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'My future mother-in-law burst into tears when she heard her son was to marry an actress. There's...
Charlie Cobra Reviews (1840 KP) rated Cruella (2021) in Movies
Jun 2, 2021 (Updated Jun 3, 2021)
The Acting- great performances by both Emma Stone and Emma Thompson (2 more)
The costume designs and wardrobe were amazing to see
The soundtrack was phenomenal - great music
Original cartoon Cruella vs this Cruella (1 more)
The pacing was sparratic and movie ran a little too long
Part Devil Wears Prada, Part The Joker, Surprisingly Splendid
https://youtu.be/Ja_Cl-9IKNI
I have to say this movie really wasn't on the top of my list for "must watch" movies as much as I like Disney movies and Emma Stone as an actress (loved her in Superbad as Jules, lol) but I really liked this movie and it was really good. Emma Stone was fantastic as Estella/Cruella and this movie really came off as a mix of Devil Wears Prada and The Joker in my opinion. I wasn't sure if I was going to like it in the beginning because I was weary of the concept of them trying to turn this villain into a good guy or giving them a compelling reason for their "villainy" ways but I'm a sucker for revenge movies. I have to say it had me right away with what happens to her mother and It was "hook, line and sinker" for me and I was along for the ride. I like how the movie kept the characters of Jasper and Horace which if I remember correctly were the name of her two helpers the skinny and fat one from the cartoons who helped her steal all those puppies so that was pretty cool as well. I really can't say how much I loved the soundtrack for this movie, it was just hit after hit, song after song the whole way through the film. Lots of great oldie music from around the times that they movie was supposed to be set in which was 1970's. There were some issues that I had with the movie like how it portrays Cruella when she's so horrible in the cartoons, how the plot turns into a whole heist situation, and how it takes until the end of the movie to answer a lot of the questions that were building up the whole movie. The movie did have good things too, such as the acting being great, especially the performances by Emma Stone and Emma Thompson, the setting and time period fitting the story in 1970's London and the clothes and the fashion, not to mention the soundtrack that knocked it out of the park. I give this movie a 7/10, unfortunately it doesn't get my "must see" seal of approval and I wouldn't suggest shelling out $30 on top of your Disney Plus subscription to see this movie by yourself. However, if you plan on watching as a family it is definitely worth it to watch it in the comfort of your own home and not worry about movie theater etiquette or prices especially if you have young ones. If your not in a rush to watch it, I would wait until it becomes free to watch on Disney Plus which has been announced as Friday August 27th, so around 3 months. If you want to hear more of what I thought about the movie stick around for the spoiler section review.
-------------------------------------------------------
Spoiler Section Review:
https://youtu.be/PvPC_yAMwFQ
I guess my spoiler section review ran a little long so if your interested in what else I had to say check out the full review on my website or check out my spoiler section video on YouTube.
I have to say this movie really wasn't on the top of my list for "must watch" movies as much as I like Disney movies and Emma Stone as an actress (loved her in Superbad as Jules, lol) but I really liked this movie and it was really good. Emma Stone was fantastic as Estella/Cruella and this movie really came off as a mix of Devil Wears Prada and The Joker in my opinion. I wasn't sure if I was going to like it in the beginning because I was weary of the concept of them trying to turn this villain into a good guy or giving them a compelling reason for their "villainy" ways but I'm a sucker for revenge movies. I have to say it had me right away with what happens to her mother and It was "hook, line and sinker" for me and I was along for the ride. I like how the movie kept the characters of Jasper and Horace which if I remember correctly were the name of her two helpers the skinny and fat one from the cartoons who helped her steal all those puppies so that was pretty cool as well. I really can't say how much I loved the soundtrack for this movie, it was just hit after hit, song after song the whole way through the film. Lots of great oldie music from around the times that they movie was supposed to be set in which was 1970's. There were some issues that I had with the movie like how it portrays Cruella when she's so horrible in the cartoons, how the plot turns into a whole heist situation, and how it takes until the end of the movie to answer a lot of the questions that were building up the whole movie. The movie did have good things too, such as the acting being great, especially the performances by Emma Stone and Emma Thompson, the setting and time period fitting the story in 1970's London and the clothes and the fashion, not to mention the soundtrack that knocked it out of the park. I give this movie a 7/10, unfortunately it doesn't get my "must see" seal of approval and I wouldn't suggest shelling out $30 on top of your Disney Plus subscription to see this movie by yourself. However, if you plan on watching as a family it is definitely worth it to watch it in the comfort of your own home and not worry about movie theater etiquette or prices especially if you have young ones. If your not in a rush to watch it, I would wait until it becomes free to watch on Disney Plus which has been announced as Friday August 27th, so around 3 months. If you want to hear more of what I thought about the movie stick around for the spoiler section review.
