Search
Search results
Hazel (1853 KP) rated My True Love Gave to Me: Twelve Winter Romances in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
With 25th December fast approaching, what better book to read than one full of Christmas stories? <i>My True Love Gave To Me </i>is a selection of twelve winter romances (twelve stories, twelve days of Christmas…) by a handful of well-known authors of young adult literature. Stephanie Perkins, author of <i>Anna and the French Kiss</i>, is the editor of this festive volume and also includes her own short story along with Holly Black, Ally Carter, Gayle Forman and Rainbow Rowell, to name a few.
Aimed at teenaged girls or young adults, the stories focus on characters between the ages of 15 and 19, usually in a contemporary setting. Some are written as romances that just so happen to occur at Christmas time, whereas others use Christmas as a main focal point. Naturally there are a couple of tales that are pure fantasy with magic, Santa and elves, but they all involve romance.
What is great about incorporating twelve authors into one book is the various ideas about what Christmas means to different people. For some it is about family whereas other’s it is about the birth of Jesus. Authors also explore the difficulties some people face as well as what people who do not celebrate do. The stories are diverse including characters from all types of background – race, religion and sexuality.
My favourite story from this selection was by David Levithan. Unlike most of the others, it was not a story about falling in love. The main character already had a boyfriend who he (yes, HE) loved. The tale focused on what people do for love as well as keeping the magic of Christmas alive for others.
For those wanting to read something festive, this is the book for you. Its short stories let you dip in and out during this busy period meaning you can enjoy both reading and celebrating at the same time.
With 25th December fast approaching, what better book to read than one full of Christmas stories? <i>My True Love Gave To Me </i>is a selection of twelve winter romances (twelve stories, twelve days of Christmas…) by a handful of well-known authors of young adult literature. Stephanie Perkins, author of <i>Anna and the French Kiss</i>, is the editor of this festive volume and also includes her own short story along with Holly Black, Ally Carter, Gayle Forman and Rainbow Rowell, to name a few.
Aimed at teenaged girls or young adults, the stories focus on characters between the ages of 15 and 19, usually in a contemporary setting. Some are written as romances that just so happen to occur at Christmas time, whereas others use Christmas as a main focal point. Naturally there are a couple of tales that are pure fantasy with magic, Santa and elves, but they all involve romance.
What is great about incorporating twelve authors into one book is the various ideas about what Christmas means to different people. For some it is about family whereas other’s it is about the birth of Jesus. Authors also explore the difficulties some people face as well as what people who do not celebrate do. The stories are diverse including characters from all types of background – race, religion and sexuality.
My favourite story from this selection was by David Levithan. Unlike most of the others, it was not a story about falling in love. The main character already had a boyfriend who he (yes, HE) loved. The tale focused on what people do for love as well as keeping the magic of Christmas alive for others.
For those wanting to read something festive, this is the book for you. Its short stories let you dip in and out during this busy period meaning you can enjoy both reading and celebrating at the same time.
Gareth von Kallenbach (971 KP) rated Fatman (2020) in Movies
Nov 12, 2020
Billy Wenan (Chance Hurstfield) is a very spoiled, entitled, and sadistic young boy. He has the advantages of privilege and lives with his wealthy Grandmother but is rude and condescending to the staff. Billy is also very arrogant and petty to the point that a Runner Up finish at his private school Science Fair after a string of wins motivates him to hire a Hitman (Walton Goggins) to intimidate the victor to falsely admit to cheating so he can claim victory.
This is not the first time Billy has hired the Hitman and when he gets a lump of coal for Christmas from Santa (Mel Gibson) he is enraged and hires the Hitman to take out Santa.
Santa has his own issues as a decline in revenue has forced him and his wife Ruth (Marianne Jean-Baptiste) to take on a project with the government to not only restore his fully stipend but to pay additional funds that will ensure financial stability.
The fact that the Hitman has his own reasons for having issues with Santa further motivates him to take the job and rushed north to face Santa on his own turf.
“Fatman” is a dark and entertaining new holiday entry that gives a contemporary take on Santa and his Elves as they must contend with the issues, politics, and changing world that face many companies.
The at times dark nature of the film is an interesting contrast to the usual overly sweet films that are commonplace this time of year and Gibson and Goggins backed by a strong supporting cast turn in memorable performances.
While not one for the kids; “Fatman” is a solid piece of entertainment and Eshom and Ian Nelms keep things moving at a steady pace and provide an interesting and contemporary look at Santa in the modern world and combine it with a story about finding a way through adversity.
This is not the first time Billy has hired the Hitman and when he gets a lump of coal for Christmas from Santa (Mel Gibson) he is enraged and hires the Hitman to take out Santa.
Santa has his own issues as a decline in revenue has forced him and his wife Ruth (Marianne Jean-Baptiste) to take on a project with the government to not only restore his fully stipend but to pay additional funds that will ensure financial stability.
The fact that the Hitman has his own reasons for having issues with Santa further motivates him to take the job and rushed north to face Santa on his own turf.
“Fatman” is a dark and entertaining new holiday entry that gives a contemporary take on Santa and his Elves as they must contend with the issues, politics, and changing world that face many companies.
The at times dark nature of the film is an interesting contrast to the usual overly sweet films that are commonplace this time of year and Gibson and Goggins backed by a strong supporting cast turn in memorable performances.
