Search
Search results
Mike Wilder (20 KP) rated The Hunger Games (2012) in Movies
May 30, 2018
Let the games begin!
Contains spoilers, click to show
This was an interesting film, the marketing was excellent and I wanted to see it even though I knew almost nothing about it. I knew it was based upon a novel but I hadn't read it. Jennifer Lawrence plays the lead of Katniss Everdeen and in my review of X-Men: First Class, I put her as the stand out performance of the film. I could see that she had something special, but would she be up to the task of carrying the whole film? Would my prediction about her be right?
The film is about a girl Katniss Everdeen (Jennifer Lawrence) who volunteers to fight in the Hunger Games taking the place of her younger sister. Competitors in the games are forced to fight to the death until only one is left standing.
There have been many films about people hunting people from Hard Target (1993) with Jean-Claude Van Damme to Surviving the Game (1994) staring Ice-T. The one that is most similar in style is the Japanese classic Battle Royale (2000). It also has youths forced to fight to the death, but where that film was purely designed for adults to shock and horrify you, Hunger Games is based on a book for teenagers and so is the film.
This was a very good film and for the most part it was beautifully shot. The actors in this are perfectly cast which includes Jennifer Lawrence, Stanley Tucci, Liam Hemsworth, Josh Hutcherson, Woody Harrelson, Wes Bentley, Paula Malcomson, Amandla Stenberg & Elizabeth Banks. Once again Jennifer Lawrence is outstanding, this time as the lead. Her portrayal of Katniss Everdeen is captivating. She has a great skill in drawing the audience in and making a connection with them. As with her performance in X-Men: First Class, her skill in portraying emotions comes over amazingly.
The film is a great visual treat, with a good story. However as good as the film is, the film makers failed in the transition from book to screen.
Minor Spoilers The book is set from the perspective of Katniss who is telling the story. However this is not the case with the film. It is just a story. The film really loses a lot from changing the format. With the book you get a lot of the history of the Hunger Games and you understand what they are all about. With the film this is missed out and barely covered in a small written intro. All the film needed to do was to have Katniss telling the story at least up until the point where her sister is chosen. Her giving a background narrative over the start of the film would have made a perfect introduction. The way it was done left me as a viewer without the necessary information I felt was needed to create an emotional connection to the characters and the story. Fortunately for me I started to read the book the night before the viewing as I had read that the film was a little vague during the opening scenes. This gave me the background that unfortunately the viewers of the film wouldn't necessarily have.
Minor Spoilers end The intentionally shaky camera shots get a bit too much at times and the lack of blood and carnage is a little too unbelievable and while overall this is a good film, it could have been a great film. If you have already read the book you should enjoy the film more than if you haven't.
8 out of 10 if you haven't read the book 9 out of 10 if you have read the book.
The film is about a girl Katniss Everdeen (Jennifer Lawrence) who volunteers to fight in the Hunger Games taking the place of her younger sister. Competitors in the games are forced to fight to the death until only one is left standing.
There have been many films about people hunting people from Hard Target (1993) with Jean-Claude Van Damme to Surviving the Game (1994) staring Ice-T. The one that is most similar in style is the Japanese classic Battle Royale (2000). It also has youths forced to fight to the death, but where that film was purely designed for adults to shock and horrify you, Hunger Games is based on a book for teenagers and so is the film.
This was a very good film and for the most part it was beautifully shot. The actors in this are perfectly cast which includes Jennifer Lawrence, Stanley Tucci, Liam Hemsworth, Josh Hutcherson, Woody Harrelson, Wes Bentley, Paula Malcomson, Amandla Stenberg & Elizabeth Banks. Once again Jennifer Lawrence is outstanding, this time as the lead. Her portrayal of Katniss Everdeen is captivating. She has a great skill in drawing the audience in and making a connection with them. As with her performance in X-Men: First Class, her skill in portraying emotions comes over amazingly.
The film is a great visual treat, with a good story. However as good as the film is, the film makers failed in the transition from book to screen.
Minor Spoilers The book is set from the perspective of Katniss who is telling the story. However this is not the case with the film. It is just a story. The film really loses a lot from changing the format. With the book you get a lot of the history of the Hunger Games and you understand what they are all about. With the film this is missed out and barely covered in a small written intro. All the film needed to do was to have Katniss telling the story at least up until the point where her sister is chosen. Her giving a background narrative over the start of the film would have made a perfect introduction. The way it was done left me as a viewer without the necessary information I felt was needed to create an emotional connection to the characters and the story. Fortunately for me I started to read the book the night before the viewing as I had read that the film was a little vague during the opening scenes. This gave me the background that unfortunately the viewers of the film wouldn't necessarily have.
Minor Spoilers end The intentionally shaky camera shots get a bit too much at times and the lack of blood and carnage is a little too unbelievable and while overall this is a good film, it could have been a great film. If you have already read the book you should enjoy the film more than if you haven't.
8 out of 10 if you haven't read the book 9 out of 10 if you have read the book.
Inky Books (3 KP) rated A Court of Mist and Fury in Books
Jun 21, 2018
Well, from the beginning, this book sure was a ride of emotions and plot events. I kept thinking that in the first part of the book the plot wasn’t moving, there was nothing happening. But now, after I have finished the book, I know that there were some very important events going on.
One thing I have learned about Sarah J. Maas and her characters is that she is never very nice to them for very long. But this causes me to feel sorry for them, to want them to be happy, thus showing that it is a good book to get me so emotionally involved. I knew this fact in Thorne of Glass and was expecting it in this series, but maybe not so early on. It defiantly shows that she has evolved as a writer and has become much more confidant.
Speaking of evolving, these characters did a bunch of it throughout this book and in between the first and second. While some characters (Feyre) transitioned over time, especially after all those nasty things she went through in the first book, I felt like others (Tamlin) had changed much too quickly. This defiantly could be explained at the span of three months that was between the first book and this one, but it still seemed abrupt and more like a plot device. Unquestionably for the plot. But I think it worked out well for the story arch that we are continuing to follow, one that is getting impressively complicated.