-------------------------------------------------------
Spoiler Section Review:
https://youtu.be/PvPC_yAMwFQ
I guess my spoiler section review ran a little long so if your interested in what else I had to say check out the full review on my website or check out my spoiler section video on YouTube.
Jordan Binkerd (567 KP) rated Men in Black International (2019) in Movies
Sep 14, 2019
Chris Hemsworth (2 more)
Tessa Thompson
Pawny
The two twists are visible a mile away (1 more)
No Will Smith, no Tommy Lee Jones
Not as good as the original, but still excellent
I see a lot of derogatory reviews for this one, and I don't really understand that. Is it as good as the original? No. Neither were the other two sequels. I can only think of two sequels in the history of movies that were as good or better than the original: Terminator 2 - Judgement Day and Star Wars - The Empire Strikes Back. Okay, three, I forgot about The Road Warrior. My point stands. It's an unfair expectation to put on this film, which was perfectly enjoyable and managed to move the MiB franchise outside New York City for a change.
Agent M is our protagonist, a woman who witnessed MiB in action as a girl and escaped being Neuralized. After tracking down MiB, she's sent to London and partnered with Agent H, a legend in the agency who seems to have lost what made him a competent agent. Together, they must ferret out a mole in the Men in Black....
While they're no Smith and Jones, Hemsworth and Thompson have excellent chemistry as evidenced by their repeatedly being paired with each other. Emma Thompson and Liam Neeson are incapable of failing to entertain, especially in material as bonkers as MiB, and Pawny was hilarious. The storyline is a bit cliche, and you see the twists coming miles away, but on the whole I greatly enjoyed the film. It's exactly what I expected it to be, exactly what it wanted to be. The reason for H's change in character is left a little bit ambiguous and unexplained, but should be clear enough on further consideration. I'd be down for a couple more with this cast, honestly....
Agent M is our protagonist, a woman who witnessed MiB in action as a girl and escaped being Neuralized. After tracking down MiB, she's sent to London and partnered with Agent H, a legend in the agency who seems to have lost what made him a competent agent. Together, they must ferret out a mole in the Men in Black....
While they're no Smith and Jones, Hemsworth and Thompson have excellent chemistry as evidenced by their repeatedly being paired with each other. Emma Thompson and Liam Neeson are incapable of failing to entertain, especially in material as bonkers as MiB, and Pawny was hilarious. The storyline is a bit cliche, and you see the twists coming miles away, but on the whole I greatly enjoyed the film. It's exactly what I expected it to be, exactly what it wanted to be. The reason for H's change in character is left a little bit ambiguous and unexplained, but should be clear enough on further consideration. I'd be down for a couple more with this cast, honestly....
Gareth von Kallenbach (962 KP) rated Men in Black International (2019) in Movies
Jul 2, 2019
As a young girl Molly (Tessa Thompson) comes into contact with an alien in her back yard. When mysterious men show up and erase her parents memory of the incident it sparks a twenty year quest to find out the truth and find the Men in Black. She is smart and persistent and she becomes the first person to infiltrate the clandestine agency. After convincing Agent O (Emma Thompson) that she is worth taking a chance on, she becomes a probationary agent and sent to London. There she is tasked with helping Agent H (Chris Hemsworth) on a mission to stop some mysterious alien twins (Laurent Bourgeois and Larry Bourgeois) from getting their hands on a world destroying weapon. But they have no idea that a mole within the Men in Black could be their biggest obstacle in protecting the Earth from a destruction.
