Search
Hiroshima Mon Amour (1959)
Movie
A Japanese architect and French filmmaker fall in love in Hiroshima during the horrific time the...
Leon Morin, Priest (1961)
Movie
Set during occupied France, a faithless woman finds herself falling in love with a young priest.
Three Colors: Blue (Trois Couleurs: Bleu) (1993)
Movie Watch
A woman struggles to find a way to live her life after the death of her husband and child.
Richard Hell recommended Leon Morin, Priest (1961) in Movies (curated)
Therese Desqueyroux
Francois Mauriac and Gerard Hopkins
Book
Nobel-prize winner Francois Mauriac's masterpiece is Therese Desqueyroux, the story of a complex...
Phillip McSween (751 KP) rated Hiroshima Mon Amour (1959) in Movies
Jan 14, 2020
A Love Story and An Atomic Bomb
An extramarital affair occurs between a Japanese architect and a French filmmaker during the horrific time period when an atomic bomb was dropped. Hiroshima Mon Amour has a wonderful concept, yet there were a few things missing that caused it to miss the mark for me.
Acting: 10
Beginning: 10
The film begins with two lovers locked in a nude embrace. As they exchange dialogue, you feel their sensual connection. It’s not long before that shot cuts to images of people in hospitals deeply affected by the atomic bomb. It’s a harrowing sequence and a wonderful way to start a movie.
Characters: 4
This is probably one of the areas where I struggled the most when watching this movie. I never found myself invested in the two main characters known simply as He (Eiji Okada) and She (Emmanuelle Riva). I don’t know what it was but their stories didn’t move me and their personalities felt a bit flat. Seeing as they were pretty much the only characters that carried any kind of weight, it made it hard to really get into the story.
Cinematography/Visuals: 10
Not only is this film beautiful cinematically but It’s easily way ahead of its time. The cuts between sensuality and disaster are just sheer genius. Despite my lack of love for the characters, the movie itself is shot in a way that makes you feel, that leaves a jarring impact on you mentally. Very powerful.
Conflict: 5
Entertainment Value: 6
Memorability: 8
Because of the way it’s shot, the overall impact is strong. Unfortunately the movie itself is boring as all get out. I respect it sheerly for it being ahead of its time and being one of those cinematic pieces standing in a class of its own. At the very least, it will definitely stick out in your brain.
Pace: 6
Interesting at times, boring in others. I can see why people love this movie, but relate moreso to those that don’t. It drags on in a lot of spots where you’re hoping for a speedier resolution.
Plot: 8
Resolution: 3
I originally hated the ending. After going back and watching it again…I just really dislike it. The closure didn’t feel fully established leaving me extremely dissatisfied. Here was a chance for redemption and director Alain Resnais dropped the ball in my opinion.
Overall: 70
Hiroshima Mon Amour has flashes of absolute brilliance. Then those flashes get erased by poop. I think it’s worth a fair shot if you’re into the classics. Who knows, you may disagree with me. After all 89% of audience members did on Rotten Tomatoes.
Acting: 10
Beginning: 10
The film begins with two lovers locked in a nude embrace. As they exchange dialogue, you feel their sensual connection. It’s not long before that shot cuts to images of people in hospitals deeply affected by the atomic bomb. It’s a harrowing sequence and a wonderful way to start a movie.
Characters: 4
This is probably one of the areas where I struggled the most when watching this movie. I never found myself invested in the two main characters known simply as He (Eiji Okada) and She (Emmanuelle Riva). I don’t know what it was but their stories didn’t move me and their personalities felt a bit flat. Seeing as they were pretty much the only characters that carried any kind of weight, it made it hard to really get into the story.
Cinematography/Visuals: 10
Not only is this film beautiful cinematically but It’s easily way ahead of its time. The cuts between sensuality and disaster are just sheer genius. Despite my lack of love for the characters, the movie itself is shot in a way that makes you feel, that leaves a jarring impact on you mentally. Very powerful.
Conflict: 5
Entertainment Value: 6
Memorability: 8
Because of the way it’s shot, the overall impact is strong. Unfortunately the movie itself is boring as all get out. I respect it sheerly for it being ahead of its time and being one of those cinematic pieces standing in a class of its own. At the very least, it will definitely stick out in your brain.
Pace: 6
Interesting at times, boring in others. I can see why people love this movie, but relate moreso to those that don’t. It drags on in a lot of spots where you’re hoping for a speedier resolution.
Plot: 8
Resolution: 3
I originally hated the ending. After going back and watching it again…I just really dislike it. The closure didn’t feel fully established leaving me extremely dissatisfied. Here was a chance for redemption and director Alain Resnais dropped the ball in my opinion.
Overall: 70
Hiroshima Mon Amour has flashes of absolute brilliance. Then those flashes get erased by poop. I think it’s worth a fair shot if you’re into the classics. Who knows, you may disagree with me. After all 89% of audience members did on Rotten Tomatoes.