Feyre’s evolving rivals those of Alien, Lysandra, or Maven from Thorne of Glass. I know I keep bring this series up, making comparisons, but I just wanted to say how happy I was that Sarah J. Maas didn’t abandon her character evolving pattern. It makes each of her books so much more fun to read than others, some of which the characters don’t evolve enough to really see much of a difference. The evolving keeps me guessing at what the characters might do next, and that makes for a good book.
Sarah J. Maas also isn’t one to shy away from putting two people together to fall in love then having them change their mind. But, I liked Tamlin in the first, but not enough to completely ship them and wanting it to continue into the next book. I was hoping she would pull out one of those ‘I loved you but I don’t love you anymore’ moves. Because there are many relationships in this book that affect the plot, I won’t give any spoilers on it. Sorry if I implied it and you caught on, but really it was only the first 50 pages that might have been mildly ruined.
Bad things to say. Hmm. You know, there really isn’t much I have to complain about. I wish that Tamlin didn’t become so easy to hate right off (sorry, but once again only the first 50 pages), that we couldn’t see more of Feyre’s transition to becoming a high fae, her powers thereof, and watching more of these lovely relationships evolve as each person becomes closer, friends or otherwise. Other than those though, I don’t have much else to say.
At the time I am writing this review there is still three weeks left until the next book comes out, so once again I have to distract myself with others until I can get it. Sigh.
Wait, why did I wait so long to read it? Oh that’s right, so I wouldn’t be in the waiting position like I am now!
Also, a warning for younger readers, this book does become NC-17.
One thing I have learned about Sarah J. Maas and her characters is that she is never very nice to them for very long. But this causes me to feel sorry for them, to want them to be happy, thus showing that it is a good book to get me so emotionally involved. I knew this fact in Thorne of Glass and was expecting it in this series, but maybe not so early on. It defiantly shows that she has evolved as a writer and has become much more confidant.
Speaking of evolving, these characters did a bunch of it throughout this book and in between the first and second. While some characters (Feyre) transitioned over time, especially after all those nasty things she went through in the first book, I felt like others (Tamlin) had changed much too quickly. This defiantly could be explained at the span of three months that was between the first book and this one, but it still seemed abrupt and more like a plot device. Unquestionably for the plot. But I think it worked out well for the story arch that we are continuing to follow, one that is getting impressively complicated.
Feyre’s evolving rivals those of Alien, Lysandra, or Maven from Thorne of Glass. I know I keep bring this series up, making comparisons, but I just wanted to say how happy I was that Sarah J. Maas didn’t abandon her character evolving pattern. It makes each of her books so much more fun to read than others, some of which the characters don’t evolve enough to really see much of a difference. The evolving keeps me guessing at what the characters might do next, and that makes for a good book.
Sarah J. Maas also isn’t one to shy away from putting two people together to fall in love then having them change their mind. But, I liked Tamlin in the first, but not enough to completely ship them and wanting it to continue into the next book. I was hoping she would pull out one of those ‘I loved you but I don’t love you anymore’ moves. Because there are many relationships in this book that affect the plot, I won’t give any spoilers on it. Sorry if I implied it and you caught on, but really it was only the first 50 pages that might have been mildly ruined.
Bad things to say. Hmm. You know, there really isn’t much I have to complain about. I wish that Tamlin didn’t become so easy to hate right off (sorry, but once again only the first 50 pages), that we couldn’t see more of Feyre’s transition to becoming a high fae, her powers thereof, and watching more of these lovely relationships evolve as each person becomes closer, friends or otherwise. Other than those though, I don’t have much else to say.
At the time I am writing this review there is still three weeks left until the next book comes out, so once again I have to distract myself with others until I can get it. Sigh.
Wait, why did I wait so long to read it? Oh that’s right, so I wouldn’t be in the waiting position like I am now!
Also, a warning for younger readers, this book does become NC-17.
<i>I received this book for free through Goodreads First Reads.</i>
From the moment the great storm of 1987 almost blew six-year-old Nick Hunt away, he has had the urge to travel. So many travel books are on the market, it is difficult to produce something new and exciting, but after coming across an interesting map of Europe, Hunt was determined to go on a journey that not many have attempted before. With a map listing the named winds of Europe, Hunt sets off on a quixotic quest to follow the winds.
Beginning in the Pennine Mountains, Nick Hunt takes the reader on a personal journey through the continent as he explores the towns and valleys the winds flow through whilst hoping the elusive tempests will occur so that he can experience them himself. With a mix of euphoria and disappointment, Hunt details his arduous journey providing additional knowledge along the way.
Some winds are more evanescent than others – one, discouragingly, not appearing at all – whereas one is so strong, Hunt witnesses a waterfall being blown upwards. Ignoring the warnings of the locals, Hunt, dead set on completing what he intended to do, takes us on a long walk from Italy to Croatia, a trek through the Alpine valleys of Switzerland, and a final expedition to the south of France.
Wind may seem like an odd topic to write a book about, but the Helm, Bora, Foehn and Mistral are no ordinary breezes. Their violence makes Hunt’s journey a dangerous and daring endeavour and is full of stories about past disasters that have occurred as a result of the strong, temperamental weather.
As well as teaching us about these four winds, Nick Hunt has collected facts and stories about the general areas he passes through. Personal stories of the inhabitants break up Hunt’s narrative, however, myths, legends, history and superstitions frequent the lengthy chapters as much as the winds themselves.
Giving wind a name provides it with a personality, as though it is something tangible that can be met and observed. Nick Hunt notes that artists such as Turner and Constable were interested in the weather and fascinated by the effects the wind had on the surrounding landscape. Another artist that was affected by the weather was Vincent Van Gogh - some of his paintings took place in France in the midst of the powerful Mistral. Just as the wind can be seen in his starry night skies, the scenery in France is evocative of a Van Gogh painting.