The Men in Black franchise returns with an international spin with very few familiar faces, Emma Thompson being on of very few, and a lot of new faces. F. Gary Gary (Straight Outta Compton, The Fate of the Furious) helms the fourth installment of the series as director. Tessa Thompson and Hemsworth reunite on screen after the successful Thor: Ragnarok, to head a large cast, including Kumail Nanjiani, Liam Neeson, Rebecca Ferguson and more.
If you are a fan of the previous three MiB films you are going to get the gun battles, cool new aliens and plenty of lasers. Also there are some really funny lines, most of them delivered by Nanjiani. The characters are really interesting and you get all of the action that you expect from a summer “blockbuster.” I really liked some of the CGI especially the stuff that had to do with the Alien Twins. The story really is predictable. From the start you can really tell how the entire movie will play out, for the most part. The previous films also had plenty of cheesy moments but it seems like they really ramped it up for this installment. I thought that Will Smith had really taken the Men in Black series about as far as he could and was excited for the new blood, but left feeling let down but this film. The promise of the characters washed away with the predictability and choppiness of the story.
I think this film will appeal to a younger audience and would be a good matinee watch for a family. Enough funny lines to keep the adults engaged and it moves at a fast enough pace to keep kids engaged. If you have never seen the other Men in Black films this might be a good introduction and get you to watch the first three movies. But I think fans of the previous three films may feel let down, as I did.
The Men in Black franchise returns with an international spin with very few familiar faces, Emma Thompson being on of very few, and a lot of new faces. F. Gary Gary (Straight Outta Compton, The Fate of the Furious) helms the fourth installment of the series as director. Tessa Thompson and Hemsworth reunite on screen after the successful Thor: Ragnarok, to head a large cast, including Kumail Nanjiani, Liam Neeson, Rebecca Ferguson and more.
If you are a fan of the previous three MiB films you are going to get the gun battles, cool new aliens and plenty of lasers. Also there are some really funny lines, most of them delivered by Nanjiani. The characters are really interesting and you get all of the action that you expect from a summer “blockbuster.” I really liked some of the CGI especially the stuff that had to do with the Alien Twins. The story really is predictable. From the start you can really tell how the entire movie will play out, for the most part. The previous films also had plenty of cheesy moments but it seems like they really ramped it up for this installment. I thought that Will Smith had really taken the Men in Black series about as far as he could and was excited for the new blood, but left feeling let down but this film. The promise of the characters washed away with the predictability and choppiness of the story.
I think this film will appeal to a younger audience and would be a good matinee watch for a family. Enough funny lines to keep the adults engaged and it moves at a fast enough pace to keep kids engaged. If you have never seen the other Men in Black films this might be a good introduction and get you to watch the first three movies. But I think fans of the previous three films may feel let down, as I did.
Stephen Fry in His Own Words
Book
In a fascinating collection of archive interviews with the celebrated writer, presenter and...
Erika (17788 KP) rated Cruella (2021) in Movies
Jun 1, 2021 (Updated Jun 1, 2021)
Cruella is the newest live-action adaptation of a cartoon character that Disney decided to give us. I only went to see the movie because there was nothing else out in the theater this weekend.
At an overly-long, bloated run time of 2 hours and 12 minutes, we get the entire life story of Cruella, prior to 101 Dalmatians, whose real name is Estella. Of course, it starts with the stereotypical birth scene, continuing through childhood to adulthood. She becomes orphaned, and meets her two future henchmen, played by Paul Walter Hauser and Joel Fry. They were pretty bumbling, and I found myself both amused and annoyed by them.
Estella dreams of a career in fashion, and by a series of events, ends up at the fashion house of the Baroness. There’s a connection from the Baroness to the events that caused Estella to be orphaned, and when that connection is made by Estella, she goes full on Cruella. I think Disney was attempting to show that Estella/Cruella has some sort of hereditary personality disorder, and I don’t know how I felt about that being used as a plot device. Cruella’s vendetta and revenge are sort of fun to watch, but there’s just too much. Every time you thought the movie was ending, something else happened.
Emma Stone does make Cruella interesting, which is a positive. Emma Thompson as the Baroness was so over the top, but at least Thompson seemed to enjoy playing someone that deranged.