While not one for the kids; “Fatman” is a solid piece of entertainment and Eshom and Ian Nelms keep things moving at a steady pace and provide an interesting and contemporary look at Santa in the modern world and combine it with a story about finding a way through adversity.
Rachel King (13 KP) rated Summers at Castle Auburn in Books
Feb 11, 2019
With all of the series that I constantly fight to keep up with, this was a nice change with an all-in-one plot. The story is told entirely from Coriel Halsing's point of view, so the reader only gets to know things when she learns of them. Sometimes first person P.O.V. is limiting and somewhat claustrophobic, but in this case it simplified the story line and helped me to better get inside the mind of Coriel.
I grew to love Coriel as her story progressed and she matured into a strong, independent young woman. I love that she is not just a pretty face, but possesses both intelligence and wit. In many ways, this book is her coming-of-age story with a fantasy background that could have easily been traded for some other setting without compromising the character of Coriel Halsing.
I also love that Coriel is not the center of royal attention - like her sister, Elisandra - and the "handsome prince" is neither meant for her nor remotely appealing to me, the reader. It was quite entertaining for me to be constantly guessing as to whom Coriel would eventually wind up with. When the man was finally revealed, I was very happy with the results, though I would have enjoyed a bit more wooing on his part.
All of the different characters are well-developed and unique, from the narcissistic handsome prince Bryan, to the always-composed Elisandra, to the many aliora that populate the book. The aliora are quite fascinating, comparable to fairies or elves in description, but still unique to Sharon Shinn's design. In many ways, the aliora act as catalysts for political intrigue within Castle Auburn, as well as Coriel's personal development and maturation.
As an adult fairy-tale, this book can easily appeal to both teens and adults, as the romance is tastefully done and the risque topics, such as slavery, suicide, and illigitimacy, are handled with care and respect. Personally, I loved this book as much as I have loved everything else I have read from Sharon Shinn.
I grew to love Coriel as her story progressed and she matured into a strong, independent young woman. I love that she is not just a pretty face, but possesses both intelligence and wit. In many ways, this book is her coming-of-age story with a fantasy background that could have easily been traded for some other setting without compromising the character of Coriel Halsing.
I also love that Coriel is not the center of royal attention - like her sister, Elisandra - and the "handsome prince" is neither meant for her nor remotely appealing to me, the reader. It was quite entertaining for me to be constantly guessing as to whom Coriel would eventually wind up with. When the man was finally revealed, I was very happy with the results, though I would have enjoyed a bit more wooing on his part.
All of the different characters are well-developed and unique, from the narcissistic handsome prince Bryan, to the always-composed Elisandra, to the many aliora that populate the book. The aliora are quite fascinating, comparable to fairies or elves in description, but still unique to Sharon Shinn's design. In many ways, the aliora act as catalysts for political intrigue within Castle Auburn, as well as Coriel's personal development and maturation.
As an adult fairy-tale, this book can easily appeal to both teens and adults, as the romance is tastefully done and the risque topics, such as slavery, suicide, and illigitimacy, are handled with care and respect. Personally, I loved this book as much as I have loved everything else I have read from Sharon Shinn.
Merissa (11758 KP) rated Claimed by a Demon King (Eternal Mates, #2) in Books
Dec 17, 2018
I received an ARC edition of this book in exchange for a fair and honest review.
As the title says, this is book 2 in the Eternal Mates series and as such I recommend reading Kissed by a Dark Prince first, although this is not altogether necessary.
A lunar month has passed since the end of Book 1 and during that time Sable has been dreaming of King Thorne but keeps telling herself that she isn't interested. She is aiming to be Commander in Archangel and is determined to make the mission to help King Thorne a success - but only for career options, of course! Thorne has also been dreaming of Sable and knows that she is his fated female but is at a loss on how to proceed. During which time he is also trying to find a way to stop his kingdom from being overrun and how to improve his subjects' lives (if they survive the coming battle).
Felicity Heaton has written another fantastic series that you can lose yourself in. There are aspects of most characters that you can either relate to or admire... and trust me, I did a lot of admiring of Thorne! But with elves, werewolves, dragons and vampires there is someone there to interest everyone. And I just have to say that I love how the Vampire Erotique Theatre makes a show (another fantastic series if you haven't read it yet).
This book has everything from shapeshifters, vampires, demons (obviously) to war, battles, portals and angels. It is a book to immerse yourself in and not come up for air until you've finished it. Claimed by a Demon King is smoking hot and if Thorne is inexperienced, then all the angels in heaven won't be able to help Sable once he gets some experience under his belt! A perfect blend of innocence and pure, unadulterated male who has found his match in Sable. May the gods help Hell, because with this pair, anything is possible.
Highly recommended for all fans of Paranormal Romance and Felicity Heaton.
http://archaeolibrarianologist.blogspot.de/2014/02/claimed-by-demon-king-eternal-mates-2.html
As the title says, this is book 2 in the Eternal Mates series and as such I recommend reading Kissed by a Dark Prince first, although this is not altogether necessary.
A lunar month has passed since the end of Book 1 and during that time Sable has been dreaming of King Thorne but keeps telling herself that she isn't interested. She is aiming to be Commander in Archangel and is determined to make the mission to help King Thorne a success - but only for career options, of course! Thorne has also been dreaming of Sable and knows that she is his fated female but is at a loss on how to proceed. During which time he is also trying to find a way to stop his kingdom from being overrun and how to improve his subjects' lives (if they survive the coming battle).