The winds do not only affect the lands they blow through, they have a strong impact on the wellbeing of the inhabitants. Some experience physical symptoms such as headaches, nose bleeds, dry skin and so forth, whereas others find themselves growing irritable, depressed and confused. The author himself has the opportunity to undergo the effects of these winds. Hunt also puts forward the suggestion that Van Gogh’s deteriorating mental health was a direct consequence of residing in the path of the Mistral.
From witchcraft to the Greek god Aeolus, there are a number of theories about why these strong winds blow. There are, of course, meteorological explanations, which Hunt attempts to explain, but admits he finds it as baffling as the next person. Regardless of the reason, these winds exist and it is captivating to learn about this aspect of Europe.
<i>Where the Wild Winds Are: Walking Europe’s Winds from the Pennines to Provence</i> is a fantastic, beautifully written book. Nick Hunt’s narrative is so personal that it becomes more than a travel documentation or informative non-fiction. As we read, we really get a sense of the emotions and physical hardship Hunt experienced, yet, at the same time, learn so much about European culture as well as, of course, Europe’s winds. Whether or not you are interested in travelling, this book will take you on a journey you will never forget.
From the moment the great storm of 1987 almost blew six-year-old Nick Hunt away, he has had the urge to travel. So many travel books are on the market, it is difficult to produce something new and exciting, but after coming across an interesting map of Europe, Hunt was determined to go on a journey that not many have attempted before. With a map listing the named winds of Europe, Hunt sets off on a quixotic quest to follow the winds.
Beginning in the Pennine Mountains, Nick Hunt takes the reader on a personal journey through the continent as he explores the towns and valleys the winds flow through whilst hoping the elusive tempests will occur so that he can experience them himself. With a mix of euphoria and disappointment, Hunt details his arduous journey providing additional knowledge along the way.
Some winds are more evanescent than others – one, discouragingly, not appearing at all – whereas one is so strong, Hunt witnesses a waterfall being blown upwards. Ignoring the warnings of the locals, Hunt, dead set on completing what he intended to do, takes us on a long walk from Italy to Croatia, a trek through the Alpine valleys of Switzerland, and a final expedition to the south of France.
Wind may seem like an odd topic to write a book about, but the Helm, Bora, Foehn and Mistral are no ordinary breezes. Their violence makes Hunt’s journey a dangerous and daring endeavour and is full of stories about past disasters that have occurred as a result of the strong, temperamental weather.
As well as teaching us about these four winds, Nick Hunt has collected facts and stories about the general areas he passes through. Personal stories of the inhabitants break up Hunt’s narrative, however, myths, legends, history and superstitions frequent the lengthy chapters as much as the winds themselves.
Giving wind a name provides it with a personality, as though it is something tangible that can be met and observed. Nick Hunt notes that artists such as Turner and Constable were interested in the weather and fascinated by the effects the wind had on the surrounding landscape. Another artist that was affected by the weather was Vincent Van Gogh - some of his paintings took place in France in the midst of the powerful Mistral. Just as the wind can be seen in his starry night skies, the scenery in France is evocative of a Van Gogh painting.
The winds do not only affect the lands they blow through, they have a strong impact on the wellbeing of the inhabitants. Some experience physical symptoms such as headaches, nose bleeds, dry skin and so forth, whereas others find themselves growing irritable, depressed and confused. The author himself has the opportunity to undergo the effects of these winds. Hunt also puts forward the suggestion that Van Gogh’s deteriorating mental health was a direct consequence of residing in the path of the Mistral.
From witchcraft to the Greek god Aeolus, there are a number of theories about why these strong winds blow. There are, of course, meteorological explanations, which Hunt attempts to explain, but admits he finds it as baffling as the next person. Regardless of the reason, these winds exist and it is captivating to learn about this aspect of Europe.
<i>Where the Wild Winds Are: Walking Europe’s Winds from the Pennines to Provence</i> is a fantastic, beautifully written book. Nick Hunt’s narrative is so personal that it becomes more than a travel documentation or informative non-fiction. As we read, we really get a sense of the emotions and physical hardship Hunt experienced, yet, at the same time, learn so much about European culture as well as, of course, Europe’s winds. Whether or not you are interested in travelling, this book will take you on a journey you will never forget.
Hazel (1853 KP) rated Thirteen Reasons Why in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Recently filmed as a thirteen-part Netflix drama executively produced by Selena Gomez, <i>Thirteen Reasons Why</i> was the first novel by the award-winning author, Jay Asher. It is the type of book readers will either love or hate, but it should definitely come with a warning. This story is NOT an accurate representation of depression and suicide.
Yes, suicide. A teenaged girl has committed suicide, shocking everyone who knew her. No one could understand why, but thirteen people are going to find out. Clay Jensen is the ninth person to receive a box of thirteen audiotapes from Hannah Baker. However, Hannah died two weeks ago. As she premeditated taking her life, Hannah recorded thirteen stories involving people from her school that caused her to snowball into deep depression and despair. Desperate to find out why his name features in Hannah’s story, Clay begins listening to the tapes in order, putting together the events that led to Hannah’s death.
What follows is a heart-breaking story showing the impact individuals have on other people’s lives, often without realising it. In some cases, the characters only played a minor role in Hannah’s life, whereas others caused significant damage. The saddest thing is, Clay could have helped Hannah, but she had pushed him away.
At times, Hannah seemed like the horrible person, calling all these people out on petty little things, but these things, along with the more horrible ones, all built up to create a life that did not feel worth living. It is eye opening how much a small action, comment or rumour can so drastically alter someone’s future.
Bearing in mind that depression affects everyone differently and has numerous causes, some readers may feel disgusted at Hannah’s extreme action, but this is the fault of the author. Jay Asher fails to completely describe the emotional torment that Hannah felt, and only someone who may have been through a similar situation, or worse, will fully be able to understand the impact everything has had on her mental health.
As Hannah beleaguers her listeners, the thirteen people start to feel like the victims rather than the “attackers”, which is most probably not what the author was intending. Now, these people will have to live their lives believing they caused a girl to commit suicide when really they were only 1/13th of the reason. Although, before criticising this novel, keep in mind it is a work of fiction.
