, this book will grab your heart and twist it tight, absolutely leaving an imprint when it finally releases you on the last page. Even though it’s a 400+ page novel, it reads quickly and one could probably finish it in one setting. The only reason I hadn’t was because I started it super late at night and then had plans the following morning.
*Thank you Nancy Paulsen Books and BookishFirst for an advance copy of this book in exchange for an honest review
Twins Storm and Lake have always been in sync growing up - until they get separated within the foster care system. Storm’s been through juvie but his current foster dad and his girlfriend are helping him find a normal life again - until an incident makes him lose control again. Lake likes girls, but her bible loving foster parents would immediately kick her out if they find out - so she and her foster sibling, Parker, must keep their relationship secret. Both twins have rough patches ahead and both fight to come out on the other side.
Sooo, I’ve never read an Ellen Hopkins book - at least that I can remember anyway. I did NOT keep track of books I read until I was in my late 20’s… That being said, I feel like I would remember the emotional damage that probably would have been done with her books, especially with how I feel after finishing this one.
Hopkins didn’t shy away from the hard topics. Doing so allowed me to feel every emotion alongside the twins as they were. I’ve recently really gotten into novel-in-verse books and it absolutely makes me understand how poetry can really hit your gut with just so few words; Hopkins didn’t have to go into detail about what things looked like for you to understand what was going on.
The ending was bittersweet because I didn’t want it to be over, but at the same time, Hopkins finished it beautifully without needing the words. God, this book is going to stay with me for quite some time. I’m going to think of Storm and Lake and hope they’re doing okay.
Overall, this book will grab your heart and twist it tight, absolutely leaving an imprint when it finally releases you on the last page. Even though it’s a 400+ page novel, it reads quickly and one could probably finish it in one setting. The only reason I hadn’t was because I started it super late at night and then had plans the following morning.
*Thank you Nancy Paulsen Books and BookishFirst for an advance copy of this book in exchange for an honest review
BankofMarquis (1832 KP) rated Pieces of a Woman (2020) in Movies
Apr 16, 2021
Realistic view of Grieving
Films about grief are a tricky proposition, for while they can be cathartic and life-affirming, they can also be dour, depressing experiences that spiral downward under it’s own weight.
Fortunately, PIECES OF A WOMAN avoids wallowing in it’s own melancholy and gives the audience a thoughtful, heavy, exploration of grief and what grief does to a dysfunctional family.
Written by Kata Weber, who wrote this as a way to deal with her own grief, PIECES OF A WOMAN tells the tale of how a family deals with a tragedy when a home birth goes “horribly wrong” (not spoiling anything here, it’s in the marketing material).
I was fearful going into this film that we would be subjected to an intense, bloody butchery of a home birth, but Director Kornel Mundruczo and actors Vanessa Kirby, Shia LaBeouf and the always good Molly Parker gives us a loving, caring, intense and (ultimately) sad and tragic beginning to the film.
And then comes grief…and anger…and blame…and isolation.
Sitting squarely in the middle of all of this is Vanessa Kirby (Princess Margaret in the first 2 seasons of THE CROWN) in her Oscar Nominated turn as the birth mother in the middle of all of this. We follow her as she drifts in oblivion while those around her try to tell her what to do and how to feel. It is a haunted, holisitic, realistic portrayal of a person who just wants to fade into nothingness rather than feel the tragic loss.
Shia LaBeouf (TRANSFORMERS) proves, once again, that he can act as the husband/father. His character, Sean, is impotent to prevent the tragedy, care for his wife and deal with his own grief. He, too, creates a real character and the interplay between husband and wife are all too realistic.
The great, Oscar-winning Actress Ellen Burstyn (the mother in THE EXORCIST) is on board as the domineering mother of Kirby’s character who demands that someone pays for the death of the child. This is the type of showy-role that an aging, revered actress is normally Oscar nominated for and I am surprised she was not (especially because an added layer was added to her character that makes her, as well, realistic).
Credit for all of these performance has to go to Director Mundruczo for steering this ship away from maudlin and melodrama and squarely into the real world. It’s not a perfect Directing job as the film does tend to dwell on the grief and Kirby’s character does spend a good deal of time looking out the window while a solo piano plays single notes, but those are nits on an otherwise solid effort.
All-in-all I was pleasantly surprised at how moving - and real - this film is. You have to be in the mood for this movie (grief is not a happy subject) but you will be rewarded with a strong look at grief and it’s affects.
Letter Grade: A- (I could have used a few less moments of looking out the window to tinkling of the piano keys)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Fortunately, PIECES OF A WOMAN avoids wallowing in it’s own melancholy and gives the audience a thoughtful, heavy, exploration of grief and what grief does to a dysfunctional family.
Written by Kata Weber, who wrote this as a way to deal with her own grief, PIECES OF A WOMAN tells the tale of how a family deals with a tragedy when a home birth goes “horribly wrong” (not spoiling anything here, it’s in the marketing material).
I was fearful going into this film that we would be subjected to an intense, bloody butchery of a home birth, but Director Kornel Mundruczo and actors Vanessa Kirby, Shia LaBeouf and the always good Molly Parker gives us a loving, caring, intense and (ultimately) sad and tragic beginning to the film.
And then comes grief…and anger…and blame…and isolation.
Sitting squarely in the middle of all of this is Vanessa Kirby (Princess Margaret in the first 2 seasons of THE CROWN) in her Oscar Nominated turn as the birth mother in the middle of all of this. We follow her as she drifts in oblivion while those around her try to tell her what to do and how to feel. It is a haunted, holisitic, realistic portrayal of a person who just wants to fade into nothingness rather than feel the tragic loss.
Shia LaBeouf (TRANSFORMERS) proves, once again, that he can act as the husband/father. His character, Sean, is impotent to prevent the tragedy, care for his wife and deal with his own grief. He, too, creates a real character and the interplay between husband and wife are all too realistic.
The great, Oscar-winning Actress Ellen Burstyn (the mother in THE EXORCIST) is on board as the domineering mother of Kirby’s character who demands that someone pays for the death of the child. This is the type of showy-role that an aging, revered actress is normally Oscar nominated for and I am surprised she was not (especially because an added layer was added to her character that makes her, as well, realistic).
Credit for all of these performance has to go to Director Mundruczo for steering this ship away from maudlin and melodrama and squarely into the real world. It’s not a perfect Directing job as the film does tend to dwell on the grief and Kirby’s character does spend a good deal of time looking out the window while a solo piano plays single notes, but those are nits on an otherwise solid effort.
All-in-all I was pleasantly surprised at how moving - and real - this film is. You have to be in the mood for this movie (grief is not a happy subject) but you will be rewarded with a strong look at grief and it’s affects.
Letter Grade: A- (I could have used a few less moments of looking out the window to tinkling of the piano keys)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)