Felicity Heaton has written another fantastic series that you can lose yourself in. There are aspects of most characters that you can either relate to or admire... and trust me, I did a lot of admiring of Thorne! But with elves, werewolves, dragons and vampires there is someone there to interest everyone. And I just have to say that I love how the Vampire Erotique Theatre makes a show (another fantastic series if you haven't read it yet).
This book has everything from shapeshifters, vampires, demons (obviously) to war, battles, portals and angels. It is a book to immerse yourself in and not come up for air until you've finished it. Claimed by a Demon King is smoking hot and if Thorne is inexperienced, then all the angels in heaven won't be able to help Sable once he gets some experience under his belt! A perfect blend of innocence and pure, unadulterated male who has found his match in Sable. May the gods help Hell, because with this pair, anything is possible.
Highly recommended for all fans of Paranormal Romance and Felicity Heaton.
http://archaeolibrarianologist.blogspot.de/2014/02/claimed-by-demon-king-eternal-mates-2.html
Phil Leader (619 KP) rated Kings or Pawns (Steps of Power #1) in Books
Nov 18, 2019
This book contains the usual staple fantasy races: elves, humans, dwarves, centaurs. There are epic battles and bold heroes, princesses in peril and magic. There is even a map at the front.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
Phil Leader (619 KP) rated Prince of Thorns in Books
Nov 25, 2019
There are heroes who will stop at nothing. There are anti-heroes. Then there is Jorg.
As wider events across the kingdoms unfold, Jorg must face up to his past in order to survive the present, and make a future for himself and his band of Brothers.
In any other series of books, Jorg would be the villain of the piece. A prince of one of the hundred kingdoms, he is the leader of a violent gang despite being only a teenager. He demonstrates a complete lack of compassion and pursues his goals with a single minded ruthlessness that is unusual even by the standard of 'grimdark' fantasy fiction. But in Lawrence's very capable hands the reader will be rooting for him, despite his highly questionable motives, morals and actions.
The narrative follows two lines, the 'present' and the events of four years previously when Jorg first took up his life of robbery and violence, with other flashbacks into his deeper past, exploring just why he is the way he is.
The characterisation is superb, and the description of the fantasy world Jorg inhabits is spellbinding. As the odds he faces mount, Jorg simply becomes more cunning, more devious and more deadly. If he can't win within the rules that the world has set, he simply changes the rules to suit himself. There is also a terrific streak of black humour that runs throughout the book, which somewhat lifts the tone.
This does show a little as a first novel. The writing is maybe not as fluent as the subsequent works and sometimes the story wanders a little before getting back on track but, just like Jorg, it does what it sets out to do.
If you like your fantasy full of happy elves and heroes prepared to risk all for a noble cause this probably isn't the book for you. If you want to read about someone who will stop at nothing when he is pushed to the limit then this may well be what you are looking for.
Rating: Plenty of graphic violence and sexual references throughout
As wider events across the kingdoms unfold, Jorg must face up to his past in order to survive the present, and make a future for himself and his band of Brothers.
In any other series of books, Jorg would be the villain of the piece. A prince of one of the hundred kingdoms, he is the leader of a violent gang despite being only a teenager. He demonstrates a complete lack of compassion and pursues his goals with a single minded ruthlessness that is unusual even by the standard of 'grimdark' fantasy fiction. But in Lawrence's very capable hands the reader will be rooting for him, despite his highly questionable motives, morals and actions.
The narrative follows two lines, the 'present' and the events of four years previously when Jorg first took up his life of robbery and violence, with other flashbacks into his deeper past, exploring just why he is the way he is.
The characterisation is superb, and the description of the fantasy world Jorg inhabits is spellbinding. As the odds he faces mount, Jorg simply becomes more cunning, more devious and more deadly. If he can't win within the rules that the world has set, he simply changes the rules to suit himself. There is also a terrific streak of black humour that runs throughout the book, which somewhat lifts the tone.
This does show a little as a first novel. The writing is maybe not as fluent as the subsequent works and sometimes the story wanders a little before getting back on track but, just like Jorg, it does what it sets out to do.
If you like your fantasy full of happy elves and heroes prepared to risk all for a noble cause this probably isn't the book for you. If you want to read about someone who will stop at nothing when he is pushed to the limit then this may well be what you are looking for.
Rating: Plenty of graphic violence and sexual references throughout
Merissa (11758 KP) rated Sufferborn in Books
Jan 27, 2020
Sufferborn is the story of elves and humans, how they live, and what happens when their worlds overlap. We start off in the past where Orinleah has just given birth and Daghahen is found by his brother. We learn Orinleah gives the boy a name that is banned from most of the tribes, Dorhen, meaning 'stranger'. Apparently, it means his life will not be long but be very arduous. Why she names him this isn't exactly clear as she seems so happy about it.
The pacing of this book is overall very slow. There are moments when it picks up but then it slows down again. This is good in the majority of the cases as there is always a lot going on, so it gives you time to grasp the situation as well as learning more about the characters. I would say that personally I would have found chapter headings to be helpful, just so I could find out who was talking and when, but that's probably just me.
And there are a LOT of characters too! The main ones end up being Daghahen, Dorhen, and Kalea, but trust me when I say there is a whole caboodle of characters there that will draw your attention. In fact, even in the last few chapters, you are introduced to new characters to take into book two with you.