What is most painful about <i>Thirteen Reasons Why</i>, is not Hannah’s plight, but the reaction Clay has to hearing Hannah’s story. Unlike the other people Hannah accuses, Clay is not one of her antagonists; all Hannah wants to do is to say sorry.
It is up to the reader to judge whether <i>Thirteen Reasons Why</i> is worthy of praise or not. Those without an understanding of depression may dislike it on account of misunderstanding Hannah’s reasons, whereas others may feel insulted that she killed herself over things that could have been eased had she told someone. Personally, I understand where Hannah is coming from, and although I would not go to the extremes Hannah did, I do not think she was selfish or stupid or any other insult that may befall her.
The reason I give this book a good rating lies in the quality of writing. Asher seamlessly alternates between two narratives – Hannah’s story and Clay’s reaction and reflection. Although the author may not have clearly expressed Hannah’s emotions, he successful emphasises the grief and despair Clay feels listening to the cassettes. My main concern is that <i>Thirteen Reasons Why</i> will only be short lived. Audiotapes were already obsolete when the book was published, but soon will there be any new readers who know what a tape is?
Recently filmed as a thirteen-part Netflix drama executively produced by Selena Gomez, <i>Thirteen Reasons Why</i> was the first novel by the award-winning author, Jay Asher. It is the type of book readers will either love or hate, but it should definitely come with a warning. This story is NOT an accurate representation of depression and suicide.
Yes, suicide. A teenaged girl has committed suicide, shocking everyone who knew her. No one could understand why, but thirteen people are going to find out. Clay Jensen is the ninth person to receive a box of thirteen audiotapes from Hannah Baker. However, Hannah died two weeks ago. As she premeditated taking her life, Hannah recorded thirteen stories involving people from her school that caused her to snowball into deep depression and despair. Desperate to find out why his name features in Hannah’s story, Clay begins listening to the tapes in order, putting together the events that led to Hannah’s death.
What follows is a heart-breaking story showing the impact individuals have on other people’s lives, often without realising it. In some cases, the characters only played a minor role in Hannah’s life, whereas others caused significant damage. The saddest thing is, Clay could have helped Hannah, but she had pushed him away.
At times, Hannah seemed like the horrible person, calling all these people out on petty little things, but these things, along with the more horrible ones, all built up to create a life that did not feel worth living. It is eye opening how much a small action, comment or rumour can so drastically alter someone’s future.
Bearing in mind that depression affects everyone differently and has numerous causes, some readers may feel disgusted at Hannah’s extreme action, but this is the fault of the author. Jay Asher fails to completely describe the emotional torment that Hannah felt, and only someone who may have been through a similar situation, or worse, will fully be able to understand the impact everything has had on her mental health.
As Hannah beleaguers her listeners, the thirteen people start to feel like the victims rather than the “attackers”, which is most probably not what the author was intending. Now, these people will have to live their lives believing they caused a girl to commit suicide when really they were only 1/13th of the reason. Although, before criticising this novel, keep in mind it is a work of fiction.
What is most painful about <i>Thirteen Reasons Why</i>, is not Hannah’s plight, but the reaction Clay has to hearing Hannah’s story. Unlike the other people Hannah accuses, Clay is not one of her antagonists; all Hannah wants to do is to say sorry.
It is up to the reader to judge whether <i>Thirteen Reasons Why</i> is worthy of praise or not. Those without an understanding of depression may dislike it on account of misunderstanding Hannah’s reasons, whereas others may feel insulted that she killed herself over things that could have been eased had she told someone. Personally, I understand where Hannah is coming from, and although I would not go to the extremes Hannah did, I do not think she was selfish or stupid or any other insult that may befall her.
The reason I give this book a good rating lies in the quality of writing. Asher seamlessly alternates between two narratives – Hannah’s story and Clay’s reaction and reflection. Although the author may not have clearly expressed Hannah’s emotions, he successful emphasises the grief and despair Clay feels listening to the cassettes. My main concern is that <i>Thirteen Reasons Why</i> will only be short lived. Audiotapes were already obsolete when the book was published, but soon will there be any new readers who know what a tape is?
LilyLovesIndie (123 KP) rated The Truth Seekers in Books
Nov 5, 2018
A period romance of the highest order, this story is totally un-put-downable from the moment you first step foot into the twisted psyche of the enigmatic and, quite frankly, dark Mr Hawes. There are so many twists and turns and little surprises throughout this book that it truly is a wonderful read. But before I start to waffle too much in general terms, IÕll get stuck in in letting you know my thoughts.
To start, I think the characters are more than worthy of a mention. Lawrence is a master of character development, and I say this after having only read one of her books, but that is honestly how strongly I feel about it. Never, in all my many books, have I come across a character as understated yet complex as Miranda. At first sight, she appears to be a simple and quite ordinary society beauty, but how very wrong that assumption would be. As the story progresses, we see her develop into a fiesty, and then broken young woman, before she regains her spark. The journey she travels is so tangible you can almost feel the emotions pouring through the pages. And that brings me onto the strange Mr Hawes. HeÕs a character and a half. Awkward, rude and at times quite objectionable, yet I still felt endeared to his situation. I find him harder to describe, as he really is so different and out of the box that itÕs refreshing against the standard ÔconformityÕ to society norms you usually find in period novels.
Something else I think really needs mentioning is the fact that this book is hugely believable. I am a huge reader of historical books, I am a great history addict and I have to say, this book ticks every single box. ItÕs full of the little quirks you would expect to see in that time Ð the language, the traditions, the vacation spots. ItÕs all just sublimely weaved together to create a total immersion into this time. It is truly like reading a modern day Jane Austen, and I mean that as the highest compliment and the greatest praise for Lawrence. It is clear that there is a huge bank of knowledge behind this writing, and that makes it so much easier and enjoyable to read. Honestly, I canÕt praise it highly enough!