For me, the only positives of this film were the costumes and music. The 60s/70s soundtrack was sick (in a good way), and the fashion was over the top and outrageous. The run time was so long, and Disney should have just slapped it on Disney+, for free, as a miniseries. The movie was not worth the price of a ticket, and definitely not worth that crazy premium pricing on VOD. If you’re interested, wait a couple of months and watch it for free when it joins the Disney+ library.
At an overly-long, bloated run time of 2 hours and 12 minutes, we get the entire life story of Cruella, prior to 101 Dalmatians, whose real name is Estella. Of course, it starts with the stereotypical birth scene, continuing through childhood to adulthood. She becomes orphaned, and meets her two future henchmen, played by Paul Walter Hauser and Joel Fry. They were pretty bumbling, and I found myself both amused and annoyed by them.
Estella dreams of a career in fashion, and by a series of events, ends up at the fashion house of the Baroness. There’s a connection from the Baroness to the events that caused Estella to be orphaned, and when that connection is made by Estella, she goes full on Cruella. I think Disney was attempting to show that Estella/Cruella has some sort of hereditary personality disorder, and I don’t know how I felt about that being used as a plot device. Cruella’s vendetta and revenge are sort of fun to watch, but there’s just too much. Every time you thought the movie was ending, something else happened.
Emma Stone does make Cruella interesting, which is a positive. Emma Thompson as the Baroness was so over the top, but at least Thompson seemed to enjoy playing someone that deranged.
For me, the only positives of this film were the costumes and music. The 60s/70s soundtrack was sick (in a good way), and the fashion was over the top and outrageous. The run time was so long, and Disney should have just slapped it on Disney+, for free, as a miniseries. The movie was not worth the price of a ticket, and definitely not worth that crazy premium pricing on VOD. If you’re interested, wait a couple of months and watch it for free when it joins the Disney+ library.
Andy K (10821 KP) rated Saving Mr. Banks (2013) in Movies
Jan 6, 2019
A charming compendium to Mary Poppins
Having just watched the original Mary Poppins a few weeks ago I was anxious to also watch this film which I had remembered when it was released. I am so glad I did as it was a glorious supplement to understand the history f the film, the reluctance of the original author to sell the rights to Disney and how they eventually convinced her to do it.
The bonus subplot of the author as a young child and the tumultuous relationship she had with her own father so also interesting in the parallels drawn or she must have written about which end up in the final Poppins story and film.
Strong performances by Tom Hanks and Emma Thompson and even the normally annoying Colin Farrell added to the rich story. Watching this film actually makes you want to watch Poppins again because of all the timeless songs.
I just might do that!
The bonus subplot of the author as a young child and the tumultuous relationship she had with her own father so also interesting in the parallels drawn or she must have written about which end up in the final Poppins story and film.
Strong performances by Tom Hanks and Emma Thompson and even the normally annoying Colin Farrell added to the rich story. Watching this film actually makes you want to watch Poppins again because of all the timeless songs.
I just might do that!
Bob Mann (459 KP) rated Alone in Berlin (2017) in Movies
Sep 29, 2021
Small Rebellions.
Once again, World War II turns up another true story of quiet valour to turn into a motion picture. At a time when Trump is pontificating about so called “fake news”, here is a timely tale from history which centres on the battle against genuinely fake news: the Nazi propaganda machine.
After losing their only son in the French campaign, Berliners Otto (Brendan Gleeson,”Harry Potter and the Goblet of Fire”) and Anna (Emma Thompson, “Saving Mr Banks“) turn against the regime and in repeated acts of rebellion Otto laboriously hand writes subversive postcards to leave in office blocks around Berlin.
Resistance is futile. Otto (Brendan Gleeson) and Anna (Emma Thompson) out on a new mission.
Out to catch him is local police investigator Escherich (Daniel Brühl) but in an age before CCTV that’s no easy task and with increasing SS pressure the stakes for Escherich steadily increase. For Otto and Anna, the stress is there but both are resigned to their fate: with their son stolen from them for an unjust cause they are an island of indifference in an unholy land. Both are ‘alone in Berlin’.
Daniel Brühl as police detective Escherich getting more than he bargained for from the SS.