With the slow pace and the amount of characters, it comes as no surprise this is a long book, typical of Fantasy. I wouldn't call it a Fantasy Romance as I felt the romance between Dorhen and Kalea actually wasn't that important. I mean, obviously it is or Kalea wouldn't have gone looking for him, but on the whole, there is so much more to the story than "just" romance. I would call it Dark Fantasy as there is plenty of violence and the threat of rape and/or rape scenes.
It ends on a cliffhanger so fair warning and I haven't found anything online to say when the next book is available. If Dark Fantasy ticks your box then I would recommend it.
The pacing of this book is overall very slow. There are moments when it picks up but then it slows down again. This is good in the majority of the cases as there is always a lot going on, so it gives you time to grasp the situation as well as learning more about the characters. I would say that personally I would have found chapter headings to be helpful, just so I could find out who was talking and when, but that's probably just me.
And there are a LOT of characters too! The main ones end up being Daghahen, Dorhen, and Kalea, but trust me when I say there is a whole caboodle of characters there that will draw your attention. In fact, even in the last few chapters, you are introduced to new characters to take into book two with you.
With the slow pace and the amount of characters, it comes as no surprise this is a long book, typical of Fantasy. I wouldn't call it a Fantasy Romance as I felt the romance between Dorhen and Kalea actually wasn't that important. I mean, obviously it is or Kalea wouldn't have gone looking for him, but on the whole, there is so much more to the story than "just" romance. I would call it Dark Fantasy as there is plenty of violence and the threat of rape and/or rape scenes.
It ends on a cliffhanger so fair warning and I haven't found anything online to say when the next book is available. If Dark Fantasy ticks your box then I would recommend it.
Mandy and G.D. Burkhead (26 KP) rated Banewreaker in Books
May 20, 2018
Shelf Life – Banewreaker Will Make You Feel Bad for Sauron
Contains spoilers, click to show
Very few fantasy fans can get away with admitting that they aren’t all that big into sweeping, high epic fantasy à la Lord of the Rings or the Pern stories or everything that Terry Brooks writes. Many non-fantasy fans, however, can point to these tales as examples of why they aren’t into fantasy. Like it or not, it’s hard not to see the latter group’s point, as a lot of high fantasy is riddled with confusing terminology, rehashed stories, and genre clichés. This is not to say that these stories are bad, per sé, just that they can easily turn off readers who aren’t in the right kind of crowd.
Banewreaker, the first book in Jacqueline Carey’s two-part volume The Sundering, will probably not change any opinions in this respect, then, as it’s sweeping high fantasy to the core. This, as it turns out, is both its greatest strength and its greatest weakness.
There are some reviews out there that laud Banewreaker as a masterful examination of subjective viewpoints in an epic fantasy turned into a human tragedy by a simple change of perspective. And they are absolutely correct.
There are other reviews, however, that call the book out as a heap of all of the stalest fantasy clichés piled one atop the other in a confusing and pretentious jumble with a shellacking of purple prose for good measure. And they are also absolutely correct.
Let me explain.
For starters, it would be inaccurate to say that this story is full of clichés. This story is clichés. This story is every familiar and used-up trope you would expect from a high fantasy, all of those details that have been done to death in thousands of other versions until almost nothing that happens seems original anymore.
This is what’s going to turn off a lot of people. But the thing is, Banewreaker has to be this way. It wants the reader to look at all of the things that they’ve come to expect from a fantasy epic and then, by shifting the narrative focus, realize that all of these beloved tropes are actually, when you think about it, tragic as hell.
In other words, it’s Lord of the Rings from Sauron’s point of view.
It’s not a riff, though. It’s not goofy like most of the stuff I go in for. It takes its subject just as seriously as the stories that it’s mirroring, and this is what makes the whole story ultimately so gripping and so moving.
The story starts out like many stories of this magnitude, with exposition stretching back to the Dawn of This Particular Creation. In this case, we have a protogenos world god named Uru-Alat who died and gave rise to seven smaller godlike beings called Shapers. First comes Haomane, who becomes the Lord of Thought and sets himself up as head honcho for this ensuing pantheon. Second is Arahila, the Basically a Love Goddess; and third is Satoris, whose purview was “the quickening of the flesh,” which is high fantasy speak for sexy times. Four more Shapers come after this who, for the sake of brevity, we’ll be glossing over.
To summarize the important godly exposition, the Seven Shapers set about shaping the world to the surprise of no one. Haomane creates elves (here called Ellyl, but if you’ve ever even looked at a fantasy, you know that they’re the elves here), Arahila creates humans, and Satoris doesn’t create anything because he’s busy hanging out with dragons and learning their wisdom. Satoris grants his fleshy quickening to the humans but not the elves, because Haomane didn’t want his elves to do that. Then Haomane decides he doesn’t want the humans to do that either, but Satoris refuses to take the gift away again. Conflict escalates, god wars ensue, and the world splits into two continents, with Satoris ostracized from his brethren on one and the remaining Shapers on the other. By the time the dust has settled, Satoris is scarred and burned pitch black, living in a mostly dead land thanks to Haomane’s wrath, but with a dagger in his possession that is the only weapon capable of killing any of the Shapers.
