"So here’s the challenge: Tell the story of a disturbing legacy of sexual violence systemically perpetrated by one man, but perpetuated by an industry that delivered potential victims to the door of his office almost daily. Any takers? Yeah… Hollywood moguls aren’t exactly leaping at the chance to examine such behavior off-screen, let alone on-screen. It’s why “Bombshell,” Jay Roach’s electrifyingly empathetic new film, feels so necessary and cathartic. Roach directs brilliant actors (Charlize Theron, Nicole Kidman, Margot Robbie) as brilliant journalists who blew the whistle on Roger Ailes (John Lithgow), that special brand of psychopath who was not only their abuser but also responsible for their careers. With deft documentary-style camera work, Roach expertly unfurls the vipers nest of cult-like psychosis that permeates every floor of Fox News. His perfected technique of blending existing footage with stunning re-creations make a scene like Megyn Kelly (Theron) and Trump at the Republican Primary debate somehow more realistic than when it actually happened. But rather than leaning into satire, Roach weaves in enough humor and humanity that in some moments “Fox News” could be any office. It’s not a political film. It’s a film about women. Roach understands that workplace sexual assault is not about how you vote or what news channel you watch or even about sex. It’s about fear and power. Human emotions wielded in offices around the country every day. “Bombshell” is the result of a compassionate filmmaker who knew the responsibility of telling this tough but important story."

"I knew and liked David Lean, a director of genius, who was very kind to me when he was making The Sound Barrier for my Uncle Alex, and Brief Encounter has always seemed to me the very best of classic British filmmaking, with its fiercely restrained emotions and good manners trumping passion, typical of its era. It is the best of the “small” British pictures, which my Uncle Alex tried to replace with “big” British pictures in an attempt to outdo Hollywood, rather than coexist with it, after he left it for Britain in 1932. Lean, who in Brief Encounter made this most English of English films (a distinction perhaps shared by This Happy Breed and The Fallen Idol, see below), moved onward and upward to ever bigger pictures, by way of The Sound Barrier, Summertime, and eventually the biggest and best of all epic films, Lawrence of Arabia, escaping from the confines of England to “international” films that challenged and beat those of the Hollywood studios. But Brief Encounter was a perfect, close-up view of a shabby, threadbare England, the England of “books from Boot’s, good drains, and class distinction,” in John Betjeman’s words, and of a muted, sad, doomed, and very English love affair. It has always been a film that puzzles the French, who find it hard to believe in a love story with almost no eroticism, and in which the lovers are usually dressed in raincoats. It is also Trevor Howard, a wonderful actor, at his best."

"Leonard Cohen’s records were very well produced and orchestrated; this one is produced by Bob Johnston the same guy that worked with Dylan. I really just love the title of the record because it’s Songs of Love And Hate and that puts it all into perspective and kind of defines Leonard in a way, that the music is about emotion . ‘Avalanches’ is such an amazing song. I always loved that song, but I kind of came back to it after I heard Nick Cave’s version of it, because Cave’s version is so intense and brings out all the intensity of Leonard’s version. Leonard’s version is much more understated but once you hear Nick’s, Leonard’s is equally intense without having the electric guitars and the drums and all that. Cohen’s another person I just constantly go back to for inspiration, especially these days as I’m writing more songs on my own and playing more acoustic guitar and getting deeper and deeper into the acoustic guitar. A lot of the Leonard songs are done not just on an acoustic guitar but a nylon string acoustic guitar – a real folk guitar. I just love his atmosphere. Songs of Love And Hate is full of interesting songs that cover a whole range of emotions that folkies were supposed to cover but the idea of covering songs of hate: love and hate are two sides of the very same coin. It’s hard to break his songs down because they’re so enigmatic. That’s the Cohen album I chose this week, but next week it will be a different one."