After 70 years it still chills the blood to see German locations decked out in Nazi regalia, but one of the joys of this film is this rendering of life in wartime Berlin: starting with jubilation at German progress prior to D-Day and turning to despair and genuine danger as the tide turns towards 1945. In a pretty bleak film there are touches of black comedy now and then: Otto’s carpentry company is being encouraged “by the Fuhrer” to double and triple their output… of coffins.
A (very clean) Berlin, decked out with Nazi regalia.
More joy comes from the star turns of Gleeson and Thompson, both of who deliver on their emotionally challenging roles. Gleeson in particular makes a very believable German with a sour demeanor and a steely determination. But the star acting turn for me goes to the wonderful Daniel Brühl (“Rush“) as the tormented police detective, bullied into an ethical corner by the SS. The finale of the film – whilst not seeming quite believable – makes for a nicely unexpected twist.
The Nazi Womens’ League out on another fund-raising sweep, providing Thompson with one of her best scenes in the film with an Oberführer’s wife.
Based on a novel by Hans Fallada, the lead writing credits for the piece are shared between Achim von Borries and the director Vincent Perez – in a rare directorial outing for the Swiss actor. The script exudes a melancholic gloom and at times expresses beautifully both the grief and love shared by this older couple. But some of the dialogue needs more work and we don’t see enough of Thompson in the early part of the film where her motivations should be being developed. This rather comes down to a lack of focus by the director. While the primary story of the card distribution is slight, it is compelling and a detour into a sub-story about an old Jewish lodger living upstairs is unnecessary and detracts from the overall story arc. I would have far preferred if the running time had been a tight 90 minutes just focused on Otto’s mission. One final comment on the script: did I mishear that Anna claimed to have a 6 year old child during an air raid scene? I know Emma Thompson looks great for her age, but….
Otto and Elise Hampel – the real life characters on which the film’s Otto and Anna Quangel were based.
I can’t finish this without commending the beautiful piano score of Alexandre Desplat. From the first note I knew it was him – he has such a characteristic style – and his clever use of the score complements the film exquisitely. “Small” films like this tend to rather disappear into the woodwork for Oscar consideration, but here’s a soundtrack that I think should be considered: (but what do I know… when “Nocturnal Animals” wasn’t even nominated in one of the Oscar crimes of the century!).
In summary, I found this a thoughtful and thought-provoking film, that – despite some of the mean reviews I’ve seen – I thought was well crafted and with excellent production design by Jean-Vincent Puzos (“Amour”). It will be particularly appreciated by older audiences looking for an untold story from the war, and by all lovers of fine acting performances by the three leads.
After losing their only son in the French campaign, Berliners Otto (Brendan Gleeson,”Harry Potter and the Goblet of Fire”) and Anna (Emma Thompson, “Saving Mr Banks“) turn against the regime and in repeated acts of rebellion Otto laboriously hand writes subversive postcards to leave in office blocks around Berlin.
Resistance is futile. Otto (Brendan Gleeson) and Anna (Emma Thompson) out on a new mission.
Out to catch him is local police investigator Escherich (Daniel Brühl) but in an age before CCTV that’s no easy task and with increasing SS pressure the stakes for Escherich steadily increase. For Otto and Anna, the stress is there but both are resigned to their fate: with their son stolen from them for an unjust cause they are an island of indifference in an unholy land. Both are ‘alone in Berlin’.
Daniel Brühl as police detective Escherich getting more than he bargained for from the SS.
After 70 years it still chills the blood to see German locations decked out in Nazi regalia, but one of the joys of this film is this rendering of life in wartime Berlin: starting with jubilation at German progress prior to D-Day and turning to despair and genuine danger as the tide turns towards 1945. In a pretty bleak film there are touches of black comedy now and then: Otto’s carpentry company is being encouraged “by the Fuhrer” to double and triple their output… of coffins.
A (very clean) Berlin, decked out with Nazi regalia.
More joy comes from the star turns of Gleeson and Thompson, both of who deliver on their emotionally challenging roles. Gleeson in particular makes a very believable German with a sour demeanor and a steely determination. But the star acting turn for me goes to the wonderful Daniel Brühl (“Rush“) as the tormented police detective, bullied into an ethical corner by the SS. The finale of the film – whilst not seeming quite believable – makes for a nicely unexpected twist.
