"""Whole Lotta Shakin'', was the first time I heard him, in Pontypridd, being played from Freddy Fey's record shop. People used to ask me, because I loved music so much, 'What do you think of this record, what do you think of that record?' When Elvis Presley came out, I said he can't be the only one - a white man being influenced by black music in the South. So when 'Whole Lotta Shakin'' came out, my friends said, 'Is that what you're talking about?' I said, 'That's exactly what I'm talking about!' Another guy, playing piano, similar to what Elvis was doing, but even more syncopated, white and from the South. It was unbelievable to hear that record. Then 'Great Balls Of Fire' followed, and 'High School Confidential' was a great record. When you listen to his records, he always sings up, except towards when he got older and the pressures of life got on him. In the beginning, he was always up, you know the ends of everything came up. Little Richard was pushing the shit out of everything but Jerry Lee, he had his syncopation, it was like he floated. He fell out of favour, because he married his cousin - it was a shame, he was still making great records. There's one called 'Loving Up A Storm' and that's equally good. That's on The Sun Years, they're all there. I saw him live in Cardiff in 1962, and Johnny Kidd and the Pirates were there and they were slick... I thought, 'Shit, how's Jerry Lee going to get over this?', because they closed the first half. He came on, and instead of how Johnny Kidd and the Pirates were very aggressive, Jerry Lee was the opposite, he opened up with 'Move On Down The Line' and the band were like [sings] and he just walked on and was like [gestures] showing us the the chord he was going to play. He just sat down at the piano and - boom - went into it. It was like 'Jesus Christ!' You know, it was smooth, it was slick, it was rock & roll but he wasn't like, screaming - he had a different take on it and yet it was rocking."""

"That first album, that sounds great to me. The first one we heard was ‘Heartbreak Hotel', because I don't think they ever released the Sun records - the RCA records came out first. We had a great friendship - I met him in 1965 the first year I went to the States. He was doing a movie at Paramount Studios, and I was at Paramount to talk about a song for a movie and they said 'Elvis Presley is filming here today, and he heard that you're coming over, and he'd like to meet you.' Like to meet me? I tell you, I didn't even know he knew I existed. I had three singles out at the time: ‘It's Not Unusual', ‘What's New Pussycat?' and a ballad called ‘With These Hands', and he had the three of them. He was walking towards me singing ‘With These Hands' - [impersonates Elvis] 'with these hands'. And then he said, 'How do you sing like that?' And I said, 'It's your fault, you were partly to blame!' He said, 'Well, you know, I come from Mississippi, I was born there, I was brought up with this stuff. What's it like in Wales? Are there any black people there?' I said, 'Only when they come out of the coal mine! No, it's listening to American music on the radio - that's where I've got it from.' He couldn't believe that somebody could sing like me not being influenced first hand, like he was - the gospel thing, listening to gospel groups and blues clubs like that. He preferred a lot of the later things that he did. I said, 'That early stuff on Sun Records, man, I mean jeez'. He said, 'Ah, it was very primitive - we didn't have very good equipment and it's a lot better now."" And I said, 'But there's fire there', and he said 'I'm glad you think so."" But he didn't do them on stage. I said, 'You want to open with them, open with ‘Blue Suede Shoes'.' But no, he wouldn't do it. Then one time, on his own special, he starts to go into some ‘Whole Lotta Shakin'' and then he goes on into another, and he said, 'We could do this all night', so you could see he was really wanting to do it. But he wasn't thrilled with those early recordings, he thought he made better records later on.#"