At the risk of repeating myself, I am going to touch briefly on the plot for my final batch of comments because I am left slightly astounded and speechless with this book. The plot is amazing. Put very simply I know, but it is just exquisite in itÕs development, itÕs execution and itÕs whole story is just perfect. I donÕt say that very often about books, but this is so worthy of the mention. IÕm just, well, struggling to put in to words exactly how much I loved the way the story developed. The twists and turns, sudden changes, and eventually the happiness weÕve been searching for from the start, it was all woven together with immense skill and understanding for the genre and that made it such an easy book to get lost in (in the best possible way).
In conclusion, just in case you didnÕt grasp it earlier in the review Ð I freaking loved this book! It was fantastic from start to finish. A great pace, wonderful characters and a delightful storyline that kept me hooked from page one. The only thing I didnÕt like is the fact it had to end! I cannot recommend this highly enough and I will be looking forward to devouring more of Elizabeth LawrenceÕs offerings as soon as I possibly can.
ARC received with thanks and first reviewed as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=267
To start, I think the characters are more than worthy of a mention. Lawrence is a master of character development, and I say this after having only read one of her books, but that is honestly how strongly I feel about it. Never, in all my many books, have I come across a character as understated yet complex as Miranda. At first sight, she appears to be a simple and quite ordinary society beauty, but how very wrong that assumption would be. As the story progresses, we see her develop into a fiesty, and then broken young woman, before she regains her spark. The journey she travels is so tangible you can almost feel the emotions pouring through the pages. And that brings me onto the strange Mr Hawes. HeÕs a character and a half. Awkward, rude and at times quite objectionable, yet I still felt endeared to his situation. I find him harder to describe, as he really is so different and out of the box that itÕs refreshing against the standard ÔconformityÕ to society norms you usually find in period novels.
Something else I think really needs mentioning is the fact that this book is hugely believable. I am a huge reader of historical books, I am a great history addict and I have to say, this book ticks every single box. ItÕs full of the little quirks you would expect to see in that time Ð the language, the traditions, the vacation spots. ItÕs all just sublimely weaved together to create a total immersion into this time. It is truly like reading a modern day Jane Austen, and I mean that as the highest compliment and the greatest praise for Lawrence. It is clear that there is a huge bank of knowledge behind this writing, and that makes it so much easier and enjoyable to read. Honestly, I canÕt praise it highly enough!
At the risk of repeating myself, I am going to touch briefly on the plot for my final batch of comments because I am left slightly astounded and speechless with this book. The plot is amazing. Put very simply I know, but it is just exquisite in itÕs development, itÕs execution and itÕs whole story is just perfect. I donÕt say that very often about books, but this is so worthy of the mention. IÕm just, well, struggling to put in to words exactly how much I loved the way the story developed. The twists and turns, sudden changes, and eventually the happiness weÕve been searching for from the start, it was all woven together with immense skill and understanding for the genre and that made it such an easy book to get lost in (in the best possible way).
In conclusion, just in case you didnÕt grasp it earlier in the review Ð I freaking loved this book! It was fantastic from start to finish. A great pace, wonderful characters and a delightful storyline that kept me hooked from page one. The only thing I didnÕt like is the fact it had to end! I cannot recommend this highly enough and I will be looking forward to devouring more of Elizabeth LawrenceÕs offerings as soon as I possibly can.
ARC received with thanks and first reviewed as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=267
LilyLovesIndie (123 KP) rated Indivisible Line in Books
Nov 5, 2018
Two people, thrown together by coincidence develop a bond that goes much deeper than blood. Sarah and Greg experience loss, injury and much more as they come to realise that, when all is said and done, love is really all they needed from the start.
I thoroughly enjoyed this new offering from Font and found it to be a delightful little romance that was easy to read, yet full of twists and turns as Greg and Sarah tried to work out their feelings for each other. The plot itself does, at first glance, seem somewhat familiar - girl meets boy, two different worlds, and all that usual jazz - but this is Font we're talking about, and you can feel from the first few chapters that there is going to be something more in this story. In true style, Font throws in adversity and drama from the off, never overdoing the 'woe is me' that Sarah could play on, but keeping a perfect balance between angst and romance.
Characterisation is something that I am always on the look out for, and Font, as usual, delivers a super cast who you engage with and find quite easy to relate to. Sarah is as stubborn as a mule, but it works more as an endearing feature than a character flaw. You root for her, you want her life to come good, you want her to find that happiness you know she deserves. Greg is an enigma at first, and he never really sheds that persona until much later in the story, but again, it is an endearing part of his character, rather than a flaw. The supporting ensemble of Lily, Trimble, Matilda and Simon are equally enjoyable to read, helping at key points to be a stable feature for Sarah and Greg during times of need.
If there was one thing I could quibble over it would be, and I'm being super nit-picky here, the pace. Personally, I found the pace to be a little slow in places, but note the 'in places' - at other times, it was splendid and pulled you right into the story so that you had to keep reading. Once you reach 50%, the book is near impossible to put down, but I guess I just wanted that momentum there from a little earlier on rather than taking that extra bit of time. Like I said, nit-picky, but that's me!
Something I felt was done exceedingly well in this book was the emotion, be it Sarah's sadness, confusion, love or Greg's anger, worry or determination - it was all there and it was all believable from start to finish. I got exasperated when both Sarah and Greg were being daft and not noticing the signs, I cried for most of the last 10% (no spoilers in my reviews, but seriously, get yourself some tissues at 89%!) and I gasped in shock as plot twists hit me out of nowhere (you'd think I'd be used to this after reading Font's other works, but she totally got me again). It was written with excellent skill and balance, and I have to give praise where it's due, because Font did a fantastic job of making the emotions pour out of the page and straight into your heart.