The story itself picks up thousands of years later, with Satoris as the Satan/Sauron stand-in living in a forbidding land surrounded by classically evil things like trolls, giant spiders, and insane people. Since Haomane is the head god, the rest of the world believes Satoris to be a terrible figure of evil and betrayal, while Satoris’s few allies know him as a pitiable and misunderstood figure who only ever wanted to honor his word and do right by his own sense of morality rather than the dictates of his elder brother god king.
From here the plot becomes the typical Army of Good vs. Army of Evil adventure, but with the protagonistic focus on Satoris and his allies. His trolls we see not as a mindless horde but as a simple, honorable people who happily serve their lord because he happily serves them right back. The mad individuals inhabiting his fortress are castaways from normal society with nowhere else to go. And the giant spiders just happen to live there and be bigger than normal, with no sinister intentions beyond that.
And just like that, by actually showing us the home life of the ultimate in evil fantasy tropes, we see how easily one side’s view of evil is another’s view of good. In doing so, Banewreaker becomes perhaps the first sweeping fantasy epic with no real bad guy, just two sides of an unfortunate conflict. Both sides have their likeable characters, both sides seem from their view to be in the right, and pretty soon you, as the reader, will stop cheering for either one, because whenever one person that you like succeeds it means that another person whom you also like is failing.
In fact, the closest thing that this story has to a clearly-labeled “evil” character is the sorceress Lilias, and even then, she’s not evil so much as a woman who has done some bad things for completely understandable reasons. Lilias, in fact, is one of the most pitiful characters in this whole saga of pitiable characters, with her fears and attachments closely mirroring those of most readers, only amplified by her immortality and magical powers. She is afraid of dying. She wants to be more in the grand scheme of things than just another man’s wife or another country’s momentary ruler, both of which would just be tiny moments in a long history. She likes her youth. She likes having pretty things and pretty people around her. And from her interactions with her dragon mentor and apparently only friend, Calandor, we see that she is also capable of intense affection and even love just as she is capable of indulging in self-centered self-interest that, if not particularly a good trait, is also one that she is not alone in possessing.
Banewreaker, then, is a story with a large cast of characters but very few actual heroes or innocents as well as very few outright villains, which is exactly what it sets out to be. Those who love it and those who hate it both seem to blame this quality in particular for their feelings. The biggest complaint leveled against it (that I have read, anyway) is that the people we should be rooting for do not deserve our sympathy, while the people we should be rooting against are more misguided and unwilling to see things in another light than deserving of our scorn.
This is true. But if it’s a flaw, it’s an intentional one. And if it makes you feel like you shouldn’t be cheering for either side at all in this conflict, that’s the point. This is a story of clichés, yes, but it has something that it needs to say about these clichés and, in doing so, about the subjective and impossibly nebulous quality of morality in general.
In short, here again is another fantasy story about the Forces of Good wiping out an entire nation dedicated to their “evil” enemy. And as the story points out, even if you believe in that cause, you’re still wiping out an entire nation of people. No way is there not a downside to that. Seeing things in a black-and-white morality just means crushing a whole lot of important shades of gray underfoot.
Whether or not you like Banewreaker, then, depends in large part upon how much you realize that Carey as an author is being self-aware. As someone who read and still hasn’t stopped being awed over her Kushiel series, I can’t claim complete objectivity in this area, because I came to Banewreaker already in love with her. I can say, however, that unless you have an intense and searing aversion to ornate and sweeping style, this book is worth any fantasy-lover’s time – especially if you’ve ever felt a pang of empathy for all of the poor villainous mooks that fantasy heroes tend to mow down without a thought because they were the wrong kind of ugly.
Banewreaker, the first book in Jacqueline Carey’s two-part volume The Sundering, will probably not change any opinions in this respect, then, as it’s sweeping high fantasy to the core. This, as it turns out, is both its greatest strength and its greatest weakness.
There are some reviews out there that laud Banewreaker as a masterful examination of subjective viewpoints in an epic fantasy turned into a human tragedy by a simple change of perspective. And they are absolutely correct.
There are other reviews, however, that call the book out as a heap of all of the stalest fantasy clichés piled one atop the other in a confusing and pretentious jumble with a shellacking of purple prose for good measure. And they are also absolutely correct.
Let me explain.
For starters, it would be inaccurate to say that this story is full of clichés. This story is clichés. This story is every familiar and used-up trope you would expect from a high fantasy, all of those details that have been done to death in thousands of other versions until almost nothing that happens seems original anymore.
This is what’s going to turn off a lot of people. But the thing is, Banewreaker has to be this way. It wants the reader to look at all of the things that they’ve come to expect from a fantasy epic and then, by shifting the narrative focus, realize that all of these beloved tropes are actually, when you think about it, tragic as hell.
In other words, it’s Lord of the Rings from Sauron’s point of view.
It’s not a riff, though. It’s not goofy like most of the stuff I go in for. It takes its subject just as seriously as the stories that it’s mirroring, and this is what makes the whole story ultimately so gripping and so moving.
The story starts out like many stories of this magnitude, with exposition stretching back to the Dawn of This Particular Creation. In this case, we have a protogenos world god named Uru-Alat who died and gave rise to seven smaller godlike beings called Shapers. First comes Haomane, who becomes the Lord of Thought and sets himself up as head honcho for this ensuing pantheon. Second is Arahila, the Basically a Love Goddess; and third is Satoris, whose purview was “the quickening of the flesh,” which is high fantasy speak for sexy times. Four more Shapers come after this who, for the sake of brevity, we’ll be glossing over.