The Nazi Womens’ League out on another fund-raising sweep, providing Thompson with one of her best scenes in the film with an Oberführer’s wife.
Based on a novel by Hans Fallada, the lead writing credits for the piece are shared between Achim von Borries and the director Vincent Perez – in a rare directorial outing for the Swiss actor. The script exudes a melancholic gloom and at times expresses beautifully both the grief and love shared by this older couple. But some of the dialogue needs more work and we don’t see enough of Thompson in the early part of the film where her motivations should be being developed. This rather comes down to a lack of focus by the director. While the primary story of the card distribution is slight, it is compelling and a detour into a sub-story about an old Jewish lodger living upstairs is unnecessary and detracts from the overall story arc. I would have far preferred if the running time had been a tight 90 minutes just focused on Otto’s mission. One final comment on the script: did I mishear that Anna claimed to have a 6 year old child during an air raid scene? I know Emma Thompson looks great for her age, but….
Otto and Elise Hampel – the real life characters on which the film’s Otto and Anna Quangel were based.
I can’t finish this without commending the beautiful piano score of Alexandre Desplat. From the first note I knew it was him – he has such a characteristic style – and his clever use of the score complements the film exquisitely. “Small” films like this tend to rather disappear into the woodwork for Oscar consideration, but here’s a soundtrack that I think should be considered: (but what do I know… when “Nocturnal Animals” wasn’t even nominated in one of the Oscar crimes of the century!).
In summary, I found this a thoughtful and thought-provoking film, that – despite some of the mean reviews I’ve seen – I thought was well crafted and with excellent production design by Jean-Vincent Puzos (“Amour”). It will be particularly appreciated by older audiences looking for an untold story from the war, and by all lovers of fine acting performances by the three leads.
Veronica Pena (690 KP) rated Men in Black International (2019) in Movies
Feb 17, 2020 (Updated Feb 19, 2020)
I really happily enjoyed this film! Maybe because I love Tessa Thompson and Chris Hemsworth together, maybe because Pawny is so funny and cute, maybe because Emma Thompson is a badass and it's a different pace of roll for Liam Neeson, or it's a combination of all of those things!
I really enjoyed the plot and the pacing of this film. I was worried that they showed their hand too early in the film and was genuinely afraid that this movie was going to be a let down so I was very happy at how it actually turned out and that it wasn't as predictable as I thought it would be.
Part of me is really hoping that there is a sequel to this film, but if there is, I think it'd really have to be good. I don't think there was much left unresolved other than the obvious - you'll know what I mean once you see the film - and a whole movie about that? I think that'd be disappointing. I enjoyed the fact that H and M's future partnership remained open for the possibility of a sequel, though.
I was also surprised at the drastic difference between ratings on the critic side in comparison to ratings from the general audience. Sometimes I think professional critics forget to enjoy the films they watch and instead critique everything. I personally enjoyed this film and it was a fun watch. Glad I didn't see it in theaters but also glad I spent the time to watch it at home.
I really enjoyed the plot and the pacing of this film. I was worried that they showed their hand too early in the film and was genuinely afraid that this movie was going to be a let down so I was very happy at how it actually turned out and that it wasn't as predictable as I thought it would be.
Part of me is really hoping that there is a sequel to this film, but if there is, I think it'd really have to be good. I don't think there was much left unresolved other than the obvious - you'll know what I mean once you see the film - and a whole movie about that? I think that'd be disappointing. I enjoyed the fact that H and M's future partnership remained open for the possibility of a sequel, though.
I was also surprised at the drastic difference between ratings on the critic side in comparison to ratings from the general audience. Sometimes I think professional critics forget to enjoy the films they watch and instead critique everything. I personally enjoyed this film and it was a fun watch. Glad I didn't see it in theaters but also glad I spent the time to watch it at home.
Buffy the Vampire Slayer - Season 5
8.9
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TV Season Watch
Sarah Michelle Gellar takes on the role of Buffy Summers in this TV version of "Buffy the Vampire...