And so, the end of another review. To conclude, it was a very enjoyable read and one I'll be recommending to friends and family ahead of that poolside reading time we call summer holidays. Characters, emotion, plot - all the key elements were there and it was, as always, a very well written story from start to finish. Well done Lorenz Font, you've written another super story that will no doubt be one I shall return to read one day in the future.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
I thoroughly enjoyed this new offering from Font and found it to be a delightful little romance that was easy to read, yet full of twists and turns as Greg and Sarah tried to work out their feelings for each other. The plot itself does, at first glance, seem somewhat familiar - girl meets boy, two different worlds, and all that usual jazz - but this is Font we're talking about, and you can feel from the first few chapters that there is going to be something more in this story. In true style, Font throws in adversity and drama from the off, never overdoing the 'woe is me' that Sarah could play on, but keeping a perfect balance between angst and romance.
Characterisation is something that I am always on the look out for, and Font, as usual, delivers a super cast who you engage with and find quite easy to relate to. Sarah is as stubborn as a mule, but it works more as an endearing feature than a character flaw. You root for her, you want her life to come good, you want her to find that happiness you know she deserves. Greg is an enigma at first, and he never really sheds that persona until much later in the story, but again, it is an endearing part of his character, rather than a flaw. The supporting ensemble of Lily, Trimble, Matilda and Simon are equally enjoyable to read, helping at key points to be a stable feature for Sarah and Greg during times of need.
If there was one thing I could quibble over it would be, and I'm being super nit-picky here, the pace. Personally, I found the pace to be a little slow in places, but note the 'in places' - at other times, it was splendid and pulled you right into the story so that you had to keep reading. Once you reach 50%, the book is near impossible to put down, but I guess I just wanted that momentum there from a little earlier on rather than taking that extra bit of time. Like I said, nit-picky, but that's me!
Something I felt was done exceedingly well in this book was the emotion, be it Sarah's sadness, confusion, love or Greg's anger, worry or determination - it was all there and it was all believable from start to finish. I got exasperated when both Sarah and Greg were being daft and not noticing the signs, I cried for most of the last 10% (no spoilers in my reviews, but seriously, get yourself some tissues at 89%!) and I gasped in shock as plot twists hit me out of nowhere (you'd think I'd be used to this after reading Font's other works, but she totally got me again). It was written with excellent skill and balance, and I have to give praise where it's due, because Font did a fantastic job of making the emotions pour out of the page and straight into your heart.
And so, the end of another review. To conclude, it was a very enjoyable read and one I'll be recommending to friends and family ahead of that poolside reading time we call summer holidays. Characters, emotion, plot - all the key elements were there and it was, as always, a very well written story from start to finish. Well done Lorenz Font, you've written another super story that will no doubt be one I shall return to read one day in the future.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
4.5 STAR RATING
Now I must admit that I sometimes find it very difficult to give a star rating to a self-help book as actually reading the book is only part of the therapy that it provides. In order to give a fully accurate rating the book would have to be read, the constructive ideas written within the pages followed and carried out wholeheartedly and a realistic amount of time left to pass for recovery. As I have only finished reading this book today I have not had time to really go through the processes that are outlined in this book, therefore, I do not know how much this book will actually have an impact on my life BUT I am willing to work my way through the suggestions.
I borrowed this book from the library (I find some self-help books to be over priced and there are just so many out there that you often don't know exactly what you're buying) so I am not able to refer back to this copy time and time again throughout recovery like this book suggests you do (unless I decide to purchase a copy) and so quite a few of the processes will have to be carried out using memory, which I know isn't often advised.
The reason for my high rating is because I found this book to be completely different to any other self help book that I have read in the past. Often these books outline the same sort of processes so you keep being fed the same sort of information but this book seems to have a more relaxed approach to dealing with stress, anxiety and depression...and in some ways a more realistic approach. It teaches you the methods of 'floating' not 'facing', 'accepting' not 'fighting' and 'comfort' not 'conflict'.
I am definitely not a stranger to anxiety and depression and so for a long time I have been actively searching for ways in which these 'illnesses' can be 'cured' or made less intense. This book has definitely helped me in the sense that it has given me a completely different perspective compared to what I had before reading this book. Stress and depression can cause you to be a lot less open minded than you perhaps used to be and being accepting of new ideas and view points may seem very daunting, however, when ideas are presented in this book Dr Weekes gives examples about how the sufferer may be feeling once presented with an idea (personally I found her to be pretty spot on) and so you are given a sense of relief that someone out there knows what you are going through and that she has helped many people in similar situations.
The book also contains numerous 'Case Studies', where Dr Weekes gives examples of some of her clients, their problems, their emotions, their coping strategies and the feedback that she provides for them. The 'life problems' discussed are very broad and so you may find that one might be similar to your current situation, a situation you have been in or perhaps even a situation that you are frightened you might end up in in the near or distant future.
My retraction of 1/2 a star wasn't because this book has any negative aspects but simply because I am yet to fully explore it's full potential and to put it into practice, as mentioned earlier on in my review.
I find that just knowing that someone is there 'talking to you' and 'guiding' you in the right direction is comforting and kind of relaxing in a way...a helping hand, to turn that frown upside down.
Now I must admit that I sometimes find it very difficult to give a star rating to a self-help book as actually reading the book is only part of the therapy that it provides. In order to give a fully accurate rating the book would have to be read, the constructive ideas written within the pages followed and carried out wholeheartedly and a realistic amount of time left to pass for recovery. As I have only finished reading this book today I have not had time to really go through the processes that are outlined in this book, therefore, I do not know how much this book will actually have an impact on my life BUT I am willing to work my way through the suggestions.
I borrowed this book from the library (I find some self-help books to be over priced and there are just so many out there that you often don't know exactly what you're buying) so I am not able to refer back to this copy time and time again throughout recovery like this book suggests you do (unless I decide to purchase a copy) and so quite a few of the processes will have to be carried out using memory, which I know isn't often advised.
The reason for my high rating is because I found this book to be completely different to any other self help book that I have read in the past. Often these books outline the same sort of processes so you keep being fed the same sort of information but this book seems to have a more relaxed approach to dealing with stress, anxiety and depression...and in some ways a more realistic approach. It teaches you the methods of 'floating' not 'facing', 'accepting' not 'fighting' and 'comfort' not 'conflict'.