To summarize the important godly exposition, the Seven Shapers set about shaping the world to the surprise of no one. Haomane creates elves (here called Ellyl, but if you’ve ever even looked at a fantasy, you know that they’re the elves here), Arahila creates humans, and Satoris doesn’t create anything because he’s busy hanging out with dragons and learning their wisdom. Satoris grants his fleshy quickening to the humans but not the elves, because Haomane didn’t want his elves to do that. Then Haomane decides he doesn’t want the humans to do that either, but Satoris refuses to take the gift away again. Conflict escalates, god wars ensue, and the world splits into two continents, with Satoris ostracized from his brethren on one and the remaining Shapers on the other. By the time the dust has settled, Satoris is scarred and burned pitch black, living in a mostly dead land thanks to Haomane’s wrath, but with a dagger in his possession that is the only weapon capable of killing any of the Shapers.
The story itself picks up thousands of years later, with Satoris as the Satan/Sauron stand-in living in a forbidding land surrounded by classically evil things like trolls, giant spiders, and insane people. Since Haomane is the head god, the rest of the world believes Satoris to be a terrible figure of evil and betrayal, while Satoris’s few allies know him as a pitiable and misunderstood figure who only ever wanted to honor his word and do right by his own sense of morality rather than the dictates of his elder brother god king.
From here the plot becomes the typical Army of Good vs. Army of Evil adventure, but with the protagonistic focus on Satoris and his allies. His trolls we see not as a mindless horde but as a simple, honorable people who happily serve their lord because he happily serves them right back. The mad individuals inhabiting his fortress are castaways from normal society with nowhere else to go. And the giant spiders just happen to live there and be bigger than normal, with no sinister intentions beyond that.
And just like that, by actually showing us the home life of the ultimate in evil fantasy tropes, we see how easily one side’s view of evil is another’s view of good. In doing so, Banewreaker becomes perhaps the first sweeping fantasy epic with no real bad guy, just two sides of an unfortunate conflict. Both sides have their likeable characters, both sides seem from their view to be in the right, and pretty soon you, as the reader, will stop cheering for either one, because whenever one person that you like succeeds it means that another person whom you also like is failing.
In fact, the closest thing that this story has to a clearly-labeled “evil” character is the sorceress Lilias, and even then, she’s not evil so much as a woman who has done some bad things for completely understandable reasons. Lilias, in fact, is one of the most pitiful characters in this whole saga of pitiable characters, with her fears and attachments closely mirroring those of most readers, only amplified by her immortality and magical powers. She is afraid of dying. She wants to be more in the grand scheme of things than just another man’s wife or another country’s momentary ruler, both of which would just be tiny moments in a long history. She likes her youth. She likes having pretty things and pretty people around her. And from her interactions with her dragon mentor and apparently only friend, Calandor, we see that she is also capable of intense affection and even love just as she is capable of indulging in self-centered self-interest that, if not particularly a good trait, is also one that she is not alone in possessing.
Banewreaker, then, is a story with a large cast of characters but very few actual heroes or innocents as well as very few outright villains, which is exactly what it sets out to be. Those who love it and those who hate it both seem to blame this quality in particular for their feelings. The biggest complaint leveled against it (that I have read, anyway) is that the people we should be rooting for do not deserve our sympathy, while the people we should be rooting against are more misguided and unwilling to see things in another light than deserving of our scorn.
This is true. But if it’s a flaw, it’s an intentional one. And if it makes you feel like you shouldn’t be cheering for either side at all in this conflict, that’s the point. This is a story of clichés, yes, but it has something that it needs to say about these clichés and, in doing so, about the subjective and impossibly nebulous quality of morality in general.
In short, here again is another fantasy story about the Forces of Good wiping out an entire nation dedicated to their “evil” enemy. And as the story points out, even if you believe in that cause, you’re still wiping out an entire nation of people. No way is there not a downside to that. Seeing things in a black-and-white morality just means crushing a whole lot of important shades of gray underfoot.
Whether or not you like Banewreaker, then, depends in large part upon how much you realize that Carey as an author is being self-aware. As someone who read and still hasn’t stopped being awed over her Kushiel series, I can’t claim complete objectivity in this area, because I came to Banewreaker already in love with her. I can say, however, that unless you have an intense and searing aversion to ornate and sweeping style, this book is worth any fantasy-lover’s time – especially if you’ve ever felt a pang of empathy for all of the poor villainous mooks that fantasy heroes tend to mow down without a thought because they were the wrong kind of ugly.