I am definitely not a stranger to anxiety and depression and so for a long time I have been actively searching for ways in which these 'illnesses' can be 'cured' or made less intense. This book has definitely helped me in the sense that it has given me a completely different perspective compared to what I had before reading this book. Stress and depression can cause you to be a lot less open minded than you perhaps used to be and being accepting of new ideas and view points may seem very daunting, however, when ideas are presented in this book Dr Weekes gives examples about how the sufferer may be feeling once presented with an idea (personally I found her to be pretty spot on) and so you are given a sense of relief that someone out there knows what you are going through and that she has helped many people in similar situations.
The book also contains numerous 'Case Studies', where Dr Weekes gives examples of some of her clients, their problems, their emotions, their coping strategies and the feedback that she provides for them. The 'life problems' discussed are very broad and so you may find that one might be similar to your current situation, a situation you have been in or perhaps even a situation that you are frightened you might end up in in the near or distant future.
My retraction of 1/2 a star wasn't because this book has any negative aspects but simply because I am yet to fully explore it's full potential and to put it into practice, as mentioned earlier on in my review.
I find that just knowing that someone is there 'talking to you' and 'guiding' you in the right direction is comforting and kind of relaxing in a way...a helping hand, to turn that frown upside down.
Carma (21 KP) rated Worth the Wait (Guthrie Brothers #2) in Books
Jun 17, 2019
Worth the wait is a follow up book to Don’t Tempt Me, which was first released in July 2016. I happened upon Don’t Tempt Me after completing a book by another author. I loved it and was hungry for a continuation of the Guthrie Brothers story. After waiting for months and months its finally available to read to be transported to Clearbrook once again. Lori Foster, honestly, is one of my favorite authors. She has the ability to put you right in the middle of each and every book she writes. You feel the emotions each character feels, you can hear the sounds, almost smell the smells, and picture each character by her incredible descriptions of people and their surroundings. Worth the Wait is about main characters Hogan Guthrie and Violet Shaw. We met both characters in Don’t Tempt Me and got a muted sense of their attraction to one another. While I loved the characters of Hogan and Colt in Don’t Tempt Me, I don’t know if that transferred over to Worth the Wait where Hogan is concerned. Colt is a dream kid, funny, helpful, loves his family. But I found myself wishing I knew more about Hogan, overall his back-story seemed rushed along.
As with most Lori Foster novels we find ourselves getting involved in secondary characters and stories both separate from or including main characters. Some we hope to see get a book of their own (Barber, Colt) and some well maybe we don’t. Worth the Wait has a possible don’t with a secondary romance between Nathan Hawley and Brooklin Sweet. I enjoyed Nathan’s brief introduction in Don’t Tempt Me but I felt like his story was just randomly inserted in the book as a way to fill the pages. After finishing the book I feel like I know a little more about Nathan but mostly that his story was just a way to fill the pages between Hogan and Violet’s dance around each other. I know Nathan wasn’t a main character for this book and I know he was a friend of Hogan and Jason. I also know his story with Brooklin ties in to the story of Hogan and Violet, I just don’t feel like his time was in this book.
Seemingly I felt like the story between Hogan and Violet dragged on a little long with some interactions taking a long time on mundane things and speeding through things that may have set up a bigger connection between them. I think more time could have been spent on Violet’s family life, her connection with her uncle etc and grow that a little more for her back-story. Both main characters fell a little flat with detail on the who/what/why of their pasts. Don’t get me wrong, they definitely felt right for each other, I just didn’t get swept away by their romance as I normally do with a Lori Foster novel.
Overall I enjoyed Worth the Wait, even the parts that bug me like being able to see someone roll their eyes behind big ridiculous sunglasses, but it probably won’t be one book I go back to read and read over again (i.e. Rowdy, Trace, Zane to name a few). Sadly this book just didn’t grab my uninterrupted full interest, this time. But I know Lori Foster will grab my attention over and over again with each new book she publishes. I received Worth the Wait as an ARC in exchange for an honest review (watch out because blunt is my middle name). Hope this review helps now hurry and buy your own copy of Worth the Wait to prove me wrong, everyone loves to be right!!
As with most Lori Foster novels we find ourselves getting involved in secondary characters and stories both separate from or including main characters. Some we hope to see get a book of their own (Barber, Colt) and some well maybe we don’t. Worth the Wait has a possible don’t with a secondary romance between Nathan Hawley and Brooklin Sweet. I enjoyed Nathan’s brief introduction in Don’t Tempt Me but I felt like his story was just randomly inserted in the book as a way to fill the pages. After finishing the book I feel like I know a little more about Nathan but mostly that his story was just a way to fill the pages between Hogan and Violet’s dance around each other. I know Nathan wasn’t a main character for this book and I know he was a friend of Hogan and Jason. I also know his story with Brooklin ties in to the story of Hogan and Violet, I just don’t feel like his time was in this book.
Seemingly I felt like the story between Hogan and Violet dragged on a little long with some interactions taking a long time on mundane things and speeding through things that may have set up a bigger connection between them. I think more time could have been spent on Violet’s family life, her connection with her uncle etc and grow that a little more for her back-story. Both main characters fell a little flat with detail on the who/what/why of their pasts. Don’t get me wrong, they definitely felt right for each other, I just didn’t get swept away by their romance as I normally do with a Lori Foster novel.
Overall I enjoyed Worth the Wait, even the parts that bug me like being able to see someone roll their eyes behind big ridiculous sunglasses, but it probably won’t be one book I go back to read and read over again (i.e. Rowdy, Trace, Zane to name a few). Sadly this book just didn’t grab my uninterrupted full interest, this time. But I know Lori Foster will grab my attention over and over again with each new book she publishes. I received Worth the Wait as an ARC in exchange for an honest review (watch out because blunt is my middle name). Hope this review helps now hurry and buy your own copy of Worth the Wait to prove me wrong, everyone loves to be right!!