David McK (3222 KP) rated The Shepherd's Crown in Books
Jan 28, 2019
THE FINAL DISCWORLD BOOK
Those four words were always going to make a long-time Discworld reader feel quite emotional, making it hard to objectively review the novel itself: are you reviewing this last peek into Pratchett's mirror reality, or are you reviewing the entire 41-book series? I'm going to try both:
THE SERIES
The first Disworld book I read (I'm pretty sure it was [b: Pyramids|64217|Pyramids (Discworld, #7)|Terry Pratchett|https://images.gr-assets.com/books/1439098306s/64217.jpg|968512]) wasn't actually the first in the series (that would be [b: The Colour of Magic|833512|The Colour of Magic The Illustrated Screenplay|Vadim Jean|https://images.gr-assets.com/books/1347346368s/833512.jpg|17589693]), although I did later go back and read the earlier works. Reading them in order released (as opposed to one of the numerous Discworld Reading Order Guides: I'm quite partial to the 'Unofficial Discworld Reading Order Guide'), you can see how Terry Pratchett's writing style evolved, how he moved from outright satire to a more subtle comedy fantasy that holds a mirror up to real-world issues. Personally, I feel he was at his best at around the mid-way point of the series (say, [b: Maskerade|64305|Maskerade The Play|Terry Pratchett|https://images.gr-assets.com/books/1170622047s/64305.jpg|62427] or [b: Men at Arms|7557548|Men at Arms The Play|Terry Pratchett|https://images.gr-assets.com/books/1353573652s/7557548.jpg|9910828], after he'd found his feet (so-to-speak), but before the 'embuggerance' of his posterior cortical atrophy set in and the novels - perhaps understandably - started becoming almost too serious.
Throughout the series, there was a rich tapestry of characters introduced, from CMOT Dibbler through to the Patrician of Ankh-Morpork, with certain groups of characters (e.g. The City Watch) effectively becoming a sub-series in their own right. One of those groups - Granny Weatherwax (first introduced in [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611] and The Witches of Lancre (first introduced in [b: Wyrd Sisters|233664|Wyrd Sisters The Play|Terry Pratchett|https://images.gr-assets.com/books/1388363090s/233664.jpg|17589683] - would later themselves have 'guest spots' in another group of such characters, ostensibly written for Young Adult Readers but still very enjoyable for older; the Nac Mac Feegles (Crivens!) and Tiffany Aching, both of who first appeared in [b: The Wee Free Men|7881001|The Wee Free Men The Beginning (Discworld, #30 & #32)|Terry Pratchett|https://images.gr-assets.com/books/1388181365s/7881001.jpg|22017239]. Which nicely brings me to:
THE NOVEL ITSELF
'The Shepherd's Crown' sees a return of both Tiffany Aching, now a young Witch setting out on her career path, and those Nac Mac Feegles. There's a strong sense of change throughout, kicked off by the surprising early exit of a previous major character in the entire series, leading to old foes - the Elves - to try to make their way back into the world. These Elves, remember, are *not* the dainty do-gooders of Tolkien: these are nasty, malicious, self-serving creatures who last attempted to invade in [b: Lords and Ladies|34529|Lords and Ladies (Discworld, #14; Witches #4)|Terry Pratchett|https://images.gr-assets.com/books/1469186110s/34529.jpg|1185086], before eventually being defeated by Granny Weatherwax, Nanny Ogg and Magrat Garlik. Those three characters make a return in this, as well as bit-parts for the Arch-Chancellor of Unseen University, Ponder Stibbons (and HEX) alongside King Verence and the Patrician. Despite all these, the novel, however, is really Tiffany's story, and of how she finds her feet in the circumstances into which she is rather abruptly thrown. There's also a plot element that recalls [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611]: that of a person wanting to do a role that is generally considered to be that for a member of the opposite sex.
As always, footnotes are present and correct, with the novel even raising a few laugh-out-loud moments. While the story does finish with the words 'THE END', the world itself will continue on: all that has come to an end is our ability to peek into it.
In the words of the Nac Mac Feegle: "Waily waily waily ..."
Rating for the series: 5*
Rating for the novel: 4*
Those four words were always going to make a long-time Discworld reader feel quite emotional, making it hard to objectively review the novel itself: are you reviewing this last peek into Pratchett's mirror reality, or are you reviewing the entire 41-book series? I'm going to try both:
THE SERIES
The first Disworld book I read (I'm pretty sure it was [b: Pyramids|64217|Pyramids (Discworld, #7)|Terry Pratchett|https://images.gr-assets.com/books/1439098306s/64217.jpg|968512]) wasn't actually the first in the series (that would be [b: The Colour of Magic|833512|The Colour of Magic The Illustrated Screenplay|Vadim Jean|https://images.gr-assets.com/books/1347346368s/833512.jpg|17589693]), although I did later go back and read the earlier works. Reading them in order released (as opposed to one of the numerous Discworld Reading Order Guides: I'm quite partial to the 'Unofficial Discworld Reading Order Guide'), you can see how Terry Pratchett's writing style evolved, how he moved from outright satire to a more subtle comedy fantasy that holds a mirror up to real-world issues. Personally, I feel he was at his best at around the mid-way point of the series (say, [b: Maskerade|64305|Maskerade The Play|Terry Pratchett|https://images.gr-assets.com/books/1170622047s/64305.jpg|62427] or [b: Men at Arms|7557548|Men at Arms The Play|Terry Pratchett|https://images.gr-assets.com/books/1353573652s/7557548.jpg|9910828], after he'd found his feet (so-to-speak), but before the 'embuggerance' of his posterior cortical atrophy set in and the novels - perhaps understandably - started becoming almost too serious.
Throughout the series, there was a rich tapestry of characters introduced, from CMOT Dibbler through to the Patrician of Ankh-Morpork, with certain groups of characters (e.g. The City Watch) effectively becoming a sub-series in their own right. One of those groups - Granny Weatherwax (first introduced in [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611] and The Witches of Lancre (first introduced in [b: Wyrd Sisters|233664|Wyrd Sisters The Play|Terry Pratchett|https://images.gr-assets.com/books/1388363090s/233664.jpg|17589683] - would later themselves have 'guest spots' in another group of such characters, ostensibly written for Young Adult Readers but still very enjoyable for older; the Nac Mac Feegles (Crivens!) and Tiffany Aching, both of who first appeared in [b: The Wee Free Men|7881001|The Wee Free Men The Beginning (Discworld, #30 & #32)|Terry Pratchett|https://images.gr-assets.com/books/1388181365s/7881001.jpg|22017239]. Which nicely brings me to:
THE NOVEL ITSELF
'The Shepherd's Crown' sees a return of both Tiffany Aching, now a young Witch setting out on her career path, and those Nac Mac Feegles. There's a strong sense of change throughout, kicked off by the surprising early exit of a previous major character in the entire series, leading to old foes - the Elves - to try to make their way back into the world. These Elves, remember, are *not* the dainty do-gooders of Tolkien: these are nasty, malicious, self-serving creatures who last attempted to invade in [b: Lords and Ladies|34529|Lords and Ladies (Discworld, #14; Witches #4)|Terry Pratchett|https://images.gr-assets.com/books/1469186110s/34529.jpg|1185086], before eventually being defeated by Granny Weatherwax, Nanny Ogg and Magrat Garlik. Those three characters make a return in this, as well as bit-parts for the Arch-Chancellor of Unseen University, Ponder Stibbons (and HEX) alongside King Verence and the Patrician. Despite all these, the novel, however, is really Tiffany's story, and of how she finds her feet in the circumstances into which she is rather abruptly thrown. There's also a plot element that recalls [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611]: that of a person wanting to do a role that is generally considered to be that for a member of the opposite sex.
As always, footnotes are present and correct, with the novel even raising a few laugh-out-loud moments. While the story does finish with the words 'THE END', the world itself will continue on: all that has come to an end is our ability to peek into it.
In the words of the Nac Mac Feegle: "Waily waily waily ..."
Rating for the series: 5*
Rating for the novel: 4*
Ross (3282 KP) rated The Path of Flames in Books
Oct 24, 2017
This book has popped up a number of times as I have strolled through the fantasy section of Amazon's kindle store in the past. However, I was never really taken with the cover (which sadly I do base my TBR list on, in part) as I'm not much of one for elves. However, with the invitation to sample Kindle Unlimited for 60 days I thought I'd try and maximise my trial period and blast through this (now completed) series.
The first in the 5 book series (unless you count Escape from Bythos, a short opener) begins with Asho (the white haired character on the cover, not an elf after all but a Bythian human, at war alongside his lord and the army of "the good" against the armies of "the bad". We gradually start to see the world revealed at a gentle pace and each of the races are at different stages of their ascension to heaven, each step depending on how they lived that life (kind of like a tiered Buddhist reincarnation with eventually getting to heaven after a number of good lives). The Bythians are the lowest of the low and Asho is very lucky to be allowed to squire the Ennoian (read annoyin') Lord Kyferin.
From the result of that battle, further PoV characters are introduced: Ishkra and Kethe (Lord Kyferin's widow and daughter respectively), Audsley the magister and former knight Ser Tiron, as well as the orc-esque kragh Tarkon. All but Tarkon's narratives blend together to give an overall storyline from different perspectives.
The somewhat familiar castle setting is quickly thrown out the window as Lord Kyferin's brother takes over the castle and banishes his widow through a lunar gate (a mystic portal that only opens once a month used to travel great distances) along with her loyal followers into a ruined inhospitable wasteland with demons wandering the moors.
The characters are well defined and develop well through their trials and tribulations. While the plot is somewhat reactionary (there isn't really one main quest set up early on, rather events unfold and the plot is driven from there) this doesn't feel like it evolved that way, everything slots together well.
I have really enjoyed this first episode in the world of the black gate and have carried on with the follow-up, The Black Shriving.
The first in the 5 book series (unless you count Escape from Bythos, a short opener) begins with Asho (the white haired character on the cover, not an elf after all but a Bythian human, at war alongside his lord and the army of "the good" against the armies of "the bad". We gradually start to see the world revealed at a gentle pace and each of the races are at different stages of their ascension to heaven, each step depending on how they lived that life (kind of like a tiered Buddhist reincarnation with eventually getting to heaven after a number of good lives). The Bythians are the lowest of the low and Asho is very lucky to be allowed to squire the Ennoian (read annoyin') Lord Kyferin.
From the result of that battle, further PoV characters are introduced: Ishkra and Kethe (Lord Kyferin's widow and daughter respectively), Audsley the magister and former knight Ser Tiron, as well as the orc-esque kragh Tarkon. All but Tarkon's narratives blend together to give an overall storyline from different perspectives.
The somewhat familiar castle setting is quickly thrown out the window as Lord Kyferin's brother takes over the castle and banishes his widow through a lunar gate (a mystic portal that only opens once a month used to travel great distances) along with her loyal followers into a ruined inhospitable wasteland with demons wandering the moors.
The characters are well defined and develop well through their trials and tribulations. While the plot is somewhat reactionary (there isn't really one main quest set up early on, rather events unfold and the plot is driven from there) this doesn't feel like it evolved that way, everything slots together well.
I have really enjoyed this first episode in the world of the black gate and have carried on with the follow-up, The Black Shriving.