Darren (1599 KP) rated Aftermath (2014) in Movies
Jun 20, 2019
Story: Aftermath starts by showing us a man struggling to walk through an abandoned landscape. We then flash back to one month earlier where we learn about an ongoing war between America and Israel. We meet or protagonist Hunter (Thomason) as he listens to the ongoing war before nuclear explosion hit leading him to rescue a young family. The group also meet another survivor in the road but find a place to stay underground in a farmhouse with another small group of survivors. Hunter explains they will need to spend at least a month underground while the fall out of the nuclear attack settles. We follow the group through the month as tension rise over time.
When I saw this and the title I was actually looking to settle down and watch a horror like film, but what we got was so much more. First off there is no horror involved, it is all tension building character development. We see the group over 30 days and how their situation gets worse as each day goes by, with only the radio to update them. We get to see how the radiation slowly changes and infects them while others try to get in. it plays on a range of emotions and comes off very bleak. This is a great story of the struggle to survive after a nuclear attack from the point of view of the innocent victims. (7/10)
Actor Review
C.J. Thomason: Hunter doctor and survivalist who leads the group of survivors as they try to make it through the attack in a farm basement. He tries to treat everyone who has issues but even with his skills he can’t save everyone from the situation. C.J. gives a good performance as a reluctant leader. (7/10)
hunter
Monica Keena: Elizabeth stranger picked up on the side of the road, she stays with the group and sometimes looks out for younger members by her calm nature. Monica gives a solid performance but sometimes struggles in the action scenes. (6/10)
monica
Edward Furlong: Brad over protective redneck who doesn’t want to let the group in and is always against the decision to let them in. he is a hot head but as the time goes by he wants to look after the group as much as the rest. Edward gives a good performance and does a good job with the only character that shows full emotion. (7/10)
ed
Support Cast: Aftermath’s supporting cast is mainly extra people in the basement who go through the struggles but also includes the people outside who are too far gone to let in.
Director Review: Peter Engert – Peter does a good job directing Aftermath creating genuine tension throughout. (8/10)
Action: Aftermath only has a few action scenes and they are quick, but each comes off desperate like the situation the people are in. (7/10)
Thriller: Aftermath really pulls you in as you want to know what happens to the group and feel for them when things start to get worse. (8/10)
Settings: Aftermath uses its isolation setting that the group creates for themselves to survive really well, as it keeps us unaware of what is going on outside. (9/10)
Suggestion: Aftermath is worth watching, but I do feel like the casual fan might not enjoy this, it really will appeal to those who enjoy a solid drama about survival. (Try It)
Best Part: The bleakness that surrounds the story.
Worst Part: Aftermath can come off feeling a little bit slow.
Believability: Aftermath tackles a potential real problem the world could face. (7/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 32 Minutes
Overall: A Great Unwatched Thriller
https://moviesreview101.com/2015/03/24/aftermath-2012/
When I saw this and the title I was actually looking to settle down and watch a horror like film, but what we got was so much more. First off there is no horror involved, it is all tension building character development. We see the group over 30 days and how their situation gets worse as each day goes by, with only the radio to update them. We get to see how the radiation slowly changes and infects them while others try to get in. it plays on a range of emotions and comes off very bleak. This is a great story of the struggle to survive after a nuclear attack from the point of view of the innocent victims. (7/10)
Actor Review
C.J. Thomason: Hunter doctor and survivalist who leads the group of survivors as they try to make it through the attack in a farm basement. He tries to treat everyone who has issues but even with his skills he can’t save everyone from the situation. C.J. gives a good performance as a reluctant leader. (7/10)
hunter
Monica Keena: Elizabeth stranger picked up on the side of the road, she stays with the group and sometimes looks out for younger members by her calm nature. Monica gives a solid performance but sometimes struggles in the action scenes. (6/10)
monica
Edward Furlong: Brad over protective redneck who doesn’t want to let the group in and is always against the decision to let them in. he is a hot head but as the time goes by he wants to look after the group as much as the rest. Edward gives a good performance and does a good job with the only character that shows full emotion. (7/10)
ed
Support Cast: Aftermath’s supporting cast is mainly extra people in the basement who go through the struggles but also includes the people outside who are too far gone to let in.
Director Review: Peter Engert – Peter does a good job directing Aftermath creating genuine tension throughout. (8/10)
Action: Aftermath only has a few action scenes and they are quick, but each comes off desperate like the situation the people are in. (7/10)
Thriller: Aftermath really pulls you in as you want to know what happens to the group and feel for them when things start to get worse. (8/10)
Settings: Aftermath uses its isolation setting that the group creates for themselves to survive really well, as it keeps us unaware of what is going on outside. (9/10)
Suggestion: Aftermath is worth watching, but I do feel like the casual fan might not enjoy this, it really will appeal to those who enjoy a solid drama about survival. (Try It)
Best Part: The bleakness that surrounds the story.
Worst Part: Aftermath can come off feeling a little bit slow.
Believability: Aftermath tackles a potential real problem the world could face. (7/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 32 Minutes
Overall: A Great Unwatched Thriller
https://moviesreview101.com/2015/03/24/aftermath-2012/
BankofMarquis (1832 KP) rated Roma (2018) in Movies
Jan 16, 2019
A lush and beautiful memory
Alfonso Cuaron - the magnificent Director from Mexico who directed such big Hollywood hits as HARRY POTTER AND THE PRISONER OF AZKABAN (the best HP flick, IMHO) and GRAVITY (one of the best films of 2013, IMHO) has made a little "personal" film that was financed and released by Netflix. Netflix, in their wisdom, realized they might have an Oscar contender on it's hands, so has released ROMA in limited release to Theaters (mostly Art Houses) and...in some instances...you can catch a 70mm print of this film. Or...you can watch it on your TV via your Netflix subscription.
I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.
For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.
It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...
And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.
Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.
The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.
Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.
For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.
It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...
And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.
Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.
The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.
Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)